Music Video of the Day: Love In An Elevator (1988, directed by Marty Callner)


Lovin’ it up when I’m goin’ down

I don’t think anyone has ever accused Aerosmith of being a particularly subtle band when it comes to the subject matter of their songs.  That’s one reason why their fans love them.  Love In An Elevator is one of their least subtle songs and, not coincidentally, it’s also one of their most popular.

The elevator operator is played by Brandi Brandt, who was Playboy’s playmate of the month for October of 1987.  She had a brief acting career, one that largely consisted of this video and an appearance on Married With Children.  Many years later, in 2014, she pleaded guilty to smuggling cocaine into Sydney and she did some time in prison in Australia.  Fortunately, she received an early parole and is now safely back in California.

The video was directed by Marty Callner, who directed several videos for not only Aerosmith but almost every other popular band of the period as well.

Enjoy!

The Range Feud (1931, directed by D. Ross Lederman)


In a frontier town, two ranching families are at war.  The Turners claim that the Waltons have been stealing and reselling their cattle.  Even an attempt to hold a peace meeting at the local church just leads to more fighting.  Complicating things is that young Clint Turner (John Wayne) is in love with Judy Walton (Susan Fleming).  When someone shoots John Walton (Edward LeSaint) through the window of his office, Clint is the number one suspect.  Not helping is that Clint had an empty round in his gun.  Clint says that he fired at a coyote but he missed.  Everyone else in town says that its time to hang Clint without a trial.

Only Sheriff Buck Gordon (Buck Jones) stands between the mob and Clint.  Buck was raised by the Turner family and considers Clint to be his brother.  However, Buck still knows that Clint might be guilty but there’s no way that Buck is going to allow mob justice to rule his town!

The Range Feud was one of the many B-programmers that were released in the 30s.  Running less than 60 minutes, it is a briskly paced western that features a theme that was present in many westerns, the battle between mob justice and the law.  The townspeople who are eager to hang Clint without a trial represent the old ways of doing things while Buck represents the new way, in which everyone is innocent until proven guilty and entitled to a fair trial.

Buck Jones was one of the best of the early western heroes.  He played tough-but-fair men who could definitely handle themselves in a fight but who preferred to try to reason their way out of conflict.  Buck Jones served in a Calvary unit, worked as a cowboy, and started in the film business as a stunt man.  He had an authenticity that set him apart from others who merely pretended to be cowboys.  That authenticity serves him well in The Range Feud.  He may feel bad about having to arrest his stepbrother but any character played by Buck Jones can be guaranteed to follow the law.  In real life, Buck Jones died a hero.  In 1942, Buck Jones was at the Cocoanut Grove nightclub in Boston when a fire broke out.  Though Jones initially was able to get out of the nightclub, he subsequently reentered to help other people get out.  Severely burned, he died of his injuries two days later.

Of course, the main reason that people will track down this film is for a chance to see the young John Wayne playing a key  supporting role as Clint Turner.  It’s always a little bit strange to see Wayne playing a young man.  He’s one of those actors who you always assume was always in his 40s.  Wayne is likable as the free-spirited Clint, though it is again strange to see Wayne playing someone other than an authority figure.  For once, it’s Wayne who ends up in jail and who is dependent on someone else to save him.

The Range Feud is an entertaining and fast-moving western.  Fans of the genre and of Buck Jones and John Wayne will appreciate it.

Music Video of the Day: Always On My Mind, performed by Pet Shop Boys (1988, directed by Jack Bond)


In 1987, ITV commemorated the 10-year anniversary of the death of Elvis Presley by airing Love Me Tender, a special that featured popular British acts covering songs that were originally made famous by Elvis.  Pet Shop Boys’s synth-pop version of Always on My Mind proved to be the unexpected hit of the program and the band released the song as a single.  It went on to become the UK’s Christmas number one single for the year.

It was also featured in It Couldn’t Happen Here, a surreal film that starred Pet Shop Boys and which was directed by documentarian Jack Bond, who had started his career with a ground-breaking film about Salvador Dali and who later became famous for his work with The South Bank Show.  The subsequent music video was lifted from the film.  In the movie and the video, Chris Lowe and Neil Tennant are driving a taxi cab.  They stop to pick up a passenger, an older man played by Joss Ackland.  (In the movie, there’s an earlier scene in which Lowe and Tennant hear a news report about an escaped killed who matches their new passenger’s description.)  While their passenger rambles on, Lowe and Tennant turn on the radio and listen to the song, which leads to several other clips from the film.  And while the critics may not have cared much for It Couldn’t Happen Here, the band’s version of Always On My Mind remains a popular classic.

Enjoy!

Badlands of Dakota (1941, directed by Alfred E. Green)


This B-western takes place in the legendry frontier town of Deadwood.  It’s a town that’s patrolled by General George Custer (Addison Richards) and which is home to Wild Bill Hickok (Richard Dix) and Calamity Jane (Frances Farmer).  When outlaw Jack McCall (Lon Chaney, Jr.) and his gang start disguising themselves as Sioux and start robbing stagecoaches, young homesteader Jim Holliday (Robert Stack) is appointed town marshal.  Unfortunately, Jim’s older brother, Bob (Broderick Crawford), has gotten involved with McCall and his gang.  Bob has also never forgiven Jim for marrying Anne (Ann Rutherford), the woman that Bob loved.  Jim struggles to get the town to take him seriously.  When Jim tries to put out a fire that’s threatening to burn down several businesses, the citizens laugh at him and shoot a hole in the water hose.  No one said that the people of Deadwood were smart.  Ann wants to leave town but McCall and his gang are growing more brazen in their attacks and when one of Jim’ mentors is murdered, Jim has no choice but to get justice and revenge.  Meanwhile, the real Sioux grow tired of being blamed every time a stagecoach is robbed and they launch their own attack on the town.

Though the plot may be predictable, Badlands of Dakota is memorable for the cast that was assembled to bring its familiar story to life.  Along with those already mentioned, the cast also includes Andy Devine as a saloon owner, Hugh Hubert as the town drunk, Fuzzy Knight as the town’s stagecoach driver, and the folk band, The Jesters, as the town’s entertainment.  They all do their part to bring the town of Deadwood to life.  Frances Farmer steals the film with her tough and unsentimental portrayal of Calamity Jane and Lon Chaney, Jr. is an effectively hard-edged villain.  This was one of Robert Stack’s first films and he’s appropriately stiff and upright as Jim.  Jim is the only honest man in Deadwood, which also means that Jim is fairly boring when compared to everyone else around him.  It’s also difficult to accept him as being Broderick Crawford’s younger brother, though Crawford does a good job of portraying the personal betrayal that Bob feels when he discovers that Jim has married Anne.

Not surprisingly, Badlands of Dakota plays havoc with history.  This is especially true when it comes to Addison Richards’s sober and reasonable portrayal of a middle-aged General Custer.  (The real-life General Custer died when he was only 36 and could reportedly be slightly erratic.  Not to mention, Custer died the same year that Deadwood was founded so it’s doubtful that he ever visited the city, much less had a personal friendship with Wild Bill Hickok and Calamity Jane.)  Still, there’s a lot here to entertain fans of B-westerns.  Along with all of the familiar faces in the cast, there’s also a sequence with an out-of-control stage coach that makes good use of rear projection and the film’s final gun battle is exciting and well-directed.  It’s a quick 76 minutes, full of all the action and bad history that a western fan could hope for.

Music Video of the Day: Breakout by Swing Out Sister (1986, directed by Nick Willing)


Some songs and videos just epitomize an era and that is certainly the case with Swing Out Sister’s Breakout.  Both the song and the video, with its fashion theme, are very much a part of the 80s.  The song itself was Swing Out Sister’s biggest hit in the United States.  Because lead singer Corinne Drewery originally moved to London in order to attend Central St. Martins College of Art and Design and initially planned to become a fashion designer, there’s an element of what if to this music video.

This video was directed by Nick Willing, who also did videos for Eurythmics, Bob Geldof, Debbie Gibson, Kirsty MacColl, Kim Appleby, Tony Banks, and Nik Kershaw.  Willing is still directing to this day.  In 2002, long before Stephen King wrote his sequel to the Shining, Willing wrote and directed a film called Doctor Sleep.  Willing’s most recent film was 2019’s Unstoppable. Sean Scully & The Art of Everything, a documentary about abstract painter, Sean Scully.

Enjoy!

Music Video of the Day: (She Was A) Hotel Detective by They Might Be Giants (1988, directed by Adam Bernstein)


This was the first in a series of “Hotel Detective” songs to be performed by They Might Be Giants.  The video was popular on MTV, though neither John Linnell nor John Flansburgh were reportedly happy with how it turned out.

The video is split between animated sequences and live action shots of Linnell and Flansburgh performing in a hotel room.  The performance clips were directed by Adam Bernstein, who also directed music videos for Public Enemy and Barenaked Ladies (now there’s a double bill) and who is a frequent television director.  (He also directed one of the worst SNL films, It’s Pat.  We won’t hold that against him because it’s doubtful anyone could have made a good It’s Pat film.)  The animated sequences were done by Joey Ahlbum.

According to this interview with Adam Bernstein, the video had a budget of $7,500.

Enjoy!

Music Video of the Day: (Forever) Live and Die by Orchestral Manoeuvres In the Dark (1986, directed by Leslie Libman and Larry Williams)


Today’s music video of the day is the video for one of OMD’s most underrated songs, (Forever) Live and Die.  It’s a performance clip, along with a few shots that incorporate the city and the beach.  The 80s were a good time for videos that featured the members of New Wave bands walking through seemingly deserted European cities.  A few years after the release of this video, INXS perfected the style with their video for Never Tear Us Apart.

There are two directors credited for this director.  Leslie Libman is still directing, though mostly for television shows like NCIS and Bull.  Larry Williams also directed the video for OMD’s Shame.

Enjoy!

Music Video of the Day: All She Wants Is by Duran Duran (1988, directed by Dean Chamberlain)


Today’s music video of the day is from the Golden Age of MTV, back when MTV still played music videos and when music videos themselves were more than just a clip of the band performing.  Admittedly, you can see the influence of Peter Gabriel’s Sledgehammer here, though All She Want Is would hardly be the first or the last video to be at least partially inspired by the look of Gabriel’s video.

The video was directed by the band’s favorite photographer, Dean Chamberlain and filming took nearly a month.  Because of the band’s schedule, they could only be present for a limited number of days.  Hence, masks were made of each band members and then those masks where placed on mannequins who stood in for the band.  Stop motion animation was used in several scenes.  

Needless to say, this video took a lot of time and effort but it was rewarded with the VMA for “Most Innovative” video.

Enjoy!

Music Video of the Day: Young Blood by Bruce Willis (1987, directed by ????)


I’m still taking in the news that Bruce Willis has retired from acting for health reasons.  When I was growing up, Bruce was the closest thing we had to an old fashioned movie star.  No one can beat the bad guys like Bruce Willis.  No one could deliver a stone cold perfect one liner like Bruce Willis.  No one could liven up a movie like Bruce Willis.  No one could surprise you with an unexpectedly sensitive and good performance like Bruce Willis.  As far as I’m concerned, he is still the epitome of cool..  Moonlighting, Die Hard, Pulp Fiction, 12 Monkeys, The Sixth Sense, Unbreakable, Sin City, Looper, and more, Bruce Willis had quite a career and I think that his reputation as an actor will only grow as his performance are rediscovered and reevaluated.

Bruce Willis was not only an actor but he also a singer.  In 1987, at the height of his Moonlighting fame, he released The Return of Bruno, an album the featured Bruce Willis covering several classic R&B tunes.  To support the album, he toured in the the character of veteran singer, Bruno.  Today’s music video of the day was originally a part of an HBO special that was designed to promote the album.  Bruno remembers performing at Woodstock and covers Young Blood, which was originally recorded by The Coasters in 1957.

Enjoy!

Hot Lead (1951, directed by Stuart Gilmore)


In this B-western programmer, Dave Collins (Ross Elliott) has just been released from prison.  Because he knows how to operate a telegraph, outlaw Turk Thorne (John Dehner) tries to force Dave to get a job at a local telegraph office so that Turk can use his skills to rob a train.

Despite wanting to go straight, Dave also doesn’t want to get full of hot lead.  He rides into town and gets a job at the ranch owned by Gail Martin (Joan Dixon).  He is befriended by Gail’s two ranchhands, serious cowboy Tim Holt (played, believe it or not, by Tim Holt) and his comedy relief sidekick, Chito Rafferty (Richard Martin).  Tim and Chito want revenge on Turk for killing one of their friends during a previous train robbery.  Working with Dave, they set a trap for Turk and his gang.  Meanwhile, Dave falls in love with Gail.

Hot Lead was one of the last of the 46 B-westerns that Tim Holt made for RKO Pictures.  Holt started out playing the type of prototypical happy, go-lucky cowboys who were popular in the 1930s.  At that time, he was unique as one of the few western stars to not play a continuing character who was named after him.  While the studios promoted other western stars as essentially playing themselves, Tim Holt was promoted as being a serious actor.  Holt’s films were popular with audiences but his career was put on hold while he served in World War II.  Post-war, Holt played characters who were far more world-weary than his earlier cowboys and he also started to play characters who were specifically named “Tim Holt.”

Even though most of Holt’s later films were uneven in quality, Hot Lead is one of the better examples of the genre.  Whether happy or serious, Tim Holt was always a convincing cowboy and he brings his natural gravitas to the role, playing his character as being the type of serious and no-nonsense cowboy that anyone would want in their corner.  John Dehner was always a good villain and Ross Elliott is equally good as the man struggling not to go back to his old ways.  The action scenes and the gunfights are well-directed and the story even carries an important message about giving people second chances.  Not bad for a B-western!