Shattered Politics: The Alternate (dir by Sam Firstenberg)


Why is 2000’s The Alternate one of the greatest action films ever made?

Consider this: President John Fallbrook (John Beck) is scheduled to give a speech at a World Hunger Symposium, where he will be announcing legislation that will make it illegal for people not to have food.  (I’m not sure how that would work but whatever.  It’s a movie.)  Eric Roberts is The Alternate, a former intelligence agent who has just been recruited to serve as a member of a team that is being used by Agent William (Ice-T) to test the President’s security.  (Ronn Moss, of Hard Ticket to Hawaii and Bold and the Beautiful fame, plays the fake President.)  The Leader (Bryan Genesse) tells the Alternate that the CIA actually wants to abduct the President for real in order to help boost the President’s reelection campaign.  The Alternate agrees to help but then it turns out that the Leader is actually just in it for the money and he’s planning on holding the President hostage until he gets paid.  While Agent Briggs (Michael Madsen) watches from the outside, The Alternate makes his way through a nearly deserted hotel and attempts to defeat the bad guys.

It’s Die Hard …. with Eric Roberts!

The plot is so convoluted that it borders on self-parody but director Sam Firstenberg keeps the action moving quickly and, to its credit, this is a film that fully understands how to embrace the melodrama.  When the Leader tries to take out The Alternate, he doesn’t just pursue him with a gun.  Instead, he picks up a flame thrower!  When The Alternate gets into a gunfight at the hotel’s pool, he doesn’t just duck behind pillars and fire his gun.  Instead, he grabs a banner and swings back and forth over the water, all the while shooting his gun.  When the President says that he doesn’t like heights, it isn’t just a case of him getting nervous about being on the roof of the hotel.  Instead, he’s so paralyzed that he literally has to be picked up and carried from one location to the next.  When The Leader calls the police and gives them his list of demands, he doesn’t just make the usual threats.  Instead, he speaks in what sounds like a French accent and claims to be a infamous (and possibly fictional) terrorist.  When it’s time to kidnap the President, the kidnappers don’t just use guns.  Instead, they also use blow-darts to paralyze the Secret Service agents.  Everything about the film is gloriously and wonderfully over the top.

(I’ve always felt that, when it comes to low-budget action films, the best ones are the ones that are willing to just be as ridiculous as possible. Bring out the flame thrower. Fly the Money Plane. Cast Joe Don Baker as your lead. Just jump off that cliff and see what happens.)

The Alternate is definitely a film that deserves to be better-known.  (It was also released under the title The Replacement.)  In the realm of Die Hard rip-offs, it’s in a class by itself, a totally enjoyable thrill ride that manages to get more and more excessive with each passing minute.  Bryan Genesse, who also wrote the script, gets to show off some stylish martial arts moves.  John Beck is the wimpiest President ever.  Michael Madsen never takes off his dark glasses.  And, best of all, Eric Roberts gets to be the star!

The Alternate?  Why, it’s just one of the best action movies ever!

Previous Eric Roberts Films That We Have Reviewed:

  1. Paul’s Case (1980)
  2. Star 80 (1983)
  3. Runaway Train (1985)
  4. To Heal A Nation (1988)
  5. Best of the Best (1989)
  6. Blood Red (1989)
  7. The Ambulance (1990)
  8. The Lost Capone (1990)
  9. Best of the Best II (1993)
  10. Love, Cheat, & Steal (1993)
  11. Voyage (1993)
  12. Love Is A Gun (1994)
  13. Sensation (1994)
  14. Dark Angel (1996)
  15. Doctor Who (1996)
  16. Most Wanted (1997)
  17. Mercy Streets (2000)
  18. Raptor (2001)
  19. Rough Air: Danger on Flight 534 (2001)
  20. Strange Frequency (2001)
  21. Wolves of Wall Street (2002)
  22. Border Blues (2004)
  23. Mr. Brightside (2004)
  24. Six: The Mark Unleased (2004)
  25. We Belong Together (2005)
  26. Hey You (2006)
  27. Depth Charge (2008)
  28. Amazing Racer (2009)
  29. The Chaos Experiment (2009)
  30. In The Blink of an Eye (2009)
  31. Bed & Breakfast (2010)
  32. Enemies Among Us (2010)
  33. The Expendables (2010) 
  34. Sharktopus (2010)
  35. Beyond The Trophy (2012)
  36. The Dead Want Women (2012)
  37. Deadline (2012)
  38. The Mark (2012)
  39. Miss Atomic Bomb (2012)
  40. Assault on Wall Street (2013)
  41. Bonnie And Clyde: Justified (2013)
  42. Lovelace (2013)
  43. The Mark: Redemption (2013)
  44. The Perfect Summer (2013)
  45. Revelation Road: The Beginning of the End (2013)
  46. Revelation Road 2: The Sea of Glass and Fire (2013)
  47. Self-Storage (2013)
  48. Sink Hole (2013)
  49. A Talking Cat!?! (2013)
  50. This Is Our Time (2013)
  51. Bigfoot vs DB Cooper (2014)
  52. Doc Holliday’s Revenge (2014)
  53. Inherent Vice (2014)
  54. Road to the Open (2014)
  55. Rumors of War (2014)
  56. So This Is Christmas (2014)
  57. Amityville Death House (2015)
  58. Deadly Sanctuary (2015)
  59. A Fatal Obsession (2015)
  60. Las Vegas Story (2015)
  61. Sorority Slaughterhouse (2015)
  62. Stalked By My Doctor (2015)
  63. Enemy Within (2016)
  64. Hunting Season (2016)
  65. Joker’s Poltergeist (2016)
  66. Prayer Never Fails (2016)
  67. Stalked By My Doctor: The Return (2016)
  68. The Wrong Roommate (2016)
  69. Dark Image (2017)
  70. The Demonic Dead (2017)
  71. Black Wake (2018)
  72. Frank and Ava (2018)
  73. Stalked By My Doctor: Patient’s Revenge (2018)
  74. Clinton Island (2019)
  75. Monster Island (2019)
  76. The Reliant (2019)
  77. The Savant (2019)
  78. Seven Deadly Sins (2019)
  79. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  80. The Wrong Mommy (2019)
  81. Exodus of a Prodigal Son (2020)
  82. Free Lunch Express (2020)
  83. Her Deadly Groom (2020)
  84. Top Gunner (2020)
  85. Deadly Nightshade (2021)
  86. The Elevator (2021)
  87. Just What The Doctor Ordered (2021)
  88. Killer Advice (2021)
  89. Megaboa (2021)
  90. Night Night (2021)
  91. The Poltergeist Diaries (2021)
  92. The Rebels of PT-218 (2021)
  93. Red Prophecies (2021)
  94. A Town Called Parable (2021)
  95. Bleach (2022)
  96. Dawn (2022)
  97. My Dinner With Eric (2022)
  98. 69 Parts (2022)
  99. The Rideshare Killer (2022)
  100. The Company We Keep (2023)
  101. D.C. Down (2023)
  102. Aftermath (2024)
  103. Bad Substitute (2024)
  104. Devil’s Knight (2024)
  105. Insane Like Me? (2024)
  106. Space Sharks (2024)
  107. The Wrong Life Coach (2024)
  108. Broken Church (2025)
  109. Shakey Grounds (2025)
  110. When It Rains In L.A. (2025)

Guilty Pleasure No. 97: Roller Boogie (dir by Mark L. Lester)


1979’s Roller Boogie opens with an impromptu parade of roller skaters rolling across the Venice Beach boardwalk.  They don’t care about any stuffy people who think that they should be in school or working behind a counter.  They’re young, they’re free!  One of them wears rainbow suspenders and juggles while skating.  (I’ve noticed that every roller skating movie seems to feature at least one juggler in rainbow suspenders.  Strangely, you never see them in real life.)

This is followed by a scene of a teenage rich girl Terry Barkley (Linda Blair) getting ready for her day in her poster decorated bedroom.  The camera zooms in for a close-up as she picks just the right chunky bracelet to wear.

In other words, it doesn’t get much more late 70s/early 80s than Roller Boogie.

The plot is pretty simple.  Terry meets the king of the roller skaters, Bobby James (Jim Bray).  Bobby is a kid from a working class background and he dreams of the day that his roller skating skills will lead to him competing in the Olympics.  Terry is rich and she has a snooty best friend (Kimberly Beck) and parents (Beverly Garland and Roger Perry) who are planning on sending her to Julliard.  Despite everyone saying that they’re from different worlds, Terry and Bobby enter the roller disco contest together!  Cue the montage!

Unfortunately, a crooked businessman (Mark Goddard) is planning on bulldozing the skating rink.  Can Bobby and the other skaters defeat the businessman and his gangster pals?  Even when guns are pulled on them, Bobby and his friends refuse to give up.  Myself, I’d just find another skating rink.  I mean, it’s Venice Beach in 1979.  It’s hard to believe that there’s only one place to go.

The gangster subplot feels out of place, a misguided attempt to bring some action to a perfectly acceptable teen romance.  This was Jim Bray’s only film role and he wasn’t a particularly good actor but he and Linda Blair had enough natural chemistry to bring some charm to the film.  Linda Blair, for her part, skates as if the fate of the world depended upon it and she seems to enjoy playing a relatively happy character for once.  It’s totally predictable, a bit dumb at times but it’s still likable enough.  Ultimately, it’s such a product of its time — look at the clothes, look at the hair, listen to the slang — that it becomes rather fascinating to watch.  This is a movie that you watch and say, “So, that’s what 1979 was like!”

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor
  84. Last Action Hero
  85. Attack of the Killer Tomatoes
  86. The Horror at 37,000 Feet
  87. The ‘Burbs
  88. Lifeforce
  89. Highschool of the Dead
  90. Ice Station Zebra
  91. No One Lives
  92. Brewster’s Millions
  93. Porky’s
  94. Revenge of the Nerds
  95. The Delta Force
  96. The Hidden

I Watched Perry Mason: The Case of the Notorious Nun (1986, Dir. by Ron Satlof)


In the second Perry Mason movie, Perry (Raymond Burr) defends Sister Margaret (Michele Greene), who has been accused of murdering Father Thomas O’Neil (Timothy Bottoms).  The D.A. (David Ogden Stiers) says that Sister Margaret was having an affair with Father O’Neil and she killed him when he tried to break it off.  However, the movie shows us that, just like in the last movie, Father O’Neil was actually killed by a hitman (Hagan Beggs).  Perry, Della (Barbara Hale), and Paul Drake, Jr. (William Katt) have to figure out who ordered the priest’s murder.

I enjoyed the Case of the Notorious Nun, even if it wasn’t as good as the previous film.  It was still entertaining and I loved watching Perry constantly give Paul a hard time about every little thing but this time, it was really obvious who the actual killer was.  Paul, of course, had romantic feelings for Sister Margaret but nothing came from them, other than a chaste kiss on the cheek.  Sorry, Paul.  You’re charming but you’re not that charming.

Father O’Neil was far more sympathetic than the previous movie’s victim.  Father O’Neil was trying to make the world a better place and his death with was a real tragedy.  That made it all the more satisfying when Perry was able to get his cross-examination confession.  There was an alarming scene early on in the movie where Perry checked into a hospital because he was feeling faint and I get the feeling that they framed the scene to make Raymond Burr look even heavier than he was.  (This movie justified Paul Drake doing all the leg work while Perry stayed at the office.)  But even if he moves a little slower than he used to, Perry Mason is still the best lawyer out there.

The Naked Gun 2 1/2: The Smell Fear (1991, directed by David Zucker)


Frank Drebin is back!

Now separated from Jane (Priscilla Presley) and working in Washington D.C., Frank (Leslie Nielsen) finds himself investigating a bombing at the offices of Dr. Albert S. Meinheimer (Richard Griffiths), an advocate of renewable energy who has just been put in charge of America’s energy policies by President George H.W. Bush (John Roarke, who was better-known for playing Ronald Reagan on Friday’s).  With the help of Captain Ed Hocken (George Kennedy) and Officer Nordberg (O.J. Simpson), Drebin’s investigation leads him to Quentin Haspburg (Robert Goulet), an oilman who is plotting on replacing Dr. Meinheimer with a double.  It also leads him back to Jane, who is now working as an assistant to Meinheimer and being wooed by Hapsburg.

The Naked Gun 2 1/2 is a worthy sequel to the first Naked Gun.  It’s more plot-heavy than the first film and some of the jokes feel a little bit too familiar but it’s still a very funny film.  That’s largely due to Neilsen, Kennedy, and Presley, all of whom really commit to playing their absurd characters.  (Robert Goulet gives a game performance but he really can’t match Ricardo Montalban’s villainous turn in the first movie.)  Nielsen was probably the only actor alive who could keep a straight face even while hitting Barbara Bush in the face while opening a door and then struggling to eat lobster at a state dinner.  As was often the case with the ZAZ films (even though Jim Abrahams and Jerry Zucker didn’t have anything to do with the screenplay of the sequel), the funniest moments are also the most random and the stupidest.  I laughed a lot harder than I should have at Leslie Neilsen struggling with a very small towel that had been thrown against his face.  And don’t worry, O.J. Simpson fans.  Nordberg gets injured in this movie too.

Leslie Nielsen was one of those actors who could make anything funny.  Whether he was delivering his hard-boiled dialogue or doing absurd physical comedy with an absolutely straight face, it was impossible not to laugh when Leslie Nielsen was onscreen.  He was a true cinematic treasure.

 

The Cheyenne Tornado (1935, directed by William A. O’Connor)


“You see, stranger, I am a sheep man.” — James Farley (Ed Porter)

On the frontier, a range war has broken out between the cattlemen and the sheepherders.  When rancher Seth Darnell is murdered, the blame is put on the sheepherders.  When the Cheyenne Kid (Reb Russell) rides up on the small camp of the sheepherders and hears their problems, he decides to investigate on his own by getting a job at the Darnell ranch.  Soon, Cheyenne is discovering the truth and also being pursued by both Darnell’s daughter (Victoria Vinton) and the daughter (Tina Menard) of the leader of the sheepherders.

Reb Russell was a former college football star who had a minor B-western career in the 30s.  Supposedly, he didn’t really much care for Hollywood and he retired from acting in 1935, the same year that The Cheyenne Tornado came out.  Russell went on to find a lot of success as a rancher himself.

The Cheyenne Tornado is a typical B-western.  It’s short.  There’s a lot shots of men riding on horses.  There’s a little gunplay and a mystery that anyone should be able to solve.  The acting is bad all the way around with even star Reb Russell failing to make much of an impression.  It probably did not matter to the film’s target audience in 1935.  They were there for the old west action and the movie does deliver that.

 

Happy Science Fiction Day!


Science Fiction Day is observed every year on January 2nd.  The date was chosen to honor the birthday of Isaac Asimov.  To help you get in the mood for Science Fiction Day, here are some classic covers from Science Fiction Magazine!  Keep watching the skies!

by A. Leslie Ross

by Alex Schomburg

by Allen Gustav Anderson

by Edmund Emshwiller

by Frank R. Paul

by Harold Bennett

by Leo Morey

by Milton Luros

Catching Up With The Films of 2025: Anniversary (dir by Jan Komasa)


 Anniversary begins with a party.  Ellen Taylor (Diana Lane), a professor at Georgetown University, is celebrating the 25th anniversary of her marriage to Paul (Kyle Chandler), a restauranteur.  The family has gathered at Lina and Paul’s ocean-side mansion.  Daughter Cynthia (Zoey Deutch) and her husband Rob (Daryl McCormick) are environmental attorneys.  Another daughter, Anna (Madeleine Brewer), is a performance artist who is very close to the youngest child, teenage Birdie (McKenna Grace).  Finally, Josh (Dylan O’Brien) is the only son, a struggling writer who arrives with his fiancée, Liz Nettles (Phoebe Dynevor).

Ellen immediately recognizes Liz as a former student, one who wrote a dissertation advocating for a one-party state.  At the time, Ellen called out Liz’s totalitarian ideology, to the extent that Liz accused Ellen of bullying her and ended up transferring to a different college.  Now, Ellen is not happy to discover that Liz has written a book called The Change and that Josh has abandoned his own “sci-fi trilogy” to help Liz out with her projects.  Liz is polite to Ellen but, before she leaves, she gives her future mother-in-law a forced hug and says, “I’m not scared of you anymore.”

From there, the film jumps forward from year-to-year, from gathering-to-gathering.  Liz’s book is a best-seller that soon sparks a movement.  Ellen watches in horror as her neighbors start to fly Change flags (which is the American flag, with the stars in the center).  Josh goes from being awkward and dorky to being arrogant and finally threatening.  With each year, the Change becomes more powerful and more menacing, until eventually Paul can’t even stand outside at night without a drone warning him that he’s violating curfew.  Anna becomes a fugitive while Birdie tries to find her place in a rapidly changing world.  The tragedies that follow all feel inevitable.

Anniversary is definitely an uneven film.  Some of the performances are better than others.  Diane Lane, Kyle Chandler, Dylan O’Brien, and Phoebe Dynevor all give excellent performances.  If nothing else, this film shows that Dylan O’Brien may be one of the most underrated actors working today.  At the same time, Madeline Brewer goes so over-the-top that I was almost relieved when Anna had to go into hiding and Zooey Deutch is let down by a script that doesn’t seem to be quite sure what to do with her character.  There are a few moments that are a bit too heavy-handed for their own good and the viewer is sometimes left to wonder if the film has the self-awareness necessary to understand that the Taylors, with their combination of wealth and radical chic politics, are often their own worst enemies.

That said, Anniversary is definitely a film of the moment.  There are enough brilliant scenes — like a meeting with two “census takers” that gradually turns menacing — to make up for the scenes that don’t work.  It’s best moments have an undeniable power in which the viewer realizes that the film’s melodrama is far more plausible today than it would have been in a pre-COVID era.  The scene where Paul is told that he is violating curfew would seem heavy-handed if not for the fact that, in 2020, we pretty much saw the same thing happening across the country.

Some online critics have complained that The Change’s ideology is purposefully left vague but that misses the point that most successful movements actually are vague about the details.  (Historically, most American third party movements tend to fall apart as soon as they start taking actual policy positions.)  The Change becomes powerful specifically because people can view it as being whatever they want it to be.  Whereas some people might see it as a return to a “simpler” time, others will view it as the warmth of collectivism replacing the frigidity of rugged individualism.  The Change is all about vibes and paranoia, the feeling that people are being left behind by the system and the only way to solve the problem is for everyone to embrace The Change without question.  The thing that all the followers of The Change share is a belief that dissent cannot be tolerated.

Anniversary is a crudely effective film, one that shows a small act of revenge can grow into something much larger.  It was overlooked when released but it still carries a powerful punch.

Film Review: Old Boyfriends (dir by Joan Tewkesbury)


In 1979’s Old Boyfriends, Talia Shire plays Dianne Cruise.

A sociology professor (or so she claims at one point), Dianne is struggling with an unhappy marriage and trying to recover from a recent breakdown.  After deliberately crashing her car, she leaves her husband and goes on a trip across the country.  She sets out to track down three ex-boyfriends.

Jeff Turrin (Richard Jordan) was her college boyfriend, the one who asked her to marry him three times.  Jeff is now working as a director.  When we first see him, he’s shooting a commercial for a political campaign in which Sam the Fisherman (Gerrit Graham) complains that the current governor of Colorado is a “long-hair” who gets in the way of small businessmen like himself.  Dianne shows up on the set.  Sam hits on her.  Interestingly, it takes Jeff a while before he recognizes her.  (Jeff comments that Dianne used to have longer hair but still, it seems like Jeff should be able to recognize someone to whom he proposed marriage three times.)

After having an affair with Jeff, who is in the process of getting a divorce, Dianne tracks down Eric Katz (John Belushi), the aspiring musician who humiliated her in middle school by telling everyone that she was “easy.”  Eric owns a formal wear store and he still performs with his band. (Belushi sings the Hell out of Jailhouse Rock at one point.)  He mostly performs at proms.  As he explains it to Dianne, most of his customers are teenagers looking for prom outfits so it only makes sense that he should perform for them as well as dress them.

Dianne’s third old boyfriend is Louis Van Til but, when Dianne arrives at his home, she is told that Louis died in Vietnam.  Under the watchful eye of his mother (Bethel Leslie) and his psychiatrist (John Houseman), she starts an obviously doomed relationship with Louis’s sensitive younger brother, Wayne (Keith Carradine).

While Dianne travels around the country, Jeff continues to look for her.  He even hires a private detective named Art Kopple (Buck Henry).

Old Boyfriends is a film that I had been meaning to watch for a while.  (I first read about it in a biography of John Belushi.)  A lot of talent went into making the film.  The script is by Paul and Leonard Schrader.  Director Joan Tewkesbury wrote the script for Robert Altman’s Nashville and indeed, there is an Altmanesque feel to the loose way that the film’s story unfolds.  The cast is full of talented people.  This was John Belushi’s first film after Animal House and Talia Shire’s first after Rocky.  With all that talent, you would think that the end result would be more interesting than it actually is.  The story is intriguing.  The cast is impressive.  But Old Boyfriends falls flat.

Why doesn’t the film work?  A lot of it is due to Tewkesbury’s direction.  She struggles with the film’s frequent shifts in tone and she always seems to be keeping a certain distance from the characters.  Talia Shire is in nearly every scene but the film seems to be determined to just observe her as opposed to actually allowing the viewer to get into her head.  Shire herself never seem to be particularly comfortable with the role and, as a result, none of her visits with her old boyfriends carry much of an emotional impact.  (Unfortunately, they don’t carry much of an intellectual impact either.)  Jordan, Belushi, and Carradine all give good performances but the film itself doesn’t seem to be sure what it wants to say about any of them.

It’s a disappointing film.  It’s not awful but, while watching it, it’s hard not to think about how much better it could have been.  One gets the feeling that Robert Altman, with his eye for quirky detail and his skill with improvisation, could have gotten something worthwhile out of the material.  As it is, Old Boyfriends is an intriguing idea that doesn’t quite work.

Review: Fallout (Season 2, Episode 3 “The Profligate”)


“If you think everyone else is the bad guy, chances are, you’re the bad guy.” — Lucy McLean

Episode 3 of Fallout season 2 takes a deliberate breath after the season’s earlier frenzy, shifting focus to simmering tensions and the cracks forming within key factions. It trades some high-octane action for deeper dives into moral gray areas and character dilemmas, while sprinkling in plenty of nods to the game’s lore that will thrill longtime fans. The result is an episode that feels more introspective than explosive, building quiet dread that hints at bigger fractures ahead without fully detonating them just yet.

The spotlight falls heavily on Caesar’s Legion this time around, turning their rigid hierarchy into a pressure cooker of internal strife. Lucy finds herself right in the thick of it, her wide-eyed vault dweller optimism clashing hard against a group that views compromise as heresy. Hanging in the balance between rival power plays, she becomes a symbol of the wasteland’s brutal tug-of-war, where diplomacy often looks more like desperation. It’s a tough spot for her character, one that tests her limits and forces some uncomfortable reflections, though the episode spends more time on the surrounding politics than her personal evolution at first.

The Ghoul shines in his signature blend of cynicism and cunning, navigating a high-stakes deal that underscores his “ends justify the means” survival code. His interactions with NCR remnants carry that dry, world-weary edge, laced with flashbacks that keep peeling back layers of his pre-war life under influences like Vault-Tec and figures from New Vegas lore. These moments aren’t just backstory—they tie directly into his current ruthlessness, showing how old betrayals and power games echo into the irradiated present. It’s the kind of character work that makes his choices feel earned and uneasy, never fully heroic or villainous.​

Meanwhile, Maximus’s path with a Brotherhood superior veers into unexpectedly dark territory, blending camaraderie with the order’s uglier underbelly. What starts as armored antics at a familiar Nuka-Cola site uncovers dilemmas about who gets to claim “civilization,” hinting at rifts that could shake the Brotherhood to its core. His arc builds to a tense crossroads, mirroring the Legion’s own divisions and raising questions about loyalty in a world where ideals curdle fast. It’s a smart parallel that keeps the episode’s themes cohesive without feeling forced.

Guest spots add some unexpected flair, like Macaulay Culkin’s turn as a Legion figure whose quirky menace fits the faction’s cultish vibe perfectly. He brings a bureaucratic fervor to the role, emphasizing how the Legion ritualizes its brutality right down to succession squabbles over key artifacts. These cameos feel organic, enhancing the world rather than stealing focus, and they nod to the games’ eccentric cast without overwhelming the main threads.

Pacing-wise, this hour simmers more than it boils, which might test viewers craving constant momentum. Lucy’s predicament holds steady for a stretch, the Ghoul operates in the shadows, and Maximus’s detour unfolds gradually before tensions spike. That restraint pays off by letting atmosphere build—the Legion camp’s stark crosses and sun-scorched decay capture the series’ horror-Western mashup beautifully. Locations like Camp Golf and NCR outposts evoke New Vegas nostalgia, but twisted into symbols of faded glory, reinforcing the show’s point that no empire endures unscathed.

For game fans, the episode is a treasure trove of subtle references, from Legion dynamics to Securitron teases, woven in ways that serve the plot rather than just fan service. Newcomers won’t feel lost, as the context emerges naturally through dialogue and fallout from prior episodes. Visually, it’s peak Fallout: practical effects make the wasteland feel lived-in and lethal, with practical power armor clanks and irradiated horrors that pop off the screen.​​

By the later beats, the episode starts hinting at shifts in the power balance, leaving characters at pivotal junctures without spelling everything out. Lucy grapples with harsh realities that could harden her edge, the Ghoul’s gambit ripples outward in unpredictable ways, and Maximus faces choices that test his place in the Brotherhood. These teases set up a powder keg for the back half, where alliances fray and the wasteland’s chaos might force some reluctant team-ups or betrayals.​​

All told, episode 3 delivers a balanced mix of lore love, character depth, and atmospheric tension, even if its slower gear occasionally mutes the thrill. Strengths like the Ghoul’s layered flashbacks and faction parallels outweigh any mid-episode lulls, making it a solid bridge that primes the pump for escalation. In a season already nailing the games’ spirit, this one reminds us why Fallout endures: beneath the satire and shootouts lies a grim meditation on humanity’s stubborn flaws.

Scene I Love: The Bandit Breaks The Speed Limit in Smokey and the Bandit


In honor of National Speed Limit Day, today’s scene that I love features Burt Reynolds breaking the speed limit over and over again in 1977’s Smokey and the Bandit.  This scene is almost enough to make me want to go on a road trip.