Author Archives: Jedadiah Leland

The Desert Horseman (1946, directed by Ray Nazarro)

Posted on by Jedadiah Leland

Steve Godfrey (Charles Starrett) is in trouble again.  He has been accused of stealing another payroll and the only man who can clear his name has just been murdered.  Steve thinks that he is being set up by outlaws who want to take control of the dead man’s ranch, which is now owned by Mary Ann Jarvis (Adele Roberts).

Luckily, Steve’s old friend, Smiley Burnette, is working as a cook at the Jarvis Ranch.  When Smiley isn’t singing songs with the Colorado Hillbillies, he tries to help Steve clear his name.  He explains that Mary Ann Jarvis won’t listen to Steve but maybe she’ll listen to Steve’s alter ego, The Durango Kid!

Durango rides again in this movie, though, the majority of the hour runtime is made up of Smiley Burnette singing songs and making jokes.  Smiley Burnette is not for everyone.  I enjoy the broad humor he brought to these films but I can understand why others might not.  Whenever Smiley sings a song, it does bring the action to a halt but that’s true of every Durango Kid film.  If you’re a fan of the series, you either like Smiley or you can at least tolerate him.  Smiley does do more than just sing in this movie.  He also throws black pepper in the eyes of one of the bad guys.

Even with all of the attention paid to Smiley, The Desert Horseman delivers all of the expected horse chases and gunfights.  The story is a little more interesting than usual.  Steve has been framed for not one but two crimes that he didn’t commit and that adds some urgency to the proceedings.  Charles Starrett, as always, is a believable western hero and he takes the role seriously.

 

Music Video of the Day: Electric Crown by Testament (1992, directed by ????)

Posted on by Jedadiah Leland

Electric Crown was the first single off of Testament’s fifth studio album, The Ritual.  Both the album and the single were seen as a musical departure for Testament, who were previously known for being a trash metal band.

Testament was founded in 1983 and the band still exists and tours, though guitarist Eric Peterson is the only founding member of the band to still be with Testament.  (He and vocalist Chuck Billy are the only two members to have appeared on every Testament album.)

Enjoy!

The Fantastic Four (1994, directed by Oley Sassone)

Posted on by Jedadiah Leland

It’s not that bad.

Produced by Roger Corman and made for a budget of only a million dollars, the very first film version of The Fantastic Four is best known for having never been released.  Stan Lee always claimed that the film was never meant to be released and that it was only made so that German producer Bernd Eichinger could hold onto the rights for the characters.  Eichinger has always said that he wanted to release the flm and it was Avi Arad, the future founder of Marvel Studios, who asked him not to because he felt a low-budget B-movie would damage the Marvel brand.  Arad has said that Eichinger is telling the truth and considering the reception that Albert Pyun’s Captain America received, I can understand why Arad was concerned.

Though the film was never officially released, bootleg copies are out there.  I’ve seen the movie a few times and I watched it again last night.  Watching it, I was reminded that The Fantastic Four is not as bad as people say.

It’s an origin story.  Reed Richards (Alex Hyde-White) flies into space with his girlfriend Sue (Rebecca Staab), her annoying kid brother Johnny (Jay Underwood), and Reed’s best friend Ben (Michael Bailey Smith).  Cosmic comet rays lead to them developing super powers.  Reed can stretch.  Johnny can burst into flame.  Sue can turn invisible.  Ben turns into a creature with orange, rocky skin.  On Earth, they battle both the evil Doctor Doom (Joseph Culp) and the Jeweler (Ian Trigger) for possession of a powerful diamond.

The low budget is obvious and the script isn’t great, with the Jeweler being a truly unimpressive villain.  (Unlike Doctor Doom, the Jeweler was created specifically for this movie.)  But the movie still has more genuine heart than the future big-budget Fantastic Four films. Alex Hyde-White plays Reed as being brilliant but self-absorbed.  Sue is a thankless role but Rebecca Staab does her best.  Jay Underwood is annoying as Johnny but Johnny was annoying in the comic books as well.  This version of The Fantastic Four is the only movie, so far, to capture and stay true to the spirit of the characters.

This is especially true when it comes Michael Bailey Smith’s performance as Ben Grimm.  More than either Jamie Bell or Michael Chiklis, Smith realistically portrays Ben’s bitterness over knowing that he will never be able to return to his former life.  Of all the film versions of the Fantastic Four, this is the only one that adequately captures both the look and the personality of The Thing.  He become a real person and not just an actor in a rubber suit.  This movie is also the only one, so far, to really do a decent job of portraying Dr. Doom’s megalomania.  It’s interesting that the film that Marvel didn’t want released is the one that stays true to the original comic book.

The Fantastic Four will be joining the MCU in 2025.  Ironically, considering that Marvel Comics started with the Fantastic Four, they’ll be among the last of the major characters to get an MCU film.  There’s hope that the new Fantastic Four will reverse the MCU’s declining fortunes.  I’ve been skeptical ever since I heard the Silver Surfer was going to be played by Julia Garner but hopefully, I’ll be wrong.  Galactus is one of the great Marvel villains and I hope the new Fantastic Four will do him justice.  When people are watching the massively hyped, big budget, CGI-heavy version of The Fantastic Four, I hope at least some will remember the low-budget version that could barely afford a single special effect and I hope they’ll remember that it wasn’t that bad.

Music Video of the Day: Madalaine by Winger (1988, directed by ????)

Posted on by Jedadiah Leland

Today’s video is very much a product of the 80s.  Kip Winger spent many hours perfecting his guitar spin pose and this video gave him a chance to show off the progress that he had made.

Remember when Lars Ulrich used to throw darts at a poster of this guy?  I have to side with Lars as far as that’s concerned.  Kip Winger will always be the artist who tried to keep Beavis and Butt-Head from critiquing his videos, which is why their friend Stewart become Winger’s biggest fan.

Regardless of what I think, Winger has their fans and the band is still going.  Just last year, they released their seventh studio album.  That’s seven more than I’m ever going to release.

Enjoy!

The Stranger From Ponca City (1947, directed by Derwin Abrahams)

Posted on by Jedadiah Leland

After spending the past few years cleaning up the west, Steve Leary (Charles Starrett) rides into the town of Red Mound and says that he is ready to buy a ranch and settle down.  What Steve finds is an unfriendly town that is divided between law-abiding citizens on one side and cattle rustlers on the other.  The cattle rustlers want to prevent Steve from purchasing the old Atkins ranch and they’ll do anything to keep the deed from being signed over.  It’s a good thing that Steve also happens to be the legendary Durango Kid.

This is a standard entry in the Durango Kid series.  To me, it’s interesting to see that, even though Steve seems like he wants to settle down and live a peaceful, ranching life, he still can’t bring himself to give up his secret identity.  It is also interesting that Steve cannot escape Smiley Burnette.  This time, Smiley is the owner of Red Mound’s restaurant and he’s accompanied by Texas Jim Lewis and the Lone Star Cowboys.  It seems like Smiley sings even more than usual in this entry.

I liked the opening of The Stranger From Ponca City, in which Steve rides into town and all of the townspeople demand to know which side of Red Mound he supports.  Smiley even explains that food made on one side of the town cannot be taken to the other without it leading to violence.  After the opening sequence, The Stranger From Ponca City focuses on all of the usual horse chases and gunfights that showed up in all of the Durango Kid films.  Most of the Durango Kid stock company shows up as well.  Keep an eye out for Jock Mahoney, playing a bad guy with Kermit Maynard.

Director Derwin Abrahams keeps things moving, even if his direction is not up the level of the work of Durango’s usual directors, Ray Navarro and Fred F. Sears.  This isn’t the best of the Durango Kid films but fans of the genre should enjoy it.

Music Video of the Day: The Angel and the Gambler by Iron Maiden (1998, directed by Simon Hilton)

Posted on by Jedadiah Leland

Today’s music video of the day comes from Iron Maiden’s Blaze Bayley Era.  The video and the aliens that appear in it were almost entirely computer generated at a time when that was still considered to be unusual.

Director Simon Hilton has also done videos for Mark Ronson, Paul McCartney, Coldplay, Robert Plant, The Black Crowes, and many others.

Enjoy!

Trail to Laredo (1948, directed by Ray Nazarro)

Posted on by Jedadiah Leland

On the frontier, everyone has gold fever.  People are trying to find gold and steal gold and it falls to brave Treasury agents like Steve Ellison (Charles Starrett) and Smiley Burnette (played by Smiley Burnette) to keep things safe.  When Steve needs to find out who is trying steal gold, he puts on his mask and assumes the identity of The Durango Kid.

Near Laredo, a shipment of government gold has been stolen.  Dan Parks (Jim Bannon) is arrested after the gold is found in his wagon but Steve knows that the Durango Kid earlier warned Dan about traveling with gold.  Durango and Smiley set out to prove that Dan was set up by his business partner, Fenton (Hugh Prosser).

This yet another Durango Kid movie where Steve gets a job working for the bad guy while Durango works to thwart his plans.  (Remarkably, no one ever puts two and two together and notices that Steve, Smiley, and Durango always seem to show up in town at the same time.)  Fenton is just one of a long line of corrupt businessmen and land barons that Durango has had to deal with.  Fenton is not above threatening Dan’s young son (Tommy Ivo) to get Dan to do what he wants.  Given that Dan is just trying to make a good life for his family in a rough world, it’s satisfying when Fenton gets his comeuppance.

Almost every Durango Kid film featured at least one good fight scene.  In Trail to Laredo, the big fight takes place in a saloon and it’s pretty exciting.  Not only does the saloon get trashed but there’s a moment where one of the bad guys actually seem to fly through the air.  Even Virginia Maxey, playing Classy the saloon singer, gets in on it.

Both Virginia Maxey and Smiley Burnette get to sing a few songs.  As always, there enough gunfights and horse chases to keep fans of the genre happy.  Charles Starrett was a great cowboy.

Prairie Roundup (1951, directed by Fred F. Sears)

Posted on by Jedadiah Leland

Steve Carson (Charles Starrett) is wanted for murdering the Durango Kid!

I know that sounds confusing because Steve Carson is the Durango Kid.  The bandit that Carson shot was just disguised as the Durango Kid but actually, he was just a dim-witted outlaw who was set up by Buck Prescott (Frank Fenton), a rustler who was run out of Texas by Steve and who was trying to find a way to stop Steve from investigating his new scheme to cheat a bunch of ranchers in Santa Fe.

Steve is taken to jail but luckily, Smiley Burnette is around to help him break out.  Smiley and Steve head to Santa Fe, where they get jobs working as cowhands at the Eaton Ranch and work to expose Prescott and his gang as being responsible for a series of stampedes.  Smiley sings some songs and Steve resurrects the Durango Kid from the dead.

This was one of the later Durango Kid films.  The range war plot is one that showed up in many Durango Kid films but Prairie Roundup adds something new to the formula but having Steve framed for murdering himself.  Steve could prove his innocence by revealing that he’s actually the Durango Kid but Steve is determined to maintain his secret identity.  I’ve seen several Durango Kid films and I still don’t really understand why Steve felt he needed a secret identity in the first place.  But Prairie Roundup shows the extent to which he’ll go to keep it.

There’s plenty of fight and horse chases, more than enough to keep western fans happy.  Smiley Burnette gets to throw some punches along with singing all of his usual songs.  It’s also nice to see the lovely Mary Castle in the role of Toni Eaton, the daughter of one of the ranchers who has been targeted by Prescott.  Featuring less stock footage than usual, Prairie Roundup is a worthy entry in the Durango Kid series.