Lisa Marie Reviews An Oscar Nominee: Nebraska (dir by Alexander Payne)


As Brad mentioned earlier, today is Bruce Dern’s birthday!

Bruce Dern is a favorite actor of mine.  He’s one of those performers who, over the course of his very long career, has appeared in all sorts of different and occasionally odd films, sometimes as a lead but most often as a character actor.  He appeared in biker films, westerns, literary adaptations, and Oscar-winners.  He killed John Wayne in The Cowboys.  He introduced Peter Fonda to acid in The Trip (Dern, for his part, has said that he the only person on the set of that film who has never done acid.)  He captured the trauma of Vietnam in Coming Home.  He played one of the great hyperactive cops in The Driver.  He came close to playing Tom Hagen in The Godfather and was the original choice for the attorney who was eventually played by Jack Nicholson in Easy Rider.

In 2013’s Nebraska, he broke my heart.

In Nebraska, Dern plays Woody Grant, an elderly man who is convinced that he’s won a million-dollar sweepstakes.  Everyone around him, including his wife (June Squibb) and his oldest son (Bob Odenkirk), realizes that the sweepstakes is a scam and that Woody has actually won nothing.  But Woody is convinced that a million dollars is waiting for him.  All he has to do is somehow make it from Montana to Nebraska.  At first, Woody attempts to walk along the interstate.  When that doesn’t work and the police end up arresting him and sending him home, his youngest son, David (Will Forte), agrees to drive Woody down to Lincoln, Nebraska.  David knows that there’s not any money waiting for Woody but, unlike his mother and his older brother, David hasn’t given up on the idea of connecting with his father.

Nebraska is a road movie, with the majority of the film following David and Woody as the drive through rural and smalltown America.  They stop off in Woody’s former hometown, where they meet Woody’s brother (Rance Howard) and also Woody’s former business partner, a bully named Ed (Stacy Keach).  Ed is convinced that Woody stole money from him.  Woody blames Ed for the loss of his air compressor.  Their anger has simmered for years and, at first, it’s tempting to assume that it’s simply one of those grudge matches that old men seem to have a weakness for.  But Ed turns out to truly be a rotten human being and Woody …. well, Woody his own problems but at least he’s not as bad as Ed.

Before I say anything else, I want to praise the entire cast.  June Squibb, Bob Odernkirk, Stacy Keach, Rance Howard, Melinda Simonsen (who has a small role as a receptionist in Lincoln), they all bring their characters to memorable life.  Will Forte is the heart of the film, trying to keep his family together and standing up for his father when it matters.  If you only know Will Forte as MacGruber, you need to see Nebraska.  That said, this film is dominated by Bruce Dern’s poignant, sad, and often very funny performance as Woody Grant.  Woody is a flawed character and Dern wisely doesn’t try to sentimentalize or downplay any of those flaws.  He drinks too much, he neglected his family when he was younger, he holds a grudge, and he’s incredibly stubborn.  But, as played by Dern, you just can’t help but like Woody and hope that he finds some sort of happiness.  Even though the viewer, like everyone else in Woody’s life, knows that the sweepstakes is a scam, it’s still hard not to spend the film hoping that Woody will prove everyone wrong when he makes it to Nebraska.

Nebraska was nominated for Best Picture while both Bruce Dern and June Squibb picked up acting nominations.  That year, the Best Picture race was dominated by 12 Years A Slave.  Matthew McConaughey won Best Actor for Dallas Buyers Club while Lupita Nyong’o won Best Supporting Actress for 12 Years A Slave.  Alexander Payne lost Best Director to Gravity’s Alfonso Cuaron.  Gravity also won the Oscar for Best Cinematography, defeating Nebraska’s gorgeous black-and-white imagery.

Oscars or not, Nebraska is a wonderful, late career showcase for the great Bruce Dern.

Happy 89th Birthday, Bruce Dern! 


Is there anyone who plays a scuzzbucket better than Bruce Dern? He doesn’t always play a scuzzbucket, but that seems to be where his true talent lies. On his 89th birthday, I’m sharing this clip from a favorite movie of mine, DIGGSTOWN (1992), where he plays a scuzzbucket! Did I mention he’s great at it?!! 

Happy Birthday, Bruce!! 

Billy The Kid Trapped (1942, directed by Sam Newfield)


Billy “The Kid” Bonney (Buster Crabbe) and his two buddies Fuzzy (Al St. John) and Jeff (Bud McTaggart) are just trying to mind their own business and make a living in the old west but they keep getting accused of every crime that happens.  This time, they’re sentenced to hang for a crime they didn’t commit.  Luckily, a group of strangers break Billy and his friends out of jail and send them on their way to the next town.  However, the men who broke them out of jail are soon committing crimes while disguised as Billy, Fuzzy, and Jeff!  Billy teams up with Sherriff Masters (Ted Adams) to stop the imposters, who are working for Boss Jim Stanton (Glenn Strange).

One of the joys of Poverty Row westers like this one is that they always featured the same stock company.  Al St. John was everyone’s sidekick.  Ted Adams was often a sheriff.  Glenn Strange was always the criminal mastermind pulling the strings.  Milton Kibbee was always a corrupt judge or ranch owner.  George Cheseboro, Horace B. Carpenter, Jack Curtis, and Budd Buster are amongst the very familiar faces in Billy The Kid Trapped.  It gives each film a homey feel that will be appreciated by fans of the genre.  The hero of the films often changed but the stock company always remained the same.

I like the idea behind Billy The Kid Trapped but the film still feels repetitive, even though it’s less than an hour long.  After Billy captures the men who are imitating him and his friends, a crooked judge sets the men free and the immediately go back to imitating Billy.  Billy has to capture them all over again.  No wonder Billy aged so quickly!  (Buster Crabbe was in his mid-thirties when he was playing The Kid.)  The movie does have all the usual gunfights and horse chases that people watch these movies for.  It’s comforting that, no matter what, the villain is always going to turn out to be Glenn Strange.

4 Shots From 4 Films: Celebrating Double Exposure


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, I want to celebrate one of my favorite photography techniques, the double exposure!

4 Shots From 4 Films: Celebrating Double Exposure

The Wrong Man (1956, Dir. by Alfred Hitchcock)

Psycho (1960, Dir. by Alfred Hitchcock)

The Story of Adele H. (1975, Dir. by Francois Truffaut)

Twin Peaks: Fire Walk With Me (1992, Dir. by David Lynch)

4 Shots From 4 Films: Special Charles Bronson “Badass Cop” Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Charles Bronson played hitmen, melon farmers, boxers and vigilantes throughout the course of his iconic film career. He also played badass cops! Today I celebrate Bronson as a beacon of law and order.

Charlie Congers in LOVE AND BULLETS (1979)

Leo Kessler in 10 TO MIDNIGHT (1983)

Jack Murphy in MURPHY’S LAW (1986)

Lieutenant Crowe in KINJITE: FORBIDDEN SUBJECTS (1989)

Brad’s “Scene of the Day” – Happy 100th Birthday, Tony Curtis! 


Tony Curtis would have been 100 years old today! Back in 1970, Curtis worked with my all time favorite actor Charles Bronson on the film YOU CAN’T WIN ‘EM ALL. Interestingly, the screenplay for this film was written by actor Leo Gordon. The movie is pretty much forgotten these days, but Bronson and Curtis have a nice, easy going chemistry that I’ve always enjoyed. In honor of the Curtis centennial, I’m sharing this fun little scene from YOU CAN’T WIN ‘EM ALL! Enjoy, my friends! 

Billy The Kid’s Smoking Guns (1942, directed by Sam Newfield)


It’s a tale as old as time.  During the days when the west was wild, the U.S. Army is planning on setting up a new outpost near a town so the bad guys want to run all the ranchers off of their land so that they can be the ones to sell it.  Sheriff Carson (Ted Adams) is corrupt and working for the bad guys so the ranchers have to turn to Billy the Kid (Buster Crabbe) and his sidekicks, Jeff (Dave O’Brien) and Fuzzy (Al St. John) for help.  When Jeff is wounded in a fight, Fuzzy takes him to Doc Hagen (Milton Kibbee), little suspecting the doctor is actually the leader of the bad guys and using his medical practice to kill anyone who won’t give up their land!

Coming to us straight from Poverty Row, this B-western is interesting in that it seems to take a very cynical view of law enforcement.  Sheriff Carson is corrupt and Billy and his friends are running from the law themselves.  Buster Crabbe’s Billy the Kid films always kept it unclear why Billy was in trouble with the authorities.  Crabbe’s Billy the Kid always seemed to be the nicest guy in the west.  (Of course, Crabbe was also 33 and no longer seemed like he should have been known as “the Kid.”)  Eventually, the series was retconned and Buster Crabbe was no longer playing Billy the Kid but instead he was playing an upstanding citizen named Billy Carson.

Crabbe may not be a convincing outlaw but he is a convincing hero, which is all these films really required.  Billy the Kid’s Smoking Guns is a little bit interesting because of the character of Doc Hagen, whose occupation makes him a little more memorable than typical B-western bad guy.  The film is also interesting in that, for once, there’s no love interest.  Instead, it’s just men in hats shooting at each other.  That probably made the film’s youthful target audience happy.

The real-life Billy The Kid was killed when he was only 21 and after he had been an outlaw for only three years.  Buster Crabbe would g0 on to play Billy (or o some variation of Billy) until he was closing in on 40.

 

The Killer Inside Me (1976, directed by Burt Kennedy)


Today is Stacy Keach’s 84th birthday.

Stacy Keach has always been an underappreciated actor.  Despite his obvious talent and his ability to play both heroes and villains, he’s never really gotten the film roles that he’s deserved and he’s mostly made his mark on stage and on television.  There have been a few good films that made use of Keach’s talents.  I’ve always appreciated his performance as Frank James in Walter Hill’s The Long Riders.  He was a morally ambiguous Doc Holliday in Doc.  He played a boxer in John Huston’s Fat City.  Horror fans will always remember him for Road Games. The Ninth Configuration featured a rare starring role for Keach but it was treated poorly by its studio.  He was chilling as a white supremacist in American History X.  For the most part, though, Keach’s film career has been made up of stuff like Class of 1999.  For all of his talent, he seems destined to be remembered mostly for playing Mike Hammer in a television series and a few made-for-TV movies.  It’s too bad because Keach had the talent to bring certain character to life in a way that few other actors can.

The Killer Inside Me features one of Keach’s best performances.  Based on a pulp novel by Jim Thompson, The Killer Inside Me stars Stacy Keach as Lou Ford.  Lou is a small town deputy.  Everyone thinks that he’s a good, decent man.  He’s dating the local school teacher (Tisha Sterling).  The sheriff (John Dehner) trusts him.  Lou seems to be an expert at settling conflicts between neighbors.  What everyone doesn’t know is that Lou is actually a psycho killer who is having a sado-masochistic affair with a local prostitute (Susan Tyrrell) and who has zero qualms about punching the life out of someone.  When Lou finds out that Tyrrell is also involved with the son of a local businessman, it sets Lou on a crime and killing spree.  Lou thinks he’s a genius but his main strength is that no one can imagine Lou Ford doing the terrible things that he does.

Burt Kennedy was an outstanding director of westerns and straight-forward action movies but he appears to have struggled with The Killer Inside Me’s morally ambiguous tone.  The end result is not a great film but it does feature a great performance from Stacy Keach.  In both his performance and his narration, Keach captures both the arrogance and the detachment from normal society that defines Lou Ford’s character.  He also shows how Ford coolly manipulates the people around him.  Keach is believable and compelling whether he’s playing the fool or if he’s committing cold-blooded murder and he also subtly shows that Lou is not as smart as he thinks he is.  Though Keach dominates the film, The Killer Inside Me also features good performances from a gallery of 70s character actors, including John Carradine, Keenan Wynn, Don Stroud, Charles McGraw, and Royal Dano.

This version of The Killer Inside Me didn’t do much at the box office.  The movie was remade in 2010, with Casey Affleck miscast as Lou Ford.  That version didn’t do much at the box office either.  The secret to recreating the book’s mix of social satire and pulp action has proven elusive to filmmakers but at least we’ve got Stacy Keach’s performance as Lou Ford to appreciate.

#MondayMuggers presents FAREWELL, MY LOVELY (1975) starring Robert Mitchum!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday June 2nd, we are showing FAREWELL, MY LOVELY (1975) starring Robert Mitchum, Charlotte Rampling, John Ireland, Sylvia Miles, Anthony Zerbe, Harry Dean Stanton, Jack O’Halloran, Joe Spinell, and Sylvester Stallone.

FAREWELL, MY LOVELY finds Los Angeles private eye Philip Marlowe being hired by paroled convict Moose Malloy to find his girlfriend Velma, a former seedy nightclub dancer. All kinds of intrigue ensues as Robert Mitchum puts his droopy-eyed, world-weary spin on the famous detective!

So join us tonight for #MondayMuggers and watch FAREWELL, MY LOVELY! It’s on Amazon Prime. The trailer is included below: