Yesterday, the Yankees finally showed some life and defeated the Dodger for the first time during this World Series. The Yankees have got a long way to go and the odds are against them. The Yankees have won one game but the Dodgers are still just one victory away from winning the Series. But I was still proud to see the Yankees actually playing the game as if they cared last night.
Game 5 is tonight. The Yankees are playing to keep the series going. The Dodgers are playing to bring it to an end. I really hope the Yankees pull off another victory. I’m not ready for baseball to end.
On October 30th, 1938, Orson Welles and the Mercury Theater On The Air broadcast an adaptation of H.G. Wells’s War of the Worlds and, legend has it, they scared the ever-loving heck out of America.
Actually, there’s some debate as to just how panicked America got when they heard the Mercury Theater On The Air’s adaptation of War of the Worlds. There was definitely some panic but there are differing reports on just how wide spread it was. For our purposes, let’s assume that the entire country was terrified at the same time and that everyone was loading up a shotgun and planning to go out and look for aliens. One thing is for sure. With his adaptation of War of the Worlds, Orson Welles managed to invent the whole found footage genre that would later come to dominate horror cinema in the late 90s and the aughts. Every found footage horror film owes a debt to what Orson Welles accomplished with War of the Worlds. We won’t hold that against Orson. Instead, it’s just another example of how far ahead of his time Orson Welles was.
H.G. Wells, the original author of War of the Worlds, and Orson Welles only met once, while they were both in San Antonio, Texas in 1940. (Orson Welles and H.G. Wells hanging out in San Antonio? To be honest, that sounds like it would make a good movie.) They were interviewed for a local radio station. H.G. Wells expressed some skepticism about the reports of Americans panicking while Welles compared the radio broadcast to someone dressing up like a ghost and shouting “Boo!” during Halloween. Both Wells and Welles then encouraged Americans to worry less about Martians and more about the growing threat of Hitler and the war in Europe.
I’ve shared this before but this just seems like the time to share it again. Here, for Halloween Eve, is the 1938 Mercury Theater On The Air production of The War of the Worlds!
Released in 1958, How To Make A Monster is a clever little horror satire from American International Pictures in which the stars of Teenage Werewolf and Teenage Frankenstein are hypnotized into believing that they actually are the monsters that they played! The main culprit is a movie makeup artist (Robert H. Harris) who has been deemed obsolete by the new bosses at AIP.
Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)
Dario Argento not only produced and edited the European cut for 1978’s Dawn of the Dead, he also introduced George Romero to Goblin. The Italian band, famous for their horror movie soundtracks, provided the classic score to Dawn of the Dead.
(Admittedly, the score is is used far more prominently in Argento’s cut of the film than in Romero’s.)
For today’s horror song of the day, here is Goblin’s Main Theme From Dawn of the Dead.
Here are 6 trailers for the Thursday before Halloween!
The Monster Squad (1987)
I swear, there are some people out there who really, really love this movie. And good for them! Love is what makes the world go round. Personally, I’ve never watched it but it seems like everyday, someone on twitter makes a comment about the wolfman having nards.
2. Trick ‘R’ Treat (2007)
This is another movie that people around me seem to love. Strangely, I haven’t seen it, though the trailer seems to suggest that it’s something that I would enjoy. So, consider this my promise to you — next year, I will review Trick ‘R’ Treat for horrorthon!
3. Trick or Treat (1986)
“Rock and roll will never die!” And neither will Halloween.
However, make no mistake about it …. horror is not just a Halloween thing. It can infect any holiday….
4. New Year’s Evil (1980)
From director Garry Marshall comes an all-star film about the moments that make us who we are and the one night when everyone is celebrating…. oh wait. Sorry, wrong movie. This is actually a Canadian film that featured a killer who commits a murder in every time zone at the stroke of midnight. I’m not sure why anyone would think that was a viable plan but it was the 80s and cocaine was everywhere.
So, to make clear …. Garry Marshall was in no way involved with this film.
5. Slaughterhouse Rock (1988)
New Year’s Evil was not the only slasher film to feature a soundtrack of rockin’ 80s music! There was also Slaughterhouse Rock, which had a Devo soundtrack and which featured Toni Basil in a small but key supporting role!
Finally, let’s finish things off with one more horror musical spectacular.
6. Black Roses (1988)
OH MY GOD, LOOK AT THOSE DELOREANS!
Still, despite their really cool cars, this band is not a band to listen to. There’s only way you can get your band to sound as bad as the one in this movie and that’s too make a deal with the the devil! Losing your soul to sound terrible …. it’s just not worth it.
Though, admittedly, those car are pretty freaking cool….
Anyway, Happy Eve of Halloween! Enjoy these trailers and be sure to enjoy some wonderful films as well!
Here to continue to spread the Halloween spirit is Vincent Price, performing The Tell-Tale Heart. This is from 1970 and was a part of a PBS special called An Evening With Edgar Allan Poe.
It may be tempting to keep your demons but personally, I recommend going out to a field several states over, releasing them, and then running away as fast as you can. There are some thing that you just don’t need to keep with you.
Through the Shattered Lens 