This originally premiered as a part of Mr. T’s motivational video, Be Somebody … Or Be Somebody’s Fool! Director Jeff Margolis was an Emmy-winning director who worked with Carol Burnett, Julie Andrews, and Richard Pryor.
In this video, Megadeth takes on the 1990s mortgage crisis with a song that feels just as relevant today as when it was first released. It’s hard to imagine Metallica ever doing a song like this.
Director Jeff Richter has also worked with everyone from Michael Jackson to Faith Hill to John Fogerty and Nine Inch Nails.
From 1979’s Apocalypse Now, here is the haunting music that plays as Willard and the boat approach the infamous bridge that is built every day so that it can be destroyed every night. This musical piece was composed by Francis Ford Coppola’s father, Carmine.
The Breeders did more than just Cannonball. Their entire first album was full of excellent songs, like this one. This video shows that the band was just as cool in the snow as they were at a carnival.
Director Frank Sacramento also worked with Blondie, Everlast, Dru Hill, Hootie and the Blowfish, and House of Pain.
“Blue Sky” by The Allman Brothers Band is one of those songs that instantly lifts your mood — like cruising down a long stretch of highway under perfect weather. Dickey Betts wrote and sang it, and you can feel his sense of ease and optimism through the melody. But while the vocals are sunny and inviting, it’s the guitar work that really carries the song’s soul. Betts and Duane Allman trade licks like two friends finishing each other’s thoughts, creating one of the best musical conversations in rock.
Around 1:07, Duane Allman takes off with the first guitar solo. It’s bright, flowing, and packed with his signature slide-guitar emotion. Duane doesn’t just play notes — he makes the guitar sing, full of expressive bends and lyrical phrasing that sound spontaneous but purposeful. His solo feels alive, like he’s narrating the feeling of absolute freedom the song evokes. There’s a spiritual quality to his touch that sets the tone beautifully for the rest of the jam.
Then at about 2:37, Dickey Betts steps in with his solo, and the vibe subtly shifts. Betts’s lines are cleaner, more melodic, and dance across the rhythm with an almost country-like cheer. His phrasing is so smooth you can hear the future seeds of his later work, where melody takes center stage. While Duane’s solo soars in a soulful, searching way, Betts’s solo feels precise and joyful — he’s painting in sunlight. Together, their contrast creates a satisfying balance between fire and finesse.
The two guitars eventually weave together in harmony, returning to the main theme before easing back into the song’s final verse. It’s one of those moments that reminds you why the Allman Brothers were so special—the sheer communication happening between players. No flashy gimmicks, no ego, just musicians playing from a place of joy. If you’re new to the band, “Blue Sky” is the perfect entry point. It sums up their balance of skill and soul, and it’s the last recording Duane Allman played on before his passing, which gives that final harmony an even deeper resonance.
Blue Sky
Walk along the river, sweet lullaby, it just keeps on flowing, It don’t worry ’bout where it’s going, no, no. Don’t fly, mister blue bird, I’m just walking down the road, Early morning sunshine tell me all I need to know
[CHORUS:] You’re my blue sky, you’re my sunny day. Lord, you know it makes me high when you turn your love my way, Turn your love my way, yeah.
[Duane Allman guitar solo @1:07]
[Dickey Betts guitar solo @2:37]
Good old sunday morning, bells are ringing everywhere. Goin to Carolina, it won’t be long and I’ll be there
One of the best songs of the 80s, Tempted was also one of the few Squeeze songs to feature the band’s then-keyboardist Paul Carrack on vocals. The song was originally recorded with Glenn Tilbrook as the lead singer but when producer Elvis Costello heard Carrack singing a slowed-down version of the song, he suggested that it should be re-recorded with Carrack. Tilbrook admitted that, though his ego was “bruised initially,” the song became a hit with Carrack’s vocals.
The video is typical of the early 80s, with the emphasis being put on the band performing as opposed to any sort of visual gimmickry.
Bette Davis was born 108 years ago today. Today’s song of the day just feels right.
Her hair is Harlow gold Her lips a sweet surprise Her hands are never cold She’s got Bette Davis eyes
She’ll turn her music on you You won’t have to think twice She’s pure as New York snow She got Bette Davis eyes
And she’ll tease you, she’ll unease you All the better just to please you She’s precocious, and she knows just what it Takes to make a pro blush She got Greta Garbo’s standoff sighs, she’s got Bette Davis eyes
She’ll let you take her home It whets her appetite She’ll lay you on a throne She got Bette Davis eyes
She’ll take a tumble on you Roll you like you were dice Until you come out blue She’s got Bette Davis eyes
She’ll expose you, when she snows you Offer feed with the crumbs she throws you She’s ferocious and she knows just what it Takes to make a pro blush All the boys think she’s a spy, she’s got Bette Davis eyes
She’ll tease you, she’ll unease you All the better just to please you She’s precocious, and she knows just what it Takes to make a pro blush All the boys think she’s a spy, she’s got Bette Davis eyes
She’ll tease you She’ll unease you Just to please you She’s got Bette Davis eyes
She’ll expose you When she snows you ‘Cause she knows you, she’s got Bette Davis Eyes