Today, we celebrate Sylvester Stallone’s birthday with one of the most definitive montages of the 1980s. From 1982’s Rocky III (which was directed by Stallone himself), here is the famous Rocky/Apollo training montage.
Today, we celebrate Sylvester Stallone’s birthday with one of the most definitive montages of the 1980s. From 1982’s Rocky III (which was directed by Stallone himself), here is the famous Rocky/Apollo training montage.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy birthday to Sylvester Stallone! It’s time for….
4 Shots From 4 Sylvester Stallone Films
The message of Big Data will always be relevant, even 6 years after its last album.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!
This week, Leslie pursues a dream but there’s a demon in a bottle getting in the way…. (*cue the dramatic music*)
Episosde 3.21 “Educating Leslie”
(Dir by Alan Erlich, originally aired on February 7th, 1988)
Leslie has a chance to win an acting scholarship. The only problem is that his acting coach, Darla Fontaine (Corrine Conley), is an alcoholic who believes her glory days are far behind her. Leslie pours out her liquor, convinces her to give life another chance, and wins the scholarship after putting on a putty nose and delivering a monologue from Cyrano De Bergerac.
This episode is certainly not something that I would normally expect from Check It Out! but there it is. Check It Out! has, over the course of three seasons, been a consistently silly show, one that featured Howard getting into impossibly dumb situations and the majority of the cast just going along with the weirdness of it all. There was one episode, during the first season, where Edna thought she was pregnant and cried when she discovered she wasn’t. Up until this episode, that was the only dramatic moment to be found in Check It Out!
It’s a bit odd that, for it’s second-to-last episode, Check It Out! would do an episode that goes so strongly against the usual style of the series but Check It Out! was never a particularly consistent show and the fact that Sean Roberge’s stockboy makes an appearance in this episode after a long absence suggests that this episode was probably meant to air earlier in the season than it did. As well, Viker is prominently featured in this episode but no one mentions the fact that, just last week, his wife gave birth.
As for the episode itself, it was a bit overwritten and Corrine Conley overacted in the role of the alcoholic diva. But, as usual when he was given a spotlight episode, Aaron Schwartz nailed it as Leslie and elevated every scene that was in.
This episode ends with Leslie winning his scholarship. As next week’s episode is just a clip show, one could argue that, as a series, Check It Out! ended with Leslie finally achieving his dream. That’s not a bad ending.
Next week …. the finale!
I’m currently watching Roger Corman’s Attack of the Crab Monsters and this classic song popped into my head.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981. The entire show can be purchased on Prime and found on YouTube and Tubi.
This week, we have an adaptation of the short story that brought F. Scott Fitzgerald his first great literary success.
Episode #5 “Bernice Bobs Her Hair”
(Dir by Joan Micklin Silver, originally aired in 1976)
In this adaptation of a short story by F. Scott Fitzgerald, Shelley Duvall plays Bernice. Bernice is a socially awkward young woman from the country who, at the start of the glorious 1920s, spends the summer in the city with aunt (Polly Holliday) and her popular cousin, Marjorie (Veronica Cartwright). Though initially annoyed with having to watch over her cousin, Marjorie eventually decides to teach Bernice how to be a “society girl.” Marjorie teachers her how to flirt and, even more importantly, Marjorie spreads a rumor that Bernice is not only going to get her hair bobbed (which, at that time, was associated with being a flapper) but she’s going to let all the boys watch. Bernice goes from being seen as someone who is boring to being someone who is daring and rebellious. The rumor of her bobbing her hair gives Bernice a mystique, one that will only last as long as there’s a possibility of it happening.
Soon, all of the boys are interested in Bernice and Bernice becomes even more popular than Marjorie. Marjorie, with her long braids and her cultivated manners, watches in jealousy and horror as the boy across the street, Warren (Bud Cort), suddenly goes from liking Marjorie to liking Bernice. Marjorie is herself in love with Warren, though one gets the feeling that the love was more about the idea of Warren pining for her than any real desire to be with him. Realizing that the key to Bernice’s popularity is due to her unfulfilled promise to get hair bobbed, Marjorie tricks Bernice into actually doing it. Suddenly, Bernice is no longer as popular and her aunt is no longer comfortable with her being seen as a member of the family. The party invitations dry up and Marjorie once again claims her place as the long-haired society queen. Bernice prepares to return home but she has one more trick up her sleeve before she leaves.
I liked this one. Joan Micklin Silver gets wonderful performances from her cast and shows that she, more than even Robert Altman, understood how to best utilize Shelley Duvall’s quirky screen presence. While this adaptation is dominated by Duvall, I also really enjoyed Bud Cort’s earnest eccentricity as Warren. (“I’m getting old.” — 19 year-old Warren.) Finally, Veronica Cartwright gave an intelligent performance, one that kept Majorie from just becoming a one-dimensional villain. A look at the mystique of popularity and the way that social standards are casually accepted and rarely questioned, Bernice Bobs Her Hair works as both a wonderful short story and a witty short film.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting 1964’s The Last Man On Earth!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime and Tubi! I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy!
Today is the official birthday of the bikini and today’s scene that I love features a moment that played a huge role in the bikini’s growing popularity.
Ursula Andress was one of the very first Bond girls, appearing opposite Sean Connery in Dr. No. Andress played the role of Honeychile Ryder, who was good with a knife and totally willing to trespass on Dr. No.’s beach. Andress set the standard by which almost all future Bond girls would be judged and the scene where Bond and Ryder first meet remains one of the most famous in the Bond franchise. It was such a culturally-defining moment in 1962 that it apparently led to rocketing sales of bikinis. Up until this film came out, bikinis were apparently considered to be too risqué to be worn anywhere other than France.
(Personally, I’m thankful that Andress and Dr. No made bikinis popular. I look good in a bikini and, even if I don’t swim, I do like lying out by the pool and pretending like I’m capable of tanning as opposed to just burning.)
Of course, in the original novel, Honey Ryder is naked (except for a belt and a knife) when Bond first sees her. Personally, I think that’s a bit much. I prefer the scene as it plays out in the movie, where everyone is flirtatious and fashionable.
Though Dr. No is best known for turning Sean Connery into a star, it also did wonders for Ursula Andress’s career. Whereas she had previously been best-known for briefly dating Jams Dean and being married to John Derek, Andress was now an actress who was able to pick her roles and to become financially independent, a development she would later tell the Daily Independent that she owed to “that white bikini.” Andress also appeared in Playboy several times, even after becoming a star. When she was asked why, she replied, “Because I’m beautiful,” and I have to say that I absolutely love that answer.
Anyway, from 1962, here’s a scene that we love:
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens celebrates the 136th anniversary of the birth of the great French surrealist Jean Cocteau! It’s time for….
4 Shots From 4 Jean Cocteau Films
That is indeed a lot of red.
Enjoy!