Late Night Retro Television Review: Pacific Blue 3.5 “Excessive Force”

Posted on November 4, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

Earlier tonight, I was thinking I might get to bed early as a way to battle my depression over the election in New York City. Then I suddenly remembered that I still had to review this stupid show.

Episode 3.5 “Excessive Force”

(Dir by Michael Levine, originally aired on September 7th, 1997)

A bank is robbed in Santa Monica so Chris and Victor ride their little bicycles really fast to the scene of the crime. Victor gets shot in the behind and he spends the rest of the episode with everyone laughing about the fact that it’s excruciatingly painful for him to sit down. (Wow, what a great group of people.) Chris shoots one of the robbers in the neck so he swears revenge on her.

Meanwhile, Palermo’s ex-wife is married to an abusive police detective. She briefly moves back in with Palermo, they end up going at it on the couch, and their daughter gets upset.

As is almost always the case with this show, it’s hard to get involved in the human drama because all of the humans are pretty dull. Chris ends up staying at TC’s apartment for her own safety and there’s a lot of “will-they-or-won’t-they” tension but it doesn’t add up to anything because TC is boring and Chris is equally boring so who cares? Meanwhile, Lt. Palermo just comes across as being the volleyball coach from Hell.

Oddly, this episode had a really impressive guest cast. Dey Young played Palermo’s ex-wife. Cliff de Young played her new husband. John Hawkes — as in future Oscar nominee John Hawkes — played the brother of the guy who wanted to kill Chris. Even Dorian Gregory, from the weird second season of Baywatch Nights, showed up as an FBI agent. The guest stars were the lucky ones. None of them had to pretend to be excited about riding a bicycle.

What a silly show.

The Horsemen Are Back In The Final Trailer For Now You See Me: Now You Don’t

Posted on November 4, 2025 by Jedadiah Leland

It’s probably not a good sign that the “final” trailer for Now You See Me: Now You Don’t dropped today without me previously hearing that a third movie was coming out. I enjoyed the first two Now You See Me movies and I am looking forward to seeing the third one but I wonder how many people really remember either one of them. Ten years is a very long time, especially now.

Retro Television Review: Fantasy Island 7.17 “Awakening of Love/The Imposter”

Posted on November 4, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. The show is once again on Tubi!

It’s time for a trip to 1984.

Episode 7.17 “Awakening of Love/The Imposter”

(Dir by Bob Sweeney, originally aired on March 17th, 1984)

Wendy Collins (Robin Mattson) is a beautiful model who cannot overcome her trust issues. She fears that she might be frigid and she even resists Roarke’s attempts to make her fantasy of finding true love come true by setting her up with photographer (Rod McCrary). Wendy finally reveals the truth to Roarke. She grew up in a troubled home and, as a result, she has a hard time trusting people. She’s only had one lover and the lover was….

“An older man?” Roarke asks.

“A woman,” Wendy reveals.

The camera zooms in on Roarke looking shocked.

Welcome to 1984! Now, today, it’s pretty obvious what would happen. Wendy would fall in love with the photographer’s assistant, Carla (Renee Lippin), and she would realize that there was nothing wrong with that. But this episode aired in 1984, which means that Wendy has to find the courage to tell the photographer that her previous lover was a woman and that the photographer will then have to be willing to say that it doesn’t matter. Basically, Wendy’s fantasy is to be reassured that she’s straight despite having had one same-sex relationship.

Yes, well, hmmm …. hey, what’s going on in the other fantasy?

Arthur Crane (John Davidson) has a compulsive disorder that leads to him assuming other people’s identities. That’s quite a serious problem and Fantasy Island plays it for laughs. Roarke tells Lawrence to follow Arthur around the Island and to keep Arthur from taking on anyone else’s identity. Lawrence is terrible at his job. (Tattoo could have done it!) Arthur pretends to be a movie producer. Arthur pretends to be Mr. Roarke. (Okay, that did make me laugh.) Arthur pretends to be a doctor so Mr. Roarke zaps Arthur into an alternate universe where he is a doctor and he’s going to have to perform surgery on someone who has had a cerebral hemorrhage. Arthur points out that he doesn’t really have any medical skills or training.. Then he looks at the comatose patient and discovers that it’s ….. HIMSELF!

This storyline had potential but it was done in by some seriously bad acting and the fact that the fantasy was comedic so the viewer knows from the start that Arthur is not going to accidentally kill himself on the operating table.

This was a rather dated trip to the Island. The main theme seemed to be that Lawrence was thoroughly incompetent.

4 Shots from 4 Anime: Mecha Edition

Posted on November 4, 2025 by Arleigh

Mecha: The name derives from a shortening of the English words “mechanism” or “mechanical” into the Japanese “mecha”

Last time I chose 4 shots from some chosen anime I went the isekai route. This time around I have chosen four shots from some of the more popular and well-received anime of the mecha variety.

This genre of anime has been around as far back as the 1940’s with earliest known mecha-related work being the 1940 manga “Electric Octopus” (Denki Dako). Yet, the subgenre of mecha as we we know of it today as the “super robot” was with the landmark anime from 1972 with Go Nagai’s “Mazinger Z.” This series would establish the many tropes and baseline rules of what mecha has become and will continue to be.

So, here are four shots from four very good to great mecha anime that fans new and old has watched at least once.

Mobile Suit Gundam 00 (dir. by Seiji Mizushima)

Tengen Toppa Gurren Lagann (dir. by Hiroyuki Imaishi)

Macross Plus (dir. by Shinichirō Watanabe)

Neon Genesis Evangelion (dir. by Hideaki Anno)

Scenes That I Love: Travis Bickle’s Paranoid Monologue from Taxi Driver

Posted on November 4, 2025 by Lisa Marie Bowman

Taxi Driver is nearly 50 years old but it’s still one of cinema’s most definitive portraits of urban paranoia and societal detachment. Travis (played by Robert De Niro) obsesses on the city that he harshly judges even though he’s as much a part of New York as those who he wishes will be washed away.

This scene features Robert De Niro, Martin Scorsese, and Paul Schrader at their definite best. I imagine that, for a lot of people, this is one of those scenes that solidified their opinions on New York City. For the record, the last time I was in New York, everyone was fairly pleasant. They weren’t exactly friendly but I also didn’t get my bag stolen. (Those of us who don’t live in New York tend to assume that we’ll get mugged as soon as we leave JFK.)

I do worry about the future of New York, especially with the election that is being held today. To say I’m not a fan of either of the two front runners would be an understatement but, at the same time, it’s not my place to tell people in New York City how to vote. (I’m a big believer in not telling people in other cities and states how to vote. Whenever anyone from up north asks me why Beto didn’t win in 2018, I tell them the truth. A bunch of pro-Beto yankees came down here and got on everyone’s nerves right before they voted.) Instead of telling people what to do, I’ll just say that I sincerely hope that whatever happens will work out as well as it possibly can.

(That’s another reason I don’t endorsements. “Vote for the candidate who will work as well as he possibly can,” probably isn’t going to gets the cheers that some other slogans would.)

Song of the Day: Fell on Black Days (by Soundgarden)

Posted on November 4, 2025 by Arleigh

As the latest “Song of the Day,” Soundgarden’s Fell on Black Days stands out as one of Chris Cornell’s most hauntingly introspective songs. It captures that quiet terror of realizing, almost suddenly, that life has slipped into a dark space without a clear cause. The lyrics don’t dramatize depression or despair—they circle it, giving voice to numb reflection rather than clear tragedy. Cornell doesn’t sing from a place of theatrical pain but introspective confusion, which makes it all the more relatable: that sense of waking up one day and finding that something within has gone dim.

Cornell’s vocal performance is the emotional backbone of the song. His delivery is restrained at first, almost conversational, carrying that familiar mix of grit and vulnerability that made his voice so magnetic. As the song builds, the tension burns through his tone—he never screams, but you feel the anguish vibrating at the edges. It’s that ability to stay melodic while channeling raw feeling that separates him from many of his grunge-era peers. You can hear both power and exhaustion inhabiting the same breath.

Musically, Fell on Black Days moves with a slow, uneasy groove that fits the song’s mood of quiet dread. Instead of following a typical rock rhythm, it flows a little off-kilter, giving it that feeling of imbalance Cornell describes in the lyrics. The guitars are thick and moody but not overly heavy, letting the vocals breathe. Thayil’s riffing feels more like a shadow behind the melody, while the bass and drums give it a tired, rolling heartbeat. It’s less about flashy playing and more about atmosphere—a sound that matches the weight of realizing your life has turned darker without you noticing.

Fell on Black Days

Whatsoever I’ve feared has come to life
And whatsoever I’ve fought off became my life
Just when everyday seemed to greet me with a smile
Sunspots have faded and now I’m doing time

Now I’m doing time
‘Cause I fell on black days
I fell on black days

Whomsoever I’ve cured I’ve sickened now
And whomsoever I’ve cradled I’ve put you down
I’m a search light soul they say
But I can’t see it in the night
I’m only faking when I get it right
When I get it right
‘Cause I fell on black days
I fell on black days

How would I know
That this could be my fate
How would I know
That this could be my fate, uh yeah

What you wanted to see good has made you blind
And what you wanted to be yours has made it mine
So don’t you lock up something that you wanted to see fly
Hands are for shaking not tying

No, not tying
I sure don’t mind a change
I sure don’t mind a change
Yeah, I sure don’t mind
Sure don’t mind a change
I sure don’t mind a change

‘Cause I fell on black days
I fell on black days

How would I know
That this could be my fate
How would I know
That this could be my fate

I sure don’t mind a change