Retro Television Review: Miami Vice 2.5 “The Dutch Oven”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

Well, this sucks!  Tubi is no longer streaming Miami Vice.  Hopefully, the show will soon have a new streaming home.  As for the episode that I reviewed below, I had to buy it on Prime.  It cost next to nothing but still, there’s a larger issue, namely my desire to watch stuff for free.

Episode 2.4 “The Dutch Oven”

(Dir by Abel Ferrara, originally aired on October 25th, 1985)

This week’s episode of Miami Vice opens with a typical Vice situation.  Trudy is undercover as a prostitute.  Tubbs is undercover as a drug buyer.  When the dealers try to rip Tubbs off, it leads to an exciting and well-shot car chase that ends in an alley.  One of the dealers points his gun at Sonny and Trudy and, four shots later, he’s lying dead on the ground.

For once, though, it’s not Sonny who did the shooting.  Instead, all four shots were fired by Trudy.  This time, it’s Trudy who is shaken by taking someone’s life and it’s Trudy who finds herself being harassed by Internal Affairs.  Feeling lost, Trudy goes to a party hosted by her ex-boyfriend, David (Cleavant Derricks).  Soon, Trudy and David are back together but, when Trudy discovers that someone is dealing drugs at David’s parties, she is forced to confront the fact that her boyfriend might not be an innocent bystander.

A young Giancarlo Esposito appears in this episode, playing an up-and-coming dealer named Adonis.  Adonis is an old friend of David’s and he’s also the one who is responsible for selling the drugs at the parties.  (It turns out that David actually is innocent.)  Sonny, realizing that Trudy is too close to the case and still emotionally shaken by the earlier shooting, goes undercover to take Adonis down.  Of course, Adonis doesn’t surrender easily and the episode ends with him literally daring Trudy to shoot him.  Trudy hesitates so Sonny sends Adonis to the ground with one punch.  As far as endings go, it doesn’t quite feel like a Miami Vice ending.  Season one, for instance, had no hesitation about ending with gunshots.  Gina shot Burt Young in cold blood.  Pam Grier killed several drug dealers and apparently got away with it.  Bruce Willis’s wife shot him on the courthouse steps.  Dennis Farina was shot in his car at the end of Lombard.  This episode, though, ends with Sonny demonstrating that he can make arrests without killing people and with Trudy still not having to deal with her fear of using her weapon.  It feels a bit wishy-washy, to be honest.

On the plus side, Abel Ferrara does a good job directing this episode.  The opening action scene is genuinely exciting and the entire episode is permeated with a melancholy atmosphere.  This episode deserves some credit for acknowledging that the Vice detectives spend a lot of time investigating and arresting people with whom they’ve become friends.  And it’s good that, after spending so much time in the background, Trudy finally got a showcase episode and Olivia Brown got a chance to prove she could carry a story.  This is an effective episode, even if it never quite becomes a classic.

Spring Break On The Lens: The Squad (dir by Rick Walker)


Years ago, three girls were rescued from their abusive foster parents.  Under the direction of the enigmatic Alpha (Jennifer Ferguson), Gina (Meghan Carrasquillo), Dani (Grace Evans), and Bella (Alea Hansinger) have made a lot of money and they only have to work one week out of the year.  That week is Spring Break, when they hit the beach and sell drugs to all the visiting college students.

Unfortunately, a bigtime gangster known as Frosty the Snowman (Shawnee Brittan) does not want Alpha and the Squad moving in on his business.  So, along with targeting Alpha for assassination, he also sends his people down to the beach to take out the members of the Squad.  It all leads to a lot of violence, death, and bikini shots.  Everyone has their own agenda and no one can be trusted, perhaps not even Alpha.  Can the Squad survive or will they end up being dunked in acid?

Just from reading the plot description, you might think that this was a subversive, satirical film in the style of Harmony Korine’s Spring Breakers and certainly, there are moments of deliberate humor.  The three Squad members spend a lot of time talking between jobs and making fun of the faux tough guys that they have to deal with.  There’s a slightly funny bit where one of the girls will make a snarky comment and someone else will reply by accusing them of being a very particular type of bully.  “You’re a spray tan bully,” made me laugh more than it probably should have.  (That’s probably because, as a redhead, I can’t tan to save my life.)

That said, The Squad takes itself way too seriously at certain points.  There’s all sorts of twists and turns and scenes of criminals talking about all of the unpleasant tortures that they intend to inflict until they hear what they want to hear.  This is one of those films where all the camera movements are jittery and most of the scense are so underlit that you end up straining eyes just trying to figure out who is talking to who.  For a 78-minute film, there’s a lot going on in The Squad and the plot is almost impossible to follow.  The film makes the mistake of assuming that we’ll automatically care so much about The Squad that we won’t care that their actions rarely make sense.  But since we really don’t get to know either The Squad or Alpha, it’s difficult to get emotionally involved in their attempts to corner the drug market.

For the most part, the acting is poor.  The actresses playing the members of the Squad are naturalistic and likable when they’re just lying around and gently giving each other a hard time but the minute they have to start shooting or talking tough, everyone starts trying too hard to act as if they’re in an early Tarantino film and the whole thing just feels awkward.  As Frosty, Shawnee Brittan is convincingly evil and some of the actors playing his toothless henchmen are properly creepy.  Otherwise, one would be better served by rewatching Spring Breakers.

Monday Live Tweet Alert: Join Us For Malibu Express and Field of Dreams!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Malibu Express (1985), from director Andy Sidaris!

Then, on twitter, #MondayMuggers will be showing 1989’s Field of Dreams!  The film is on Prime and it starts at 10 pm et!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Malibu Express on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then switch over to twitter, pull Field of Dreams up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!

4 Shots From 4 Films: Special Raoul Walsh Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

127 years ago today, film director Raoul Walsh was born in New York City.  He started out as an actor and a second unit director, learning how to make films under the tutelage of D.W. Griffith.  He made his directorial debut in 1915 with Regeneration, which is considered to be the first gangster film.  Refusing to sidelined after losing an eye in an auto accident, Walsh continued to direct and his career stretched from the silent era all the way to the mid-60s.  Walsh directed westerns, war films, and gangster films.  He was a master of tough but sometimes quirky action films.  Martin Scorsese continues to cite Walsh as being an influence on his own work.

Today. we pay tribute to Raoul Walsh with….

4 Shots From 4 Raoul Walsh Films

The Roaring Twenties (1939, dir by Raoul Walsh, DP: Ernest Haller)

They Drive By Night (1940, dir by Raoul Walsh, DP: Arthur Edeson)

White Heat (1949, dir by Raoul Walsh, DP: Sidney Hickox)

Esther and the King (1960, dir by Raoul Walsh and Mario Bava, DP: Mario Bava)

A Few Late Thoughts On The 96th Oscars


Last night, the Oscars actually ended early.

Not that early, of course.  In fact, towards the end of the show, Jimmy Kimmel came out and did his usual anti-Trump schtick just to pad out the running time so that the Oscars managed to make it to the allotted 3 hour and 30 minute mark.  (And yes, it is schtick.  The late night hosts need Trump just as much as Trump needs them.)  The thing is, though, the Oscars usually run over by a good 30 minutes.  The show ending on time means that it ended early.  This is the first Oscar telecast, in my lifetime, to end on time.  I could actually go out and do stuff after the show ended.  It was fun!

As for the show itself, it was a relatively smooth production.  No one got slapped.  There were no major technical snafus.  As to be expected, there were a few embarrassing acceptance speeches.  I thought Zone of Interest was a powerful film and I also thought Under The Skin was brilliant but I can still do without ever having to listen to Jonathan Glazer give another speech.  One can only imagine how Martin Amis would have reacted to Glazer’s “speech.”

(Martin Amis wrote the novel that served as the basis for the film that won Glazer an Oscar.  Amis never had much use for the wimpy or the self-important.)

Ryan Gosling’s performance of I Am Ken was the highlight of the show.  Of course, then the song failed to win the Oscar.  It reminded me a bit of how, in 2021, the entire broadcast was designed to end with Chadwick Boseman receiving a posthumous award, just for a confused Joaquin Phoenix to read Anthony Hopkins’s name instead.  Sometimes, the voters really do just vote for who or what they think should win, regardless of the preferred narrative.

In fact, for all the hype, Barbie wasn’t much of a factor in the awards.  It won one Oscar, for the song that wasn’t I Am Ken.  The Academy was far more impressed with Poor Things.  Still, Barbie did better than Killers of the Flower Moon, which won not a single award.  Poor Things‘s Emma Stone defeating Lily Gladstone was the upset of the evening.  Am I the only one who briefly got worried that Poor Things would somehow win Best Picture over Oppenheimer?

The big winner, of course, was Oppenheimer.  My top film of 2023 was Past Lives but Oppenheimer was a close second.  (Until Glazer gave his speech, Zone of Interest was my third pick.)  Robert Downey, Jr. became the first former SNL cast member to win an acting Oscar.  Christopher Nolan accepted his Oscar from Steven Spielberg, which felt like a real changing-of-the-guard moment.  Cillian Murphy won Best Actor.  I would have voted for Paul Giamatti but Murphy still deserves a lot of credit for holding Oppenheimer together.

Godzilla is an Oscar winner!  Yay!

All in all, it was a good show.  Occasionally, it was even fun.  It was very efficient, as if the Academy specifically picked this year to show ABC that it actually could put on an orderly show that didn’t preempt the entire network’s programming by an extra hour.  My advice for next year would be to stop doing the thing where five previous winners came out to praise the current nominees.  (That bit has always felt a bit condescending and I would much rather see clips of the nominated performances.)  And maybe get John Mulaney to host because Jimmy Kimmel has become just way too impressed with himself.

Now, 2023 is done.  Onward to 2024!

(Actually, you know what I haven’t done, yet?  I haven’t posted my picks for the best of 2023.  I’ll do that this week, even though I doubt anyone cares at this point.  But I’ve posted my lists every year and I’m not going to break tradition now.  I just have a handful of movies to watch today and tomorrow….)

Music Video of the Day: Talk About Love by Kate Hudson (2024, dir by Kimberly Stuckwisch)


Today’s music video of the day is for the debut single of actress Kate Hudson.  Kate’s got a good voice, though I’m not sure how many people in their mid-40s have been able to launch a successful music career.  Oh well, no matter!  Best of luck to her!

Enjoy!

Congratulations! You Have Survived Another Oscar Sunday!


That’s it!  That’s a wrap!  All that is left to do is to cue up all of our applause GIFs:

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We hope everyone has enjoyed Oscar Sunday!

shia

Now that the Oscars are over with, it’s time to start a new year of entertainment!  Thank you everyone for reading us over the course of 2023 and the first two months of 2024!

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Now, let’s make 2024 the best year ever as we continue to celebrate the 14th year of the Shattered Lens!

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Love you!

Congratulations On The Oscar, Godzilla!


Godzilla is an Oscar winner!

Seriously, can you believe that it took 70 years for Godzilla to finally not only be nominated for an Oscar but also to win one?  Godzilla Minus One was the first Godzilla film to receive an Oscar nomination and it more than deserved to win for Best Visual Effects.  Godzilla Minus One was a reminder that, when you have imagination and ingenuity, you don’t always need a huge budget.  I’m happy that, in a year dominated by expensive movies and CGI, the Academy finally gave Godzilla the attention and the respect that he deserves!

Way to go, Godzilla!  Enjoy the rest of your career!

Lisa Marie’s Week In Review: 3/4/24 — 3/10/24


I hope everyone had a good Oscar Sunday!

I spent this week watching movies and getting caught up on stuff.  I’m looking forward to jumping into next week.  As I’ve said in the past, the year really doesn’t start for me until after the Oscars are handed out.  With 2023 wrapped up, I can now concentrate on 2024!

Here’s what I watched, read, and listened to this week!

Films I Watched:

  1. Atari: Game Over (2014)
  2. The Brain Eaters (1953)
  3. Chicken Run: Dawn of the Nugget (2023)
  4. The Children (1980)
  5. Eye See You (2002)
  6. The Holdovers (2023)
  7. Godzilla Minus One (2023)
  8. Leave The World Behind (2023)
  9. Leo (2023)
  10. The Long Riders (1980)
  11. Marked Man (1996)
  12. Napoleon (2023)
  13. Oppenheimer (2023)
  14. Past Lives (2023)
  15. Poor Things (2023)
  16. Ruby Gillman: Teenage Kraken (2023)
  17. Suzume (2023)
  18. The Zone of Interest (2023)

Television Shows I Watched:

  1. Blind Date
  2. Night Flight
  3. 96th Academy Awards
  4. The State of the Union Address

Books I Read:

  1. Deep Throat (1972) by D.M. Perkins

Music To Which I Listened:

  1. Adi Ulmansky
  2. Ankor
  3. Bat For Lashes
  4. Britney Spears
  5. Charli XCX
  6. The Chemical Brothers
  7. Dirty Honey
  8. Garbage
  9. Icona Pop
  10. Kate Hudson
  11. Lebanon Hanover
  12. Miles & Miles
  13. Moby
  14. Moodvampire
  15. Night Club
  16. Pill
  17. Saint Motel
  18. Suzanne Vega
  19. Tina Arena

Live Tweets:

  1. Marked Man
  2. Eye See You
  3. The Long Riders
  4. The Children

Best Picture Tributes:

  1. 1927 — 1939
  2. 1940s
  3. 1950s
  4. 1960s
  5. 1970s
  6. 1980s
  7. 1990s
  8. 2000s
  9. 2010s
  10. 2020s

Trailers:

  1. The Bikeriders
  2. Arcadian
  3. Late Night With The Devil
  4. The Wild Robot

News From Last Week:

  1. Singer Steve Lawrence Dies At The Age of 88
  2. Screenwriter accuses Oscar-nominated film ‘The Holdovers’ of plagiarism before awards show

Links From Last Week:

  1. Vampires: Not just for Halloween any more
  2. Have You Ever Eaten High Above Paris? Bite Into “Paris By Mouth” With Spectacular Views!
  3. Tater’s Week in Review 3/8/24

Links From The Site:

  1. I reviewed The Long Riders!
  2. I shared music videos from Ankor, The Pill, Lebanon Hanover, Bat For Lashes, Dirty Honey, Night Club, and Miles & Miles!
  3. I shared my week in television!
  4. I wrote about actors, actresses, and directors who I hope will win an Oscar!
  5. I welcomed you to Oscar Sunday.  I shared my predictions and which films actually won!
  6. I shared a scene from Silent Rage!
  7. Erin shared The Beach Set, Sun Sex and Frenzy, The Alamo, A Tan and Sandy Silence, Argosy, Sun Sea and Sand, and Jayne Mansfield and Cleo Moore At The Oscars!

More From Us:

  1. At my music site, I shared songs from Kate Hudson, Britney Spears, Tina Arena, Garbage, Charli XCX, Suzanne Vega, and moonvampire!
  2. At her photography site, Erin shared Peaceful, And Then I Looked Up And I Saw A Bird, Buick Parking Only, Flowers, Alamo Day, Backyard Swing, and Water Pump!

Click here to check out last week!