It’s been a little while since we took a look at what Columbus, Ohio’s Brian Canini is doing over at his Drunken Cat comics imprint, but seeing as how I just got a package from him in the mail last week, and finally had a chance to read through it all last night, now’s as good a time as any to put his work back under our metaphorical microscope —

Plastic People #11 is one of the best issues of the now-long-running series to date, as our “plastic surgery police” in a future LA continue their investigation of the city’s first murder in decades by talking to one of the last surviving REAL cops in town (an LA without police? Talk about a utopia) in order to figure out how to even begin gathering clues and identifying suspects in the first place. This title damn near lost me when Canini…

Everything about Minneapolis-based cartoonist Peter Faecke’s Major Bummer #2 is painfully obvious — but the same was also true of the first issue (published, as this one is, by Hidden Fortress Press), and it’s rather the point. I’ve never known Faecke to do subtle, but is that some great artistic sin? Kirby didn’t either, after all, and would you really have wanted him to?

So, yeah, Major Dick Bummer, the US government’s deadliest weapon (living or otherwise) is back to kick more ass, and speaking of kicking ass, this offset-printed mini on heavy cardstock paper features a pleasingly limited and appropriate garish color palette that does precisely that, accentuating the visceral, vaguely Panter-esque impact of Faekce’s deliberately “crude” cartooning with a blast of blue, red, and black gradations that kick you in the eyeballs as surely as the drawings themselves kick you in the — well, let’s be equal-opportunity here…

When you think Kelly Froh, you generally think of superbly-constructed and heartfelt memoir and autobio comics, either short-form or long, but with her latest self-published ‘zine, The Downed Deer, she blows that perception right out of the water — and the results are quietly, and frighteningly, glorious.

One of the best Short Run debuts I picked up this past November, this handsomely-formatted comic is riso-printed in rich burgundy ink on thick cream-colored paper, so it’s a pleasure to look at before you’ve even looked at it good and proper, but I should probably warn you : don’t give this even a cursory glance-though prior to reading it or you’ll “spoil” the whole damn thing. There’s a key surprise toward the end that is best left exactly that, so I’ll refrain from giving too detailed a plot recap here.

What I will say is that the fluidity of Froh’s cartooning…

Some comics you hate. Some you’re indifferent to. Others you like. And then there are those, all too rare it seems, that you absolutely fall in love with.

Let me introduce you to the latest object of my unbridled affection, David King’s Yellow Flag Intelligence Squadron #1.

Published under the auspices of King’s own Gentle Books imprint at the tail end of last year, this is pure cartoony “eye candy” from start to finish, expressive and engaging and inherently humorous drawings in service of an endlessly creative story that pits our trio of instantly-adorable heroes (Calorie, Brainer, and Killer Bear — even their names just make you wanna give ’em all a hug) that make up the legendary Earth-based Division 0001.0 of the titular squadron against their only real foe, namely themselves. Their mission to “protect all sentient life” seems pretty somber and serious, but when you’re not getting…

Such is the life of a jobbing freelance critic that I sometimes don’t get around to things in a timely manner, so my sincere apologies to cartoonist Kriota Willberg for not reviewing her late-2019 (and, it should be added, self-published) mini Stubb & Leski’s Catsmas during the holiday season, which would have made a lot more sense than doing so in February. In my (admittedly tepid) defense, one only has so many hours in a day and the stack of books I “owe” a review to is fairly large, but still — I feel bad for not being more “Johnny on the spot” with this one.

The good news, however, is that this is such an utterly unforced and charming little book in its own singular way that it reads well at any time of the year, and you should avail yourself of the opportunity to just that as soon…

What’ve we got this week? A one-shot, a first issue, the start of a new story arc, and the prelude to the prelude to a new story arc. It’s about as mixed a bag as it sounds, to be honest, but every one of these books has at least something going for it, and you can’t always say that. And so, with that in mind —

Never one to pass on the chance to squeeze as much blood from a rock as they can (and then some), Marvel is cashing in on the resurgent popularity of the Hulk with a series of one-offs from their main series, the first of which is The Immortal Hulk : Great Power #1, which sees Bruce Banner’s gamma powers temporarily take up residence in Peter Parker — and if one guest star’s not enough for you, the entirety of the Fantastic Four is on…

As a trilogy that concerns itself with a “from the inside” look at the clinical depression and mental and physical breakdown of its protagonist, Jason Bradshaw’s Paper Rocket Mini Comics-published Things Go Wrong has been about the farthest thing from an “easy read” one can imagine — but it’s certainly been admirably honest, impeccably drawn, and absorbing in the extreme. Hope has been in short supply, but artistic integrity? That’s present and accounted for throughout, and if honest explorations of tough topics are your sort of thing, then the plain truth is that they simply don’t come much better than this. Now that the final issue, #3, is upon us, then, the questions that hang over it are — what sort of ending does Bradshaw have in store, and what sort do we want?

I mean, certainly our ostensible “hero,” James, deserves a break — but how “legit” would…