Late Night Retro Television Review: Monsters 2.21 “Refugee”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, Monsters takes a turn into le Carré  territory.

Episode 2.21 “Refugee”

(Dir by Scott Vickrey, originally aired on Mary 13th, 1990)

Paul (Peter White) is an agent of the CIA.  He lives in a run-down apartment, hiding himself from the world and apparently wracked with guilt and regret over some of the things that he did for his country.  In the style of many a John le Carré protagonist, he served his country and has been left thoroughly disillusioned as a result.  His former superior, Oliver (Philip Abbott), comes to Paul with a proposal.  There’s a Russian scientist who is looking to defect.  She has apparently spent years trying to escape from Russia.  If Paul helps her cross the border and stays with her in a safehouse until the CIA can come and get her, Oliver will never ask Paul to do another thing.  Paul’s service as a spy will be terminated.

A reluctant Paul agrees and he is indeed able to get Anna Solenska (Judy Geeson) across the border and into a safehouse.  However, Paul realizes that two men have followed them and now want to enter the safehouse themselves.  Paul assumes that they work for the KGB but actually, they’re agents of Satan!  Apparently, Anna agreed to sell her soul in return for Satan helping her to escape Russia.  And now, Satan has sent his people to collect….

Seriously, if you’ve ever wondered what it was like to live under a communist regime, just consider that someone was willing to sell their soul to escape!  That’s one reason why I’m proud to be an American and to be a capitalist.  No matter what problems we may have in this country, no one is selling their soul to escape.  No one is summoning Satan and saying, “Hey, help me get to Cuba!”  Capitalism for the win!

As for this episode, I liked the idea behind it.  I liked the concept of mixing spy melodrama with supernatural horror.  Peter White actually gave a pretty good performance as the burned-out spy and I enjoyed the opening conversation between him and his former superior.  But once the episode move to the safehouse, the action started to drag.  Monsters is only a 21-minute show so there’s no reason why an episode should have had me checking how much running time was left as often as this one did.  British actress Judy Geeson did a good enough job playing Anna’s desperation but her Russian accent was bad enough that it actually distracted from the story.  Finally, Satan’s agents were never as scary as servants of the devil should be.  This show’s saving grace has usually been its monsters but, in this episode, they were just men with red skin and glowing fingertips.

Sad to say, despite an intriguing premise, this episode was just kind of boring.

Retro Television Review: The Love Boat 5.4 “The Incredible Hunk/Isaac, the Marriage Counselor/Jewels & Jim”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, The Love Boat sets sail without a laugh track and things get awkward.

Episode 5.4 “The Incredible Hunk/Isaac, the Marriage Counselor/Jewels & Jim”

(Dir by Howard Morris, originally aired on October 24th, 1981)

Julie has hired a new entertainer for this cruise.  His name is Hank Austin (Brian Kerwin) and he’s a teacher-by-day and a dancer-by-night.  Julie has never actually seen Hank perform but Hank’s agent assured Julie that he’s amazing.  How will Julie (and Captain Stubing) react when Hank turns out to be a …. STRIPPER!?

Even more importantly, how will the head of Hank’s PTA react?  Shelley (Christopher Norris) is also a passenger on the boat and she and Hank take an immediate liking to each other.  Fortunately, for Hank, Shelley does not see his performance but afterwards, she tells Hank that she’s heard a lot of people talking about how there’s a male stripper on the ship.  Hank laughs it off.  But then Julie walks up to Shelley and starts to complain about Hank’s act, which is seriously immature of her.  I mean, Julie doesn’t even know Shelley but Julie still acts like she’s morally offended that Shelley would associate with someone with whom Julie is upset.  It’s seriously out-of-character for Julie and it made me wonder if maybe Julie picked up some coke when the ship was docked at Acapulco.

Don’t worry, though.  Julie eventually apologizes for lashing out and Shelley and Hank leave the ship together.  From now on, the only stripping that Hank will be doing will be at PTA meetings.

Things also work out for Frank Dalton (Flip Wilson).  Frank boards the ship and tells Isaac that he changed Frank’s life.  Isaac has no idea who Frank is.  Frank explains that he took the same cruise last year.  He had a fight with his wife and went into the Pirate’s Cove for a drink.  Frank told Isaac his problems.  Isaac told him that sometimes, a man just has to put his foot down.  Frank took Isaac’s advice and, as a result, his wife left him.  Now, Frank is single and suicidal.  Isaac tries to set Frank up with some other passengers.  When that doesn’t work, Isaac calls Frank’s ex-wife and convinces her to board the boat in Acapulco and take him back.  Frank and Janet (Marla Gibbs) are reunited.  Good work, Isaac!

Finally, a jewel thief named Jim Pickett (Michael Zaslow) boards the boat.  He just wants to steal a valuable necklace but instead, he ends up falling in love with Lilia Chandler (Joan Van Ark).  When Jim does steal a necklace from Mrs. Landers (Henny Backus), he gives it to Lila.  However, when it looks like Jim’s going to get caught by the Captain, Lila gives the necklace back to Mrs. Landers.  It turns out that Lila is a jewel thief as well!  She was going to let Jim steal the necklace for her but then she fell in love with him.  The two reformed thieves leave the ship as a couple.

This was a weird episode because there was no laugh track.  There was several moments where it was obvious that a laugh track was meant to be heard but instead of canned laughter, there was only dead air.  It made the entire episode feel a bit awkward.  Laugh tracks are definitely dork and corny but then again, so is The Love Boat.  If anything, The Love Boat is one of the rare shows that benefitted from having a laugh track.  It’s absence made the entire cruise feel weird.

As for the guest stars and their stories, I liked Michael Zaslow and Joan Van Ark.  They had an enjoyable chemistry.  The other two stories weren’t that interesting.  The male stripper story only succeeded in making Julie look totally incompetent at her job.  She got mad at Hank for being a stripper but did it seriously not occur to her to ask what type of dancing he actually did before booking him?  As for the other story, it was just depressing.  A laugh track would have helped….

This was just not a very good cruise, I’m afraid.  It happens.  Hopefully, next week will be better.

Music Video of the Day: Scorsese by Viola Odetta Harlow (2024, dir by Manny Liotta)


In this video, we discover why it’s a mistake to allow yourself to turn into the Raging Bull.

It doesn’t appear that the film’s director is related to Ray Liotta.  Sometimes, a coincidence is just a coincidence.

Enjoy!