Yeah, yeah, yeah, I can hear you already.
But Lisa, just because the song is called Mardi Gras that doesn’t mean that it’s about our Mardi Gras…
Okay, you got a point. But here’s my point: today is Mardi Gras. And this song is called Mardi Gras. And I like it. It’s a fun song to listen to while you’re stuck in traffic.
Besides, if you’re complaining about stuff like that today that means that you’re totally missing the point of Mardi Gras.
Enjoy!
Seeing as how tomorrow is, depending on where you live, either Fat or Shrove Tuesday, I decided why not share a music video about New Orleans?
It probably says something about the way I view the world that, whenever I see this video, I’m always expecting that it’s going to turn out that our group of friends is trying to cover up a murder or something. The whole video gives off a “We accidentally killed a guy, let’s have a good time before we have to find a place to bury him,” vibe. Of course, that’s not necessarily a bad thing.
This video was directed by Michael Fierstein. Steven Andrew Garcia was the director of photography.
Enjoy!
Hvíldu í friði.
It’s Mardi Gras weekend so I’m going to guess right now that people are flooding into Louisiana.
I’ve always loved Louisiana. My family lived in Shreveport for nearly two years, from December of ’96 to May of ’98. It was the last state that we lived in before returning to Texas and it’s a place that I’ve visited a few times since. (Shreveport, I might add, also celebrates Mardi Gras. It’s just that it tends to be a little bit more sedate in Shreveport than in New Orleans.) Louisiana is a state that is full of atmosphere and eccentric historical oddities. If you ever think your political leaders are crazy, do a google search on “Edwin Edwards” or “Earl Long.” If you ever think there’s never been a stranger moment in history than now, read T. Harry Williams’s biography of Huey Long.
Anyway, today’s music video of the day is all about Louisiana. Radney Foster’s Louisiana Blue has a nice mellow mood to it. Consider it to be the calm before the storm.
Enjoy!
There’s a lot of flies and a lot of trash in this video. There’s also some fireworks down at the bottom of the screen. At first, I thought that maybe they were meant to indicate that this video was taking place during the 4th of July. But then camera panned by that open briefcase and I saw all of that money. That’s when I decided that the video was probably showing us the spot where D.B. Cooper set up camp after he jumped out of that plane.
(Don’t know the story of D.B. Cooper? It’s an interesting one, check it out here!)
Then I went back and actually listened to the lyrics and I realized that probably wasn’t the case. Here they are:
American Guilt
Tape over the camera
No more utopian videos
Eyes painted on eyelids
Viva la Mexico
Oh no
Here it comes
the American Guilt
Land of the expensive
Even the nazis are crying
History’s private property
Viva la Mexico
Oh no
Here it comes
the American Guilt
Anyway, American Guilt is off of the upcoming “Sex and Guilt,” which will be released on April 6th! Here’s a link to stream/pre-order: https://unknownmortalorchestra.lnk.to/sexandfood
Enjoy!
For today’s music video of the day, we have I Was A Fool by Sunflower Bean.
While I never attended a dance quite as bad as the one presented here, this video still brings back a lot of memories for me. I’m sure I’m not alone in that. When you’re in high school, even the smallest bit of nonconformity makes you feel as if you’re challenging and changing the world. This video celebrates the intoxication of being young and rebellious.
Enjoy!
What do we have here?
00:12 — Newlyweds speeding on a curvy mountain road? What could go wrong?
00:23 — There go the brakes!
00:31 — That sharp turn will look familiar to anyone who has ever seen the Duke boys outrun old Roscoe.
00:36 — It’s true what they say. Right before you die, you hear the opening of a bad 80s song.
00:50 — I’ve gotten worst cuts from bumping my head on a low doorway.
00:57 — Dude, did you just leave your wife behind in the car?
00:59– This is Winger. Kip Winger got his start as a backup musician and was a member of Alice Cooper for two years. Until Nirvana changed the face of music, Winger was responsible for some of the most generic hits of the 1980s.
01:21 — How long until we get a shot of the man sitting alone on that same swing?
01:32 — “Look, I’m spinning around with my guitar! Just like we did in practice!”
01:50 — “I remember how much we loved this wall.”
01:59 — It took 37 seconds to go from swinging together to swinging alone.
02:08 — Nobody came to the wedding but she’s going to go ahead and throw the bouquet anyway.
02:20 — It might be easier for the first responders to do their job if Winger would get out of the way.
02:46 — GUITAR!
03:07 — “My wife’s dead. Time to learn how to play an instrument!”
03:15 — Watch out, he’s driving again.
03:22 — Did he ever figure out why his brakes out went out in the first place? This might be a case for Jim Rockford.
03:36 — They still haven’t put out the fire? Is this what my tax dollars are paying for?
03:38 — I would be pissed off too. Put out the damn fire!
03:58 — That dude cannot drive.
04:12 — How does he keep doing this shit without getting a scratch on him?
04:27 — “How am I going to get home?”
To call Winger a “hair metal” band is probably an insult to hair metal bands but they did have a few hits. They also got on the nerves of Metallica’s Lars Ulrich and Mike Judge, the creator of Beavis and Butthead.
Enjoy!
Well, this year there was slim pickings far as Super Bowl ads go, with the exception of some of the new film trailers (can’t wait for AVENGERS: INFINITY WAR ). The one ad that did stand out for me had a decidedly New England flavor, featuring Steven Tyler of Boston’s own Aerosmith travelling back in time in – no, not a Delorean, but a Kia!:
Dream On indeed, Steven!
Whale was a Swedish alternative band, made up for Gordon Cyrus, Henrik Schyffert, and Cia Berg. During the mid-90s, they were big in Europe while, in America, they were best known for this video.
00:00 — When we first see Whale, they’re performing in the type of gravel pit that should be familiar to anyone who has ever watched any Tom Baker-era episodes of Doctor Who.
00:31 — What’s Cia Berg doing right here?
00:55 — Check out Henrik Schyffert walking like an Egyptian.
01:14 — YASSSSSS! ROCK!
01:17 — This moment here is the reason why Beavis and Butt-Head loved this video.
02:03 — WON’T SOMEBODY THINK OF THE CHILDREN!?
02:17 — ROCK!
2:35 — Cia looks dangerous.
3:00 — Henrik’s trying to save the children.
3:26 — YEAH!
When this video was first released, there was a lot of confusion as to what was meant by Hobo Humpin’ Slobo Babe. Everyone knew what a hobo and a babe were. Everyone understood humpin’. But what did slobo mean? According to the band, they misheard the British term “sloane.” A sloane is a type of fashionable, upper class person. I guess that means this song is about a rich girl who likes to hump hobos.
Mark Pellington won the inaugural MTV Europe Music Video Award for best video for Hobo Humpin’ Slobo Babe. Whale broke up in 1999, though all three members remain active on the Swedish entertainment scene.
Enjoy!
This song seems like a good one for Super Bowl Sunday. One team is going to win. The other team is going to have these boots walking all over them. Actually, I guess football player don’t wear boots. But maybe they’ll slip into some boots after the game is over. Who knows?
This song was written be Lee Hazlewood, who was originally planning on singing the song himself. Apparently, his version was meant to be even more aggressive than the version that was ultimately recorded by Nancy Sinatra. From Songfacts:
Hazlewood often drew inspiration for his songs from regular people. In a Blender magazine interview, he said he was in a Texas bar when some patrons started razzing an older guy about his younger girlfriend and how she controlled him. The man responded by putting his feet on a barstool and saying, “I know what you think – that she might be the boss. But I am the boss of my house, and these boots will walk all over her the day that I’m not.”
Lee had written the song for himself: “It was a party song I had written two or three years before that. It was a joke to begin with. I had written a beautiful song for her, ‘The City Never Sleeps At Night,’ and she wondered if it would sell. I replied, ‘Three times more than ‘So Long Babe,’ and that did 60,000. We’re building up your career.’ I changed my mind and put it on the back of ‘Boots’ and that sold 6 million.”
Nancy Sinatra recalled in the documentary The Wrecking Crew that Lee Hazlewood was going to record the song himself, but she talked him out of it. Said Sinatra, “When a guy sings it, the song sounds harsh and abusive, but it’s perfect for a little girl.”
Enjoy!
Through the Shattered Lens