I wanted to share the video for Y&T’s Mean Streak but the person who uploaded the video to YouTube also disabled playback. Why would anyone do that? The video wasn’t age-restricted or anything like that.
Instead, here’s the video for another Y&T song, Lipstick and Leather. This video’s director, Michael Miner, also directed the video for Mean Streak. In fact, he did more than a few Y&T videos, along with doing videos for Alcatrazz and Marianne Mabile. Miner also co-wrote the script that would eventually become Robocop.
Y&T stands for Yesterday and Today. Lars Ulrich has said that seeing an L&T show inspired him to become a musician.
Actually, I guess that’s not a surprise. He did co-star in Greaseand all that. Still, it’s kind of interesting to see Travolta doing the sensitive singing teen idol routine. Why is he dressed like Prince Valiant? It was the 70s, I guess.
Today’s music video of the day is the latest from the Black Crowes. Enjoy it and spare a thought for those of us at the North Texas branch of Through the Shattered Lens because we are about to get hit by snow and 8 degree weather.
The last time we had weather this bad, we had rolling black-outs and were actually off-line for a few days. So, if you don’t see me or Erin or Jeff around for a while, don’t worry. We’re just waiting for the sun to come out!
Thought Gang was a musical collaboration between two much-missed artists, David Lynch and Angelo Badalamenti. This video was directed by Lynch and it starred none other than Angelo Badalamenti himself!
Today is Edgar Allan Poe’s birthday! You would think that there would be a hundred music videos based on the writings of Edgar Allan Poe. Well, you would be wrong. While Poe’s work has inspired countless musicians (and there have been several songs based on his work), there aren’t many “official” music videos of those songs.
However, there is a band that was not only influenced by Poe but which proudly displays that influence. Edgar Allan Poets is a Los Angeles band that lists its two greatest influences as being Poe and Hitchcock. This video is for their song Old Black Clown.
Iron Maiden’s “The Number of the Beast” has always been more than its fire-and-brimstone title suggests — it’s paranoia turned into power. The song’s galloping riffs and Bruce Dickinson’s almost theatrical wail capture the feeling of witnessing something apocalyptic yet beautiful. In the context of 28 Years Later: The Bone Temple, that sense of awe and fear fits perfectly with the film’s tone. The track mirrors the world’s collapse into ritual madness — humanity trying to reframe its pain through cultish belief, just as Maiden’s lyrics dance between religious imagery and sheer existential panic.
There’s also a rhythm to the song that mirrors how The Bone Temple paces its moments of horror and release. The pounding drums feel like the heartbeat of survivors, racing through collapsed cities while their faith in reason splinters. Just as Iron Maiden’s piece builds to a manic crescendo, the film layers intensity until chaos feels almost sacred. The chorus could easily underscore the movie’s climactic sequences — not as a literal choice, but emotionally, where fascination with evil becomes indistinguishable from fear.
What ties them together most is their shared refusal to moralize the apocalypse. Iron Maiden tells a story about vision and hysteria — not right or wrong — and The Bone Temple does the same, showing how people build new devotions in the ashes of old systems. Both suggest that when we stare into horror long enough, it stares back with rhythm and purpose. In that way, “The Number of the Beast” isn’t just an anthem of terror; it’s a hymn for the end of reason — making it the perfect spiritual soundtrack for this chapter of the 28 Years Later world.
The Number of the Beast
Woe to you, o’er Earth and Sea For the Devil sends the beast with wrath Because he knows the time is short Let him who hath understanding reckon the number of the beast For it is a human number Its number is six hundred and sixty six
I left alone, my mind was blank I needed time to think to get the memories from my mind What did I see? Can I believe that what I saw That night was real and not just fantasy? Just what I saw, in my old dreams, were they Reflections of my warped mind staring back at me? Cause in my dreams, it’s always there The evil face that twists my mind and brings me to despair
Yeah!
The night was black, was no use holding back Cause I just had to see, was someone watching me? In the mist, dark figures move and twist Was all this for real or just some kind of hell?
666 the number of the beast Hell and fire was spawned to be released
Torches blazed and sacred chants were phrased As they start to cry, hands held to the sky In the night, the fires are burning bright The ritual has begun, Satan’s work is done
666 the number of the beast Sacrifice is going on tonight
This can’t go on, I must inform the law Can this still be real, or just some crazy dream? But I feel drawn towards the chanting hordes They seem to mesmerize, can’t avoid their eyes
666 the number of the beast 666 the one for you and me
I’m coming back, I will return And I’ll possess your body and I’ll make you burn I have the fire, I have the force I have the power to make my evil take its course
Snow? We have no snow. However, we do have freezing temperatures that have left me shivering under the covers. Today’s music video of the day feels appropriate. Luckily, Lindsey Stirling can make any sudden weather change better.