As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting 1964’s The Last Man On Earth!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime and Tubi! I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy!
Today is the official birthday of the bikini and today’s scene that I love features a moment that played a huge role in the bikini’s growing popularity.
Ursula Andress was one of the very first Bond girls, appearing opposite Sean Connery in Dr. No. Andress played the role of Honeychile Ryder, who was good with a knife and totally willing to trespass on Dr. No.’s beach. Andress set the standard by which almost all future Bond girls would be judged and the scene where Bond and Ryder first meet remains one of the most famous in the Bond franchise. It was such a culturally-defining moment in 1962 that it apparently led to rocketing sales of bikinis. Up until this film came out, bikinis were apparently considered to be too risqué to be worn anywhere other than France.
(Personally, I’m thankful that Andress and Dr. No made bikinis popular. I look good in a bikini and, even if I don’t swim, I do like lying out by the pool and pretending like I’m capable of tanning as opposed to just burning.)
Of course, in the original novel, Honey Ryder is naked (except for a belt and a knife) when Bond first sees her. Personally, I think that’s a bit much. I prefer the scene as it plays out in the movie, where everyone is flirtatious and fashionable.
Though Dr. No is best known for turning Sean Connery into a star, it also did wonders for Ursula Andress’s career. Whereas she had previously been best-known for briefly dating Jams Dean and being married to John Derek, Andress was now an actress who was able to pick her roles and to become financially independent, a development she would later tell the Daily Independent that she owed to “that white bikini.” Andress also appeared in Playboy several times, even after becoming a star. When she was asked why, she replied, “Because I’m beautiful,” and I have to say that I absolutely love that answer.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens celebrates the 136th anniversary of the birth of the great French surrealist Jean Cocteau! It’s time for….
4 Shots From 4 Jean Cocteau Films
The Blood Of A Poet (1930, dir by Jean Cocteau, DP: Georges Perinal)
Beauty and the Beast (1946, dir by Jean Cocteau, DP: Henri Alekan)
Orpheus (1950, dir by Jean Cocteau, DP: Nicolas Hayer)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!
This week, people are dying and somehow television is to blame.
Episode 3.18 “Spirit of Television”
(Dir by Jorge Montesi, originally aired on April 30, 1990)
Ilsa (Marj Dusay) claims to be a medium. She uses a television set to summon the spirits of the dead for her rich clients and then, later on, the spirits kill her customers and Ilsa, who has a degenerative disease, gets another ten days added to her life. If she doesn’t continually kill, her skin starts to look like rubber and her fingernails fall off. Agck!
This was largely a Jack episode. Jack is the one who, with his years of experience as a magician, assumes that Ilsa is a fake. He’s also the one who recruits an old friend named Robert Jandini (Paul Bettis) to go undercover and check Ilsa out. And when Robert is inevitably killed as a result, Jack is the one who has to live with the guilt. One thing that I’ve always appreciated about Fridaythe13th is that it doesn’t shy away from showing what a lifetime of battling the supernatural would do to someone’s psyche. At the end of this episode, Jack is about as depressed as I’ve ever seen him. The great Chris Wiggins was always Fridaythe13th’s not-so secret weapon and he gives another stand-out performance here.
In fact, this episode is so focused on Jack, Jandini, and Ilsa that Micki and Johnny largely feel like bystanders. There’s nothing wrong with that, to be honest. Micki and Johnny just don’t have the same sort of enjoyable chemistry that Micki and Ryan had. Still, watching Johnny in the background, it’s hard not to consider that the third season’s writers never really figured out who the character was meant to be or what they really wanted to do with him. I have sympathy for Steve Monarque because he doesn’t come across as being a bad actor. Instead, he comes across as being an actor who was saddled with an extremely inconsistent character.
As for this episode, it was nice to finally get an episode that was just about a cursed antique and that didn’t feel the need to try to reinvent the show’s format. That said, the television seems likes a really bulky object to curse. How did Ilsa even figure the curse out? What if the television had been purchased by someone who wasn’t terminally ill? Can Ilsa watch regular programming on the television or is it always a portal to Hell? These questions go unanswered.
Still, it’s an atmospheric episode and Chris Wiggins gives a strong performance. For a season 3 episode, this wasn’t bad. It’s also the the third-to-late episode of Fridaythe13th. Only two more left to go.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!
This week, St. Elsewhere observes a holiday.
Episode 2.5 “A Wing and a Prayer”
(Dir by Bruce Paltrow, originally aired on November 23rd, 1983)
It’s Thanksgiving in Boston! While everyone else is watching the Patriots and celebrating with family, 15 residents are stuck at St. Eligius, working during the holiday. To make it even worse for them, Dr. Craig puts himself on the schedule to teach them a lesson about what it means to be a doctor. (It’s also subtly suggested that Craig is looking for an excuse to get out of visiting his in-laws.) When Craig learns that Ehrlich is planning on make a “California-style” turkey, Craig insists on making a turkey of his own.
Meanwhile, Dr. Auschlander is reading a book on “dying with dignity.” It’s a British book, one that makes the case for euthanasia. (Anglicans are so pessimistic!) Auschlander is convinced that this will be his last Thanksgiving. He becomes obsessed with the case of Joe Dempsey (Cory Yothers), a little boy who might have Hepatitis or who could just as easily be suffering from Leukemia. Neither option is great but Joe can recover from Hepatitis. Death-obsessed Auschlander spends the entire episode convincing himself that Joe is going to die. Fortunately, Auschlander is wrong. When the test results come back, it turns out that Joe does have Hepatitis. Auschlander’s hope is renewed. He tosses away his assisted suicide book. He tells his wife he’s looking forward to next Thanksgiving. It’s kind of predictable but Norman Lloyd’s performance sells it.
Did I cry during this episode? Yes, I did. Last year, at this time, I was fighting with an insurance company to keep my dad from getting kicked out of his rehab center. I knew, deep in my heart, that if he was sent home, he would die. The insurance company wanted to kick him out on the 4th of July. I successfully appealed their decision, just as I would appeal several more of their decisions. I won countless battles and I felt pretty proud of myself but ultimately, I lost the war. My Dad was eventually evicted from the rehab center and, as I feared would happen, he died a few weeks later. Every holiday since August of last year has been my first without my Dad. So, yeah, when I watched an episode of a hospital drama with Dr. Asuchlander obsessing on death while Dr. Morrison experienced his first holiday since the passing of his wife …. you better believe I cried.
Can I fairly judge this episode, all things considered? Probably not. Watching it, I could tell that this episode was shamelessly manipulative and there were a few moments that were a bit overwritten. There wasn’t much subtlety to be found. But, dammit, it got to me. The emotions got to me. It earned my tears and, to be honest, I felt a little better after I cried. Joe Dempsey’s going to live. Yay!
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? Secret Admirer!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there tweeting, probably while fireworks shake the windows of my office. It’s a friendly group and welcoming of newcomers so don’t be shy.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, along with celebrating Independence Day, we are also celebrating the birthday of the great British director, Pete Walker! Walker is 86 years old today and, if he’s not exactly a household name …. well, he definitely should be. In fact, if there’s any director from the 70s and the early 80s who is deserves to rediscovered and reappraised, it’s Pete Walker! He made exploitation films with wit and genuine suspense. Frightmare is one of the scariest movies that I’ve ever seen.
In honor of Pete Walker’s birthday, here are….
4 Shots From 4 Films
Die Screaming, Marianne (1971, dir by Pete Walker, DP: Norman Langley)
The Flesh and Blood Show (1972, dir by Pete Walker, DP: Peter Jessop)
Frightmare (1974, dir by Pete Walker, DP: Peter Jessop)
Home Before Midnight (1979, dir by Pete Walker, DP: Norman Jessop)