Guilty Pleasure #100: Ski Patrol (dir by Rich Correll)

First released in 1990, Ski Patrol is the story of a …. well, a ski patrol.

They’re not a very good ski patrol, not really. Their martinet leader is short and annoying and he’s played by Leslie Jordan. A young George Lopez is a member of the ski patrol and he keeps trying to do stuff that I assume was from his 1990 stand-up act. Future director Paul Feig plays Stanley, who is nerdy but can dance and is willing to dress up like Tina Turner when the Ski Patrol needs to raise some fast money. T.K. Cater is Iceman, who sings at every party and is a part of every prank. Suicide (Sean Sullivan) wears a crazy mask and an evil mask as he debates which dangerous thing he should do. And then there’s Jerry Cramer (Roger Rose), who is handsome and a great skier. He’s technically the hero of the film but he’s kind of smarmy. He does own a cute bulldog, though.

Eccentric or not, the ski patrol is dedicated to Pops (Ray Waltson), the fair-minded and kind-hearted owner of a mountain ski lodge. Unfortunately, an evil developed named Maris (Martin Mull) wants Pops’s land so he and Lance (Corbin Timbrook) and Lance’s evil friends conspire to cause the lodge to fail its annual inspection. Before you know it, mice are running loose, George Lopez is getting thrown in jail, and an avalanche causes a hot dog stands to careen out of control. Since this movie was made in 1990, the solution to all of these problems is to party, party, and party some more!

This is not exactly a good movie. It has its share of cringey moments and jokes that have not aged particularly well. Roger Rose tries to pull off the whole charming smartass routine but he doesn’t really have the screen presence to do it. One gets the feeling that filmmakers may have noticed that while filming because it’s hard not to notice that, despite being the film’s nominal star, Rose doesn’t really do much. And yet, there’s enough odd little moments that the film itself is often more likable than it has any right to be. These scenes might not add up to much but it’s hard not to smile when Paul Feig starts dancing or when Suicide starts arguing with himself. There’s a lot of lovely scenery (the ski lodge really does look like a nice place to visit) and even the bulldog is genuinely cute.

As for T.K. Carter (whose passing earlier this month really didn’t get the attention that it deserved), this film was typical of the majority of the films in which he appeared and, as was often the case, he’s brings a lot of life to material that probably wouldn’t have worked without his energy. Of course, it’s always interesting to see Carter in a silly comedy like this and then to consider his performances in The Thing and Southern Comfort, two excellent films that definitely were not comedies. Indeed, after The Thing, it’s hard not to feel that Carter had earned a chance to appear in a film featuring snow in which everyone survives.

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