Have A Happy Mardi Gras With The Gang From Easy Rider!


Happy Mardi Gras!

If you can’t get down to New Orleans today (because maybe you have a sprained ankle like me), fear not!  Mardi Gras has been immortalized in a number of films.  In fact, some have theorized that the whole reason 1969’s Easy Rider was filmed was because Dennis Hopper wanted to go to New Orleans.

The Mardi Gras sequence occurs towards the end of Easy Rider.  After a long and eventful journey, Wyatt (Peter Fonda) and Billy (Dennis Hopper) reach New Orleans and experience Mardi Gras with two women that they met at a brothel (Karen Black and Toni Basil).  However, the Mardi Gras scenes were actually amongst the first to be shot and Hopper actually filmed several hours of documentary footage of New Orleans’s most famous party.  If you watch the footage, you can see bystanders looking directly at the camera.  They were not extras hired for the film.  They were people on the street who became a part of one of the most important indie films in the history of American cinema.  These scenes were shot guerilla style, without permits or, by most reports, any advanced planning.

Hopper also filmed Fonda having an actual bad acid trip.  For obvious reasons, Fonda was not happy about being filmed in that condition but he did say, in later interviews, that Hopper made the right decision to include the footage in the film.

For the record, I relate to Toni Basil in this film.  She’s having fun and dancing no matter what.

Scenes That I Love: Audrey Horne’s Dance In Twin Peaks


Today, the Shattered Lens wishes a happy birthday to Sherilyn Fenn, the actress who brought to life one of the best characters in television history, Twin Peaks‘s Audrey Horne.  As played by Fenn, Audrey may have been a force of chaos but she was also fiercely intelligent, ruthlessly determined, occasionally very naive, and always unapologetically impulsive.  For those of us with ADHD, Audrey is a character to whom we can very much relate.

The scene that first made Audrey (and Fenn) famous occurred during the second episode of Twin Peaks.  Here is Audrey’s dance.

Scenes That I Love: Gene Hackman In Mississippi Burning


I was in a medically-approved Vicodin haze yesterday so I missed the fact that it was Gene Hackman’s birthday!  Well, let’s make up for it today with a scene of Hackman being a righteous badass in 1988’s Mississippi Burning.

If you need any proof that Gene Hackman is one of our best actors, just consider that it’s been nearly 20 years since he retired from acting and he’s rarely seen out in public (reportedly due to just naturally being a very private man) yet he remains a popular performer who earns new fans every day.  In this scene, Hackman plays an FBI agent who lets a bunch of racists know that just because he might share their accent, that doesn’t mean that he shares their beliefs.  No one could go from friendly to intimidating with as much style as Gene Hackman.

(And yes, that is a young Michael Rooker getting put in his place, along with Brad Dourif.)

Scenes That I Love: Charlie Comes Up With An Acronym in Whit Stillman’s Metropolitan


The Shattered Lens wishes a happy birthday to director Whit Stillman!

Today’s scene that I love comes from Stillman’s first film, 1990’s Metropolitan.  In this scene, Charlie (Taylor Nichols) explains why UHB is a much better term for their social class than preppy.  As usual, Nick (Chris Eigeman) is there to provide support in his own unique way.  Nichols and Eigeman were both perfectly cast in this film.

Scenes That I Love: Ernest Borgnine Yells In The Poseidon Adventure


Ernest Borgnine, that great character actor, was born 104 years ago today.  In tribute, today’s scene that I love comes from one of my favorite Borgnine films, 1972’s The Poseidon Adventure.

Borgnine was a great yeller and, in The Poseidon Adventure, he even manages to outyell the great Gene Hackman.

Scenes That I Love: Everything’s Alright from Norman Jewison’s Jesus Christ Superstar


In memory of the late Norman Jewison, today scene that I love comes from my favorite film to have been directed by him.

In this scene from 1973’s Jesus Christ Superstar, Mary Magdalene (Yvonne Elliman) attempts to comfort Jesus (Ted Neeley) while Judas (Carl Anderson) tries to pull Jesus away from her.  This scene showcases both Elliman’s angelic voice and Anderson’s ferocious intensity as Mary and Judas present two very different sides of a spiritual journey.

Scenes That I Love: Terence Stamp Goes For A Drive in Fellini’s Toby Dammit


The great Italian director, Federico Fellini, was born 104 years ago today.

Today’s scene that I love comes from Toby Dammit, Fellini’s contribution to the 1968 anthology film, Spirits of the Dead.  In this scene, a narcissistic actor (Terence Stamp) goes for a very fast drive through a very haunted Rome.

 

Scene that I Love: Cary Grant and Ingrid Bergman in Notorious


The great Cary Grant was born 120 years ago today.

In honor of Cary Grant’s legendary career and screen charm, today’s scene that I love comes from one of my favorite Cary Grant movies.  This is also one of my favorite Ingrid Bergman films and one of my favorite Alfred Hitchock films and even one of my favorite Claude Rains films.  1946’s Notorious is a favorite all-around!

Scenes I Love: Al Capone Takes Care Of An Incompetent Employee In The Untouchables


Businessman and philanthropist Al Capone was born 125 years ago today.  A beloved figure in Chicago and a noted family man, Capone was an early victim of the IRS and he spent what should have been the best years of his life locked away in a federal prison.

Many films have been inspired by Capone’s story and many notable actors have played him.  In 1987’s The Untouchables, Robert De Niro brought Capone to life and, in a memorable scene, he showed how to deal with an employee who was not carrying his weight.

 

Scenes That I Love: The Duke Makes Quite An Entrance in Escape From New York


Continuing our celebration of John Carpenter’s birthday, today’s scene that I love comes from one of my favorite Carpenter movies, 1981’s Escape From New York.

In this scene, The Duke of New York makes quite an entrance.  Not only does he have an entourage but his car comes with its own chandeliers and a disco ball!  Along with writing and directing this film, Carpenter also composed the score.