A Blast From The Past: Dragnet 1968 3.1 “Public Affairs: DR-07” (dir by Jack Webb)


May 1st is a day of many holidays, including Law Day.

President Dwight D. Eisenhower first proclaimed May 1st to be Law Day in 1958 and apparently, it’s been celebrated every year since.  On Law Day, Americans are meant to reflect on the role of law in the foundation of the nation and also consider its importance to the social order.

To observe this year’s Law Day, I’m happy to present our readers with my favorite episode of Dragnet 1968.  

Dragnet began as a radio program in 1949 before making it’s way over to television in 1951. Each episode starred (and the majority were directed by) Jack Webb, who played a no-nonsense cop named Joe Friday. Friday narrated every episode, dropping trivia about the history of Los Angeles while also showing viewers how the cops went about catching criminals. Despite what is commonly believed, Joe Friday never said, “Just the facts, ma’m,” but he did investigate each case with the cool determination of a professional who kept his emotions under control. The majority of Dragnet’s episodes were based on actual cases that were worked by the LAPD, hence the opening declaration of, “The story you are about to see is true.”

On television, Dragnet originally ran from 1951 to 1959, during which time Dragnet also became the first television series to be adapted into a feature film. Jack Webb decided to relaunch Dragnet in 1966 and he produced a made-for-television movie that followed Friday and his latest partner, the far more talkative Bill Gannon (Harry Morgan), as they worked multiple cases over the course of one long weekend.  That made-for-television movie led to a series that ran from 1967 to 1970.

The second television series is the best-remembered version of Dragnet, beloved for its scenes of Friday and Gannon debating the issues with a motely collection of hippies, campus radicals, and pipe-smoking academics.  Jack Webb viewed Friday as being the voice of the common American, who supported the troops, supported the president, and who wanted to spend the weekend grilling in peace.  Friday was the middle-aged suburbanite who wanted to the kids to stay off the grass, whether it was on his front lawn or being sold on a college campus.  These episodes were often campy.  It’s hard not to smile while listening to Friday and Gannon deadpan their way through conversations with flakey long-haired hippies.  It was often obvious that the writers of Dragnet had never actually had any experiences with the hippies, beyond what they saw on the evening news.  And yet, as silly as things often were, the show is an interesting time capsule of the time in which it was made.  If nothing else, it’s a chance to see the 60s through the eyes of the other side.

My favorite episode was the show’s third season premiere.  It originally aired on September 19th, 1968 and it features Joe and Gannon appearing on a talk show.  The subject of the show: “The Fuzz Who Needs Them?”  Joe and Gannon argue on behalf of the fuzz.  Appearing on the other side of the panel are a pipe-smoking academic (Stacy Harris) and the publisher (Howard Hesseman, credited as Don Sturdy) of an underground newspaper.  Questions are asked from the audience.  John Dietz (played by Lou Wagner, who also plays Harlan Arliss on CHiPs) wants to know why drug are illegal.  Mondo Mabamba (Dick Anthony Williams) wears blue glasses and demands to know why the cops are always sitting in squad cars.  Overseeing the show is the evil Chuck Bligh (Anthony Eisley).  Friday struggles to hold back his disgust as the newspaper publisher throws a “Make Love Not War” pin at him.

This an interesting episode, if just because both sides are allowed to make their case and, in a rarity for Dragnet, neither Friday nor Gannon change anyone’s mind.  On the one hand, the academic and the publisher are both portrayed as being fairly obnoxious.  On the other hand, Howard Hesseman delivers his lines with such sharpness that his character cannot be as easily dismissed as the usual Dragnet hippie.  Chuck Bligh’s talk show predicts the political panel shows of today and it’s interesting to see how we’re still debating many of the same issues that were raised in this episode.

Here is today’s Blast From The Past:

Song of the Day: All Time High, performed by Rita Coolidge


Today, the Shattered Lens wishes a happy birthday to recording artist Rita Coolidge!

Rita Coolidge, who rose from being a backing singer to being a successful headliner in her own right, sung my favorite James Bond theme song, All Time High from Octopussy.

(Not surprisingly, this was a rare care of the Bond film’s title not being used in the theme song.)

I love this song and not just because it’s one of the few that I can actually sing.  As performed by Coolidge, this song captures the romance, mystery, and fun that epitomized the Bond franchise before Daniel Craig came along and turned James Bond into a sexless, weepy loser.

It only seems appropriate to make All Time High today’s song of the day!

All I wanted was a sweet distraction for an hour or twoHad no intention to do the things we’ve doneFunny how it always goes with love, when you don’t look, you findBut then we’re two of a kind, we move as one
We’re an all-time highWe’ll change all that’s gone beforeDoing so much more than falling in loveOn an all-time highWe’ll take on the world and winSo hold on tight, let the flight begin
I don’t want to waste a waking moment, I don’t want to sleepI’m in so strong and so deep, and so are youIn my time, I’ve said these words before, but now I realizeMy heart was telling me lies, for you, they’re true
We’re an all-time highWe’ll change all that’s gone beforeDoing so much more than falling in loveOn an all-time highWe’ll take on the world and winSo hold on tight, let the flight begin
So hold on tight, let the flight beginWe’re an all-time high
(Songwriters: Tim Rice and John Barry)

Scenes That I Love: Dan O’Herlihy Explains The Meaning of Halloween in Halloween III: Season of The Witch


105 years ago, on this date, the great character actor Dan O’Herlihy was born in Wexford, Wexford County, Ireland.

O’Herlihy would have a long career as an actor, making his feature debut in 1947’s Odd Man Out and working steadily in film and television for the next 50 years.  For modern viewers, he is perhaps best remembered for his role as The Old Man in the first two Robocop films and his performance as the sinister trickster, Conal Cochran, in 1982’s Halloween III: Season of the Witch.

Today’s scene that I love from from the latter film.  O’Herlihy explains the mean of Halloween to a trapped Tom Atkins.  O’Herlihy truly turned Conal Cochran into one of the great horror villains of the 80s and his performance is one of the main reasons that the rather oddball Halloween III retains a loyal audience to this day.

4 Shots From 4 Films: Special Wes Anderson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Texas’s own Wes Anderson!  It’s time for….

4 Shots From 4 Wes Anderson Films

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Rushmore (1998, dir by Wes Anderson, DP: Robert Yeoman)

The Grand Budapest Hotel (2014, dir by Wes Anderson, DP: Robert Yeoman)

Asteroid City (2023. dir by Wes Anderson, DP: Robert Yeoman)

6 Things That I’m Looking Forward To In May


Welcome to the wonderful month of May!

1) Cannes Film Festival — This is the big one.  This is the main thing that I’m looking forward to in May.  I don’t care if anything else happens in May, as long as the Cannes Film Festival takes place.  I won’t be at Cannes this year but, like most of you, I’ll be following all of the reports, dispatches, and rumors from the Festival.

Cannes is going to finally give reviewers a first look at some of the most anticipated films of 2024.  The Apprentice, Bird, Kinds of Kindness, Oh Canada, and Parthenope are all going to be in the competition, along with Francis Ford Coppola’s Megalopolis.  Oh, Megalopolis.  After all the rumors and all the speculation about Coppola’s latest film, it will finally be presented to the world at Cannes.  Megalopolis has been getting a mixed reaction among the studio folk, with many describing the film as being Coppola’s latest folly.  Of course, the execs of the 70s said the same thing about Apocalypse Now before it was released.  It was at the 79 Cannes Film Festival that Apocalypse Now was first honored.  We’re all waiting to see if history will repeat itself.

(And let us not forget that films like Furiosa and the first of Kevin Costner’s Horizon films will be premiering out of competition.)

Victory at Cannes does not necessarily guarantee success at the Oscars but it doesn’t hurt.  With this year’s Sundance Film Festival being an unexpectedly low-key affair, it appears that Cannes will be the true start of this year’s Oscar season.

2) The Fall Guy — Hey, this looks fun!  Seriously, we need more fun films.  Starring Ryan Gosling and Emily Blunt, The Fall Guy will be be in theaters at the end of this week.

3) Kingdom of the Planet of the Apes — I have mixed feelings about the idea of continuing the current line of Planet of the Apes films.  I think the filmmakers may be underestimating just how important Andy Serkis was to the success of the previous three films.  That said, I’m still interested in seeing the latest installment for myself.  I hope it’s a success.  I also hope that people will go back and watch the original Planet of the Apes films as well.  Conquest of the Planet of the Apes is a film that feels more relevant with each passing years.

4) Furiosa: A Mad Max Saga — Like Kingdom of the Planet of the Apes, I get the feeling that the filmmakers may be underestimating how important Charlize Theron and Tom Hardy were to the success of Mad Max: Fury Road.  That said, I’m still very much looking forward to seeing Furiosa for myself.  Following its Cannes premiere, Furiosa is scheduled to open on May 24th.

5) Hit Man — The latest from Richard Linklater also opens on May24th.  After several months of hearing positive things about this film, I can’t wait to finally watch it.

6) 1992 — Ray Liotta’s final film will open, in limited release, on May 31st.

What are you looking forward to in May?

Music Video of the Day: God Save The Queen, covered by Motorhead (2000, directed by Vanessa Warwick and Justin B. Murphy)


In this video, Motörhead covers the classic Sex Pistols song while touring London with the Queen, herself!  Actually, it’s just a lookalike but it’s still interesting how, in just a few years, God Save The Queen went from being a scandalous and dangerous song to being an unofficial anthem of the UK.

For the record, John Lyndon and Glen Matlock have both said that the song was not meant to be an attack on Elizabeth as much as on the idea of spending tax money to support the monarchy.  Sex Pistols guitarist Steve Jones was quoted as saying that the song was not really political but that it was just “a giggle.”

Enjoy!