
A reminder that the life of a model isn’t that glamorous.

A reminder that the life of a model isn’t that glamorous.
Perry Mason’s ex-girlfriend, Laura Robertson (Jean Simmons), is about to be appointed to the Senate when blackmailer Pete Dixon (Jonathan Banks) threatens to reveal that she once underwent shock treatment after having a nervous breakdown. When Dixon is murdered, Laura’s husband (Gene Barry) is arrested. Laura hires Perry (Raymond Burr) to serve as his attorney.
At first, this movie felt weird to me because it didn’t seem right for Perry to have an ex-girlfriend when we all know that he and Della (Barbara Hale) were in love. When Laura is at the office waiting to see Perry, she and Della have a conversation and it’s obvious that each is jealous of the other. When Laura asks, “What about you and Perry?,” Perry shows up before Della can answer. We all know what the answer was though. Della loves Perry and, probably because she was so upset over Perry dating Laura, she threw herself at Paul Drake, Sr. and that’s how we got Paul Drake, Jr.
As for Paul Drake, Jr. (William Katt), he flirts with two different women in this movie but he doesn’t get to do as much investigating as he did in the first few films. This movie is almost all Perry Mason interrogating people. Raymond Burr uses a cane in this movie and there’s a few scenes where it’s obvious that he was in pain but he still gives a very good performance. The movie is very talky but it also has the best courtroom confession scene yet and Raymond Burr really sells Perry’s ambivalent feelings. The identity of the killer actually took me by surprise!
It was weird to see Perry in love with someone oter than Della but this was still an excellent entry in the series.
Actor Robert McCay (Joe Penny) decides that it would be hilarious to shoot talk show host Steve Carr (Alan Thicke) on live television. McCay thinks that the gun is loaded with blanks but, before he goes on the show, someone slips a live round into the gun. McCay kills Steve Carr and there are a million witnesses who see him do it. Time to call in Perry Mason (Raymond Burr)!
The third Perry Mason movie isn’t as good as the first two. Shooting someone on television as a joke and then leaving the studio immediately afterwards is a really stupid thing to do. As my sister pointed out while we were watching, even if Robert McCay wasn’t guilty of premeditated murder, he was probably guilty of negligent homicide for not bothering to double check whether or not there was a live round in the gun. McCay goes right back to shooting his movie, even while he’s on trial for murder. As for the trial, it was ridiculous. How many people can confess under cross examination in one trial? “Mistrial!” my sister yelled whenever Perry pulled one of his stunts and I agreed.
Paul (William Katt) teams up with a photojournalist (Wendy Crewson) and his investigation somehow leads to him playing a priest in a cheap vampire movie. For once, Perry didn’t give Paul a hard time about anything. Maybe he realized Paul’s scenes were the best part of The Case of the Shooting Star.
In the second Perry Mason movie, Perry (Raymond Burr) defends Sister Margaret (Michele Greene), who has been accused of murdering Father Thomas O’Neil (Timothy Bottoms). The D.A. (David Ogden Stiers) says that Sister Margaret was having an affair with Father O’Neil and she killed him when he tried to break it off. However, the movie shows us that, just like in the last movie, Father O’Neil was actually killed by a hitman (Hagan Beggs). Perry, Della (Barbara Hale), and Paul Drake, Jr. (William Katt) have to figure out who ordered the priest’s murder.
I enjoyed the Case of the Notorious Nun, even if it wasn’t as good as the previous film. It was still entertaining and I loved watching Perry constantly give Paul a hard time about every little thing but this time, it was really obvious who the actual killer was. Paul, of course, had romantic feelings for Sister Margaret but nothing came from them, other than a chaste kiss on the cheek. Sorry, Paul. You’re charming but you’re not that charming.
Father O’Neil was far more sympathetic than the previous movie’s victim. Father O’Neil was trying to make the world a better place and his death with was a real tragedy. That made it all the more satisfying when Perry was able to get his cross-examination confession. There was an alarming scene early on in the movie where Perry checked into a hospital because he was feeling faint and I get the feeling that they framed the scene to make Raymond Burr look even heavier than he was. (This movie justified Paul Drake doing all the leg work while Perry stayed at the office.) But even if he moves a little slower than he used to, Perry Mason is still the best lawyer out there.
Science Fiction Day is observed every year on January 2nd. The date was chosen to honor the birthday of Isaac Asimov. To help you get in the mood for Science Fiction Day, here are some classic covers from Science Fiction Magazine! Keep watching the skies!
I took this picture yesterday, from my bedroom window. It’s the first picture that I took in 2026. This is the morning on January 1st, 2026. It may not be my best photograph but it’s an important one. It’s the first image of the year. I love this tree. In just a few months, that ugly, scary old tree will no longer be an eyesore. It’ll be full of green leaves and I’ll have a wonderful view.
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Eephus is a movie about one very long baseball game.
In a small Massachusetts town, the local baseball field is about to be demolished to make way for a school. Two rec league teams meet to play one final game, drink some beer, and shoot off some fireworks. The Riverdogs are led by Graham (Stephen Radochia), who brokered the deal that’s leading to the field’s destruction. He feels guilty and he wants the two teams to have one final great game. The Riverdogs and Adler’s Paint play a game that, once it becomes tied, goes far into the night. The few spectators leaves. The umpire leaves. But the players keep playing, even in the dark.
Though the player may be middle-aged and out-of-shape, they all love baseball and they love their teams. But Eephus is about more than baseball. It’s also about community and change. Many of the players talk about their memories of growing up playing on the field. They can’t leave until they finish their last game but they also know that their lives will be forever different once the game ends. They may complain about playing in the dark but no one truly wants to get that last out. The players give each other a hard time. The dialogue is frequently very funny but the occasional angry word is still exchanged. But deep down, they’re friends no matter what team they’re on. They may not be professional athletes but baseball is what brought them together. It’s their bond and it’s brought purpose to not only their lives but also to men like Franny (Cliff Blake), who have spend their free time watching the games and keeping the records. When former pitching legend Bill “Spaceman” Lee appears as himself, he’s welcomed to the game as just another local who loves baseball.
Eephus may seem plotless but it’s not. It’s about the community of players and how each of them deals with the inevitability of change. There’s a scene where someone in the stands says that they’ve been watching 30 minutes and they still don’t understand baseball. You don’t have to understand baseball to love Eephus. You just have to appreciate the bonds that bring us all together.