Teaser Trailer – Venom


You’ve heard of Venom, haven’t you?

Remember Spider-Man 3, and that weird character Topher Grace played? Or maybe you’ve read the comics over time, played the character in countless videogames? With the latest teaser trailer for Venom, Sony is betting that you already know the character so well that they don’t have to show him or his name. He’s just that popular, and you should already know. Unfortunately, the trailer isn’t that thrilling (not to me, anyway). It’s not a teaser unless you tease something, and all I’ve truly seen are tidbits that could be pulled from any other movie Hardy’s ever done. I feel like Venom pulled on purpose what the Deadpool 2 Teaser joked about, with the CGI not being ready. I sure hope that isn’t the case.

Of course, we’ll need to get a little more and hope that some of the basic questions are answered here. Former Daily Bugle worker Eddie Brock (Tom Hardy) will don the suit made from an alien symbiote, but will Spider-Man be seen or mentioned? The worst mistake they could do here is to give Venom a story without at least touching or hinting on Spider-Man’s existence. Still, it’s just a teaser, and perhaps way too early to form any conclusion.

Venom, starring Tom Hardy and Michelle Williams will be released in theatres this October 5th.

Celebrate National Weatherperson’s Day With These “Stormy” Covers


Happy National Weatherperson’s Day!  We depend on these brave souls to help us survive the storms of life.  As the classic pulp covers below show, storms come in many different shapes and sizes:

by Robert Stanley

by Charles Wood

by Earle Bergey

by George Gross

by Gino D’Achille

by Robert Maguire

by Robert Shulz

The Cloverfield Paradox – *Great Spoilers*


 

tcp

It’s Superbowl Sunday!!! Better yet, it’s The Cloverfield Paradox on Netflix.

This movie is 1 part – Event Horizon, 1 Part – The Thing, and 1 Part – Boring.

We begin with a dying earth and pesky scientists have tried to create a free energy machine innnnnnnn spaaaaaaace.  Sounds Legit.

There’s British people talking in traffic and I need closed captioning.  The lady in traffic is apparently an astronaut and “Comm Officer”. However, I can’t understand anything she’s saying; so maybe, communications wasn’t the best fit?!

We’re on the space station and they’re trying to do some particle acceleratin’ …woohoo, but something is amiss. The story is really dragging.

Now, there’s nerds, foozball playing, and awkward conversation.  Are we sure this is a Space Station and not the Google Campus?  I do like that all peoples are represented and they’re all boring.  It’s about time that we embraced that most people are boring and even some Netflix films.

They’re about to turn on their Shepherd Accelerator and …… they are making particles, energy, or s’mores?  Then, the Shepherd overloads.  I’m guessing they forgot to use a surge protector. They get control, but the earth is gone- must’ve left the Earth in their other solar system’s pants.  They’re hurtling into empty space.

The crew is starting to act weird.  The Russian- I’m going to call him Boris – is playing with his face a lot and we’re getting an Event Horizon vibe mostly because JJ Abrams decided to defile the memory of another one of my favorite films.  The steel walls have screaming and they decide to open it….because sure. They reveal a woman fused to wires and the bulkhead who knows the Comm Officer’s name.  It’s pretty gross.  They try to do some ER work on her and she lives.

Meanwhile….Back on Earth. There’s explosions!!!

Back on the station…

The foozball is playing itself and things are disappearing: gyroscopes, worms, and my time.   Boris has a worm creature in his head and it’s doing gross things to his eyeball.  Boris starts talking to himself and the voices in his head ask him to make a 3d printed gun.  Boris pulls the 3d printed gun on crewmates and dies with hundreds of worms shooting out of him.

The lady they found in the bulkhead – Mina – wakes up.  She thinks that she was on the station the whole time.  Mina accuses Schmidt of sabotage.  For scientists, they are unimpressive.  These dopes haven’t figured out that they’re in another dimension?! Did they get their PhDs from University of Phoenix?!  They lock Schmidt up for sabotage and proceed to make bad choices.

Back on earth…. More explosions, but now there are screaming kids.

Back on the station: The ship’s Irish janitor is doing repairs and his arm gets detached.  The ship let’s Schmidt out of the airlock and he’s being chased by the Irishman’s arm.  The arm writes them a letter….really. It tells them to cut Boris’ corpse open.  They find the gyroscope inside Boris.  The comms come back and their current reality is pretty bad.  They watch CNN and learn that they’ve traveled to Another Dimension …. Another Dimension … Don’t … you tell me to smile….Interplanetary.   In this dimension, there’s World War III going on and everybody has goatees.  They decide to turn on the Shepherd machine again and hopefully not attract a herd of sheep as well.

Back on earth, the Comm Officer’s husband has rescued a random kid and went to a bomb shelter.

Back on the Station:  Tam figures out that condensation was messing with their calculations, but then she drowns….somehow.  In the alternate dimension, Eva’s kids are alive.  In the “Good Dimension” Eva apparently installed some bad track lighting and killed everyone, but in this “Evil Dimension” – they’re fine because she used lamps I suppose.  Eva decides to go back to warn her twin not to use track lighting…..ever.  I’ve noticed that they do A LOT of caulking in this movie to exciting music, but it’s still a guy caulking. There’s another malfunction and half the ship explodes.

The crew decides that they need to de-couple the broken part of the station, engendering a long scene of attempted space station repair.  It was really slow AND they had this crazy 8-4pm window to do it.  Then, the captain sacrifices himself to do it because why not?

Eva orders that they turn on the shepherd.  All looks well, but Mina steals the gun and starts shooting.  She needs the “firing key” for some reason.  Presumably, the Shepherd will create energy, but that really makes no sense because it doesn’t create energy as much as derivative B-Movies.  Mina manages to kill Eva in the final scene Aliens style and it’s mildly entertaining.

Schmidt lives and they start the Shepherd again, but first she warns her evil twin not to use Track Lighting and to give the ball to Marshawn Lynch in the 2015 Super Bowl.  They see earth again- the good earth and they have a stable power beam.   Eva’s husband doesnt want them to come back because—-monsters.  Then, as the escape pod enters the atmosphere, we see a monster.  So, they unleashed monsters and NBC’s Whitney.

This was a great bad movie, which is what JJ Abrams can do in his sleep. I would watch this if I had the flu or was in a B-movie place.

Congratulations to the Philadelphia Eagles, Your Super Bowl LII Champs


gary loggins's avatarcracked rear viewer

Well, I sure didn’t think I’d be writing this post a few short hours ago. My home team New England Patriots put up a valiant effort, but as they say, you can’t win ’em all. I’m sure Brady and the bunch will be back next year for another quest at Ring #6, but for now it’s congrats, Philly. What more can I say, except… how many more days til spring training? LET’S GO RED SOX!!

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Here’s The Super Bowl Spot for Castle Rock!


Castle Rock, the latest big Hulu series, is based on the writings of Stephen King.  This Super Bowl commercial gets things off to the right start by name dropping Shawshank Prison and then going on to create an effectively creepy atmosphere.

(Usually, I tend to be skeptical about Stephen King adaptations but, with the success of both It and Gerald’s Game last year, I’ll be more than happy to take a chance on Castle Rock!)

The Lullaby: Preview, Review and trailer


Remember that sweet song your Mother sang to you as a child?

Poster

Cast:

Reine Swart as Chloe van Heerdon

Brandon Aruret as Dr. Timothy Reed

Shayla-Rae McFarlane as young Chloe

Preview:

Chloe is overwhelmed by the birth of her first child. The incessant crying of her baby, the growing sense of guilt and paranoia sends her into depression. With a heightened urge to protect her son, Chloe sees danger in every situation. She starts to hear voices, the humming of a childhood lullaby and sees flashes of a strange entity around her child. Convinced that the entity is real, Chloe will do everything in her power to protect her son. Is she haunted by evil or is it just the baby blues?

Review:

index Oh, Child, we got so much to talk about! Your Mama is not crazy, you are! Or are you? Or was you just twisting my mind?

 

 

 

 

 

 

 

pic 2

 

Or is your Mom really crazy!

 

 

 

 

pic 3 Or your Grandma?

 

That sweet little song you Mom sang to you as a child… you know… that comforting song that always puts you into dream land… yeah, this movie might make you sleep different tonight!

Credits:

Uncork’d Entertainment presents a Phoenix Film with Valhalla Productions Directed by Darrell James Roodt

 

Trailer:

 

Would I recommend this movie:

Yep, absolutely! One of the best horror/thriller movies I have seen this year!

Where can you see it?

The Lullaby is opening in theaters and on VOD March 2, 2018

Oh, BTW:

No Spoilers, but Chloe is back….

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Weekly Reading Round-Up : 01/28/2018 – 02/03/2018


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Would’ja believe — there wasn’t too much that came in my mailbox this week and it was my LCS that kept me busy with new stuff to read? I swear, it’s true, so let’s have a look at some items of note that I picked up —

For a series/line that prides itself on being “old-school,” Josh Bayer’s All-Time Comics seems in some ways to hew pretty closely to modern publishing norms. Issues frequently ship late, for instance, and their latest release, the bumper-sized (and subsequently more expensive than usual) All-Time Comics : Blind Justice #2, marks the end of the first “season” of the range, with an Image-style gap of three or four months now on deck as they get their ducks in a row for their next not-exactly-an-arc. The script this time out is a Bayer solo endeavor, and frankly not the greatest — the last half of…

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Will “Hungry Ghosts” Satisfy Your Horror Cravings — Or Leave You Feeling Famished?


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Anyone who knows me in “real life” knows that if there’s one thing I absolutely despise, it’s so-called “foodie culture.” Sure, I can appreciate the fact that there is a fair amount of artistry involved in good cooking and that a lot of chefs are doing their level best to promote worthwhile causes such as “farm to table,” eating local, etc., but come on — anyone with any sense of proportionality has to admit that the whole thing has gone too far. We’ve gone from having a couple of celebrity chefs on TV to having hundreds of the bastards, high-priced restaurants are popping up in every major city in the country in numbers that can’t possibly be sustained, food bloggers are tripping over each other for frankly lame “scoops” on the insular-bordering-on-incestuous culinary “scenes” in their towns — it’s absolutely out of control, and that’s before we even get into…

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Your Guide To Surviving The “Rise Of The Animals”


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

So I’m rolling with one of those occasional kicks we all (I’m assuming) go on where we catch up on seeing a bunch of shit we’ve been hearing about for X number of weeks, months, even years, and  last night said kick took me to 2011’s Rise Of The Animals, a flick shot in and around Rochester, New York for the princely sum of $7,000 by a guy named Chris Wojcik who may be short on what passes for “skill,” but clearly thinks he possesses just enough to crank out one of those “so bad it’s good” pre-fabricated “cult” numbers that outfits like Troma and The Asylum have made their bread and butter for literally decades now. That being said, if any one film can be considered a direct thematic and stylistic predecessor to this one, it would be James Nguyen’s Birdemic, but there’s a very crucial difference…

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Charles Forsman’s “Slasher” Cuts Deep — But Misses The Artery


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Quick preamble : a good editor can make a big difference. I was commissioned to write this review for Daniel Elkin’s “Your Chicken Enemy” small-press site, and what follows is the text as originally conceived by yours truly. Daniel suggested — as opposed to demanding — a few small but crucial changes, and I think the piece reads much better in its “final” form, given that his observations were uniformly spot-on. I decided to run this “warts-and-all” version simply because, hey, it was saved “as is” in my WordPress folder, and I thought it might be of interest (to somebody? Somewhere?) to compare and contrasts the two versions.

Or, hey, maybe not. In any case, the “finished product” can be viewed here : http://www.danielelkin.com/2018/01/cutting-deep-but-missing-artery-ryan-c.html

I’ll say this much for Chuck Forsman’s just-released Slasher trade paperback collection (Floating World Comics, originally serialized over five issues) — it leaves you with plenty…

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