Late Night Retro Television Review: Baywatch Nights 2.7 “Curse of the Mirrored Box”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on YouTube!

This week, it’s all about the voodoo!

Episode 2.7 “Curse of the Mirrored Box”

(Dir by Jon Cassar, originally aired on November 10th, 1996)

Mitch is contacted by Celia (Tracey Ross), the mother of a girl named Annie who Mitch once saved from drowning.  (Ryan is a bit dumbfounded that Mitch apparently keeps in contract with the people that he has saved as a lifeguard and, to be honest, so am I.  I mean, I bing watched Baywatch two years ago and Mitch saved a lot of people!)  Annie (Maria Celedonio) is now a rebellious teenager and has apparently joined a Voodoo cult!

(Seriously, Annie, way to repay Mitch for saving you from the ocean!)

Mitch and Ryan’s attempts to free Annie from the cult bring them into conflict with the leader of the cult, Papa Doc (Adam Lazarre-White).  Papa Doc puts a voodoo curse on Mitch and, as a result, the episode is full of moments in which Mitch goes into a glassy-eyed trance.

For the most part, not much happens in this episode.  It doesn’t take Mitch and Ryan that long to track down the cult and it also doesn’t take them that long to track down a voodoo priestess (Kiki Shepard) who can help them battle Papa Doc.  It’s a bit of slow episode and it’s portrayal of voodoo and its practitioners reaches back to every cliche and stereotype imaginable.  There’s a lot of dancing.  There’s a lot of altars.  There’s a lot of close-ups of Papa Doc chanting.  Basically, it’s Live and Let Die in Malibu, without the swagger of Yaphet Kotto, the charm of Roger Moore, or the otherworldly beauty of Jane Seymour.

But no matter!  The episode works because you haven’t lived until you’ve seen David Hasselhoff pretend to be possessed by a voodoo priest.  The Hoff has never been a particularly subtle actor.  That’s always been a part of his charm.  When you combine his natural style with scenes of him shaking, bugging out his eyes, and trying to shake the evil spirts out of his head, you have a Hasselhoff performance for the ages.

It makes for an entertaining episode, even if it’s not one of the show’s more memorable ones.  Hasselhoff’s possessed performance saves the day.  It’s amazing what a little magic and a voodoo doll can do.

One final note: After being absent for the last few episodes (albeit still listed in the opening credits), both Donna D’Errico and Eddie Cibrian appear in this episode.  Neither really gets to do much, reminding us once again that the show’s writers were never really sure what to do with either Donna or Griff.  Dorian Gregory (who played Daimont) does not appear, which is odd as it seems like Daimont would have been the first person that Ryan would have called once it become obvious that Mitch was cursed.  Seriously, what’s the point of being friends with a mysterious occult expert if you can’t find him when you need him?

Scenes That I Love: The Wishmaster Meets A Security Guard In Wishmaster


Today, the Shattered Lens wish a happy birthday to character actor Andrew Divoff!

Today’s scene that I love comes from 1997’s Wishmaster and features Divoff in his best-known role.  The Wishmaster films were kind of silly but Divoff always made them worth watching.

4 Shots From 4 Films: Special Phil Karlson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens pays tribute to director Phil Karlson, who was one of those great directors who never quite got the credit he deserved when he was alive but whose work continues to be rediscovered.  Phil Karlson was born 116 years ago today so it’s time for….

4 Shots From 4 Phil Karlson Films

The Phenix City Story (dir by Phil Karlson, DP: Harry Neumann)

Kid Galahad (1962, dir by Phil Karlson, DP: Burnett Guffey)

The Wrecking Crew (1968, dir by Phil Karlson, DP: Sam Leavitt)

Walking Tall (1973, dir by Phil Karlson, DP: Jack A. Marta)

Retro Television Review: Fantasy Island 5.5 “Mr. Nobody/La Liberatora”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion, YouTube, Plex, and a host of other sites.

This week, Charo shows up but Tattoo doesn’t.

Episode 5.5 “Mr. Nobody/La Liberatora”

(Dir by Cliff Bole, originally aired on November 7th, 1981)

Once again, we have an episode the features only stock footage of Tattoo shouting, “The plane, the plane!”  Otherwise, Herve Villechaize is not in this episode.

What excuse does Mr. Roarke come up with this week to explain Tattoo’s absence?

He’s hung over.

Seriously, that’s what Mr. Roarke goes with!  He explains to Julie that Tattoo was up very late, helping another guest celebrate a drunken fantasy.  It must be said that Ricardo Montalban seems to be quite amused to be labeling his sidekick a drunk.  Apparently, Herve Villechaize was holding out for more money when this episode was shot and I’m guessing Tattoo being hung over was a “take that” on the part of the show’s producers.  To be honest, it feels a bit petty.

It falls to Julie to help Charles Atkins (Sherman Hemsley) fulfill his fantasy.  Charles is a short man who has been picked on by bullies all his life.  He wants to feel strong and confident.  Julie gives him a potion that she thinks will give him “inner strength” but — whoops! — instead it turns Charles into the world’s strongest man.  As Roarke admonishes Julie for not being specific when she ordered her potion, Charles embarks on a wrestling career.  Can Charles defeat Sampson Smith (H.B. Haggerty), the most savage wrestler in the world?  Or will he instead fall in love with Sampson’s publicist, Carrie Wilson (Vernee Watson) and realize that true strength comes from inside?  We all know the answer.  A more important question is whether Mr. Roarke will ever be foolish enough to let Julie handle a fantasy again?

This fantasy was nothing special.  The comedy was a bit too broad, though I did like the heartfelt performances of both Sherman Hemsley and Vernee Watson.  The main problem is that the whole thing hinged on Julie screwing up in a way that really didn’t make any sense.  Surely, she would have been smart enough to make sure she had the right potion before giving it to Charles.  I mean, not being careful with your potions sounds like a lawsuit waiting to happen.  Surely, Mr. Roarke would have kept a closer eye on his goddaughter as she handled her first fantasy ever.  Poor bumbling Julie doesn’t really work as a sidekick.  The show suffers without Villechaize’s snarky attitude.

Villechaize’s absence means that we also miss the chance to see him acting opposite Charo and that just seems like a crime against pop culture.  I have to admit that I was a little worried when I saw Charo’s name in the opening credits, largely because I thought she would be playing her silly Love Boat character.  Instead, Charo plays a world-famous guitarist named Dolores DeMurica, whose fantasy is to go back to the days of Spanish California and meet her ancestor, the famous El Lobo Rojo.  (El Lobo Rojo is basically Zorro but if Fantasy Island’s producers weren’t going to give Herve Villechaize a raise, they certainly weren’t going to pay for the rights to Zorro.)

I have to say that I was pleasantly surprised by Charo’s fantasy.  There was a lot of swashbuckling action, Cesare Danova and Alex Cord both gave good supporting performances, and Charo seemed to be energized by playing a character who, while comedic, was not quite as silly as The Love Boat‘s April.  Charo actually gave a pretty good performance here and the entire fantasy was fast-paced and fun to watch.  It would have been even more fun if Tattoo had shown up but it was not to be.

This episode was a mixed bag, with one forgettable fantasy and one entertaining fantasy.  In the end, both fantasies would have been better with Tattoo.

Pulp In The Country


With the Fourth of July just a few days away, let’s celebrate the American countryside with the pulps!  From the early days of the pulps, life in rural America has been a favorite subject.  Here are a few portrayals of that life, courtesy of some of the best artists and illustrators to work in the pulp industry!

by James Meese

by Barye Phillips

by George Gross

by James Avati

by Paul Rader

by Robert Bonfils

by Rudy Nappi

by Sam Cherry

by Saul Levine

by Victor Kalin

Artist Unknown

by Rudy Nappi

by James Avati

by Julian Paul

by Raymond Johnson

by Rudy Nappi

by Victor Olson

by Warren King

Unknown Artist