Late Night Retro Television Review: CHiPs 4.7 “Satan’s Angels”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Bonnie is taken hostage!  It’s good thing Ponch exists because you know no one else on this show is going to able to rescue her.

Episode 4.7 “Satan’s Angels”

(Dir by Phil Bondelli, originally aired on December 14th, 1980)

When confronting a group of outlaw bikers who are harrassing a teenager (Heather Locklear, in her screen debut), Bonnie is kidnapped!  Reno (John Quade) manages to snap her own handcuffs on her wrists and then drags her to a cabin owned by Stan (William Smith) and his wife (Candice Azzara).

Can the Highway Patrol find the cabin?  The cabin is in the mountains it might not be easy to locate.  It’s a good thing that Ponch and Jon just happen have those motorized hang gliders!   It’s California living to the rescue!  Needless to say, Ponch and Jon (but mostly Ponch) are able to swoop in for the rescue.

This episode didn’t do much for me but then again, episodes about hostage situations rarely do.  Once a character is taken hostage, it pretty much causes the action to slow down to a crawl.  There’s only so many times you can listen to someone being told not to even think about escaping before it gets kind of boring.  This episode did feature the great villainous character actor, William Smith.  It had that going for it.  But, otherwise, the episode itself moved very slowly and it didn’t help that Bonnie herself was required to make a lot of very stupid mistakes so that she could be kidnapped in the first place.  When a show’s storyline depends on a previous competent person suddenly being amazing incompetent, it’s an issue.

This episode’s b-plot featured Getraer’s very pregnant wife continually going the hospital, just to discover it was a false alarm.  Getraer’s wife was played Gwynne Gilford who was (and is) married to Robert Pine.  Their son, Chris Pine, was born a few months before this episode aired.

L.A. Crackdown (1987, directed by Joseph Mehri)


Karen (Pamela Dixon) is a tough L.A. cop who is sick of seeing runaways disappear into the system.  Fionna (Kit Harrison) and Angie (Tricia Parks) are two delinquents who have been used and abused on the streets.  They’ve worked as prostitutes and been forced to appear in films with titles like Cockadile Dundee.  (L.A. Crackdown actually opens with the filming of Cockadile Dundee.)  Karen tries to rescue them from the streets by springing them from jail and taking them home with her.  At first, her husband (Jeffrey Olsen) is not amused but Karen is determined to do the right thing.  After several long stretches of nothing happening and two montages of the women bonding, things go downhill, Karen loses everything, and she decides to get justice by killing a bunch of drug dealers.

I knew what I was getting myself into when I saw the Troma logo at the start of this movie.  I respect Troma’s willingness to distribute anything that they can get for cheap but that doesn’t make it any easier to sit through their movies.  L.A. Crackdown is slowly paced, badly acted, and looks like it was lit by a flashlight with a dying battery.  There are two action scenes, one at the beginning and one towards the end, that manage to be presentable but the rest of the film is full of the long, dull stretches that Troma is known for.  Karen seeking revenge on the drug dealers should be the whole point of the movie but it takes forever to reach that point.  The revenge isn’t bad but you’ll probably fall asleep before you get there.

L.A. Crackdown is on Tubi.  If you’re like me, you might make the mistake of watching it because you’ve gotten it mixed up with a Michael Mann film called L.A. Takedown.  Take my word for it.  Michael Mann has nothing to do with L.A. Crackdown.

Retro Television Review: Miami Vice 4.14 “Baseballs of Death”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

I saw the title of this week’s episode and I immediately called my sister….

Episode 4.14 “Baseballs of Death”

(Dir by Bill Duke, originally aired on February 19th, 1988)

“Watch this with me,” I told Erin, “it’s a baseball episode!”

“It is?” Erin asked.

“Look at the title!”

I was excited.  I always like to find things that I can watch with my sister and, as we all know, she loves baseball.  She certainly loves baseball more than she loves tv shows about bombs that blow up when you step on them.

Unfortunately, it turned out that this episode was not about baseball.  Instead, it featured a bunch of bombs that blow up when you step on them.  According to this episode, those bombs are known as baseballs.  Sorry, Erin!  Honest mistake….

Misleading title aside, this is a really good episode.  It features Tony Plana as a Chilean diplomat who is trying to buy a shipment of weapons, including the explosive baseballs.  Plana is a chilling villain.  In fact, he’s the first villain of season 4 to actually feel dangerous.  When we first meet him, he’s coldly executing the girlfriend of a tabloid reporter.  Plana’s lack of emotion as he kills and plots to kill feels like a throwback to the soulless sociopaths who made the first season’s rogue gallery.  A very young Oliver Platt shows up as an arms dealer and his nerdy confidence adds to some comedy to what is an otherwise fairly grim episode.  Just as with Plana’s cold villainy, Platt’s cheerful amorality felt like a throwback to the first season.

Indeed, this entire episode felt like a return to what the show used to be.  After a season that’s involved televangelists, bull semen, UFOs, and Crockett getting married to Sheena Easton, it was nice to see an episode that actually felt like an episode of Miami Vice.  Director Bill Dule gave this episode a stylish and, at times, almost surrealistic feel.  Crockett was back to be a cynic.  Castillo stared at the floor and spoke through clenched teeth while Switek actually got to put his phone-tapping skills to good use.  In the end, Tony Plana may have been the villain but, in old school Miami Vice style, the majority of the blame was still put on the U.S. government.  The episode even ended with an exciting boat chase.  All this episode needed was Phil Collins on the soundtrack and it could have passed for something from the first two seasons.

Season 4 has been uneven but this episode felt like classic Vice.  Erin thought the episode would have been better with actual baseballs and I agree with her that the title was misleading.  That said, this was still an enjoyable throwback to what the show used to be.

Brad’s “Scene of the Day” – Billy Bob Thornton is saved in THE APOSTLE (1997)


Happy 70th birthday to the incredible “hillbilly Olivier,” also known as Billy Bob Thornton. I’ve always been partial to this incredible scene where Thornton and Robert Duvall create a truly powerful moment in Duvall’s film, THE APOSTLE. Enjoy two great actors doing what they do the best!

Monday Live Tweet Alert: Join Us for Freejack!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1992’s Freejack!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Freejack on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

4 Shots From 4 Films: Special 1987 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1987!  It’s time for….

4 Shots From 4 1987 Films

Full Metal Jacket (1987, dir by Stanley Kubrick, DP: Douglas Milsome)

Stage Fright (1987, dir by Michele Soavi, DP: Renato Tafuri)

Wings of Desire (1987, dir by Wim Wenders, DP: Robby Muller)

Near Dark (1987, dir by Kathryn Bigelow, DP: Adam Greenberg)