Brad reviews RIDERS OF JUSTICE (2020), starring Mads Mikkelsen!


RIDERS OF JUSTICE (2020) is the genre-bending story of Markus (Mads Mikkelsen), a badass soldier who returns to his home in Denmark after his wife dies in a train accident. His daughter Mathilde (Andrea Heick Gadeberg), who survived the accident that took her mother’s life, needs her dad to help her through this difficult time, but he has no idea how to process what happened and is failing miserably. Enter Otto (Nikolaj Lie Kaas), a data analyst and another survivor of the train crash. Otto tells Markus that his mathematical analysis indicates that the “accident” was actually the staged assassination of a person on the train by a group of criminals who go by the name “Riders of Justice,” and that his wife was an innocent casualty of that attack. Otto also brings along his eccentric, intelligent and emotionally troubled friends Lennart (Lars Brygmann) and Emmenthaler (Nicolas Bro) to help convince Markus of their findings. Markus accepts their premise, mainly because he wants someone to blame and take vengeance upon. Soon, the badass and the unlikely trio of nerds set out to kick ass, compute probabilities, hack computers, and get in touch with their innermost feelings. It’s gonna be a bumpy ride, with both blood and tears flowing like raging rivers!

I must admit that prior to sitting down with a group of friends and watching RIDERS OF JUSTICE this weekend, I had never heard of the film. It came out during the COVID lockdown periods of 2020 and 2021 and somehow flew completely under my radar. I’m so glad my friend Stewart chose the film for us to watch because it’s filled with awesome action sequences, absurdist comedy, and real human emotions. I also give it bonus points for being a Christmas movie, as it begins and ends with musical renditions of “The Little Drummer Boy,” even featuring Mads Mikkelsen wearing an ugly Christmas sweater!

I’ll start my discussion of the film with Mads Mikkelsen, an actor I’ve always appreciated, as the emotionally repressed and extremely lethal soldier, Markus. Usually a film like this would star someone like Jason Statham or Liam Neeson and focus solely on his quest for vengeance and not detour too much from those goals. This movie leaves us with no doubt of Markus’ killing abilities, but it also forces him to deal with his daughter’s feelings, as well as her sensitive boyfriend’s attempts to help him heal. Men who try to push Markus into revealing his feelings usually end up with a black eye or broken nose. But to his credit, he usually does feel bad about it afterwards. Next we have Otto, the nerd whose math calculations convince Markus that the riders of justice need to die. Otto is a sweet guy who truly wants to help Markus and Mathilde, but we find out over the course of the film that beneath his pleasant personality is a life fueled by guilt and shame. And then there’s Otto’s nerdy friends Lennart and Emmenthaler. I won’t go into all of the details of their lives, but these guys are also revealed to be thoughtful, kind, angry, funny, and extremely damaged depending on the time and the circumstances. On a funny side note, Emmenthaler’s unexpected ability to assemble a weapon is second to none. RIDERS OF JUSTICE pulls off the genuinely surprising feat of creating a “family” out of this mismatched group, and we see how they come to help each other and depend on each other. This makes the stakes so much higher when they inevitably must battle the evil riders of justice. The movie is funny, dramatic, and badass in equal measures and somehow it all works! 

RIDERS OF JUSTICE was written and directed by a Danish filmmaker named Anders Thomas Jensen. I’m going to be emotionally vulnerable here and admit that I was completely unaware of Jensen, and that he and Mikkelson have an ongoing director / star, filmmaking collaboration that extends back to 2000 and currently includes six movies, with their latest, THE LAST VIKING (AKA BACK TO REALITY), set to be released in the fall of 2025. This collaboration also includes the actors Nicolaj Lie Kaas, Nicolas Bro and, with increasing frequency, Lars Brygmann. Based on my appreciation of RIDERS OF JUSTICE, I will be going back in time and watching some of their previous films to see how they stack up, and I’ll be looking forward with great anticipation to the release of their most recent work later this year. One of the great joys of cinema is the discovery of something new and special. I feel like this may have just happened for me again with a late night viewing of RIDERS OF JUSTICE!

Song of the Day: Atomic by Blondie


Our song of the day is my favorite of Blondie song (and, believe me, there were many to choose from), Atomic!  This song, which was subsequently covered for Trainspotting by Sleeper, is one that I often find myself not only quoting but also hearing in my head.

Uh huh, make me tonightTonight, make me rightUh huh, make me tonightTonightTonight
Oh, uh-huh, make it magnificentTonightRight
Oh, your hair is beautifulOh, tonightAtomic
Uh huh, make me tonightTonight, tonight
Oh, your hair is beautifulOh, tonightAtomic
Tonight, make it magnificentTonightMake me tonight
Your hair is beautifulOh, tonight
AtomicOh, atomicOh
Oh, atomicOh, atomicOh

Live Tweet Alert: Watch Tourist Trap With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting Tourist Trap!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

4 Shots From 4 Films: Special 1983 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a classic year in film.  It’s time for….

4 Shots From 4 1983 Films

Scarface (1983, dir by Brian De Palma, DP: John A. Alonzo)

Star 80 (1983, dir by Bob Fosse, DP: Sven Nyvkist)

Flashdance (1983, dir by Adrian Lyne, DP: Donald Peterman)

10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)

Music Video of the Day: Manchild by Sabrina Carpenter (2025, dir by Vania Heymann and Gal Muggia)


Jeff and I start our first vacation of the year tomorrow and this video feels like a vacation video.  Hopefully, our vacation will feature less desert hitchhiking.

Enjoy!

Late Night Retro Television Review: Friday the 13th: The Series 3.15 “The Long Road Home”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week …. ugh.

Episode 3.15 “The Long Road Home”

(Dir by Allan Kroeker, originally aired on February 12th, 1990)

This week’s episode starts where most episodes end.  Micki and Johnny retrieve the cursed antique.  In this case, it’s a yin-yang charm that allows the owner to swap minds with a recently deceased person.  That sounds like a really cool antique and I have to admit that I’m kind of annoyed that this is one of those shows where the antique is recovered early.  I would have enjoyed seeing the entire search.

I certainly would have enjoyed it more than having to spend the next 40-something minutes listening to Micki and Johnny discuss whether or not to start a relationship while, at the same time, being pursued by an inbred redneck and his brother.  This episode goes off the rails as soon as Micki and Johnny step into a roadside diner that is owned by a family of homicidal hillbillies.  In order to save their lives, Johnny had to use the cursed antique himself so that he could enter the body of one of the brothers.  That went against everything that the show previously established about the cursed antiques.  You’re not supposed to use a cursed antique, not even once.  Johnny uses it and everything works out fine for him.  It feels like cheating and it was something that Ryan would never have done.  God, I miss Ryan.

But I want to get back to this relationship nonsense.  Since when is Micki attracted to Johnny?  Johnny’s been hitting on Micki since his first appearance and she’s never been interested in the past.  Now, suddenly, they’re having a relationship talk?  It comes out of nowhere.  In the end, Micki and Johnny agree not to have a relationship as long as there are still cursed antiques that need to be found and that’s a good idea.  Still, the whole thing just felt tacked on.

This episode was dull.  Chris Wiggins wasn’t in it and that’s a shame because this episode needed his steady, no-nonsense presence.

Oh well.  Not every Friday can be a great one!

Brad’s “Scene of the Day” – Richard Thomas in SEPTEMBER 30 1955 (1977)!


Actor Richard Thomas turns 74 years old today. He’s especially important to me because of two specific roles. First, he co-starred with my favorite actor Charles Bronson in the 1991 Christmas movie, YES VIRGINIA, THERE IS A SANTA CLAUS. Along with IT’S A WONDERFUL LIFE, I watch YES VIRGINIA every year during the Christmas season. Second, he filmed a movie in central Arkansas back in 1977 called SEPTEMBER 30, 1955. Part of the movie was filmed along the Arkansas River in Toad Suck, AR. This is the community I grew up in, and my parents still live there. As a matter of fact, I’ll be spending Father’s Day with my Dad in Toad Suck. In my “scene of the day,” I share a scene from SEPTEMBER 30, 1955 where Thomas’ character learns of the fatal car crash of James Dean. Notice in the scene that his shirt has the initials ASTC, which stands for Arkansas State Teachers College. My dad received his teaching degree from ASTC. This college is now called The University of Central Arkansas (UCA), and that’s where I received my Finance Degree. The entire scene is filmed on the campus of UCA, and I’ve played tennis on those courts many times. I’ve attended football games at that stadium. The campus has been completely updated since this move was filmed in 1977, but it still looked a lot like that when I began my college years in 1991. It’s a trip down memory lane for me. 

Happy Birthday, Richard Thomas!! 

Funny Farm (1988, directed by George Roy Hill)


Andy Farmer (Chevy Chase) is a New York sports writer who leaves the city and moves to the small town of Rosebud, Vermont so that he can work on his novel.  He and his wife, Elizabeth (Madolyn Smith), struggle to adjust to living in a small town.  The delivery of their furniture is delayed by the collapse of a covered bridge.  When they try to make a phone call from inside their own house, the local operator tells them to deposit ten cents.  They were expecting a Norman Rockwell-type town and instead, they find themselves having to pay for the funeral of a man who was buried on their property long before they moved in.  When Elizabeth makes more progress writing a children’s book than Andy does with his heist novel, their marriage starts to feel the strain.

Chevy Chase is now so much better known for the stories of his unprofessional and diva-like behavior on film and television sets that it’s easy to forget that he was, at his peak, a very funny actor.  Chase may be playing a variation of his put-upon everyman but, compared to the first two Vacation movies, most of the humor in Funny Farm is very mild.  George Roy Hill was a classy director who had been making movies since the 50s and Funny Farm feels like a throwback to the type of family-friendly comedies that Disney would make in the 60s.  That I laughed as much as I did was largely due to Chase’s performance.  Whether he was tripping over a Dutch door, reacting to his wife’s dislike of the first few chapters of his new novel, or offering to pay the townspeople $50 to pretend to be nice for a weekend, Chase was consistently funny and even likable.  I don’t know if this is the type of performance that Chevy Chase could give today.  There’s a bitterness that’s now integral to screen persona and it’s made him into someone who audience want to laugh at instead of with.  It’s too bad because Funny Farm is a reminder of the type of comedic actor that Chevy Chase used to be and who he probably still could be if not for the failed talk show and the infamous Friar’s Club roast.

As for Funny Farm, it’s an amusing and likable comedy and it still holds up well today.  Chase is the key to the film’s success but he’s not the only reason that the film works.  I liked the scene where Mike Starr and Glenn Plummer, as the two movers, watch as the bridge they tried to drive over collapses.  I even liked the running joke about the two ducks who refused to leave the Farmers’s property.  Funny Farm may not have been a hit when it was first released but it’s since built up a cult following.  There will always be a place for a funny comedy that leaves you in a good mood.