Lisa Marie’s Week In Television: 10/6/24 — 10/12/24

Posted on October 12, 2024 by Lisa Marie Bowman

Here’s my thoughts on what I watched this week.

Abbott Elementary (Wednesday Night, ABC)

Abbott‘s back. Jeanine and Gregory are dating and they’re a cute couple. That said, I can’t help but remember how The Office kind of started to become less interesting once Pam and Jim officially became a couple. Single, neurotic people are always funnier than stable people in love.

It’ll be interesting to see how this season goes. Last season, I got annoyed with Jeanine working for the district and the show itself occasionally got a bit heavy-handed in a way that it hadn’t during the previous seasons. At the time, I choose to believe that season’s weaker moments were due to the season being shortened by all the strikes that were going on. I’m hoping this new season will prove me correct.

Ava continues to be the best character on the show.

Accused (Tuesday Night, FOX)

After an incredibly uneven first season, Fox’s crime anthology show is back for a second season. The first episode featured a psychic accused and on trial. Felicity Huffman (who hasn’t really been seen much ever since she was implicated in the so-called Varsity Blues scandal) and William H. Macy provided some star power but the overall results were still pretty dull. I’m not a huge fan of anthology shows in general. They always seem to be trying a bit too hard.

American Sports Story: Aaron Herndanez (Tuesday, FX)

This week, Aaron started to find fame as a pro football player with the New England Patriots, while continuing to deal with stress by hanging out with lowlifes and criminals. While struggling to maintain the squeaky clean image that the NFL demanded from its players, Hernandez also beat up his abusive stepfather. Much as with last week, this episode was well-done but it still feels as if the show is dragging out the story a bit too much. This episode was about 20 minutes worth of story stretched out over 50 minutes. Needless to say, it did start to feel a bit repetitive after a bit. The attempt to use Aaron Hernandez’s stupidity as a way to comment on American society continues to feel a bit half-baked.

Dr. Phil (Pluto TV)

“Shut up!” Kaye yelled, when confronted about her Nigerian boyfriend, who she has never actually met despite selling her house and sending him the money. I know Kaye was embarrassed but yelling shut up isn’t going to get her money back.

Hell’s Kitchen (Thursday Night, FOX)

One chef left the show to go to the hospital. Another hurt his back and voluntarily withdrew from the competition. The Blue Team had a terrible dinner service and a Chef Ramsay sent another chef home. The Red Team is getting pretty cocky, which I’m going to assume means that they’re going to fall apart next episode. Getting cocky is always the worst thing that any chef can do on Hell’s Kitchen. Hell’s Kitchen remains one of the few reality shows to remain as entertaining today as when it first aired. The show has been smart enough to stick to its formula and not change things up just to satisfy whatever the current cultural trend may be.

Homicide: Life On The Streets (Peacock)

I wrote about Homicide here!

Law & Order (Thursday Night, NBC)

This week’s episode saw SVU‘s Mariska Hargitay making a guest appearance on Law & Order and it really does show just how much things have changed as far as this franchise is concerned. At one time, SVU was kind of like Law & Order‘s sordid and little-acknowledged bastard cousin and it was a big deal if anyone from L&O lowered themselves to make an appearance on SVU. Now, things are reversed. Law & Order is still struggling to find its voice in the 2020s and it’s SVU that’s providing some star power to its struggling cousin.

On another note, I’m surprised that there’s any tech gurus left in New York as they seem to be the number one victim of choice on Law & Order. If they’re not getting murdered, they’re going to jail.

I continue to miss Jack McCoy.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Miami Vice (Amazon Prime)

I wrote about Miami Vice here!

Night Flight (Night Flight Plus)

On Friday, I watched an episode from 1988. The first half of the episode featured music videos, including X’s Devil Doll. The second half took a look at “upcoming” films, including one in which Arnold Schwarzenegger and Jim Belushi teamed up to fight crime. No, it wasn’t The Principal.

One Step Beyond (YouTube)

This week, I have continued to watch and share episodes of this old anthology show. I’ve been having a lot of fun watching this show.

Horror On TV: One Step Beyond 2.6 “The Inheritance” (dir by John Newland)

Posted on October 12, 2024 by Lisa Marie Bowman

Tonight’s episode of One Step Beyond features host John Newland listening as a drunk (Sean McClory) at a bar tells the story of his former life as a gigolo and how a cursed necklace drove him mad. This episode is interesting if just because it takes the show’s “Did this story really happen?” premise to its logical conclusion. Apparently, John Newland couldn’t leave his house without someone telling him a story about the paranormal!

This episode originally aired on October 27th, 1959.

Retro Television Review: Welcome Back, Kotter 4.3 “Don’t Come Up And See Me Sometime”

Posted on October 12, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!

This week, Vinnie tries to move on with his life. The Sweathogs say, “No!”

Episode 4.3 “Don’t Come Up And See Me Sometime”

(Dir by Norman Abbott, originally aired on September 25th, 1978)

Vinnie Barbarino has his own apartment!

And it’s a dump!

Seriously, if you watch enough 70s sitcoms, you know that no one is going to live in a nice apartment. For whatever reason, characters on 70s tv shows always lived in the ugliest apartments imaginable. But, even with that in mind, Barbarino’s apartment is terrible. The walls are stained. The couch is worn and has visible stuffing. Every time the train goes by, the entire apartment shakes and Vinnie’s bed falls out of its closet. It’s an awful apartment in an awful part of Brooklyn but then again, Barbarino is a janitor who hasn’t even graduated from high school so really, the crappy apartment is probably the most realistic part of this episode.

Vinnie is happy to have his own place because he has a serious girlfriend, Sally (Linda McCullough). Sally works as a nurse at the hospital. Vinnie can’t wait to spend time with her, though she has to break their first date when she’s assigned to work overnight.

Julie Kotter makes her first appearance of the season when she drops by to give VInnie a house-warming present and to show off her terrible new haircut. The present turns out to be towels. Vinnie is happy with the gift because he was feeling bad about stealing towels from the hospital.

Then the Sweathogs show up, including a new blonde guy with a Southern accent. Washington says that the guy’s name is Beau (Stephen Shortridge) and he’s a new student at Buchanan High and in Mr. Kotter’s class. What’s odd is that the previous episode ended with Vinnie once again enrolled in high school and a student in Kotter’s class. So, why hasn’t he met Beau yet? Did Vinnie drop out after dropping back in?

After Vinnie and Beau debate which one of them is uglier, Vinnie gives everyone a tour of the apartment. He’s especially proud of his dining table.

Things are going fine until the Sweathogs start to talk about how they’re going to be spending all of their time at Barbarino’s new apartment. Vinnie, realizing the he just wants some privacy, asks all of the Sweathogs to leave. The Sweathogs get offended and say that Vinnie has let his new apartment go to his head.

The next day, at school, Gabe is shocked to see the Sweathogs shunning Vinnie. Woodman, however, tells Vinnie that he’s lucky. “I haven’t had a friend in 20 years,” Woodman says, “and look how happy I am!” Fortunately, Gabe is not quite so cynical and he’s able to help the Sweathogs realize that they need to give Barbarino room to live his own life. This episode ends with Barbarino, having nearly been driven mad by loneliness, happily allowing the Sweathogs, the Kotters, and Mr. Woodman into his apartment. But then Sally arrives and he kicks them all out.

This episode feels like a metaphor of sorts. Just as Barbarino was escaping the Sweathogs and starting his own life, John Travolta was escaping television for the movies. One has to imagine that, just as the Sweathogs were offended to be kicked out of the apartment, there were some Kotter people who weren’t necessarily happy about not being included in Travolta’s new Hollywood career.

This episode works surprisingly well. That’s largely because it’s a showcase for John Travolta. The scenes of Barbarino talking to himself come close to going on for too long but Travolta’s charisma carries the day. At the end of the episode, even Gabe and Julie look happy for a minute or two.

Late Night Retro Television Review: Friday the 13th: The Series 2.13 “Eye of Death”

Posted on October 11, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Ryan goes into the past.

Episode 2.13 “Eye of the Death”

(Dir by Timothy Bond, originally aired on January 30th, 1989)

Atticus Rook (Tom McCamus) is an antiques dealer, one who is well-known to Jack. No one seems to really like or trust Atticus Rook. Everything about him seems to scream sleaze. But Atticus has somehow managed to get artifacts from the American Civil War that no one else has ever been able to find. His latest claim is that he will soon be selling Robert E. Lee’s sword.

How is Atticus accomplishing this? He has a cursed magic lantern that he uses to project old pictures onto his wall. He’s then able to step into the picture and enter the time period in which it was taken. (Hey, that sounds like a fun cursed object to own!) Atticus has been going into the past and telling Gen. Lee (Bernard Behrens) that he’s a spy. However, the information that he gives Lee is just stuff that he remembers from history class. Atticus thinks that he’s got a pretty good operation going but there are two catches. To go to the past, he has to kill someone in the present. To return to the present, he has to kill someone in the past.

Naturally, Ryan ends up in the past while trying to retrieve the magic lantern. Ryan meets General Lee and tries to present himself as also being a spy but it turns out that Ryan paid even less attention in history class than Atticus did. Ryan being Ryan, he also falls in love with a widow named Abigail (Brooke Johnson). As we all know, having Ryan fall in love with you is pretty much a death sentence on Friday the 13th. Abigail’s death does allow Ryan, Jack, and Micki to return to the present. Moving the lantern allows Atticus to get trapped in his own wall, where he suffocates while trying to return to the present.

This was a surprisingly good episode. I say “surprisingly” because you wouldn’t necessarily think that a low-budget Canadian show would do a great job of recreating the American Civil War but this episode pulls it off. The costumes, the sets, the words used by the people encountered by Ryan and Atticus, all of them work to make the episode’s Civil War setting feel very realistic. Tom McCamus is a great villain and Bernard Behrens is well-cast as Robert E. Lee. Even the obviously doomed romance between Ryan and Abigail works remarkably well.

I have to admit that I’ve always assumed this show took place in Canada, largely because of all of the Canadian accents and the Canadian scenery. This episode reveals that Friday the 13th is supposed to be taking place in the United States, despite the way that people pronounce the word “sorry.” When Ryan ends up in the Civil War, he says that he’s from Chicago. (It’s not necessarily a good idea to go back to the Civil War era and immediatly tell everyone that you’re a Yankee.)

Well, this show can pretend that the antique store is in Chicago if it wants to, but it’ll always be Toronto to me.

Horror on TV: One Step Beyond 2.5 “Night of the Kill” (dir by John Newland)

Posted on October 11, 2024 by Lisa Marie Bowman

When young Davey Morris tells his parents that he’s been hanging out with a friendly Bigfoot-type creature, all of the adults in town react in the worst way possible.

This episode, from the second season of One Step Beyond, was one of the first to deal with the legend of Bigfoot. Needless to say, it’s the adults who turn out to be the true monsters in this scenario.

This episode originally aired on October 20th, 1959.

Retro Television Review: T and T 3.18 “Suspect”

Posted on October 11, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!

This week, we have yet another surprisingly serious episode of T and T.

Episode 3.18 “Suspect”

(Dir by Ken Girotti, originally aired on May 5th, 1990)

On trial for having physically abused his girlfriend, Giles (Tom Melissis) can only smirk when his girlfriend, Ally (Isabelle Mejias), takes the stand and says that she doesn’t remember who beat her. Far less amused is Ally’s lawyer, Terri (Kristina Nicoll).

After telling Ally that she needs to recant her testimony and testify against Giles, Terri starts to receive threatening letters. While Turner immediately suspects that Giles is the one behind the threats, it turns out that it’s actually Ally! Ally explains that she’s actually an ex-convict named Deborah, a former client of Terri’s who got sent to prison. This, of course, leads to a huge question — why didn’t Terri recognize Ally when she agreed to serve as her attorney? And how did Ally manage to fool everyone into thinking she was Ally when she’s actually Deborah? Ally doesn’t say anything about getting plastic surgery or anything like that. She also implies that her last encounter with Terri was only a year or two ago. (Seeing as how Terri wasn’t even on the show until the start of this season, it couldn’t have been that long ago.) Terri immediately recognizes the name Deborah but she didn’t recognize Deborah when she was standing right in front of her. Wow, Terry …. and I thought I was self-centered!

No worries, though! Despite all of the threats, Terri agrees to not turn Ally into the police as long as Ally testifies against Giles. I don’t know if I could so easily overlook a harassment campaign but whatever. The important thing is that Giles goes to jail and Ally is free to continue leading a double life.

This episode featured good performances from Isabelle Mejias and Tom Melissis and I appreciate any show or film that ends with an abuser getting sent to either prison or the graveyard. But the story itself felt really rushed. This is one of those episodes that would have benefitted from a longer running time because there was a lot to unpack in just 30 minutes. As well, it’s hard not to feel that Ally’s backstory would have had more impact if Amy was still on the show. Season 3 (and the show itself) are nearly over and I still don’t feel like I really know how Terri Taler is supposed to be. Amy was established, over the course of two seasons, as a whip-smart attorney who had a long history as a crusader. Terri, on the other hand, still feels like someone who just showed up nowhere.

Like last week, this was a surprisingly serious episode of T and T. The episode didn’t quite work but the show still deserves credit for trying.

Late Night Retro Television Review: Highway to Heaven 2.20 “Summit”

Posted on October 10, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark do their bet to save the world from nuclear annihilation. Good for them!

Episode 2.20 “Summit”

(Dir by Dan Gordon, originally aired on March 5th, 1986)

Maria Malinoff (Eda Reiss Merlin), a Russian immigrant, is dying. Before she dies, she wants to see her son one last time.

The good news is that her son, Andrey Malinoff (Nehemiah Persoff), is currently in the United States. Even better, Mark and Jonathan have been assigned to let Andrey know that his mother wants to see him and to convince him to set aside his bitterness and see her.

The bad news is that Andrey is now the deputy premier of Russia and the reason why he’s in the United States is to attend a summit with the President (voiced by Frank Welker). Andrey is a communist who doesn’t believe in angels or American exceptionalism!

Mark and Jonathan are able to get jobs as waiters for the summit. (It helps that there is another angel working at Camp David.) They are even able to get Andrey away from his handlers long enough to take him to see his mother. Andrey is convinced that Jonathan and Mark are with the CIA and their whole “mission” is a trick to keep him from attending the summit. Mark dislikes Andrey because he’s a Russian and he think his country is superior to America. Jonathan dislikes Andrey because he’s abrasive and refuses, at first, to accept that Maria is his mother.

Eventually, though, Maria starts to talk about what Andrey was like as a child. Realizing that she is who she says she is, Andrey sits with his mother and talks to her until she passes away. Then, he returns to the summit a (slightly) changed man. He may still be a communist but at least now he knows the meaning of the word compassion. Mark takes a few minutes to ask Andrey and the President to work out their differences, explaining that everyone in the world is scared of nuclear war. The President, who is heard but not seen, is touched by Mark’s plea and agrees to have a long conversation about peace with Andrey.

Having apparently brought about world peace, Mark and Jonathan head off to their next assignment.

This episode — which was one of the few to be directed by neither Michael Landon nor Victor French — just felt silly, especially when compared to the strong episodes that came before it. Nehemiah Persoff does a lot of blustering in the role of Andrey but he never convinces us of the character’s emotions or his transformation. As an anti-communist, I enjoyed listening to Mark insult the Russians but otherwise, this well-meaning episode was a definite misfire.

Horror on TV: One Step Beyond 2.4 “Doomsday” (dir by John Newland)

Posted on October 10, 2024 by Lisa Marie Bowman

Tonight’s episode of One Step Beyond deals with that classic horror theme, the curse of a dying witch. In this case, a woman burned at the stake in Scotland curses the family of her wealthy persecutor, saying that the eldest son will be destined to always die before his father.

I swear, witch’s curses are always so complicated!

The episode aired on October 13th, 1959.

In the words of Criswell, “Can you prove it didn’t happen?”

Retro Television Review: Malibu, CA 1.13 “Mom Returns”

Posted on October 10, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. The entire show is currently streaming on YouTube!

This week, Jason and Scott’s mom returns to America and quickly decides to leave again.

Episode 1.13 “Mom Returns”

(Dir by Gary Shimokawa, originally aired on January 17th, 1999)

With their Dad stuck in San Diego on his birthday, Jason and Scott decide to throw a wild party at the house. The music is loud. The house is crowded. Murray jumps off the second floor balcony. The police show up and start dancing. Oddly enough, Stads shows up and there’s absolutely no awkwardness between her and Jason, despite the fact that they just broke up.

Everything is going great until Michele (Carol Huston) shows up.

Michele is Jason and Scott’s mother, the one who sent them to Malibu so that she could take a job in Saudi Arabia. She’s returned home and Jason and Scott panic that she’s going to order them to return to New York. When they overhear Michele talking to their Dad about getting married again, Jason and Scott are convinced that their parents are getting back together.

Of course, this being a Peter Engel-produced show, it’s all a big misunderstanding. Michele is getting married again but she’s marrying a guy that she met in Saudi Arabia. In fact, she’s planning on spending another year in Saudi Arabia. I guess she likes not being allowed to drive and having to cover herself from head to toe while living in the middle of the desert. Still, when Jason and Scott start wearing suits and behaving like perfect angels in an attempt to convince their mom to let them stay in Malibu, their Dad decides to play a trick on them and basically allows them to believe that he and Michele are getting back together….

Wow, what a fucking asshole.

Seriously, it’s rare that I curse but this is one of the worst things that I’ve ever seen a television father do. I’m a child of divorce. I know exactly how it feels to fool yourself into thinking that your parents are going to get back together. That’s not something joke about.

Their father also jokes about sending his sons to Saudi Arabia. He even gives them some keffiyehs to wear. The audience laughs. Today, of course, Scott and Jason would just look like a typical Ivy Leaguer.

Anyway, after this episode, I understand why Michele got a divorce and couldn’t wait to get away from the kids. She probably could have escaped to a less misogynistic country but I guess she was desperate.

While all of this was going on, Sam and Stads competed to see who could raise the most money for charity. Stads really got over Sam kissing her boyfriend quickly! Both of them recruit Tracy to help them raise money. Tracy walks around the beach in a bikini and says, “Who wants to give me money?” It works.

This was a dumb episode.

Late Night Retro Television Review: Monsters 2.17 “One Wolf’s Family”

Posted on October 9, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, Jerry Stiller is a werewolf!

Episode 2.17 “One Wolf’s Family”

(Dir by Alex Zamm, originally aired on February 11th, 1990)

In this rather heavy-handed episode of Monsters, Jerry Stiller and Anne Meara star as Victor and Greta, two immigrants who have built a successful life for themselves in America. Victor is very proud of his heritage and his success. He’s even more proud of the fact that he and Greta are pure-bred werewolves. He expects his daughter, Anya (Amy Stiller), to marry a purebred werewolf.

(Ben was apparently busy when they shot this episode.)

So, how will Victor react when he discovers that Amy’s fiancé, Stanley (Robert Clohessy), is a were-hyena!?

*sigh*

Okay, I will give some credit here. The scene where Victor meets Stanley and they all gather around the kitchen table for dinner does have some funny moments. Stanley, being a hyena in human form, cannot stop laughing, even when he’s being insulted. And when Jerry Stiller launches into a rant about how no daughter of his is going to hang out on the roadside and eat trash, I did laugh. This was largely due to Jerry Stiller’s delivery of the line. Jerry Stiller was always funny whenever he started to rant.

Otherwise, this episode was pretty disappointing. There’s a subplot about a nosey neighbor named Agnes (Karen Shallo). Agnes is upset to discover that her neighbors are werewolves that keep dead bodies in their refrigerator so that they’ll have something to snack on. “It’s bad enough that they’re immigrants!” Agnes says. And yes, I get it. Agnes is supposed to be a small-minded suburbanite who doesn’t understand that America is a country of immigrants and all the rest. The problem is that, regardless of how Agnes feels about immigrants, she has every right to be concerned about living next door to a werewolf who keeps a dead body in his refrigerator. When she sees Victor eating a foot, it totally makes sense that she would be upset about it. The show’s satire would have worked if Agnes’s sole objection to them had been that they were immigrants. (It would have been even funnier if Agnes has absolutely no problem living next door to werewolves as long as they were born in America.) But by making them werewolves and having Agnes be upset by the fact that they were werewolves, the show instead suggests that Agnes might have a point.

Not that it matters. Stanley turns into a hyena and rips off Agnes’s head and brings it to Victor and Greta as a gift. Stanley is accepted into the family while Jerry Stiller howls a the moon.

Political satire is always hit-and-miss and this episode was definitely a mess. It’s a shame because Jerry Stiller and Anne Meara were definitely funny people. (If you’ve ever seen the documentary Have A Good Trip, there’s a scene where Ben Stiller tells a story about accidentally taking several tabs of LSD in college and, in a panic, calling his father for help. “I know what you’re going through,” Jerry told him, “I once smoked an entire Pall Mall cigarette.” “My father was Jerry Stiller, not Jerry Rubin,” Ben explains.) This is one of those episodes that I was really hoping would be good but it just didn’t work.