Late Night Retro Television Review: CHiPs 3.21 “Thrill Show”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week’s episode is all about the thrills!

Episode 3.21 “Thrill Show”

(Dir by Gordon Hessler, originally aired on February 23rd, 1980)

Bonnie (Randi Oakes) has a decision to make.  Her ex-boyfriend and mentor, Ray (John McCook, of Bold and the Beautiful fame) has come to Los Angeles and is trying to convince her to quit the force and join him as a member of the Joie Chitwood Thrill Show!

The what?

I have to admit that I had no idea what the Joie Chitwood Thrill Show was but all of the police officers were really excited about it and the episode’s storylines all came to a halt for ten minutes so we could have an extended sequences of drivers doing stunts.  I assumed that the Joie Chitwood Thrill Show was a real thing and a quick check with Wikipedia confirmed that I was correct.  (In fact, Chitwood played Charlie, James Bond’s unfortunate driver in Live and Let Die.)

While Bonnie struggles with her future, Baker and Ponch pursue the members of a rock band who have been robbing tourist buses so that they can raise the money to record their first album.  Hell yeah, that’s taking control of your future!  The leader of the band was named Malcolm and he was played by Paul Nicholas, who also played Peter Frampton’s brother in Sgt. Pepper’s Lonely Hearts Club Band.  Whatever else you may think of that film, Nicholas’s performance of You Never Give Me Your Money was nicely done.

This episode seemed to primarily exist to advertise the Chitwood show but, as I’ve stated before, I’ve always liked fast cars and dramatic stunts.  What can I say?  I’m a Southern girl, it’s in my blood.  The idea of a band robbing tourists to pay for its album was actually kind of interesting, even if the episode didn’t really do much with it.  Paul Nicholas was a bit more charismatic than the typical CHiPs co-star.

In other words, this episode …. hey, it was okay!

The Hong Kong Film Corner – JACKIE CHAN’S FIRST STRIKE (1996)!


In JACKIE CHAN’S FIRST STRIKE (1996), aka POLICE STORY 4: FIRST STRIKE, Jackie Chan plays Inspector Chan Ka-Kui (called “Jackie” in the dubbed version), a Hong Kong police officer tasked with helping CIA and Russian authorities track a missing nuclear warhead. His investigation leads him to Ukraine and Australia, where he discovers a conspiracy involving a rogue CIA agent named Jackson Tsui (Jackson Lui) and a criminal organization. Chan teams up with Annie (Annie Wu), a marine biologist and Tsui’s sister, to try to stop the rogue agent from selling the warhead to global terrorists. 

As you might imagine, JACKIE CHAN’S FIRST STRIKE has incredible stunt work. Chan was 42 years old when he made this movie, but he still has “it!” His amazing acrobatic ability is on full display as he engages in snowy mountain top chases, ladder fights, shark tank shenanigans, all leading to a final showdown in an aquarium! Every set piece highlights Chan’s special blend of martial arts, comedy, and scary stunts. Aside from the incredible stunts, Chan brings so much charm and humor to the table. He’s so likable that you can’t help but smile as he goes from one crazy situation to the next. This is why I watch Jackie Chan movies, and this one has a lot of good stuff!

As far as the supporting performances, Bill Tung, who plays his boss “Uncle Bill Wong,” is the only real connection to the earlier “POLICE STORY” movies. He pops up at the very beginning and a couple of times during the movie, but that’s about it. Having enjoyed all the prior films in the series, it is fun seeing him here, but there is certainly no need to watch the others to be able to enjoy this one. Annie Wu was only 18 years old when she made this movie, which is her first credit, and she’s as cute as it gets! There’s nothing that special about the villains. They’re mostly here to be used as punching bags for Chan to work off of during his unique action sequences. 

Overall, I really enjoy JACKIE CHAN’S FIRST STRIKE because I’m a big fan of the unique blend of action and comedy that Chan brings to his movies. It may not be his very best, but it’s a pleasant reminder of what Hong Kong cinema was like in the 90’s before the 1997 handover. I miss those days of Hong Kong cinema. There was nothing like it in the world. 

The Secret of My Success (1987, directed by Herbert Ross)


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Brantley Foster (Michael J. Fox) heads to New York City with his business degree from the University of Kansas and the promise of an entry-level job as a financier.  He arrives to discover that the company that hired him no longer exists and that Brantley is out of a job.  New York is a harsh town for someone who is down on his luck and all of out of money.  Brantley eventually gets a job working in the mail room of a company owned by his wealthy uncle (Richard Jordan).  His uncle doesn’t even know who he is but soon, Brantley becomes just as rich and successful as he always dreamed.

What’s the secret of Brantley’s success?

Screwing his Aunt Vera (played by Margaret Whitton).

What’s the other other secret of his success?

Pretending to be named Carlton Whitfield and claiming that he’s a new executive at the corporation.

I remember when Kramer did the same thing on Seinfeld.  It didn’t work out for Kramer.  He got fired after turning in his first report.

“This is gibberish,” his boss said, “It’s almost as if you have no business training at all.  I’m afraid we have to let you go.”

“I don’t actually work here,” Kramer replied.

“That’s what makes this so hard.”

Seinfeld, never topped.

Back to The Secret of My Success, this is the most 80s film ever made, complete with montages of Brantley exploring New York and a saxophone playing on the soundtrack.  Brantley’s all about TCB, taking care of business.  He screws his aunt but falls in love with Christy Wills (Helen Slater).  Brantley doesn’t learn anything but he gets the best office and becomes a success without actually doing any real work.  It’s the ultimate fantasy and, like many fantasies, The Secret of My Success is superficially appealing.  Michael J. Fox is likable as Brantley.  Margaret Whitton is outrageously sexy as Vera.  Helen Slater is pretty and boring, traits that made her the ideal “good” girlfriend for Brantley’s story.

The Secret of My Success is your ticket to the 80s.

Retro Television Review: Miami Vice 4.6 “God’s Work”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

After a two-week hiatus, the retro television reviews are back!  Let’s start with Miami Vice.

Episode 4.6 “God’s Work”

(Dir by Jan Eliasberg, originally aired on November 6th, 1987)

Father Ernesto Lupe (Daniel Lugo), an old friend of Castillo’s, runs an AIDS hospice in Miami.  When Father Ernesto is shot and murdered, Castillo takes a particular interest in the case.

Was Father Ernesto shot by one of the neighborhood homophobes, the same punks who spend their free time spray-painting obscene graffiti on the front doors of the hospice?

Was Father Ernesto’s death connected to his brother-in-law, notorious drug lord Jorge Cruz (Alfonso Arau)?  The Vice Squad has been investigating the Cruz family.  Francesco (Franceso Quinn) is the brutish son, the one who enjoys throwing his weight around and who goes out of his way to bully everyone that he meets.  Felipe (Esai Morales) is the young son, who has just returned from Miami after making a fortune as a stockbroker in New York.  Is Felipe looking to take over the family business?

Actually, Felipe wants nothing to do with the family business.  He’s returned to Miami because an ex-boyfriend is a patient at the AIDS hospice and Felipe wanted to spend time with him before he died.  And Father Ernesto’s death had nothing to do with drugs.  Instead, Jorge shot him because Jorge blamed Ernesto’s sermons, which stressed God’s love above all else, for being responsible for Felipe “becoming” gay.  Even after Felipe explains that the sermons had nothing to do with it and that he’s always been gay, Jorge still thinks that he can “cure” his son by making him a part of the family business.

Yikes!

There was a lot going on in this episode.  In fact, there was almost too much going on.  Between Castillo investigating Ernesto’s death and Tubbs (working undercover) trying to arrest Franceso, this episode sometimes felt a bit overstuffed.  It was still an effective episode, though, featuring good performances from Arau, Quinn, Morales, and Edward James Olmos.  Castillo actually got to laugh at one point in this episode.  I don’t think that’s ever happened before.

This episode did remind me — as I think almost every episode does — that Crockett and Tubbs undercover work has never made much sense.  Tubbs spends the majority of the first half of the episode pretending to be a criminal looking to make a deal with Francisco.  That’s fine.  It even allows Tubbs to use his fake Caribbean accent.  It’s been a while since we’ve heard that.  But then, after Father Ernesto is shot, Tubbs shows up at the crime scene with his badge.  Now, seriously, Father Ernesto is Francesco’s uncle.  Francesco is a suspect in the murder.  Why would Tubbs run the risk of blowing his cover like that?  For that matter, why was Vice investigating a homicide?

Even when Vice is good, it often doesn’t make sense.

I Want To See The Lone Red Seat In Fenway Park


I’m not even a Red Sox fan but, if I’m ever in Boston, I’m going to visit Fenway Park just so I can see the Red Seat.

Photograph by David

This red seat, in the right field bleachers, is where the longest home run in Fenway Park’s history landed.  It was hit by Ted Williams on June 9th, 1946.  That’s 79 years ago today.  The seat was painted red in 1981 to honor Williams’s achievement and to make sure that no one forgot a piece of baseball history.

Photograph by Ewen Roberts

I’ve searcedh for any available film of Ted Williams hitting that record-setting homerun but I haven’t been able to find it.  I’ve found a lot of other Ted Williams’s home runs.  He was an amazing hitter and I wish I could go back and actually watch him play.  The next best thing, though, is this red seat, reminding everyone of his accomplishment.

This red seat epitomizes why I will always love baseball.  I don’t know how many times Ted Williams swung his bat over his career or how many total hits he got.  According to Wikipedia, he hit 521 career home runs.  But I will always know just how far he hit that ball 79 years ago in Fenway Park.

Monday Live Tweet Alert: Join Us for Borderline!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Borderline, starring Charles Bronson!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Borderline on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

4 Shots From 4 1934 Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a classic year in film.  It’s time for….

4 Shots From 4 1934 Films

It Happened One Night (1934, dir by Frank Capra, DP: Joseph Walker)

The Scarlet Empress (1934, dir by Josef von Sternberg, DP: Bert Glennon)

The Merry Widow (1934, dir by Ernst Lubitsch, DP: Oliver T. Marsh)

The Black Cat (1934, dir by Edgar G. Ulmer, DP: John J. Mescall)

Scenes That I Love: Johnny Depp in Ed Wood


Today, the Shattered Lens wishes a happy birthday to Johnny Depp!

Today’s scene that I love comes from 1994’s Ed Wood.  In this scene, Depp plays the infamous director as he first meets his future collaborator, Vampira (played by Lisa Marie).

(What a great name!)