Retro Television Review: Miami Vice 4.16 “Honor Among Thieves”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, a man kills for his dolls.

Episode 4.16 “Honor Among Thieves?”

(Dir by Jim Johnston, originally aired on March 4th, 1988)

A serial killer named Paul Delgado (John Bowman and no, we’re not related as far as I know) is killing girls in Miami.  He believes that he’s being ordered to kill by his collection of dolls and, when he’s speaking as a doll, he uses a high-pitched voice.  He picks women up at carnivals or on the beach and he kills them by injecting them with 100% pure cocaine.  He poses their bodies with a doll beside them.

Because of the cocaine connection, homicide detective Jarrell (Dylan Baker) approaches Castillo.  Castillo explains that his best men are working deep undercover, trying to take down a drug lord named Palmo (Ramy Zada).  That’s right, this is yet another episode where Crockett pretends to be Burnett and Tubbs pretends to be Cooper and somehow, they’re able to get away with it despite the fact that their cover has been blown in almost every previous episode.

Delgado works for Palmo and things get even more complicated when it turns out that Delgado is Crockett and Tubbs’s connection inside Palmo’s operation.  When Palmo discovers that Delgado is the killer, he puts Delgado on trial.  The jury is made up of other drug dealers.  Since Crockett is pretending to be a lawyer, he’s assigned to serve as Delgado’s defense counsel.  Palmo tells Crockett that, unless he’s acquitted by the drug dealer jury, he’ll reveal that Crockett and Tubbs are working undercover….

This was a weird episode,  It didn’t really work because Delgado was a bit too cartoonish to be taken seriously.  Perhaps if the show had just made him a serial killer who killed women with cocaine, it would have worked.  But the show had to go the extra step and have him talk to his dolls in a high-pitched voice.  As well, this was yet another episode where we were forced to wonder if people in the Miami underworld just don’t communicate with each other.  After all the drug lords that have been busted by Crockett and Tubbs, you would think that word would eventually get out about “Burnett” and “Cooper.”  I mean, their cover gets blown in nearly every episode.  Frank Zappa put a bounty on Crockett’s head in season 2!  And yet somehow, Crockett and Tubbs are still able to walk into a drug lord’s mansion, introduce themselves as Burnett and Cooper, and not automatically get shot.

There were some definite problems with this episode but it was weird enough to at least hold one’s attention.  As opposed to the episodes with the aliens and the bull semen, this episode didn’t seem like it was trying too hard to be weird.  Instead, it just was genuinely weird.  It was watchable and, as far as the fourth season of Miami Vice is concerned, that definitely counts as an accomplishment.

Live Tweet Alert – #MondayMuggers present JOHN TUCKER MUST DIE (2006)!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday, August 18th, we’ll be watching JOHN TUCKER MUST DIE (2006), starring Jesse Metcalfe, Ashanti, Arielle Kebbel, Sophia Bush, Brittany Snow, Penn Badgley, Jenny McCarthy, Terrell J. Ramsey, and Taylor Kitsch.

The plot: Three ex-girlfriends of a serial cheater set up their former lover to fall for the new girl in town so they can watch him get his heart broken.

I’ll admit I’ve been watching some Jesse Metcalfe films lately. Just yesterday I watched the Hallmark Christmas movie CHRISTMAS NEXT DOOR (2017) and the culture clash romantic comedy THE OTHER END OF THE LINE (2007). I enjoyed them both. Sierra wants to go back and watch the DALLAS T.V. series reboot where Jesse played a grown-up Christopher Ewing! Keeping with that theme, tonight we’ll be watching a very young Jesse as he deals with a plot of revenge from a group of beautiful but scorned young ladies. I’ve never actually watched the film, but it sounds like an enjoyable way to spend 90 minutes. If that sounds fun to you, join us on #MondayMuggers and watch JOHN TUCKER MUST DIE. It’s streaming on Amazon Prime! See the Trailer below:

Monday Live Tweet Alert: Join Us for Escape From New York!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1981’s Escape From New York.

If you want to join this watch party, just hop onto Mastodon, pull up Escape From New York on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

4 Shots From 4 Films: Special 1989 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1989!  It’s time for….

4 Shots From 4 1989 Films

The Church (1989, dir by Michele Soavi, DP: Renato Tafuri)

Batman (1989, dir by Tim Burton, DP: Roger Pratt)

Cyborg (1989, dir by Albert Pyun, DP: Philip Alan Waters)

Last Exit to Brooklyn (1989, dir by Uli Edel, DP: Stefan Czapsky)

Music Video of the Day: Natural One by The Folk Implosion (1995, dir by Michael and David Udris and Larry Clark)


This song was written for the soundtrack of the 1995 film, Kids, and the video if made up of scenes from the Larry Clark-directed film (along with another story about space exploration).  Oddly enough, the song itself doesn’t actually appear in the film.

Enjoy!

Retro Television Review: Homicide: Life on The Street 4.2 “Fire Part Two”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, Lisa will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

Guest reviewer alert!  I’m filling in for Lisa on the Homicide beat this week.  Let’s take a look at the second episode of the fourth season.

Episode 4.2 “Fire Part Two”

(Dir by Nick Gomez, originally aired on October 27th, 1995)

Continuing from where the previous episode ended, Pembleton, Bayliss, and Kellerman investigate the second warehouse fire.  Another victims has been found burned to a crisp in the fire.  Her dental records identify here are Bonnie Nash, a teenage girl.  The positioning of her body indicates that, unlike the first victim, she was already dead when the fire was set.

Pembleton continues to dislike Kellerman and gets especially annoyed when Kellerman announces that he’s decided to quit smoking.  Bayliss is suffering from a degenerative disc and spends more time complaining about the pain than actually investigating the case.  It’s Kellerman who solves the case and tricks chemistry teacher Gavin Robb (Adam Trese) into confessing.  While in the box with him, Kellerman plays good cop and even tells Robb that he’s free to leave after Robb denies being the arsonist.  As Robb stands, Kellerman whispers, “Why did you kill the dog?”

Without thinking, Robb replies, “I didn’t know it was there.”

(Of course, there was no dog there.)

Realizing his mistake, Robb confesses.  Bonnie was one of his students.  Having decided to kill her, Robb set the first fire to fool everyone into thinking that there was a serial arsonist on the loose so that the arsonist would be blamed when Bonnie’s body was found in the second fire.  The first death was an accident.  The death of Bonnie was premeditated.  When asked why he killed Bonnie, Robb replies, “That’s my personal business.”

Giardello invites Kellerman to join Homicide.  At first, Kellerman refuses because he doesn’t think he’s smart enough to be a member of the murder police.  But after visiting his father at his dead-end job in a distillery, Kellerman changes his mind.

Meanwhile, Kay and Munch both study for the sergeant’s exam.  Kay makes it to the exam and probably aces it.  Munch can’t find his lucky socks and misses it.  I would have missed it too.  You can’t do anything without the lucky socks.

This episode was an improvement over the previous episode.  Last episode, Kellerman came across as being a cliche, the hot-headed cop who has a problem with authority.  This episode, Kellerman was more likable and also a lot less cocky.  That he’s insecure about whether or not he can keep up with the other homicide detectives makes him a very relatable character.  It would have to be intimidating to find yourself suddenly working with someone like Frank Pembleton, who is always portrayed as being the best of the best.

As I mentioned last week, Reed Diamond was originally a controversial addition to the cast.  At the time, many critics said the show was selling out by casting an actor who didn’t look like Ned Beatty or Jon Polito.  Reed Diamond and Mike Kellerman would both prove themselves, leaving little doubt that they belonged.  Later, Homicide would make some bad casting decisions.  (Five word: Jon Seda as Paul Falsone.)  But Reed Diamond, with this episode, steps up and shows that he can keep up with the rest of the squad.

 

Brad’s Video of the Day – “Sunday in the South” by Shenandoah, Jason Aldean and Luke Bryan!


The country group Shenandoah released “Sunday in the South” back in 1989 when I was 16 years old. As a southerner myself from Arkansas, I remember liking the song, but I was today years old when I realized that it had been updated to include Shenandoah, Jason Aldean and Luke Bryan. Enjoy my friends!