Scenes That I Love: Michael Caine says, “I Won’t Bury You” in The Dark Knight Rises


Today, the Shattered Lens wishes a happy 92nd birthday to Sir Michael Caine.

With 177 acting credits listed on the imdb, Michael Caine started his regular acting career in 1956 and only recently retired. (He actually made his acting debut, at the age of 10, in a made-for-TV movie in 1946.)  There are many great Michael Caine performances and scenes to choose from but, for today, I decided to go for a scene from 2012’s The Dark Knight Rises.

Caine was 79 when he played Alfred in this film and he showed that, after decades of work, he hadn’t lost a step as a performer.  As well, he also showed his ability to take a character who could have been ridiculous — the loyal butler of a superhero — and instead make him surprisingly poignant.  With this scene, Caine proved himself to be the heart of Christopher Nolan’s Dark Knight trilogy.

Happy birthday to one of the greatest actors of our age or any age for that matter.

4 Shots From 4 Films: Special Wolfgang Petersen Collection


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates German director Wolfgang Petersen.  It’s time for….

4 Shots From 4 Wolfgang Petersen Films

Das Boot (1981, dir by Wolfgang Petersen, DP: Jost Vocano)

The NeverEnding Story (1984, dir by Wolfgang Petersen, DP: Jost Vocano)

In The Line of Fire (1993, dir by Wolfgang Petersen, DP: John Bailey)

The Perfect Storm (2000, dir by Wolfgang Petersen, DP: John Seale)

Live Tweet Alert: Join #FridayNightFlix For Get Shorty!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix presents the original 1995’s Get Shorty!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Get Shorty is available on Prime and Tubi!  See you there!

Happy Birthday in heaven to the great Paul Fix! A “4 Shots From 4 Films” special edition…


If you love movies, then there’s no doubt you’ve seen the work of the great movie and TV character actor Paul Fix. With over 340 acting credits to his name, including 26 with John Wayne, Fix co-starred in some of the best movies and TV shows ever made. Born on March 13th, 1901, Fix passed away on October 14th, 1983, leaving behind a tremendous legacy of superior performances. I just wanted to take a moment to remember this amazing actor who’s provided me with so much great entertainment over the years!! 

THE RIFLEMAN T.V. Series (1958-1963)

TO KILL A MOCKINGBIRD (1962)

STAR TREK: WHERE NO MAN HAS GONE BEFORE (1966)

EL DORADO (1967)

Scenes That I Love: William H. Macy in Fargo


Fargo (1996, dir by the Coen Brothers, cinematography by Roger Deakins)

Today, we wish a happy birthday to one of the great character actors, William H. Macy.

Today’s scene that I love comes from the film that I feel features Macy’s greatest performance, 1996’s Fargo.  In this scene, hapless car salesman-turned-wannabe-criminal mastermind Jerry Lundegaard (played by Macy) discovers that his get rich quick scheme has one major flaw.  Absolutely no one, not even his fearsome father-in-law, wants to give Jerry a dime of money.  In this scene, you can’t help but feel sorry for Jerry, even though most of his problems are his own fault.

4 Shots From 4 Films: Special Henry Hathaway Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates director Henry Hathaway, born 127 years ago today!  It’s time for….

4 Shots From 4 Henry Hathaway Films

Kiss of Death (1947, dir by Henry Hathaway, DP: Norbert Brodine)

Call Northside 777 (1948, dir by Henry Hathaway, DP: Joseph MacDonald)

Niagara (1953, dir by Henry Hathaway, DP: Joseph MacDonald)

True Grit (1969, dir by Henry Hathaway, DP: Lucien Ballard)

 

A Blast From The Past: The Velvet Underground in Boston (dir by Andy Warhol)


 

In the late 60s, The Velvet Underground often performed at the Boston Tea Party, a concert venue in — you guessed it! — Boston.  Lou Reed described the Boston Tea Party as being the band’s favorite place to play and the Velvets’ performances at the venue would eventually become legendary.  The Velvet Underground would attract an audience made up of bikers, Harvard students, MIT Students, Northeastern Students, celebrities, and a young Jonathan Richman.

In 1967, artist Andy Warhol attended a performance and filmed the show.  He got 33 minutes of footage, one that doesn’t quite work as a concert film but which does work marvelously as a time capsule.  While the music itself is often distorted (and this is not the film to watch if you’re wanting to hear your favorite songs performed live), Warhol’s camera does capture the feel of the psychedelic 60s, complete with strobe lights, sudden zoom shots, and an audience that alternates between moving to the music and standing still in a state of stoned contemplation.  Warhol films like someone who has just gotten his first camera and can’t wait to experiment and see what it can do.  The end result is actually rather likable, even if it is often incoherent.  The enthusiasm and the excitement of filmmaking and capturing history comes through.  When you’re first learning and experimenting with film, there’s nothing cooler than a sudden close-up or a sudden pull back to reveal the size of the crowd.  The film finds Warhol having fun with the camera and the footage is ultimately rather hypnotic.

It’s a true time capsule.  Here is The Velvet Underground in Boston.

 

 

4 Shots From 4 Films: Special 1972 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Since we already highlighted Cabaret today, here are a few the classic films that we released the same year.

4 Shots From 4 1972 Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

Jesus Christ Superstar (1973, dir by Norman Jewison, DP; Douglas Slocombe)

Deliverance (1972,dir by John Boorman, DP: Vilmos Zsigmond)

Conquest of the Planet of the Apes (1972, dir by J. Lee Thompson, DP: Bruce Surtees)

The TSL Grindhouse: Dixie Dynamite (dir by Lee Frost)


Welcome to Georgia!

Yes, the 1976 film Dixie Dynamite is supposedly set in Georgia but it’s hard not to notice that all of the hills and mountains in the background look like they’re from California.  The story features two sisters, Dixie (Jane Anne Johnston) and Patsy (Kathy McHaley), who go into the moonshine business after their father drives his car off a cliff.  Their father was the best moonshiner in the business and they aim to carry on his legacy, despite the efforts of Sheriff Marsh (Christopher George) and banker Charlie White (R.G. Armstrong).  Blowing up their stills and threatening to auction off their land isn’t going to stop these two from doing whatever it is exactly that they’re doing in this film.  Eventually, the sisters steal a bunch of dynamite and start blowing stuff up.  Normally, I’d say “Woo hoo!” but this film even makes random explosions seem as boring as the 4th of July in Canada.

Warren Oates plays Mack, a motocross champion who occasionally helps the daughter’s out.  At least, I think he’s helping them.  To be honest, it’s not always easy to tell what Mack’s purpose actually is in this story.  He tends to show up randomly, usually after all the action has ended.  He’s kind of a useless friend, to be honest.  Warren Oates brings his rough-hewn charm to the roll and you’re usually glad to see him, if just because the actresses playing the sisters are genuinely lousy, but you’re never quite sure what he’s doing there.  Watching the film, one gets the feeling that Oates just dropped by the set whenever he felt like it and filmed a scene or two.

It’s really not that crazy of a possibility.  Actor Steve McQueen makes a cameo appearance in this film, riding a motorcycle and challenging Oates.  McQueen didn’t make many films in the 70s.  Let’s consider some of the films that he turned down: The Great Gatsby, Jaws, Apocalypse Now, The Driver, The French Connection, Sorcerer, and Hard Times.  None of those films appealed to McQueen but he was still willing to show up for a day’s worth of shooting on Dixie Dynamite.  Of course, McQueen does go uncredited.

This is an odd film, full of slow spots that not even actors like Warren Oates, Christopher George, and R.G. Armstrong can make up for.  Director Lee Frost was best-known for his softcore exploitation films and Dixie Dynamite is full of odd transitions and jump cuts, leading me to suspect that the film was originally meant to be a lot more like a typical Frost film before it was decided to go in a PG-direction as well.

Perhaps the oddest part of the film is that the daughter’s final scheme to get revenge on the sheriff and the banker involves stealing two dead bodies from the local morgue.  The bodies are made up and dressed to look like Dixie and Patsy so that the sisters can fake their own death.  I can understand that and even give them credit for hatching a clever plan.  But I still find it weird that the film never really explains how the bodies were stolen or why they were in the morgue in the first place.  What are the chances that Patsy and Dixie would head down to the morgue and find two look-alikes?

The film features dynamite, Warren Oates, and corpse-stealing  but it’s still incredibly dull.  That’s just weird.