Late Night Retro Television Review: Check It Out! 3.7 “He’s No Heavy, He’s My Brother”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

Hey, Howard has an older brother!  I wonder how this will work out….

Episode 3.7 “He’s No Heavy, He’s My Brother”

(Dir by Alan Erlich, originally aired on  October 25th, 1987)

In this episode, we meet Howard’s brother, George (Gary Krawford).  George is an extremely wealthy money manager who lives in Switzerland.  At the start of the episode, he is fired because his employers want to hire a younger man who they can pay less.

Dejected, George returns to Canada.  He visits Howard at the store.  Because George doesn’t specify that he was fired, Howard assumes that George is dying.  Howard reveals that their father always liked George better.  George eventually reveals that he’s not dying and that, being worth five million dollars, he doesn’t need a job in Howard’s store.  Good for George.  I’m happy for him.

George buys Howard’s apartment building.  He then tells Howard that he’s a month behind on his rent.  Howard jokes about George evicting him.  George evicts Howard.  End of episode.

This was a weird episode.  I’m going to assume that the show’s producers were thinking of making George a regular character on the show and this episode was perhaps an attempt to reboot the entire series into a show that would focus 0n the rivalry between the Bannister brothers.  According to the imdb, though, this is the only episode in which George appeared.  Watching this episode, it occurred to me that the entire third season, so far, has featured epiosdes about characters who only appeared once or twice before vanishing.  The third season has been an improvement over the previous season but it’s still obvious that the show was still struggling to figure out what it actually wanted to be about.  This has not only led to a messy continuity but also a few unresolved cliffhangers.  Last episode, it appeared Jack Christian was going to get his own store.  In this episode, he’s still assistant manager at Howard’s store and no mention is made of last week’s events.

The strangest thing about this episode, though, is the show’s insistence that Howard is only in his forties when Don Adams was clearly in his sixties.  George is introduced as being Howard’s older brother but actor Gary Krawford was nearly 20 years younger than Adams and he looked it, too.

Strange, strange episode.  Considering George never again appeared after this episode, it’s probably best not to worry too much about it.  This episode might end with Howard getting evicted (and seriously, the man manages a store, shouldn’t he able to cover his rent?) but I have a feeling we’ll never hear about it again.

Either that or Howard will be forced to live in the store, which is what he pretty much does already.  The important thing is that it will all work out.

Lisa Marie’s Week In Television: 2/9/25 — 2/15/25


Abbott Elementary (Wednsesday Night, ABC)

I loved the science fair episode, which I watched on Hulu on Wednesday afternoon!  Ava is my favorite character so I enjoy any episode that deals with her troubled past, her unique principal style, and the moments where she actually turns out to be good at her job.

I also enjoyed the latest episode of Abbott, with Ava helping out the other schools and Jacob giving an impassioned speech to the school board that will probably come back to haunt him at some point in the future.  After the previous season’s somewhat uneven mix of episodes, it’s nice to see Abbott Elementary going strong again!

Be My Valentine, Charlie Brown (Apple TV+)

Erin and I watched this on Thursday.  It’s a holiday tradition!  You can read Erin’s review here!

Dark (Netflix)

Case and I finished up season two this week.  Onward to the season three next week!

Extracted (Monday Night, Fox)

In this new reality show, out-of-shape people go into the wilderness and try not to die.  From a control room, their family members watch and debate whether or not to pull them out of the game.  On Wednesday, I watched the first two episodes on Hulu.  The show is ludicrous but it’s entertaining, as most good reality shows are.  I would hope that my family would pull me out after the first ten minutes.

Kitchen Nightmares (Tuesday Night, Fox)

Finally leaving the ugly restaurants of New Orleans, Chef Ramsay helped out an ugly restaurant in Houston.  Seriously, how does the show find these ugly places?  This time, the restaurant owner got mad at Ramsay and even called him into the storeroom for a talk.  Ramsay was still able to get through to her and save the restaurant.  Yay!

Scamanda (Hulu)

On Tuesday, I watched the second episode of Scamanda, which revealed a bit about Amanda’s background and also her husband.  The episode suggested that Amanda based her scam off of her husband’s stepdaughter from his first marriage and her very real battle with Leukemia.  Not only does this show how twisted Amanda was but it also indicates that her husband was very much a part of her scheme.  The second episode was marked improvement over the first.  I’m looking forward to the third.

The Story Behind (Tubi)

I watched two episodes.  One featured the story behind Beverly Hills 9o210.  The other was the story behind Full House.  Neither really told me anything that I didn’t already know.

Super Bowl LXI (Sunday Night, Fox)

The only thing more boring than the game were the commercials.  A lot of people are making a big deal about Taylor Swift getting booed at the game.  The Swifties are in an uproar but, honestly, it’s an American tradition to boo celebs at sporting events, especially ones who are only there because they’re dating a player.  Taylor’s apparent shock at being booed has become a meme but it was actually a very relatable and human moment.  I prefer Taylor’s “What’s going on?” to the celebs who either pretend to not to care or the ones who go into a rage mode the minute they have to deal with public opinion.

Watched and Reviewed Elsewhere:

  1. Check It Out (review coming)
  2. CHiPs
  3. Fantasy Island
  4. Friday the 13th
  5. Highway to Heaven
  6. The Love Boat
  7. Malibu CA
  8. Miami Vice
  9. Monsters
  10. Pacific Blue
  11. St. Elsewhere
  12. Welcome Back Kotter

Retro Television Review: Welcome Back, Kotter 4.17 “Come Back, Little Arnold”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show can be purchased on Prime.

This week, Horshack’s not going to take it anymore.

Episode 4.17 “Come Back, Little Arnold”

(Dir by Norman Abbott, originally aired on February 24th, 1979)

Arnold Horshack’s a drunk!

Well, not quite.  He’s not an alcoholic.  He does buy a bottle of cheap whiskey from Carvelli because he has a date coming up with Mary (Irene Arranga) and he’s nervous about it.  To the shock of everyone, Horshack gets mean when he drinks.  He calls the other Sweathogs out for always making fun of him.  He tells his teachers to leave him alone.  He throws all the money from the school store out into the hallway.  He starts wearing a leather jacket.  Horshack is out of control!

It’s a good thing that Vinnie is around to serve as a mentor…. oh wait, Travolta became a movie star and Vinnie Barbarino is no longer on the show.

It’s a good thing that Gabe has a good relationship with Arnold Horshack and …. oh wait, Gabe Kaplan was angry with the show’s producers and only appeared in a handful of episodes this season.  And this is not one of those episodes!

Maybe Julie could …. Marcia Strassman isn’t in this episode either!

Mr. Woodman could …. oh, who are we kidding?  Woodman doesn’t care.

Instead, it falls to Jean Tremaine (Della Reese) to gather all the Sweathogs together and let them know that Horshack needs help.  Jean Who?  Well, apparently, Ms. Tremaine has been around for a while and she’s as much of a mentor to the Sweathogs as Gabe ever was!  Oddly, we’ve never heard about or seen Ms. Tremaine before.  In fact, I thought the whole idea of the Sweathogs was that they weren’t allowed to attend regular classes, like the one taught by Ms. Tremaine.

It’s easy to see what happened here.  With Gabe Kaplan determined to leave and Marcia Strassman also tiring of the show, the show’s producers were trying to figure out how to continue Welcome Back Kotter without any Kotters.  With this episode, we saw one possible way to keep the show going.  Della Reese would be the new teacher and hopefully, she would have eventually gotten some new students.  It was time to let the Sweathogs graduate.  As I watched this episode, I noticed that Ron Palillo, the actor who played Horshack, actually had gray in his hair.

Surprisingly enough, this was actually a pretty good episode.  After spending the past two seasons playing Horshack as just being a weirdo with a strange voice, Ron Palillo finally got another chance to play the angry, misadjusted Horshack who  we first met during the show’s first season.  Palillo really got into the scenes where Horshack told off the Sweathogs, dropping the funny voice and delivering his lines with authentic anger.  Watching the episode, it’s hard not to get the feeling that Palillo was acting out some of his own frustrations in this episode.  It can’t be easy to play Arnold Horshack day-after-day.

And you know what?  As clumsily as she was introduced, Della Reese did a good job as Ms. Temaine.  The idea of her as the new regular teacher was not a crazy one, though it was one that was probably suggested too late to save the show.

This was a good episode.  I’m as surprised as anyone.

The Most Inspiring Home Run You’ll See Today


Yesterday, the college baseball season started.

Cade Belyeu, a sophomore outfield for Auburn University, lost his mom on Friday morning but, when he called to tell his coach the news, he said that he still wanted to play in that night’s game against Holy Cross.  His mom, before she passed, said that she wanted him to play in the game.

On his third trip to the plate, this happened…

The homerun was the first of both the game and the season.  As Belyeu rounded the bases, he pointed to where the ball had gone out of the stadium.  The crowd, most of whom knew Belyeu’s story, erupted in cheers.  After the game (which Auburn won 4-1), the fan who caught the ball returned it to the team and it was given to Belyeu.

Moment like this are why I love baseball.

Song of the Day: Centerfield by John Fogerty


Lisa asked me to pick today’s song of the day and you’ll never guess what it’s about!

Baseball!

If you’ve been to a game, you’ve heard Centerfield.  If you’ve been to the Baseball Hall of Fame in Cooperstown, you’ve heard Centerfield a lot.  This song captures everything that I and so many other people love about the great American pastime!  I can’t wait to hear it again in just a few more weeks!

Well, I beat the drum and hold the phone
The sun came out today
We’re born again, there’s new grass on the field
A-roundin’ third and headed for home
It’s a brown-eyed handsome man
Anyone can understand the way I feel

Oh, put me in, coach
I’m ready to play today
Put me in, coach
I’m ready to play today
Look at me, I can be centerfield

Well, I spent some time in the Mudville Nine
Watching it from the bench
You know I took some lumps
When the Mighty Casey struck out
So say, “Hey Willie, tell Ty Cobb and Joe DiMaggio”
Don’t say it ain’t so you, know the time is now

Oh, put me in, coach
I’m ready to play today
Put me in, coach
I’m ready to play today
Look at me, I can be centerfield

You got a beat up glove, a homemade bat
And a brand new pair of shoes
You know I think it’s time to give this game a ride
Just to hit the ball and touch ’em all, a moment in the sun
It’s a-gone and you can tell that one goodbye

Oh, put me in, coach
I’m ready to play today
Put me in, coach
I’m ready to play today
Look at me, I can be centerfield (yeah)

Oh, put me in, coach
I’m ready to play today
Put me in, coach
I’m ready to play today
Look at me, gotta be centerfield

Yeah

Songwriter: John C. Fogerty

Late Night Retro Television Review: Friday the 13th: The Series 3.3 “Demon Hunter”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, a bunch of new characters show up!  What the Hell!?

Episode 3.3 “Demon Hunter”

(Dir by Armand Mastroianni, originally aired on October 14th, 1989)

I have read that one of the biggest mistake that aspiring screenwriter make when they attempt to create a compelling spec script for their favorite show is that they’ll often introduce new characters.  Instead of focusing on the established stars of the show, they’ll have a new character show up and suddenly become the center of the story.  It’s a mistake because, no matter how good the script may be, it doesn’t work as an episode of the series that the writer is trying to get a job with.  Showrunners don’t want a writer who can write about new characters.  They want a writer who can work within the framework of what the show has already established.

This week’s episode of Friday the 13th feels very much like a failed spec script.

Make no mistake.  Jack and Micki are in it.  They spend the entire episode at Curious Goods, where they are originally seen putting a cursed dagger in the vault.  With Ryan having been transformed into a child in the previous episode, Micki makes Jack a partner in the shop.  Johnny Ventura (played by new series regular Steve Monarque) is also in this episode, though he’s called to the store a bit later than Micki and Jack.  I guess Johnny is now a part of the group, even if he doesn’t have a job at the shop.  For all the time the show spent establishing Johnny as being an edgy delinquent during the second season, this episode finds Johnny as a rather conventional leading man.  He listens to a baseball game and, at one point, he’s seen making a model ship.

That said, the majority of the episode is dominated by a bunch of new characters.  The Cassidys are a family of militia types who, having rescued Bonnie Cassidy (Allison Mang) from a bunch of cultists, are now on the run from a demon that is determined to kill them.  The Cassidys have some sort of demon tracker device that leads both them and the demon to Curious Goods, where Micki, Jack, and Johnny join in the effort to destroy the demon.  The Cassidys are so prominently featured in this episode and take up so much screentime that the episode almost feels like a backdoor pilot about them.  The Cassidys are even featured in black-and-white flashbacks that show us how they rescued Bonnie.

The problem, of course, is that we don’t know the Cassidys so its a bit jarring to see them take over the episode.  After what happened in the previous episode, I think most viewers would have a lot of questions about what happened after Jack, Micki, and Johnny returned from France.  For instance, what did they do with Ryan?  Did they drop Ryan off with his mother?  Did they leave him in France?  We don’t find out in this episode and it’s actually kind of insulting to anyone who has spent the previous two seasons getting wrapped up in Ryan and Micki’s adventures.  Instead of answering the questions that they had to know that viewers would be asking, the show’s writers expect us to care about the Cassidys.

Even without John D. LeMay, Robey and Chris Wiggins had a likable chemistry.  Micki and Jack were the strongest thing this series had gone for it as the start of season 3.  Why push them to the side for a family that we’ve never seen before and will probably never see again?  As far as guessing what the rest of Season 3 will be like is concerned, it’s not a good sign.

Hopefully, I’ll be proven wrong in the weeks to come.

Retro Television Review: St. Elsewhere 1.12 “Release”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, things get dark.

Episode 1.12 “Release”

(Dir by Victor Lobl, originally aired on February 1st, 1983)

The gunshot victim (Tom Hulce) who was saved by Samuels last week has woken up but he has no idea who he is.  He is labeled John Doe #12, meaning there’s at least eleven other people at St. Eligius who are suffering from amnesia!  That’s a scary thought.  There’s a lot of things that I don’t want to suffer from and amnesia is high on the list.  I can’t imagine how frightening that would be, not having any idea who you are or where you belong.

Dr. Chandler tries to help John Doe #12 get his memory back but, in this episode at least, neither has any luck.  Even an attempt at hypnosis reveals that John can’t remember anything before being rolled into the ER.  At one point, an older couple step into the room to discover if John is their son, who has been missing for two years.  He’s not, which leaves the couple in tears.

As serious and as heart-breaking as this all is (and both Washington and Hulce give outstanding performances in this episode), there is one moment where Dr. Westphall makes a reference to a “Lt. Gerard,” who is searching for John’s parents.  It seems like a throw-away reference, unless you’re familiar with either the 1950s television show The Fugitive or the subsequent 1993 film adaptation.  Lt. Gerard was the name of the detective who was hunting for that show’s main character, Dr. Richard Kimble.  Ed Flanders delivers the line solemnly and it occurs at a serious moment.  There’s no winking at the audience.  Instead, it’s simply a reward for the pop culture-literate who might be watching the episode.

For the most part, this was a grim episode.  After losing a patient to cancer, Dr. Peter White was ordered to talk his family into signing a release for an autopsy.  The autopsy was largely to protect the hospital from getting sued.  The family didn’t want an autopsy.  Peter didn’t feel the autopsy was necessary.  But, having been bullied by his superiors, Peter proceeded to bully and manipulate the dead man’s son into signing the release.  In the end, it turned out that Peter was correct.  The man did die of cancer.  The autopsy was not necessary.  Upset over the whole process, Peter said that he felt like he had “raped” a mourning family.  The doctor who ordered Peter to get the release merely smiled and said he would see Peter at rounds the next day.

Meanwhile, Dr. Craig was shocked and angered when he discovered that his old friend (played by Andy Romano) had checked into the hospital for gender-affirming surgery.  This led to the episode final scene, in which Craig talked about not liking the way the world had changed since he was a young man.  The scene was well-acted by William Daniels, who was one of the best when it comes to giving a monologue of frustration.

And finally, Dr. Samuels and Dr. Paxson disagreed on how to treat a patient and this storyline would have been interesting if either Samuels or Paxson had been an interesting character.  But they’re not.  I don’t care about them.  I don’t care about their boring relationship.  And, knowing that neither is going to be around once this season ends, I really didn’t care that much about their storyline.  With all of the interesting stuff that happened in this episode, I groaned whenever I realized I was going to waste a few minutes watching Samuels and Paxson argue.

This episode left me feeling pretty depressed.  Between Peter bullying that family and John Doe searching for his identity, there wasn’t much hope to be found.  Still, I have faith that John Doe will find his identity and maybe Peter will even become a better doctor.  (He certainly can’t get much worse.)  If Lt. Gerard could find Richard Kimble, then anything’s possible!

 

Charles Bronson and Jill Ireland: Great Romances of the 20th Century – Season 3, Episode 10 (Aired April 24th, 2001)


Happy Valentine’s Day, my friends! Today I celebrate my own valentine, my wife Sierra. I bought her a beautiful bouquet of roses, as well as a card, on which I wrote my true feelings of love and appreciation for her. It made me very happy to see the joy on her face as she received her roses and read her card.

I’m also celebrating my favorite film valentines, Charles Bronson and Jill Ireland. I’ve been blessed to have a few opportunities over the years to talk to people who were friends or family with Bronson and Ireland. They always say the same types of things… “they were so in love,” “Charlie would light up whenever she was around,” “she always softened him up.” That’s one of the reasons I enjoy watching them on screen together. There’s something about knowing how much they love each other that just makes me happy. Back in 2001, the TV series “Great Romances of the 20 Century” featured Bronson and Ireland. One of the most interesting parts of the episode showed Charlie and Jill being interviewed on the set of the film BREAKOUT (1975). Bronson was notoriously prickly in interviews, and he seemed to be heading that way on this particular day. But when Jill started talking about her husband to the person conducting the interview, you could just see the impact her words had on his mood and countenance. She made him smile and his entire mood changed, confirming everything I’ve been told. It’s quite beautiful to see.

If you’re interested, I’ve linked to the episode below.

Baseball On Valentine’s Day


Are you still having trouble getting in the mood for Valentine’s Day?  Allow me to help with a series of covers that combine my two favorite things, love and baseball!  These baseball romances are guaranteed to touch even the outfield of your heart.  Plus, if you’ve been confused about the difference between first base, third base, and all the way, these books are here to help, just in time for Valentine’s Day!

 

Late Night Retro Television Review: Highway to Heaven 3.13 “Basinger’s New York”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

New York, New York, it’s a heckuva town….

Episode 3.13 “Basinger’s New York”

(Dir by Michael Landon, originally aired on December 17th, 1986)

It’s Christmas in New York and veteran news columnist Jed Basinger (Richard Mulligan) has no idea what to write about.  Basinger has been recording the lives of the people of New York City for decades and he’s finally reached the point where he fears that there may not be anything good left to write about.  In short, Jed Basinger is a cynic and we know what this show thinks of cynicism!

While Basinger walks down a cold city sidewalk, he suddenly discovers Jonathan and Mark walking beside him.  Basinger worries that they’re fans, looking to harass him or tell him a long story that they think he should write about.  Instead, Jonathan introduces himself as an angel and explains that he’s here to show Basinger all the good things happening in the city.

I have to admit that I always groan a little whenever an episode of this show starts with Jonathan admitting that he’s angel.  The episodes where Jonathan makes no effort to hide his identity are usually the weakest, if just because they tend to be a bit more preachy than the typical episode of Highway to Heaven.  (Despite its reputation, Highway to Heaven was usually more earnest than preachy.)  Once Jonathan says those three words — “I’m an angel,” — the viewer is immediately aware that this episode has a message and it’s not going to be a subtle one either.

Jonathan, Mark, and Basinger make their way through New York.  They meet a cab driver who just wants to be reunited with his son.  They meet the saintly homeless people who live on the streets and take care of each other in their own quirky way.  They meet a nice cop.  They meet not one but two women who are in labor and who end up at the same hospital.  One woman is poor and turned away because she doesn’t have insurance (which, technically, I think is illegal under federal law but whatever).  The other woman is the wife of a U.S. Senator who announces that she refuses to give birth in a hospital that turns away the poor.  Luckily, Basinger is there and threatens to write about it.  The scene in the hospital is typical of this episode.  It’s well-meaning but so heavy-handed that it’s nowhere near as effective as it should have been.  If I was in labor, would I take the time to demand that the hospital treat all of its patients fairly?  I’d like to think so but, realistically, my mind would probably be on other things.  Luckily, Basinger gets to write his column, despite showing up late at the newspaper.  It turns out that the presses went down while Basinger learned a lesson about New York and kindness.

I can’t really be too critical of this episode because its heart was in the right place.  That was this show’s biggest strength.  Michael Landon really did seem to believe he could make the world a better place, one episode at a time.  That said, this episode was a bit too heavy-handed for my tastes.  But again, how can I be too critical of a show about Christmas miracles?