Cross Streets (1934, directed by Frank R. Strayer)


Having graduated from medical school, Dr. Adam Blythe (Johnny Mack Brown) is finally ready to marry his glamorous fiancée, Ann (Claire Windsor).  However, when Ann learns that Adam is going to have to spend years as an lowly paid resident, she ditches him and instead marries Dr. Jerry Clement (Niles Welch).  Blythe, heartbroken, becomes an alcoholic and, after a disastrous operation that leaves a patient dead, Blythe ends up on skid row.  Twenty years later, Blythe is spotted by his old friend Mort (Kenneth Thomson).  A self-made millionaire who dropped out of college, Mort takes Blythe to their 20-year reunion and talks him up as a brilliant surgeon.  When Blythe is pressured into performing a delicate piece of surgery, he is offered a position as the head of the college’s new research wing.  Blythe, meanwhile, meets and falls in love with June (Anita Louise), a young woman who reminds him of Ann.  It turns out that the resemblance is not a coincidence because June is Ann’s daughter!  Ann wants Blythe back and, when she discovers that Blythe is in love with June, she threatens to tell everyone that Blythe is actually June’s father!  All of the secrets and lies lead to the type of  sudden and tragic ending that only a pre-code film could get away with.

Cross Streets is a 65-minute soap opera that features Johnny Mack Brown in a non-western role.  Brown gives a likable performance but he’s less convincing when he has to be bitter.  One reason why Brown was such a successful B-western star is that he always came across as if he had never had a moment of self-doubt in his entire life.  Dr. Adam Blythe is all about self-doubt so he feels miscast in the role.  Claire Windsor is more convincing as the vampish Ann.  The movie has its slow spots and the plot requires a healthy suspension of disbelief but the ending still packs a punch.

Cross Streets is not easy to find but there is a not-great upload available on YouTube.

Retro Television Review: Coming to America 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Coming to America, which aired on CBS in 1989.  Almost the entire show is currently streaming on YouTube!

Fresh off the success of the film Coming To America, Eddie Murphy served as executive producer of a series based on the film.  How did that work out?  Read on to find out!

Episode 1.1 “Pilot”

(Dir by Tony Singletary, originally aired on July 4th, 1989)

The pilot for Coming to America begins with the story already in progress.  We get an overhead shot of New York while Prince Tariq (Tommy Davidson, speaking with an unconvincing accent) explains that he and his minder, Omar (Paul Bates), have been sent to America so that Tariq can attend college.  (Tariq is established as being the younger brother of the character that Eddie Murphy played in the original film.)  Tariq and Omar have rented a room from diner owner Carl Mackey (John Hancock).  Carl is a curmudgeon.  Tariq expects everyone to treat him like royalty.  Carl grumbles about not getting to eat unhealthy food before a doctor’s visit.  Tariq does an extended Stevie Wonder impersonation.

Uh-oh, Tariq’s out of money!  In just nine months, he spends all of his money on movies and clothes.  What can Tariq do?  Maybe he and Omar can work in Carl’s diner!  Uh-oh, Tariq’s started a dance party in the diner and he orders Omar to join the fun!  Carl shows up at an inopportune time and Omar is fired.  Can Tariq take responsibility for his actions?

“I’m a Beverly Hills Cop, you’re a Beverly Hills cop too and in 48 hours, we’re Trading Places.” Tariq says at one point and seriously, you have to wonder why they didn’t toss a reference to The Golden Child in there.  Tariq is royalty so it certainly would have made more sense for him to refer to himself as being a Golden Child as opposed to being a Beverly Hills Cop.  That’s the type of show this is, though.  The humor is heavy-handed but it also misses way too many opportunities.

My friend from Australia, Mark, sent me the link for this pilot (it’s on YouTube) and he dared me to see how much I could watch before turning it off in disgust.  I managed to get through the entire thing but it wasn’t easy.  To be honest, I nearly stopped this thing as soon as Tariq’s opening narration began.  When that much exposition is stuffed into the opening narration, you know that you’re about watch a disjointed mess of a program.  Indeed, one could argue that calling this program disjointed is a case of me being charitable.  In the end, the main problem is that, after all the build-up of Tariq being a prince, the plot itself could just as easily been the plot of a thousand other mediocre sitcoms.  How many times did Lisa and Kelly have to take jobs at the Max in Saved By The Bell?  Both Malibu CA and One World suggested that working at a restaurant was the best — perhaps the only! — way to learn responsibility.  The Coming to America diner looks almost exactly like the City Guys diner.  How is this not a Peter Engel production?

Coming to America aired once.  There was never a second episode.  Hence, today, we’ve started and ended a series!  Next week, something new will premiere in this time slot.  Hopefully, it will be better than both Malibu CA and Coming to America.

Scenes I Love: The Barn Raising Scene From Peter Weir’s Witness


Today’s scene that I love comes from Peter Weir’s 1985 film, Witness.  In this scene, the Amish come together and raise a barn.  This scene celebrates community and also gives Harrison Ford a chance to show off his real-life carpentry skills.

4 Shots From 4 Films: Special Peter Weir Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

August 21st is the birthday of the great (and sadly retired) director Peter Weir.  It’s time for….

4 Shots From 4 Peter Weir Films

Picnic At Hanging Rock (1975, dir by Peter Weir, DP: Russell Boyd)

The Last Wave (1977, dir by Peter Weir, DP: Russell Boyd)

Witness (1985, dir by Peter Weir, DP: John Seale)

The Truman Show (1998, dir by Peter Weir, DP: Peter Biziou)

Late Night Retro Television Review: 1st & Ten 1.6 “You Are Who You Eat”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Diana makes history!

Episode 1.6 “You Are Who You Eat”

(Dir by Bruce Seth Green, originally aired on December 30th, 1984)

Coach Denardo has a heart attack and is laid up in the hospital.  It looks like Diane is going to have to coach the team!

Wait?  What?

Listen, I’ll be the first to admit that I don’t know a lot about football but I do know that there is such a thing as an assistant coach.  And there’s also coordinators.  There’s a lot of coordinators and a lot of assistants and I imagine that a part of their job entails coaching whenever the head coach is in the hospital.  So, I’m not really sure how this episode went from “Coach Denardo can’t coach this weekend” to “The owner is going to have to do it!”

Still, Diana ends up on the sidelines as the “first female head coach in history!”  I remember that a few Super Bowls ago, they made a big deal about one of the teams having a female assistant coach and I was like, “Well, they better win or they’re never going to hire another woman.”  I think the team lost.  I don’t really follow football.

Anyway, Coach Denardo is on the phone with Diana for most of the game but, towards the end of the game, the connection goes down.  Denardo runs out of his hospital in his hospital gown and takes a taxi to the stadium.  Luckily, even without his help, Diana knew exactly which play to call and the Bulls win another game.

Yay, I guess.  This episode was pretty dumb.  If I was coaching a football team, I would just be like, “Have that guy run to the touchdown area and then throw him the ball.”  I think we would win easily.

Brad reviews THE NAKED GUN (2025), starring Liam Neeson!


When I first saw that THE NAKED GUN was being rebooted with Liam Neeson as Frank Drebin, Jr., I must admit that I was quite skeptical. You see, the original THE NAKED GUN (1988) with Leslie Nielsen came out when I was 15 years old, and I remember watching it at the movie theater on a field trip with our high school’s Future Business Leaders of America (FBLA) club. I loved it so much! I eagerly watched THE NAKED GUN 2 1/2 (1991) and NAKED GUN 33 1/3 (1994) at the theaters as well. To be completely honest, this series is one of my favorites of my “growing into an adult” years, and I didn’t want to see it screwed up. When the trailer was released a couple of months ago my reaction was cautious optimism as I must admit it looked quite funny, and I decided that I would go watch it in the theater when it came out. Well, tonight my wife and I headed to the Cinemark in Little Rock to see what director Akiva Schaffer and his crew had come up with…

In THE NAKED GUN (2025), dedicated Detective Lt. Frank Drebin Jr. (Liam Neeson) follows in his father’s footsteps by leading Police Squad and causing an endless array of problems for Police Chief Davis (CCH Pounder). When a bank heist is staged by Sig Gustafson (Kevin Durand) in order to obtain a mysterious P.L.O.T. Device, Drebin teams up with his partner, Captain Ed Hocken Jr. (Paul Walter Hauser), and the beautiful crime novelist Beth Davenport (Pamela Anderson) to investigate. Their subsequent probe leads them to tech mogul Richard Cane (Danny Huston) and his sinister plot to use the device to revert humanity to a base barbaric state as the balls drop on New Year’s Eve. With the help of his deceased father’s spirit that’s being housed in the body of a large owl, Drebin goes all out to foil Cane’s plans while simultaneously falling in love with Beth! 

I’m going to go ahead and alleviate any suspense and state that I love the new NAKED GUN movie. I laughed out loud throughout the entire film, including the end credits, and I wasn’t the only one as there were people in our showing that were laughing much louder than me. It was a fun “crowd experience,” and I’m so glad we caught it in the theater. Not every joke is funny, but in the tradition of the original series, they come so fast and furious that there’s a good chance the next joke will be hilarious. Liam Neeson does a great job as Frank Drebin, Jr., infusing the character with just the right amount of seriousness to allow the absurdity all around him to be played for laughs. I told a friend a few months ago that I’d be really impressed if Neeson was able to pull this role off, and I’m glad to report that he passes with flying colors. He doesn’t make you forget the comedic genius of Leslie Nielsen, but he’s darn good. And Pamela Anderson is perfect in the crime novelist / love interest role. I haven’t seen her in anything in a long time, but she’s truly hilarious in the film. After watching her performance, I honestly don’t think any actress could have done any better. The rest of the game cast, including Paul Walter Hauser, Danny Huston and Kevin Durand each have good moments that add to the fun. I also enjoyed some of the specific throwbacks to the original series, including brief appearances by Priscilla Presley, Weird Al Yankovic, and especially the stuffed beaver, which got a big laugh out of me, just like it did when I was 15! 

Overall, I had a great time at the movie theater with THE NAKED GUN (2025). Director Akiva Schaffer delivers a hilarious, 85 minute film that’s a worthy follow-up to the original Zucker-Abrahams-Zucker / Leslie Nielsen classics. What else could you ask for?!!

Pony Post (1940, directed by Ray Taylor)


In the days of the Old West, Griff Atkins (Stanley Blystone) manages a Pony Express station but, because of his gambling debts, he actually encourages the Indians and the outlaw Richard brothers (John Rockwell and Ray Teal) to attack the Pony Express riders and steal their horses.  Major Goodwin (Tom Chatterton) tries to put a stop to all this by firing Griff and putting Cal Sheridan (Johnny Mack Brown) in charge.  Griff and the Richard brothers continue their outlaw ways and eventually, the head of one of the relay stations is killed in one of their raids.  While the dead man’s daughter, Norma (Nell O’Day), investigates the murder, Cal works to bring peace the line and falls in love with Goodwin’s daughter, Alice (Dorothy Short).  Meanwhile, aspiring Pony Express rider Shorty (Fuzzy Knight) tries to invent a trampoline system that will help him to mount a horse.

No matter how bad things get in the west, you can always count on Johnny Mack Brown to bring some order and to get it done in less than an hour.  Johnny Mack Brown was always a good hero and that’s the case here.  Eventually this film has all of the horse riding and tough fighting that fans of the genre expect from these westerns but, for a short movie (it only runs for 59 minutes), it still seems to take a while for it to really get going.  The first half of the movie is more about Fuzzy Knight singing songs and trying to become a rider than it is about anything else.  I usually enjoy Fuzzy’s antics but, like the B-western themselves, they are definitely an acquired taste for most viewers.