Enjoy The Miracle on 34th Street!


Now, before anyone asks, this is not the Oscar-nominated original with Edmund Gwenn and Natalie Wood.  Nor is it the 90s remake with Richard Attenborough and that girl who gives a hundred interviews a year about how she doesn’t care about being famous.

Instead, this is a 46-minute made-for-TV production from 1955!  It stars the one and only Thomas Mitchell (you’ll remember him as Uncle Billy from It’s A Wonderful Life) as the man who might be Santa Claus!

Even though this version may not be quite the holiday masterpiece that the original is, I still like it.  You really can’t go wrong with Thomas Mitchell as Santa.

Enjoy!

And remember….

THERE IS A SANTA CLAUS!

Why I Will Always Love A Charlie Brown Christmas


For me, it’s all about the tree.

A Charlie Brown Christmas first aired 53 years ago, on December 9th, 1965.  It’s aired every year since then, often twice a year.  For me, watching A Charlie Brown Christmas is as much of a holiday tradition as wrapping presents, decorating the house, and checking the weather forecast for snow.  I’ve watched every year since I was eight years old and I bet I’m not the only one.

A Charlie Brown Christmas begins with Charlie Brown telling Linus that he just doesn’t understand Christmas.  Even though he enjoys the presents and the tree and all the traditions, he still always ends up feeling depressed.  Charlie says that he just doesn’t feel the way that he’s supposed to.  (Was this the first Christmas special to acknowledge that the holidays can be a difficult time for some people?)  Linus says that Charlie Brown is the only person who can turn a wonderful holiday like Christmas into a problem.  From someone who spends every Halloween in a pumpkin patch, that’s a bold statement.

No one seems to have the Christmas spirit.  Lucy is upset because she never gets real estate.  Sally asks Santa Claus for tens and twenties.  Snoopy is so busy decorating his doghouse that he doesn’t even go after the Red Baron.  Even when Charlie agrees to direct the Christmas pageant, everyone’s more interested in dancing than getting into the holiday spirit.

Look at Pigpen go!  Snoopy and Schroeder get all the attention but Pigpen’s keeping up with them on the double bass.

Charlie Brown and Linus leave rehearsals to go find a Christmas tree.  Charlie’s supposed to pick the best tree they have, a big, pink, aluminum one.   Instead, Charlie picks the only authentic, real tree on the lot.  It’s a tiny sapling that looks half-dead and which leaves needles on the ground.  When Linus says that everyone’s expecting something bigger, Charlie says that the tree just needs some decorations.

That’s why I love A Charlie Brown Christmas.  It’s all about the tree.  It’s all about faith.

It’s not just the faith that Linus talks about when he later explains the true meaning of Christmas, though that’s certainly a huge part of it.  (Charles Schulz had to fight to be allowed to include Linus’s famous telling of the Christmas story, as there were fears that the religious content would turn off viewers.  Cleverly, Schulz made the story a key part of the special’s climax, so there was no way that the network could cut it.)  It’s also Charlie Brown’s faith that, even if he doesn’t full understand Christmas, he can still make that tree into something special.

At first, when Charlie Brown attempts to put on decoration on the tree, it tips over and he says that he’s killed it.

But then Linus comes along and he sees what Charlie Brown saw in that tree and, with a little help from his friends and his blanket, they bring the tree back to life.

Life may never be easy but with “a little love,” even the least impressive of things can become something glorious.  A Charlie Brown Christmas isn’t just about Schulz’s religious faith.  It’s also about the faith that the world can be made a better place, for trees, beagles, and round-headed kids.  Lucy might even finally get her real estate.

For the second time this year, A Charlie Brown Christmas will be airing on ABC tonight.  I’ll be watching.

The Christmas Chronicles (Dir: Clay Kaytis), Review by Case Wright


Netflix is known for taking risks and “The Christmas Chronicles” is no exception. There are six felonies in this film: 2 Grand Theft Autos, a kidnapping, money laundering, attempted murder, and whatever they did to that partridge in the pear tree.  Yet, it worked! I will admit that I am of the Y-Generation and Kurt Russell remains forever cool in my book, but this movie had some good story writing, great acting from veterans like Kurt Russell and Stevie Van Zandt, but great performances by up and comers Judah Lewis (The Babysitter) and Darby Camp (Big Little Lies) as well.

Clay Kaytis had his directorial debut with this film.  He is famous for being an animator for a panoply of films that you have taken your daughters to see: Frozen, Tangled, and Mulan…etc.  Clay was a pretty good choice considering the amount of animation that is in this film.  Honestly, it was a family movie that would have been a HUGE box office draw.

The film begins with a series of home movies featuring a classic nuclear family enjoying Christmas over the years…until 2017.  We learn that the father was a fireman who lost his life saving a family, leaving his family grieving and without the spirit of Christmas.  The mom is now taking extra shifts as a nurse, the daughter is REALLY into Santa, and the son is now a no-kidding degenerate car thief.  There are enough dark scenes in this film to classify it as Film Noir.

The family is trying to live as best they can and the daughter Kate is trying to reconnect with the memory of her late father by watching old home movies.  In one of the films, she sees a mystery arm delivering a package.  She convinces her brother that it could be Santa in the film and they decide to set a trap for him…..and IT WORKS!!! Not only do they catch Santa on film, they stow away onto his sleigh and cause Santa to crash.  He loses his sleigh, reindeer, bag of toys, and his magic hat.  The main ticking clock for the film is that Santa needs to get his presents delivered before christmas is up or christmas spirit will tick down to zero and it will be like the Hills Have Eyes or something.  The rest of the film is spent helping Santa retrieve these lost items and busting Santa out of jail to prevent the After Times.

And yes, Santa ends up in jail, charged with multiple felonies, and does a pretty amazing blues number with the E Street Band.  Yes, the E Street Band.  I know that a lot of this movie is starting to sound like a Christmas fever dream, but it works and my 7 and 9 year old girls were riveted and didn’t hurt each other for the duration of the film.  Thank you, Clay Kaytis…THANK YOU!

I would recommend this film and for you to subscribe to Netflix.  Otherwise, how will you understand half of my reviews?!!!!!

Merry Christmas!

 

Horror on TV: The Curse of Degrassi (dir by Stefan Brogren)


Can you believe that Halloween and Horrorthon are both nearly over!?  I’ve got tears in my mismatched eyes.

Originally, I was planning on posting the final episode of Kolchak tonight but I miscounted and, to make a long story short, I ran out of episodes of Kolchak before I ran out of days in October!

So, for our final Horror on TV of the 2018 Horrorthon, I’m going to share an old favorite of mine, The Curse of Degrassi!

Originally airing on October 28th, 2008, The Curse of Degrassi features Degrassi’s main mean girl, Holy J Sinclair (Charlotte Arnold), getting possessed by the vengeful spirit of deceased school shooter, Rick Murray (Ephraim Ellis).  Chaos follows!  Fortunately, Spinner (Shane Kippel) is around to save the day.  As any true Degrassi fan can tell you, only Spinner has a chance against the forces of the undead.

Enjoy!

Chilling Adventures of Sabrina, S1 E10, The Witching Hour, (Dir. Rob Seidenglanz) Review


STAW

Happy Halloween!!! I want to take a moment to thank Lisa. She is a great editor and writer.  She has given me so much support. It was a creative bucket list item review a show with her.  Thank you.

This is the final episode of the season and has the tone and feel of the nadir.  This episode is extremely polished and feels a lot like a well-done network season finale.  The shots are well framed, there is good creepy vibe, and we develop a visceral sense of every character’s inner struggle with each shot.  This is the work of a deliberate pro: Rob Seidenglanz.  It’s actually difficult to see a brilliant show that he hasn’t worked on.  My favorite shot is where Sabrina’s friends finally ask her if she is a witch.  The camera work makes you feel for Sabrina as she is confronted with her true self and she feels unmoored.

Once she’s confronted, it brings us to the question: how free is our will?  I have talked about evil A LOT in my reviews.  I have met evil men who committed terrible acts who will NEVER see justice and I know why they did what they did (see previous reviews and retweet them).  Why is Sabrina so close to the edge?  The same reason the men I met did what they did: she thinks she knows better and because she can.  When I deal with sanctimonious people on social media, I get nervous because they have the arrogance, but I don’t know if they really have the means.  Luckily, most are just lonely and online.  The scary combination that should keep everyone up at night is what these totally self-certain people will do if they feel justified.  You can imagine them shrugging off the collateral damage that they cause in their decisions for expediency.

Back to the review, Sabrina is faced with the oncoming of the resurrected witches who will destroy the town with the help of a headless horseman or some such.  Who is summoning all these demons? Ms Wardwell!!! It all looks terrible for the town.  Sabrina and the fam decide to protect the town, but Ms Wardwell manages to isolate Sabrina.  Once she’s alone, Sabrina’s convinced without a lot of struggle that she alone can solve everything! This plays to Sabrina’s vanity so perfectly that she signs Satan’s book and kicks a lot of ass, but at the cost of her soul.  That is where the corruption concludes.  We see Sabrina walking with with the sisters and she gives a lusty wink to Nick.

Side note: Aunt Z steals a baby and Ms Wardwell is Adam’s first wife Lilith.

SIDE SIDE NOTE IN RE LILITH: If you’re going through a divorce or know someone who is take solace because even the original Adam got divorced. Eve was Adam’s second wife after Lilith refused to subordinate herself to him and split.  Therefore, we are ALL children of divorce.

This show had so many complex characters…and Harvey.  I guess not everyone is supposed to be interesting.  Shipka brought this character to life with so many flaws, but with so much courage.  I like that Sabrina was flawed and corruptible.  It made it a human story.  The show gave a lot of opportunities to some new director and that is great in and of itself.

Happy Halloween!

A Blast From The Past: Peter Cushing — A One Way Ticket To Hollywood


I’m not sure if you can be a true fan of horror (especially British horror) without loving Peter Cushing.

The actor played many roles over the course of his long career.  In fact, the first film in which he and Christopher Lee both appeared was not a horror film but instead Laurence Olivier’s 1948 production of Hamlet.  (They both also appeared in 1952’s Moulin Rouge.)  However, Cushing will probably always be best known for his Hammer roles and, of course, his villainous performance in Star Wars.  Peter Cushing was not only the virtuous Prof. Van Helsing but also the far less virtuous Baron Frankenstein.

According to almost every interview that I’ve read, Peter Cushing was a genuinely nice and professional person, one who didn’t personally care for horror films but who never took it personally when he was recognized for appearing in them.  Though they regularly played rivals on screen, he was close friends with Christopher Lee.  I once read an interview with Lee where he said that, decades later, he still hadn’t recovered from Cushing’s death in 1994.

Below, you’ll find a documentary from 1989.  It was called Peter Cushing — A One-Way Ticket To Hollywood.  It’s basically just Peter Cushing talking about his life and career for 49 minutes but it’s a charming little documentary.  Peter Cushing comes across as being very nice and very British.  He discusses not only his horror films but also his work in Star Wars and his performance as Winston Smith in a 1954 production of 1984.

It’s a nice documentary and I offer it up on Halloween as a tribute to one of horror’s gentlemen.

(Thank you to VintageTreats for uploading this!)

Happy Halloween From The Shattered Lens!


To all of our readers

To all of our friends

To every ghoul and fiend out there,

HAPPY HALLOWEEN FROM THE SHATTERED LENS!

May your Halloween bring you more candy than rocks and we hope you enjoy the last day of our annual horrorthon!  Be safe, be sincere, and don’t forget the true meaning on Halloween!

Chilling Adventures of Sabrina, S1 Ep 9: The Returned Man, Review (Dir Craig Macneill)


STAW

Happy Devil’s Eve.  I will be doing the last episode on Halloween- Bwahahaha!

The Returned Man – directed by Craig Macneill is all about the failure! Since both Episode 8 & 9 were directed well, I’d like to get into their differing styles just a bit. Maggie Kiley built suspense with camera moves and slowing ratcheting up tension like a Hitchcock thriller or The Shining. Craig Macneill’s work feels more like an Italian horror film that relies on music, gore, and lighting to convey confusion, horror, and fear.

This episode is the reckoning of Sabrina’s necromancy.  She did raise Tommy, but he came back….different.  Tommy doesn’t speak, eat, or catch footballs normally.  What he does do is be very still and yet menacing.  Also, Sabrina’s clever plot to cheat death and have the witch return from death after 10 minutes isn’t really working out.  The sister is coughing up gravel.  All and all everything is going horribly horribly wrong.  When Sabrina returns the necromancy book to Ms. Wardwell, she feigns surprise that Sabrina went on the necromancy path.  This cements the sole culpability for Sabrina.

Why isn’t Tommy eating?  When the dead miners are delivered to the Spellman house, we learn that there is a good reason Tommy isn’t hungry; he was chowing down on the corpses of the other miners.  Yes, Tommy is a ….. ZOMBIE!!!! This is cut really well with a scene with Tommy attacking their POS dad.

Sabrina realizes that Tommy came back without a soul and that his soul is in limbo.  She thinks she can just waltz into limbo and get it. No muss no fuss.  Well, nope.  The Spellmans are now all aware of Sabrina’s shenanigans and think she is beyond reckless because she is.  No one wants to help Sabrina go into limbo except…..Ms Wardwell.

The limbo scene is excellent.  It reminds me of Phantasm or The Beyond. We pierce the veil and it’s filled with confusion and a terror called a Soul Eater!!! Sabrina meets her mother in Limbo, but she can’t recognize Sabrina.  This reminded me of The Beyond because if you make it to Hell in that film, you go blind from the revelation. Then, she does find Tommy, but as she is about finish Tommy’s rescue, the soul eater devours him.

Ms. Wardwell is conveniently near Sabrina for this scene and all others that can compromise Sabrina.  Wardwell convinces Sabrina that Harvey must know the truth. Sabrina agrees and we see Harvey’s love for Sabrina shatter.  He doesn’t seem angry as much as he is disgusted by being completely overruled in any of the decisions that affected him directly.  This causes them to break up, which isolates Sabrina completely from the human world.

I enjoyed how the characters were allowed to be diminished.  Sabrina failed in every way possible and lost everything.  This allows her to be prepped for a full corruption.  See you on Halloween!!!

Horror On TV: Kolchak: The Night Stalker 1.20 “The Sentry” (dir by Seymour Robbie)


Tonight on Kolchak….

There’s something on the loose underneath Chicago!  Could it be a …. killer lizard!?  Kolchak’s on the story!

Sadly, all good things must come to an end and this was the final episode of Kolchak: The Night Stalker.  Darren McGavin, of course, would later go on to epitomize the ideal middle American father when he played The Old Man in A Christmas Story.

This finale originally aired on March 28th, 1975.

I hope you have enjoyed this October’s trip down Kolchak Lane!