Scenes That I Love: The Skating Fiddler from Michael Cimino’s Heaven’s Gate


Today’s scene that I love comes from Michael Cimino’s Heaven’s Gate.

You know what?  I’ve read that some people consider this scene with the skating fiddler to be an example of Cimino’s tendency towards self-indulgence.  The oft-made claim is that it’s a scene where Cimino is more interested in showing off than moving the story forward.  That may be true but still, I don’t care what anyone says, I like this scene.  It captures the communal joy of the settlers before the arrival of the mercenaries who have been hired to force them out of their homes.  To understand why the settlers fight, you also have to understand what they’re being expected to give up.

Scenes I Love: Rod Taylor Travels Through Time in The Time Machine


Today’s scene — or really, I should say scenes — that I love comes from 1960’s The Time Machine.

Watch as Rod Taylor travels from 1900, all the way to the very far future.  As you’ll notice, this upload is just of the scenes of Taylor watching the years fly by while sitting in his machine.  Taylor does leave the machine twice — once to see Britain in 1917 and a second time to experience 1966 but those scenes aren’t included here.  That said, the time travel effects are simple but hold up well and Taylor’s disillusioned feelings about witnessing “a new war,” were ones that were undoubtedly very relatable to audiences in 1960.

This is one of my favorite science fiction movies and one that I plan to rewatch very soon!  (One could say that the time has come again.)

 

Scenes That I Love: Who Was Really “The Man Who Shot Liberty Valance?”


John Ford was born 131 years ago today and it seems appropriate that today’s scene of the day should come from his final great film (even if it wasn’t the last film that Ford directed).

In 1962’s The Man Who Shot Liberty Valance, frontier lawyer Ransom Stoddard (James Stewart) comes to political prominence due to his notoriety for being the man who, in self-defense, gunned down notorious outlaw Liberty Valance (Lee Marvin).  Stoddard, an intellectual who opposes violence, is not happy about this.  When Stoddard considers refusing to be a delegate to the upcoming statehood convention, he is reprimanded by Tom Doniphon (John Wayne).  Stoddard and Doniphon are friends but they’re also romantic rivals, both being in love with Hallie (Vera Miles).  In this scene, Doniphon reveals the truth about who shot Liberty Valance.

MR. MAJESTYK (1974) and a shotgun butt to the nuts! Happy Friday!


One of my favorite Charles Bronson films is MR. MAJESTYK, and one of my favorite scenes in any movie is this badass masterpiece. It encompasses just about everything I love in a movie. It has the beautiful Linda Cristal. It has the slimy Paul Koslo who doesn’t really understand who he’s dealing with. It has Bronson saying tough guy lines in a way that only he can say them…”you make sounds like you’re a mean little ass-kicker…” And finally it has that shotgun. It just doesn’t get any better than this. 

Enjoy my friends, and have a great weekend!! This should help! 

Scenes That I Love: That Iconic Moment From Tough Guys Don’t Dance


Norman Mailer was better-known as a writer than a filmmaker but, over the course of his limited directorial career, he did come up with one scene that will never be forgotten.  That scene is a scene that I love from 1987’s Tough Guys Don’t Dance.

Take it away, O’Neal!

Scenes That I Love: The Nightmare From The Conversation


Today, we wish a happy 95th birthday to the great actor-turned-writer Gene Hackman!

Today’s scene that I love comes from one of Hackman’s best films, 1974’s The Conversation.  In this scene, Hackman’s surveillance expert has a nightmare inspired by his fear that his latest job may cause two people to be murdered.  Hackman won two Oscars over the course of his career and was nominated several times.  The fact that he was not nominated for The Conversation was a huge oversight on the part of the Academy.

Happy 80th Birthday to Tom Selleck – Celebrate with this clip from QUIGLEY DOWN UNDER (1990)!


Tom Selleck has been a part of my life almost as far back as I can remember. I was seven years old when MAGNUM P.I. premiered on T.V., so I literally grew up on the adventures of Hawaii’s best private eye! Selleck is such a likable and charismatic screen presence.

My wife and I are celebrating his birthday by watching my very favorite Tom Selleck movie, QUIGLEY DOWN UNDER (1990). I love this scene where Wyoming cowboy Matthew Quigley first arrives at the Australian ranch of Elliott Marston (Alan Rickman), and then proceeds to prove his prowess with a long distance rifle to a bunch of smirkers. 

Enjoy, my friends, and Happy Birthday, Mr. Selleck! 

Scenes That I Love: Meet Rick Deckard in Blade Runner


Continuing our theme of dystopian noir, today’s scene of the day comes from 1982’s Blade Runner.  In this scene, we not only meet Rick Deckard (Harrison Ford) but we also get a look at the future of Los Angeles, from both the sky and the ground.

(Of course, the film takes place in 2019 so its future is our past!)

This is one of the best world-building scenes that I’ve ever seen, one that works because it takes place in a world we can recognize but which has obviously developed and changed over the years.  Plus, I just like Harrison Ford wearing a trench coat and looking grumpy.  He should have done more noirs.

Alexandre Dumbass and THE SHAWSHANK REDEMPTION – a scene that I love!


In honor of Director Frank Darabont’s 66th birthday, I’m sharing a scene from his masterpiece, THE SHAWSHANK REDEMPTION. One of the best things about this movie is how much humor is found behind those prison walls, often coming from seemingly unexpected places. In this scene, the humor is found when the characters take on the mundane task of cataloging the prison library. Enjoy!

I recently reviewed THE SHAWSHANK REDEMPTION on my son’s birthday. 

Scenes That I Love: Mozart Meets The Emperor in Amadeus


Today is Mozart’s birthday so, of course, today’s scene from the day comes from 1984’s Amadeus.  In this scene, the Emperor (Jeffrey Jones) delivers his critique to Mozart (Tom Hulce) and anyone who has ever had to deal with an idiotic critic will be able to relate.

“There’s too many notes!”

What really makes this scene work, along with Hulce’s reaction, is Jones’s blandly cheerful manner.  The Emperor really thinks he’s being helpful!