October Positivity: Chloe’s Mountain (dir by Wesley Bristol)


In 2021’s Chloe’s Mountain, teenaged orphan Chloe (Kenzie Mae) moves to her grandmother’s farm.

Grandma  (Donna Bristol) has white hair. Chloe has blue hair.

Chloe is an aspiring singer who like her music loud.  Grandma hasn’t listened to anything since Glenn Miller died.

Grandma is big into church.  Chloe is not.

Chloe smokes weed with her friends.  Grandma really likes her neighbor’s biscuits.

Chloe and Grandma don’t have much in common and, at first, Chloe doesn’t want anything to do with her grandmother.  But Grandma wins Chloe over through the power of her unconditional love.  But then, on Chloe’s 18th birthday no less, Grandma dies.  Chloe is heartbroken.  Grandma leaves Chloe her house, her farm, and all of her money.  If Chloe goes to a Christian university and graduates in four years, she’ll get the house when she’s 22.  If she doesn’t go to a Christian university or if she fails to graduate, she’ll have to wait until she’s 35 to collect her inheritance.

Knowing that this was a faith-based film, I was not surprised when Chloe agreed to go to the Christian university.  In many ways, the movie feels like a commercial for going to a Christian college.  Sure, the movie says, the rules are a little bit goofy and you have to spend a lot of time memorizing hundreds of bible verses but you will eventually get a good education …, maybe.  And yes, you’re roommate will probably really be into stuffed animals and the color pink but why can’t you just shut up and conform?

That said, the movie lost me as soon as it explained all the college’s rules.  Chloe learns that she can earn demerits for breaking the college’s rules and, if she ends up with too many, she can be expelled.  Talking too loudly?  That’s a demerit.  Late for class?  Demerit.  Loud music?  Demerit.  Public displays of affection?  Huge demerit right there.  Wearing revealing clothing?  Demerit.

Uhmm …. okay, isn’t Chloe 18 years old?  Aren’t universities supposed to give young adults an education so they can go out into the real world?  Chloe’s an adult. The viewer may or may not feel that Chloe always acts like an adult but, the fact of the matter, 18 year-olds are considered to be adults.  Telling an adult what she can or cannot wear, especially when she’s the one paying to attend your school, is beyond insulting.  “You wore a belly shirt,” the Dean says at one point while looking over Chloe’s demerits.  And?  I mean, a lot of people do.  I’ve certainly worn my share over the years.  You’re going to kick someone out of college because they wore a slightly revealing piece of clothing?  Seriously, Chloe, get out of there!  Drop out and go to a real school.  Grandma’s farm wasn’t really that nice to begin with.

Anyway, as for the rest of the film, Chloe does eventually make a friend, Nechelle (Shalayne Janelle).  Nechelle helps to change Chloe’s cynical outlook.  It’s a standard low budget, faith-based movie, full of jokes that fall flat and performers who give amateurish performances.  I thought Kenzie Mae actually gave a pretty likable performance as Chloe but she’s sabotaged by filmmakers who have no idea how to tell a story visually or how to make one scene flow into the next.  By the end of the movie, I felt as if I had been watching for four years.  Still, I stuck with the film and I didn’t quit, no matter how much I was tempted to do so.  So, seriously, where’s my farm?

Late Night Retro Television Review: Monsters 2.20 “Micro Minds”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

In this episode, a new lifeform is discovered.

Episode 2.20 “Micro Minds”

(Dir by Anthony Santa Croce, originally aired on March 4, 1990)

In a college science lab, astronomy student Paula (Belle Avery) is convinced that her personal computer is  picking up communications being sent to her from an extra-terrestrial civilization.  When Dr. Thomas Becker (Troy Donahue) comes by the lab to find out why Paula hasn’t been coming to class, he is at first dismissive of her theory.  But then he hears the voice of Grok (David Parmenter) coming through the computer and he realizes the truth of what has happened.

Paula has made contact with another lifeform.

But it’s not an lifeform from another planet.  Instead, it’s a microscopic protozoa that has evolved in the laboratory’s cooling tank.  Grok can speak but it doesn’t know much about the world outside of the tank.  When Becker shines a light over the tank, Grok thinks that Becker is God.  Becker, to Paula’s alarm, rather likes the idea of being God.

Soon, Becker is pouring salt and sugar into the cooling tank, all in an attempt to speed up Grok’s evolution.  Paula thinks that Becker is moving too quickly.  Eventually, a giant version of Grok (imagine a slimy version of the killer carpet from The Creeping Terror) materializes in the lab and attacks Paula.  Paula destroys it and Becker, realizing the Paula also means to destroy the rest of Grok, responds by killing her.  Becker, thinking that he has saved Grok, does not realize that Grok is planning on using him to destroy the human race.

I had a bit of a hard time following the plot of this episode, as you may have guessed from the somewhat jumbled synopsis above.  This episode of Monsters is an homage to the B-science fiction films of the 50s and 60s and, as such, there’s a lot of technobabble which doesn’t make much sense but which is there so the viewer can at least pretend like the story is rooted in some sort of reality.  In this case, the incoherence is the point.

The casting of former teen idol Troy Donahue as the professor is another call back to the 50s.  After Donahue’s star faded, he appeared in his share of low-budget horror and sci-fi films.  Donahue gives a good performance here, doing a nice job of portraying Dr. Becker’s growing megalomania.  (That said, whenever anyone referred to him as “Becker,” I was reminded of that terrible Ted Danson show where he played the doctor who was always pissed off whenever he got off the subway.)

As for the episode’s monster, it looked awful and fake but again, one gets the feeling that was deliberate.  To be honest, it didn’t look any worse than some of the monsters that showed up in Roger Corman’s alien invasion films.

This was an okay episode.  Even if I couldn’t always follow the plot, the story held my attention.  It was a well-done homage to cheap sci-fi, even if it never was quite as much fun as Plan 9 From Outer Space.

Here’s The Trailer For A Complete Unknown!


The latest trailer for A Complete Unknown pays tribute to the famous music video that opened the Bob Dylan documentary, Don’t Look Back.

Starring Timothee Chalamet as Bob Dylan and directed by the usually reliable craftsman, James Mangold, A Complete Unknown is scheduled to be released on Christmas Day and is expected to be pushed for Oscar recognition.  As both a fan of Bob Dylan and a hater of the type of folk musician that Dylan upset by going electric, I’ll be curious to see the film, myself.

Here’s the trailer!

The Dodgers Have Won The World Series


And just like that, the 2024 MLB post-season came to an end.

Congratulations to the Los Angeles Dodgers, the 2024 World Series champions.  For five innings, it looked like the Yankees were going to pull off a miracle and keep the Series going to at least a Game 6.  But, during the fifth inning, the Dodgers tied the score, the momentum shifted, and they never really looked back.  Even when the Yankees briefly reclaimed the lead, it felt like the an eventual Dodgers win was inevitable.  The final score was 7-6, Dodgers.

Watching the World Series is a lot different when your team isn’t on the field.  I hoped the Yankees would win, because I’m an American League girl but what I really wanted was to watch was my team playing for the championship.  Unfortunately, the Rangers did not make it this year.  Maybe next year.

Now, how long do we have to wait for Spring Training to begin?

Christopher Lee Reads The Fall of House of Usher


Here to help you get in the mood for the best day of the year is Christopher Lee reading Edgar Allan Poe’s The Fall Of The House Of Usher.  Listening to this will require 40 minutes of your time but it’s totally worth it.  Christopher Lee had an amazing voice and was a wonderful reader and one imagines that it was his voice that Poe heard in his head as he first wrote this short story.

Here is the wonderful voice of Christopher Lee….

Bonus Horror on TV: The Night America Trembled (dir by Tom Donovan)


Filmed in 1957 for a television program called Westinghouse Studio One, The Night America Trembled is a dramatization of the night that Orson Welles terrified America with his radio adaptation of War of The Worlds.  

For legal reasons, Orson Welles is not portrayed nor is his name mentioned.  Instead, the focus is mostly on the people listening to the broadcast and getting the wrong idea.  That may sound like a comedy but The Night America Trembled takes itself fairly seriously.  Even pompous old Edward R. Murrow shows up to narrate the film, in between taking drags off a cigarette.

Clocking in at a brisk 60 minutes, The Night America Trembled is an interesting recreation of that October 30th.  Among the people panicking: a group of people in a bar who, before hearing the broadcast, were debating whether or not Hitler was as crazy as people said he was, a babysitter who goes absolutely crazy with fear, and a group of poker-playing college students.  If, like me, you’re a frequent viewer of TCM, you may recognize some of the faces in the large cast: Ed Asner, James Coburn, John Astin, Warren Oates, and Warren Beatty all make early appearances.

It’s an interesting little historical document and you can watch it below!

Horror On TV: One Step Beyond 3.31 “The Sorcerer” (dir by John Newland)


One tonight’s episode of One Step Beyond, the one and only Christopher Lee plays a German military officer who makes a fatal deal with a sorcerer.

This episode was Christopher Lee’s American television debut.  It originally aired on May 23rd, 1961.

A Bonus Horrorthon Blast From The Past: The Tell Tale Heart (dir by Ted Parmlee)



This short, animated film is from 1953 and it features James Mason reading a story from America’s first master of suspense, Edgar Allan Poe!

Here, for your listening and visual enjoyment, is The Tell Tale Heart!  Along with featuring the voice of James Mason, the film was directed by Ted Parmlee.  It was the first animated film to ever be given an X rating by the British Film Board of Censors.

Here’s The Trailer for Spellbound


Here’s the trailer for Netflix’s Spellbound!

No, Netflix did not remake the Alfred Hitchcock classic.  Instead, this is an animated film about a headstrong girl who accidentally turns her parents into monsters and has to figure out how to turn them back.  It’s a good thing that this film is from the director of Shrek, who should know a thing about turning monsters into humans and vice versa.

Here’s the trailer.