Witchcraft XI: Sisters in Blood (2000, directed by Ron Ford)


Warlock-turned attorney-turned-police consultant Will Spanner is back for the 11th Witchcraft film.  This time he’s played by James Servais.  Working again with Lutz (Stephanie Beaton) and Garner (Mikul Robins) of the LAPD, Will is investigating yet another attempt to perform a ceremony that will bring Satan back to Earth.  Why is every Satanic ceremony so elaborate that it always gives Will, Lutz, and Garner time to investigate and disrupt it?  That seems short-sighted on Satan’s part.

This time, the head Satanist is a drama professor who is putting on a production of MacBeth and who convinces the three actresses playing the witches to really get into their roles by performing a “fake” magic ritual.  Unfortunately, the ritual is real and the actresses are possessed by the spirits of three actual witches.  Because they have to find a stone that will help to bring a demon into the world who will then bring Satan into the world as well (See what I mean about foolishly complex rituals?), the three actresses are soon going on a sex-fueled murder rampage across campus.  One of the possessed actresses is also the sister of Will’s long-suffering girlfriend and now-fiancée, Kelly (Wendy Blair).  That makes it even more important than usual that Will prevent Satan from coming into the world.

As easy as it is to make fun of the Witchcraft films for their grade-Z production values and the often less than impressive performances of the actors involved, it’s hard not to appreciate their loyalty to the idea behind the entire franchise.  With only a few exceptions, every film has dealt with Will coming to terms with being a warlock.  Even though the actors change frequently, just the fact that nearly every Witchcraft installment features the same characters does a lot to distinguish Witchcraft from other direct- to-video horror franchises.  Will and Kelly finally getting engaged would probably be more meaningful if they had been consistently been played the same actors over the last several films (and if Witchcraft XI spelled Kelli’s name correctly) but it still rewarded the viewers who had stuck with the franchise up to its eleventh installment.  (Unfortunately, this movie would also be Kelly’s final appearance in the series.  The character is never mentioned in any of the films following this one.)

Otherwise, Witchcraft XI features some of the worst acting in the series up to this point and the plot is incoherent even by Witchcraft standards.  Supposedly, this was one of the most financially successful of all the Witchcraft movies, probably because of three possessed and often topless co-eds.  Will Spanner would return, though unfortunately without Lutz, Garner, or Kelly, in Witchcraft XII.

Game Review: The Shadow In The Snow (2020, Andrew Brown)


The game is an entrant in the 2020 Interactive Fiction Competition.  All of the games can be played here.

You’re in a dicey situation.  You’ve been driving through the middle of the blizzard, simply trying to find your way back to the main road.  After you crash into a snowdrift, your engine dies.  It doesn’t matter how many times you turn the key in the ignition, the car is not going anywhere.  It’s cold.  It’s snowing.  You haven’t seen another car for hours.  What do you do?

You can stay in your car.  I tried that a few times.  I don’t recommend it.

Your only other option is to get out of the car and wander through the wilderness in search of help.  Move in the right direction and you might find a cabin or a motel.  But be aware that you’re not alone in the wilderness.  There’s a shadow in the snow and it’s coming for you.

This Twine game is perfect for Halloween.  The story plays out like a horror movie and I was impressed by the number of ways that I ended up dying.  Right when I thought I had figured out the right way to kill the beast, I discovered that there was more to the monster than I originally considered.  The Shadow in the Snow is an enjoyable challenge and one that makes good use of the Twine format.

You can play it here. 

4 Shots From 4 Films: Special Bela Lugosi Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is the 138th anniversary of the birth of Bela Lugosi!  In honor of his legacy, here are….

4 Shots From 4 Films

Dracula (1931, directed by Tod Browning)

White Zombie (1932, directed by Vincent Halperin)

Island of Lost Souls (1932, directed by Erle C. Kenton)

Bride of the Monster (1955, dir by Edward D. Wood, Jr.)

Horror On The Lens: The Dead Don’t Die (dir by Curtis Harrington)


For today’s horror on the lens, we have a 1975 made-for-television movie called The Dead Don’t Die!

The Dead Don’t Die takes place in Chicago during the 1930s.  George Hamilton is a sailor who comes home just in time to witness his brother being executed for a crime that he swears he didn’t commit.  Hamilton is convinced that his brother was innocent so he decides to launch an investigation of his own.  This eventually leads to Hamilton not only being attacked by dead people but also discovering a plot involving a mysterious voodoo priest!

Featuring atmospheric direction for Curtis Harrington and a witty script by Robert Bloch, The Dead Don’t Die is an enjoyable horror mystery.  Along with George Hamilton, the cast includes such luminaries of “old” Hollywood as Ray Milland, Ralph Meeker, Reggie Nalder, and Joan Blondell.  (Admittedly, George Hamilton is not the most convincing sailor to ever appear in a movie but even his miscasting seems to work in a strange way.)

And you can watch it below!

Enjoy!

Witchcraft X: Mistress of the Craft (1998, directed by Elisar Elisar Cabrera)


In the tenth entry in the ludicrously long-running Witchcraft series, conflicted warlock Will Spanner does not appear.  Fortunately, it’s not because he’s dead again.  Instead, it’s just because Will lives in New York and Witchcraft X: Mistress of the Craft takes place in London.

Instead, Witchcraft X focuses on Detective Lucy Lutz (Stephanie Beaton, returning to the role after playing it in the previous film).  Focusing on Detective Lutz actually makes sense, just because Stephanie Beaton was one of the better actresses to regularly appear in direct-to-video horror movies and she was also probably the main reason why many people were watching the Witchcraft films to begin with.  It certainly wasn’t for the special effects or the plots.

In this film, Detective Lutz has been summoned to London because a cult leader named Hyde (Kerry Knowlton) has been arrested by Interpol.  Hyde is wanted for a series of murders in Los Angeles and the London police cannot wait to send him back to the United States where he’ll be executed for sure.  (Jokes on them.  California has one of the slowest death rows in the country.)  But before Hyde can be sent back to L.A., they need to fly Lutz over so she can brief them on Hyde’s crimes.  I guess email was still a luxury in 1998.

No sooner has Lutz arrived than a vampire named Raven (Eileen Daly) is breaking Hyde out of custody so that Hyde can help her conduct one of those occult ceremonies that every single Witchcraft film seems to revolve around.  Raven has an army of frequently naked female vampires to help her out.  Lutz only has Interpol agent Chris Dixon (Sean Harry) and paranormal expert Celeste (Wendy Cooper) to help her out.

I liked that this movie tried to do something different with the franchise without totally abandoning the characters.  Even though neither Will nor Garner appears in Witchcraft X, they’re mentioned by Lutz so it’s not like Witchcraft VIII where Will’s existence was totally ignored.  Detective Lutz is a good heroine and Stephanie Beaton is an appealing actress.  I also liked that the film took place in London and that, like Witchcraft VII, it involved vampires instead of the usual shady warlocks.  The dialogue is really clunky, none of the other actors are as good as Beaton, and the film looks like it was shot with a camcorder and then edited by someone using a VCR  but that’s pretty much par for course for a Witchcraft film.

It’s easy to imagine the Witchcraft series going forward with just Detective Lutz as the lead character.  That didn’t happen, though.  Will Spanner would return for Witchcraft XI.

Horror on TV: Baywatch Nights 2.20 “Hot Winds” (dir by Parker Stevenson)


On tonight’s episode of Baywatch Nights, the wind is making people in California go insane!  Could it because the wind is hot and annoying?  Or is it that there’s a Satanist doing something evil out in the desert?

Don’t worry, California!  David Hasselhoff and Angie Harmon are on the case!

This episode originally aired on May 3rd, 1997.

Horror Scenes That I Love: Tor Johnson vs Richard Carlson in Behind Locked Doors


Since today is Tor Johnson’s birthday, I wanted to share a scene from Plan 9 From Outer Space or Bride of the Monster or even the Beast of Yucca Flats.

Unfortunately, YouTube would not cooperate.  I found a lot of tribute videos that people had done.  I found several videos of Tor playing Lobo with silly music playing in the background.  There were a lot of weird Tor/Bela tribute videos.  (Apparently, there’s a very active community of Lobo/Varnoff shippers, which was not something that I really needed to know.)  Anyway, try as I did, I couldn’t find any decent videos of just Tor walking into a wall or rising from the dead of reaching for the bunny in Beast of Yucca Flats.

However, I did find this clip from a film in which Tor Johnson appeared in 1948.  Apparently, Behind Locked Doors was noir about a detective who goes undercover at a sanitarium.  One of the other patients at the sanitarium?  TOR JOHNSON!

So, enjoy this chance to see Tor Johnson in a scene not directed by Ed Wood or Coleman Francis.  (The scene was directed by Budd Boetticher, who has a far different critical reputation that both Misters Wood and Francis.)

4 Shots From 4 Films: Special Tor Johnson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is Tor Johnson’s birthday so it just seems appropriate to present….

4 Shots From 4 Tor Johnson Films

Bride of The Monster (1955, dir by Ed Wood)

Plan 9 from Outer Space (1959, dir by Ed Wood)

Night of the Ghouls (1960, dir by Ed Wood)

The Beast from Yucca Flats (1961, dir by Coleman Francis)