Late Night Retro Television Review: Monsters “Half as Old as Time”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, Monsters asks us, “How far would you go to be immortal?”

Episode 2.11 “Half as Old as Time”

(Dir by Christopher Todd, originally aired on December 17th, 1989)

Dying of a brain tumor, elderly archeologist Dr. Miner (played by Leif Garrett, under a ton of old age makeup) visits his daughter Jacqueline (Valerie Wildman).  Jacqueline, who is also an archeologist, lives in the desert and, from the start, it’s obvious that she and her father have a strained relationship.  However, when Dr. Miner begs her to take him to the secret location of a “fountain of youth,” that she’s spent her career searching for, Jacqueline agrees.

Sitting underneath the statue of an evil-looking serpent and overseen by a Native American named Saspondo (Nick Ramus), the fountain does indeed make Dr. Miner young again.  Unfortunately, it only lasts for a short time.  Saspondo explains that if Dr. Miner wants to be both permanently young and immortal, he has to be prepared to sacrifice a family member and let their blood mix with the water.

Oh, hi, Jacqueline!

Dr. Miner doesn’t waste any time killing his daughter and afterwards, he doesn’t seem to be particularly upset over his crime.  (“She was always a disappointment to me.”)  Saspondo, however, reveals that Dr. Miner should have asked more questions about what immortality meant before killing his daughter and then drinking from the fountain.  Dr. Miner may be forever young but he’s also forever be trapped in front of the fountain….

The main joke here, of course, is the casting of former teen idol Leif Garrett as an old man.  Interestingly enough, he’s more convincing when he’s playing old than when he is later allowed to be his then-young self.  When he’s wearing the makeup and walking with a shuffled gait, Garrett has a character to play.  When he loses all of that, he sleepwalks through the rest of his performance.  Nick Ramus, however, gives an excellent performance all-around as the enigmatic keeper of the fountain.

This episode was uneven but effective.  The pace was occasionally a bit slow but the murder of Jacqueline was shockingly brutal, even by the standards of this show.  If nothing else, it showed who Dr. Miner truly was and it made his eventual comeuppance especially satisfying.  Flaws aside, this episode worked.

4 Shots From 4 Films: Special Ken Russell Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, on what would have been his 97th birthday, the Shattered Lens pays tribute to the iconoclastic director Ken Russell.  It’s time for….

4 Shots From 4 Ken Russell Films

The Devils (1971, directed by Ken Russell, DP: David Watkin)

Crimes of Passion (1984, dir by Ken Russell, DP: Dick Bush)

Gothic (1986, dir by Ken Russell, DP: Mike Southon)

The Lair of the White Worm (1988, dir by Ken Russell, DP: Dick Bush)

Scenes That I Love: Vito and Michael In The Godfather With Dialogue By Robert Towne


Yesterday, it was announced that the legendary screenwriter Robert Towne had passed away.  One of the premier talents of Hollywood’s second Golden Age, Towne was rightly remembered as the man who wrote the intelligent and challenging scripts for films like Chinatown, The Last Detail, and Shampoo.

Towne was also a well-known script doctor, one whose work was not always credited but which always contributed to the overall quality of the films to which he contributed.  In 1971, when Francis Ford Coppola realized that he needed a scene for The Godfather that would allow Vito to open up to his son and successor, Michael, Robert Towne was the man who wrote the scene.  The result was one of the best moments in a film that is full of great dialogue.

Retro Television Review: The Love Boat 4.19 “The Return of the Ninny/Touchdown Twins/Split Personality”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, a familiar face sets sail for adventure.

Episode 4.19 “The Return of the Ninny/Touchdown Twins/Split Personality”

(Dir by Roger Duchowny, originally aired on February 14th, 1981)

Oh hey, it’s Charo!

It seems like just yesterday that I was watching her on Fantasy IslandOh wait, it was!

Charo returns to The Love Boat in her regular role as April Lopez.  The former stowaway-turned-singer-turned nanny boards the ship so that she and her two charges — Gayle (Rachel Jacobs) and Jerry (Alex Woodard) — can say goodbye to their father and April’s employer, Ty Younger (Larry Linville).  Ty is taking a vacation with his materialistic girlfriend (Arlene Martel), whom April dislikes.  Ty is looking forward to getting away from the kids for a while but — whoops! — April and the kids don’t get off the boat in time and soon, they’re intruding on Ty’s vacation.  It turns out to be a good thing because, after April learns that Ty’s girlfriend wants to send the kids away to a private school, she’s able to break up Ty’s relationship and keep the entire family together.  Yay!

Frank (Vincent Van Patten) boards the boat with college football teammate, Billy (Phillip Burns).  Billy can’t wait to hit on all the women who are his own age but Frank has decided that he’s in love with Billy’s mom, Meg (Samantha Eggar).  Captain Stubing likes Meg to but Frank shoves him out of the way on the dance floor and says that Meg is officially his MILF.  Billy gets upset and blames Frank …. no, actually, that would make too much sense.  Instead, Billy accuses his mother of leading on his best friend!  (Nobody mentions that Frank himself has spent the entire cruise acting like an unhinged stalker.)  It all works out in the end, of course.  Frank realizes that Meg doesn’t share his feelings and he decides to start dating women his own age.  Billy realizes that his mom is not a tramp.  Meg says she’s proud of the man that Billy has become.  (A man who accuses his own mom of being a tramp?  That kind of man?)  Stubing, once again, fails to get anywhere in his romantic pursuits and Vicki misses out on another potential stepmother.  Yay, I guess?  This story was actually kind of depressing.

Finally, Nick (Michael Lembeck) is an old college friend of Gopher’s.  Nick wants to be executive vice president of a company that it owned by the conservative and stodgy Arnold Hamilton (Ralph Bellamy).  When he’s with Arnold, Nick dresses like Arnold and he claims to agree with everything that Arnold says.  Nick also wants to marry a passenger that he just met, Linda (Laurette Spang).  Linda is almost a parody of a limousine liberal so when Nick is with her, he agrees with everything she says about oppression and the evils of money and he talks about his time as a labor organizer.  Nick is lying to both of them but it’s not like they’ll ever meet …. except, LINDA IS ARNOLD’S DAUGHTER!  Fear not, it all works out in the end.  Nick tells Arnold that he needs to change with the times and he tells Linda that she knows nothing about the working man.  Nick gets his promotion and a girlfriend.  Yay!

This was a pretty forgettable episode, even with Charo running around the ship in a panic over the children.  The storyline that worked best was the one with Michael Lembeck, Ralph Bellamy, and Laurette Sprang, though Bellamy was perhaps a bit too naturally likable to be totally convincing as a ruthless businessman.  (Even in old age, Bellamy had the simple, nice guy aura that always led to him losing the girl to Cary Grant.)  For the most part, this was a serviceable but not particularly memorable cruise.

City Life


by Barye Phillips

With the 4th of July only one day away, celebrate the diversity of America with these portraits of the American city!

Austin -- Peter Tsai

Austin — Peter Tsai

Chicago -- Craig Litten

Chicago — Craig Litten

Chicago -- Jason Martini

Chicago — Jason Martini

by James Meese

Dallas -- Erin Nicole

Dallas — Erin Nicole

Dallas -- Erin Nicole

Dallas — Erin Nicole

Dallas -- Erin Nicole

Dallas — Erin Nicole

 Dallas -- Erin Nicole

Dallas — Erin Nicole

by Rafael DeSoto

Los Angeles -- Aaron Paustein

Los Angeles — Aaron Paustein

Los Angeles -- Kim Suarez

Los Angeles — Kim Suarez

by Robert Stanley

New York -- Matt Alberts

New York — Matt Alberts

New York -- Seth Nenstiel

New York — Seth Nenstiel

New York -- Seth Nenstiel

New York — Seth Nenstiel

by Glen Orbik