Song of the Day: That’s the Way Love Goes (by Janet Jackson)


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A late Happy Valentine’s for those who celebrate it and for those who do not, well the day is almost over.

What better way to close out another Valentine’s than to go back many years to one of the classic ballads to come out of the early 90’s. This one comes courtesy of one Ms. Janet Jackson. It was the lead single in her 5th full-length album and became a signature song for her.

Whenever people my age say that they don’t make music like they used to back in our days then I can honestly say that this song, “That’s the Way Love Goes”, is a prime example of a song done right back in my days.

That’s the Way Love Goes

Like a moth to a flame
Burned by the fire
My love is blind
Can’t you see my desire?
That’s the way love goes
Like a moth to a flame
Burned by the fire
My love is blind
Can’t you see my desire?

Like a moth to a flame
Burned by the fire
My love is blind
Can’t you see my desire
That’s the way love goes
Like a moth to a flame
Burned by the fire
That’s the way love goes
My love is blind
Can’t you see my desire?

Come with me
Don’t you worry
I’m gonna make you crazy
I’ll give you the time of your life

I’m gonna take you places
You’ve never been before and
You’ll be so happy that you came

Oooooh, I’m gonna take you there
Oo-ooh hoo-ooh oo-ooh
That’s the way love goes
Hoo
That’s the way love goes
That’s the way love goes
That’s the way love goes

Don’t mind if I light candles
I like to watch us play and
Baby, I’ve got on what you like

Come closer
Baby closer
Reach out and feel my body
I’m gonna give you all my love
Ooh sugar don’t you hurry
You’ve got me here all night
Just close your eyes and hold on tight

Ooh baby
Don’t stop, don’t stop
Go deeper
Baby deeper
You feel so good I’m gonna cry

Oooooh I’m gonna take you there
Oo-ooh hoo-ooh oo-ooh
That’s the way love goes
Hoo
That’s the way love goes
That’s the way love goes it goes it goes
Oooh that’s the way love goes
Reach out and feel my body
That’s the way love goes
Dontcha know
That’s the way
Like a moth to a flame
Burned by the fire
My love is blind
Can’t you see my desire
Like a moth to a flame
Burned by the fire My love is blind
Can’t you see my desire?
That’s the way love goes

 

Song of the Day: We Are the Champions (by Queen)


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I’ve used this song twice to celebrate my San Francisco Giants winning the World Series in 2010 and 2012 (so shocked they won 2014 that I forgot to post it) that I thought it only fair to use it for the New England Patriots. They are the new champions of the NFL after their thrilling win over the Seattle Seahawks.

It was a game that had our own pantsukudasai56 on the verge of losing it (and he probably did but in a good way and not the bad one I was predicting). The New England Patriots have become like a sort of second NFL team for me because of two people: Tom Brady (local boy made good) and Bill Belichik (the Dark Lord himself). Yes, two people who have their equal share of admirers and haters (probably more of the latter).

These two have now cemented their 4th NFL championship through the modern salary-cap era, adversity (concocted and self-inflicted) and heartbreaking losses. Yet, as much as people would hate on Belichik deep down most would dump their coach if it meant they would have him instead. The same goes for his apprentice in Tom Brady.

So, controversies aside, congratulations to the New England Patriots for winning Super Bowl XLIX.

We Are the Champions

I’ve paid my dues
Time after time
I’ve done my sentence
But committed no crime
And bad mistakes I’ve made a few
I’ve had my shelves and kicked in my face
But I’ve come through

We are the champions my friend
And we’ll keep on fighting till the end
We are the champions
We are the champions
No time for losers ‘cos We are the champions of the world

I’ve taken my bows
my curtain calls
You brought me fame and fortune
And everything that goes with it
I thank you all
But it’s been no bed of roses
No pleasure cruise
I consider it a challenge before
All human race
And I ain’t gonna lose

We are the champions my friend
And we’ll keep in fighting till the end
We are the champions
We are the champions
No time for losers ‘cos
We are the champions of the world
We are the champions my friend
And we’ll keep in fighting till the end
Ooh, we are the champions
We are the champions
No time for losers ‘cos
We are the champions

Song of the Day: “Cloud Atlas End Title” (by Tom Tykwer, Johnny Klimek & Reinhold Heil)


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I think it appropriate to end today with one of the most beautiful and haunting piece of cinematic music in recent years.

Cloud Atlas might have been like Icarus as it flew too high to the sun but only to crash into the sea. The same couldn’t be said about the orchestral score composed by Tom Tykwer, Johnny Klimek & Reinhold Heil. It’s a great piece of film score composing that managed to lend true emotions with every note without a hint of cynicism.

The “End Title” part of the score completely encompasses every piece character motif the three composers came up for each and every vital character in the film. What we get is a song that’s a pure distillation of everything that came before it.

Just like the film, this song marks the ending of one journey and the beginning of a new one for one of us. Fair winds and following seas.

Song of the Day: Untitled Self-Portrait (a.k.a. Batman’s Song) (performed by Will Arnett)


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I don’t know about you but I’m still pretty angry about what happened yesterday when the Oscar nominations were announced.  Seriously, how could The LEGO Movie not be nominated for best animated film?  It’s almost as if the Academy is prejudiced against plastic toys.

*Le sigh*

So, normally, when I talk about The LEGO Movie, I find an excuse to include the video for Everything is Awesome.  

But you know what?

EVERYTHING IS NOT AWESOME!

And today’s song of the day — which is also taken from The LEGO Movie — reflects that point.  As performed by Will Arnett, here’s Batman’s Song (a.k.a. Untitled Self-Portrait.)

All together now…

DARKNESS….

Song of the Day: Taking A Stand (Henry Jackman)


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I’m a bit biased in that I do believe that at this very moment whatever film Marvel Studios releases I will probably like it. I’m very close to having drunk the MCU Kool-Aid. Which is a good thing that trashfilguru is here to keep me from drinking that delicious, overly sweetened drink by the liters.

I know that the MCU is not what one would call high-brow art, but I will admit that it’s a very entertaining piece of world-building that we really haven’t seen done in film history. Well, at least not in the scale that Kevin Feige and the creative minds over at Marvel Studios have been attempting (and succeeding) these past 7-8 years.

One film that I highly enjoyed and consider one of my favorites of 2014 (if not one of the best) was the sequel to Captain America: The First Avenger. This sequel was a game-changer in regards to the very cinematic universe that Marvel had been building since the first Iron Man. Captain America: The Winter Soldier looked to up-end the very foundation of this universe by making one of it’s bricks become something to not be trusted.

Lisa Marie did a great job in conveying my thoughts about what made Captain America: The Winter Soldier such a good film (I would say great, but again I have that glass of Kool-Aid). One aspect of the film that has been given little to know attention to has been Henry Jackman’s work as film composer for the sequel. In fact, the film’s score has been much-maligned just because the filmmakers made the decision to veer away from the Alan Silvestri musical cues and motifs that had become recognizable as Captain America.

Alan Silvestri did the film score for the first film, but Jackman was tasked with recoding the very musical DNA for the sequel. What we get is a film score that’s very minimalist and supplements well the very paranoia and conspiracy tone the film’s narrative took. This was quite the opposite of Silvestri’s score for the first film mirrored that film’s nostalgic and heroic themes.

The track “Taking A Stand” which scores the David Mack illustrated and Jim Steranko-influenced end credits sequence is a perfect example of why Jackman’s score for Captain America: The Winter Soldier should be put on more “best of 2014” lists.

Song of the Day: Orphans of Doom/The Awakening (by Basil Poledouris)


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We’re closing out another year and it’s always time to reflect back on the events the we all experienced.

Here in Through the Shattered Lens we saw a new writer join the ranks with the arrival and addition of Alexandre Rothier. We also saw more and more of our writers grow in confidence with their writing. This didn’t just translate into more writing from them, but better as well. There’s Dazzling Erin with her constant surprise of finding new artists to share. Then leonth3duke who finally made the jump to truly appreciating horror. Leonard Wilson continued to find his voice with each new review he wrote.

I can’t forget necromoonyeti who continues to be my source of all things music and with each new band written I pick up something new to experience. Semtex Skittle showed the world his appreciation not just for the franchise of Final Fantasy but Sailor Moon as well and to that otaku are grateful. Speaking of otaku there’s the site’s own big bear of one with pantsukudasai56 who always brings in his choice recommendations in anime.

Then there’s Dork Geekus giving us his thoughts on things comic book. We also have trashfilmguru gracious enough to take time to share his unique take on horror, comic books both high and low-brow who also keeps the rest of us from drinking the Marvel Kool-Aid wholesale which makes for a better site.

Finally there’s my co-founder and partner-in-crime Lisa Marie Bowman who upped her game as she literally propped up the site at times with her voluminous, insightful and unique brand of writing. I will be forever grateful for her continued support and for becoming one of my closest friends.

I’ve chosen the latest “Song of the Day” as an analogue to what I saw myself and this site go through this year of 2014. I had just lost my father at the tail end of 2013 (it is a loss still felt even today) and then had fallen deathly ill around the holidays. Through it all I was thankful and proud of the work my fellow writers were able to do in my absence through my grief and sickness.

Basil Poledouris remains an artist I’ve admired from the moment I heard his music transform John Milius’ screen adaptation of Robert E. Howard’s Cimmerian barbarian from just your standard violent sword-and-sorcery matinee piece to something close to a perfect blend of epic fantasy and primal storytelling. Poledouris would go on to make other memorable film scores, but it’s his work in Conan the Barbarian that always remains his most iconic piece of work.

With the final denouement that follows the climax of the film we have a somber piece titled “Orphans of Doom/The Awakening” closing off the film. I chose this piece to symbolize the year Through the Shattered Lens went through. The piece begins on a somber note with the use of a choir adding a layer of the ethereal, but as the piece continues to it’s conclusion it gradually segues into something triumphant with hope for the future.

This song perfectly encapsulates Through the Shattered Lens circa 2014 and it’s my hope that brighter future awaits me and mine as the new year dawns.

Song of the Day: You Are So Beautiful (R.I.P. Joe Cocker)


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A rock legend passed away today. Joe Cocker had one of those very unique voices which most everyone recognized. A blues and soul rock singer who performed with some of the rock legends of the 60’s and 70’s, he would become a mainstream hit with songs such as “Up Where We Belong” and his covers of Beatles songs.

It was in 1975, covering a ballad written and composed by Billy Preston, Bruce Fisher and Dennis Wilson that he truly burst into the mainstream scene. The song was “You Are So Beautiful” and while the album it was a part of never truly took off the single itself reached No. 5 on the Billboards chart of that year.

Cocker’s version was much slower in tempo than the original song and this worked well in concert with his gritty, bluesy voice where each word and lyric felt full of emotion that blues and soul singers have become well-known for.

Joe Cocker might have faded away from the mainstream consciousness after the 80’s but rock and blues aficionados always remembered and admired him right down to his last days.

Time for the Rock ‘n Roll Hall of Fame to heed the words of Billy Joel and induct the man in it’s hallowed halls. He’s more than earned it.

You Are So Beautiful

You are so beautiful to me
You are so beautiful to me
Can’t you see
Your everything I hoped for
Your everything I need
You are so beautiful to me

Such joy and happiness you bring
Such joy and happiness you bring
Like a dream
A guiding light that shines in the night
Heavens gift to me
You are so beautiful to me

Song of the Day: Make It Rain from Sons of Anarchy (by Ed Sheeran)


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Tonight was the penultimate episode of Kurt Sutter’s Sons of Anarchy on FX. It was an episode that truly earned it’s label of being a modern Shakespearean tragedy (a label many shows have been given but rarely live up to). It also unfolded like some of the best Coppola and Scorsese gangland epics with accounts being settled in disturbing, bloody fashion.

SAMCRO was a group that for some reason legion of fans have taken a ride with and despite the man downs the show took with it’s many highs people didn’t get off the ride (or couldn’t). They wanted to see how this outlaw band of brothers and their loved ones will survive (or who will survive) to the end.

We now know that three more names have been struck off the show’s ledger. With one more episode left in the series it’s either going to go out in a blaze of glory or end in a whimper.

To make tonight’s episode even more memorable we got to listen to Ed Sheeran drop his latest song that perfectly encapsulates the events of Sons of Anarchy tonight and all the way back to the beginning.

Make It Rain

When the sins of my father
Weigh down in my soul
And the pain of my mother
Will not let me go

Well I know there can come fire from the sky
To purify pure as the canes
Even though
I know this fire brings me pain
Even so
And just the same

Make it rain
Make it rain down low
Just make it rain
Make it rain

Make it rain
Make it rain down low
Just make it rain
Make it rain

And the seed needs the water
Before it grows out of the ground
But it just keeps on getting hotter
And the hunger more profound

Well I know there can come tears from their eyes
But they may as well be in vain
Even though
I know these tears bring me pain
Even so
And just the same

Make it rain
Make it rain down low
Just make it rain
Make it rain

Make it rain
Make it rain down low
Just make it rain
Make it rain

Make it rain x8

And the seas are full of water
That stop by the shore
Just like the riches of grandeur
That never reach the port

So let the claps fill with thunderous applause
And let thy death be the veins
And fill the sky
With all that they can drop
When it’s time
To make a change

Make it rain
Make it rain down low
Just make it rain
Make it rain

Make it rain
Make it rain down low
Just make it rain
Make it rain

Make it rain x4

Make it rain
Make it rain down low
Just make it rain
Make it rain

Song of the Day: The Last Goodbye from The Hobbit: The Battle of the Five Armies (by Billy Boyd)


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It’s been 13 years since the first film in what will ultimately become Peter Jackson’s Middle-Earth Saga and now we’re in the stretch run. The Hobbit: The Battle of the Five Armies is set to arrive in North America this December 17. The film premiered in London on December 1, 2014.

Kids who first saw The Fellowship of the Ring in 2001 are now young adults. For adults who have returned time and time again to the world Peter Jackson built for over a decade of limitless imagination and hard work of thousands this final film will be the culmination of watching what many in years past have called unfilmable.

So, it’s with both joy and sadness that the book finally closes on Peter Jackson’s Middle-Earth journey and what better way than the final end credits song “The Last Goodbye” written and recorded by Peregrin Took himself, Billy Boyd.

The video itself mixes in scenes from both The Battle of the Five Armies and the previous five films. We also get some behind-the-scenes footage of the cast making their final farewells as filming closes to an end.

Damn people cutting onions.

The Last Goodbye

I saw the light fade from the sky
On the wind I heard a sigh
As the snowflakes cover my fallen brothers
I will say this last goodbye

Night is now falling
So ends this day
The road is now calling
And I must away
Over hill and under tree
Through lands where never light has shone
By silver streams that run down to the sea

Under cloud, beneath the stars
Over snow one winter’s morn
I turn at last to paths that lead home
And though where the road then takes me
I cannot tell
We came all this way
But now comes the day
To bid you farewell
Many places I have been
Many sorrows I have seen
But I don’t regret
Nor will I forget
All who took the road with me

Night is now falling
So ends this day
The road is now calling
And I must away
Over hill and under tree
Through lands where never light has shone
By silver streams that run down to the sea

To these memories I will hold
With your blessing I will go
To turn at last to paths that lead home
And though where the road then takes me
I cannot tell
We came all this way
But now comes the day
To bid you farewell

I bid you all a very fond farewell.

27 Days of Old School: #27 “The Sweetest Days” (by Vanessa Williams)


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“So we whisper a dream here in the darkness
Watching the stars til they’re gone
And when even the memories have all faded away
These days go on and on”

We’ve finally reached the end of 27 Days of Old School and I think it appropriate that I choose a heartwarming and life-affirming song from 1994 by the incomparable Vanessa Williams.

While Madonna courted controversy on the other side of the ledger was the classic beauty and soulful talent that was Vanessa Williams. She may not have had the mega-success that Madonna had in the music business, but she still left quite a mark on her own terms.

She’s been on top of the charts as an R&B and pop singer. She really hit her stride with her second full-length album which includes the memorable ballad “Save The Best For Last”. She would follow this ballad with “The Sweetest Days” which is also the name of her third album.

While she hasn’t been making music these past years she has branched out into becoming a successful actress both on the big and small screen and even doing some time on Broadway.

So, for those who feel down and out and who think the world is crashing down around and on them I recommend they sit down, relax and listen to this song. It might just help lift things up even if just a bit.

27 Days of Old School

  1. “Billie Jean” (by Michael Jackson)
  2. “Word Up!” (by Cameo)
  3. “Tell It To My Heart” (by Taylor Dayne)
  4. “You Got It All” (by The Jets)
  5. “Welcome to the Jungle” (by Guns ‘N Roses)
  6. “Hip to Be Square” (by huey Lewis and the News)
  7. “What’s On Your Mind (Pure Energy)” (by Information Society)
  8. “Rio” (by Duran Duran)
  9. “I Got It Made” (by Special Ed)
  10. “Jackin’ for Beats” (by Ice Cube)
  11. “Seasons Change (by Exposé)
  12. “If Wishes Came True” (by Sweet Sensation)
  13. “Alone” (by Heart)
  14. “The Trooper” (by Iron Maiden)
  15. “You Shook Me All Night Long” (by AC/DC)
  16. “Gimme All Your Lovin” (by ZZ Top)
  17. “Take On Me” (by A-ha)
  18. Take A Bow” (by Madonna)
  19. “You’ll See” (by Madonna)
  20. “Whip Appeal” (by Babyface)
  21. “One” (by Metallica)
  22. “Here I Go Again” (by Whitesnake)
  23. “Mama Said Knock You Out” (by LL Cool J)
  24. “Here and Now” (by Luther Vandross)
  25. “Voodoo Child” (by Stevie Ray Vaughan)
  26. “I’m Still In Love With You” (by New Edition)