This is a nicely evocative video. Las Vegas is the quintessential American city, a celebration of commerce and hospitality that happens to be sitting out in the middle of an inhospitable desert. Vegas could only have been founded in America and it’s only in America that it could have thrived to become the iconic city that it is today.
Of course, I should also mention that, whenever I see any clips of the Las Vegas strip, I automatically think about the movie Casino and the Ace Rothstein Dancers. If I ever go to Vegas, I’m going to let Commissioner Pat Webb know that Sam “Ace” Rothstein has nothing to hide.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!
This week, Bonnie is taken hostage! It’s good thing Ponch exists because you know no one else on this show is going to able to rescue her.
Episode 4.7 “Satan’s Angels”
(Dir by Phil Bondelli, originally aired on December 14th, 1980)
When confronting a group of outlaw bikers who are harrassing a teenager (Heather Locklear, in her screen debut), Bonnie is kidnapped! Reno (John Quade) manages to snap her own handcuffs on her wrists and then drags her to a cabin owned by Stan (William Smith) and his wife (Candice Azzara).
Can the Highway Patrol find the cabin? The cabin is in the mountains it might not be easy to locate. It’s a good thing that Ponch and Jon just happen have those motorized hang gliders! It’s California living to the rescue! Needless to say, Ponch and Jon (but mostly Ponch) are able to swoop in for the rescue.
This episode didn’t do much for me but then again, episodes about hostage situations rarely do. Once a character is taken hostage, it pretty much causes the action to slow down to a crawl. There’s only so many times you can listen to someone being told not to even think about escaping before it gets kind of boring. This episode did feature the great villainous character actor, William Smith. It had that going for it. But, otherwise, the episode itself moved very slowly and it didn’t help that Bonnie herself was required to make a lot of very stupid mistakes so that she could be kidnapped in the first place. When a show’s storyline depends on a previous competent person suddenly being amazing incompetent, it’s an issue.
This episode’s b-plot featured Getraer’s very pregnant wife continually going the hospital, just to discover it was a false alarm. Getraer’s wife was played Gwynne Gilford who was (and is) married to Robert Pine. Their son, Chris Pine, was born a few months before this episode aired.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!
I saw the title of this week’s episode and I immediately called my sister….
Episode 4.14 “Baseballs of Death”
(Dir by Bill Duke, originally aired on February 19th, 1988)
“Watch this with me,” I told Erin, “it’s a baseball episode!”
“It is?” Erin asked.
“Look at the title!”
I was excited. I always like to find things that I can watch with my sister and, as we all know, she loves baseball. She certainly loves baseball more than she loves tv shows about bombs that blow up when you step on them.
Unfortunately, it turned out that this episode was not about baseball. Instead, it featured a bunch of bombs that blow up when you step on them. According to this episode, those bombs are known as baseballs. Sorry, Erin! Honest mistake….
Misleading title aside, this is a really good episode. It features Tony Plana as a Chilean diplomat who is trying to buy a shipment of weapons, including the explosive baseballs. Plana is a chilling villain. In fact, he’s the first villain of season 4 to actually feel dangerous. When we first meet him, he’s coldly executing the girlfriend of a tabloid reporter. Plana’s lack of emotion as he kills and plots to kill feels like a throwback to the soulless sociopaths who made the first season’s rogue gallery. A very young Oliver Platt shows up as an arms dealer and his nerdy confidence adds to some comedy to what is an otherwise fairly grim episode. Just as with Plana’s cold villainy, Platt’s cheerful amorality felt like a throwback to the first season.
Indeed, this entire episode felt like a return to what the show used to be. After a season that’s involved televangelists, bull semen, UFOs, and Crockett getting married to Sheena Easton, it was nice to see an episode that actually felt like an episode of MiamiVice. Director Bill Dule gave this episode a stylish and, at times, almost surrealistic feel. Crockett was back to be a cynic. Castillo stared at the floor and spoke through clenched teeth while Switek actually got to put his phone-tapping skills to good use. In the end, Tony Plana may have been the villain but, in old school Miami Vice style, the majority of the blame was still put on the U.S. government. The episode even ended with an exciting boat chase. All this episode needed was Phil Collins on the soundtrack and it could have passed for something from the first two seasons.
Season 4 has been uneven but this episode felt like classic Vice. Erin thought the episode would have been better with actual baseballs and I agree with her that the title was misleading. That said, this was still an enjoyable throwback to what the show used to be.
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1992’s Freejack!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, pull up Freejack on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we pay tribute to the year 1987! It’s time for….
4 Shots From 4 1987 Films
Full Metal Jacket (1987, dir by Stanley Kubrick, DP: Douglas Milsome)
Stage Fright (1987, dir by Michele Soavi, DP: Renato Tafuri)
Wings of Desire (1987, dir by Wim Wenders, DP: Robby Muller)
Near Dark (1987, dir by Kathryn Bigelow, DP: Adam Greenberg)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991! The series can be streamed on YouTube and Tubi
DegrassiHigh comes to a close. Here’s the final time we’ll be hearing this theme song.
Episode 2.13 “One Last Dance”
(Dir by Kit Hood, originally aired on February 11th, 1991)
With the end of term approaching, the students of Degrassi High are shocked to hear that their school will be closing. The next year, everyone will be split up and going to different schools. Lucy may have just been elected president of the student council but she’s never going to take office.
It’s sad news but at least the students get one last dance.
Joey and Caitlin finally get back together as the series come to a close, dancing in Degrassi’s gym. Upon hearing some students discussing the rumor that one of their classmates is HIV+, an angry Dwayne finally admits that it’s him. His “friend” Nick (George Chaker) refuses to speak to him. His other friend, Tabby (Michele Johnson-Murray), finally gets over her fear and shares a dance with him. Snake dances with Michelle. Wheels shows up to the dance and I’m going to assume that he’s no longer homeless. Arthur — remember when this show was all about Arthur? — is spotted dancing with someone. The camera pans over all of the students in the school’s gym, sharing some final moments as they prepare to end one chapter of their life and start another. It’s a low-key but effective ending for the show. It helps that the we’ve gotten to know the characters so well. DegrassiHigh didn’t need to burn down the school to have an effective ending. It just needed to get everyone together in the gym.
However, it was not the end of the franchise, not hardly. A year after Degrassi High ended, School’s Out would air and our characters would be given temporary (and, in some cases, rather tragic) closure. I’ll take a second look at School’s Out next Sunday. And then, a decade or so later, a new generation would become students at Toronto’s most famous learning center. Degrassi: The Next Generation is coming soon!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.
This week, the third season of Homicide comes to an end.
Episode 3.2o “The Gas Man”
(Dir by Barry Levinson, originally aired on May 5th, 1995)
The third season of Homicide was coming to an end and NBC was dragging its heels as to whether or not it would renew the show. Homicide was critically acclaimed but its ratings were low, despite the efforts to make the show more audience-friendly during the third season. Producer Barry Levinson grew frustrated with NBC’s refusal to tell him whether or not the show would be renewed. Feeling that show was probably over, Levinson and showrunner Tom Fontana decided to do something truly radical. They crafted a series finale that sidelined most of the major characters.
Instead, The Gas Man focuses on Victor Helms (Bruno Kirby) and his best friend, Danny Newton (Richard Edson). Helms has just gotten out of prison, where he served six years after a gas heater he installed malfunctioned and caused the death of one of his customers. Helms blames Frank Pembleton for the loss of both his freedom and his family. (After getting released, Helms tries to talk to his teenage son but is rejected.) Helms and Newton follow Pembleton across Baltimore, watching as he goes to work and to a fertility clinic. While Pembleton is investigating the murder of a fortune teller, Helms and Newton sneak onto the crime scene and find both the murder weapon and the fortune teller’s severed head. Helms takes both of them home and sends pictures to the Baltimore Sun, trying to taunt Pembleton. Both the Sun and Pembleton assume its a hoax. Eventually, Helms makes his move and, even with a knife to Pembleton’s throat, he realizes that he doesn’t have it in him to commit a cold-blooded murder. He starts to cry. Pembleton arrests him. Life goes on.
This was an interesting episode. The first time I saw it, I was a bit annoyed that the focus was taken off the lead characters. But the more I think about it, the more I appreciate what Levinson was going for. With this episode, he shows us what happens after the investigation and the conviction. Victor Helms is angry because he feels, perhaps with some justification, that he was unfairly charged and convicted. He’s obsessed with Pembleton but it’s clear that Pembleton doesn’t even remember him. For Pembleton, arresting Victor Helms was a part of his job, nothing more. For Helms, it was the moment that his entire life collapsed. Bruno Kirby and Richard Edson both gave good performances as Helms and Danny. Kirby captured Helms’s obsession but he also gave us some glimpses of the man that Helms used to be. As portrayed by Edson, Danny’s loyalty to his friend was actually kind of touching.
Of course, it turned out that this episode was not the series finale. Homicide would return for a fourth season, without Daniel Baldwin or Ned Beatty. We’ll start season four next week!
Through the Shattered Lens 