Retro Television Reviews Will Return On January 1st!


Hi, everyone!

Typically, this is when I would post my weekly review of the old TV show, T and T.  However, our Retro Television Reviews feature is taking a break for the holiday weekend but it will return on January 1st!

Starting January 1st, our review schedule will be:

Monday — Miami Vice/CHiPs

Tuesday — Fantasy Island/Baywatch Nights

Wednesday — The Love Boat/Monsters

Thursday — ????/Highway to Heaven

Friday — T and T/Friday the 13th: The Series

Saturday — Welcome Back Kotter/Check It Out

Sunday — Weekly Made-For-TV Movie/Degrassi Junior High

Do you have a suggestion for what show should take over our open Thursday slot?  Let me know in the comments!

Have a great New Year!

The Georgia Film Critics Association Nominates Godzilla!


The Georgia Film Critics Association announced their nominees for the best of 2023 and look who snagged a spot in the Best Picture lineup!  Way to go, Godzilla!

The winners will be announced on January 5th, 2024.

Best Picture
“American Fiction”
“Barbie”
“Godzilla Minus One”
“The Holdovers”
“Killers of the Flower Moon”
“May December”
“Oppenheimer”
“Past Lives”
“Poor Things”
“Spider-Man: Across the Spider-Verse”

Best Director
“American Fiction” – Cord Jefferson
“Barbie” – Greta Gerwig
“Killers of the Flower Moon” – Martin Scorsese
“Oppenheimer” – Christopher Nolan
“Past Lives” – Celine Song

Best Actor
Bradley Cooper (“Maestro”)
Colman Domingo (“Rustin”)
Paul Giamatti (“The Holdovers”)
Cillian Murphy (“Oppenheimer”)
Jeffrey Wright (“American Fiction”)

Best Actress
Lily Gladstone (“Killers of the Flower Moon”)
Sandra Hüller (“Anatomy of a Fall”)
Greta Lee (“Past Lives”)
Carey Mulligan (“Maestro”)
Emma Stone (“Poor Things”)

Best Supporting Actor
Sterling K. Brown (“American Fiction”)
Robert Downey, Jr. (“Oppenheimer”)
Ryan Gosling (“Barbie”)
Glenn Howerton (“BlackBerry”)
Charles Melton (“May December”)

Best Supporting Actress
Emily Blunt (“Oppenheimer”)
Danielle Brooks (“The Color Purple”)
Penélope Cruz (“Ferrari”)
Rachel McAdams (“Are You There God? It’s Me, Margaret.”)
Da’Vine Joy Randolph (“The Holdovers”)

Best Original Screenplay
“Barbie” – Greta Gerwig, Noah Baumbach
“Dream Scenario” – Kristoffer Borgli
“The Holdovers” – David Hemingson
“May December” – Samy Burch
“Past Lives” – Celine Song

Best Adapted Screenplay
“American Fiction” – Cord Jefferson
“Are You There God? It’s Me, Margaret.” – Kelly Fremon Craig
“Killers of the Flower Moon” – Eric Roth, Martin Scorsese
“Oppenheimer” – Christopher Nolan
“Poor Things” – Tony McNamara

Best Cinematography
“All Dirt Roads Taste of Salt” – Jomo Fray
“Killers of the Flower Moon” – Rodrigo Prieto
“Maestro” – Matthew Libatique
“Oppenheimer” – Hoyte Van Hoytema
“Poor Things” – Robbie Ryan

Best Production Design
“Asteroid City” – Adam Stockhausen, Kris Moran
“Barbie” – Sarah Greenwood, Katie Spencer
“The Creator” – James Clyne, Chris DiPaola, Matt Sims, Lek Chaiyan Chunsuttiwat
“Killers of the Flower Moon” – Jack Fisk, Adam Willis
“Oppenheimer” – Ruth De Jong, Claire Kaufman
“Poor Things” – James Price, Shona Heath, Szusza Mihalek

Best Original Score
“Killers of the Flower Moon” – Robbie Robertson
“Oppenheimer” – Ludwig Göransson
“Poor Things” – Jerskin Fendrix
“Spider-Man: Across the Spider-Verse” – Daniel Pemberton
“The Zone of Interest” – Mica Levi

Best Original Song
“Am I Dreaming” – Mike Dean, Peter Lee Johnson, Rakim Mayers, Roisee, Landon Wayne, Leland Wayne (“Spider-Man: Across the Spider-Verse”)
“I’m Just Ken” – Mark Ronson, Andrew Wyatt (“Barbie”)
“Peaches” – Jack Black, John Spiker, Eric Osmond, Michael Jelenic, Aaron Horvath (“The Super Mario Bros. Movie”)
“Quiet Eyes” – Sharon Van Etten, Zach Dawes (“Past Lives”)
“What Was I Made For?” – Billie Eillish, Finneas O’Connell (“Barbie”)

Best Ensemble
“American Fiction”
“Asteroid City”
“Barbie”
“The Color Purple”
“The Holdovers”
“Killers of the Flower Moon”
“Oppenheimer”

Best International Film
“Anatomy of a Fall”
“The Boy and the Heron”
“Godzilla Minus One”
“Perfect Days”
“The Taste of Things”
“The Zone of Interest”

Best Animated Film
“The Boy and the Heron”
“Elemental”
“Robot Dreams”
“Spider-Man: Across the Spider-Verse”
“Teenage Mutant Ninja Turtles: Mutant Mayhem”

Best Documentary Film
“Beyond Utopia”
“Four Daughters”
“The Mission”
“The Pigeon Tunnel”
“Still: A Michael J. Fox Movie”

Breakthrough Award
Ayo Edebiri
Abby Ryder Fortson
Charlles Melton
Dominic Sessa
Celine Song

Oglethorpe Award for Excellence in Georgia Cinema
“Blue Beetle” (Angel Manuel Soto, Gareth Dunnet-Alcocer)
“Chipper” (short; Shaun MacLean, Lane Skye, Ruckus Skye)
“The Color Purple” (Blitz Bazawule, Marcus Gardley)
“Creed III” (Michael B. Jordan, Keenan Coogler, Zach Baylin)
“Guardians of the Galaxy Vol. 3” (James Gunn)
“May December” (Todd Haynes, Samy Burch)
“Origin” (Ava DuVernay)
“She Watches Blindly” (Bryan Tan)
“They Cloned Tyrone” (Juel Taylor, Tony Rettenmaier)
“This World is Not My Own” (Petter Ringbom, Marquise Stillwell, Ruchi Mital)

Song of the Day: If I Can’t Have You by Yvonne Elliman


Today, we wish a happy birthday to singer, songwriter, and actress, Yvonne Elliman!

Along with playing Mary Magdalene in both the original stage and film version of Jesus Christ Superstar, Yvonne Elliman also performed the best version of my favorite song (and today’s song of the day), If I Can’t Have You!

This is one of the few songs that I can actually sing all the way through without losing the tune but Yvonne’s version is definitely superior to mine.

I don’t know why I’m surviving every lonely day
When there’s got to be no chance for me
My life would end, and it doesn’t matter how I cry
My tears of love are a waste of time

If I turn away, am I strong enough to see it through?
Go crazy is what I will do

If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh
If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah

Can’t let go, and it doesn’t matter how I try
I gave it all so easily to you, my love
To dreams that never will come true
Am I strong enough to see it through?
Go crazy is what I will do

If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh
If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh

If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh
If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah (I’m in love with nobody)

If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, oh
If I can’t have you, I don’t want nobody, baby
If I can’t have you, ah-ah-ah, no

(Lyrics by Maurice Ernest Gibb / Robin Hugh Gibb / Barry Alan Gibb)

Live Tweet Alert: Join #FridayNightFlix For Death Warrant!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix says goodbye to 2023 with Jean-Claude Van Damme in 1990’s Death Warrant!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Death Warrant is available on Prime, Tubi, and a host of other streaming sites!  See you there!

Music Video of the Day: Boys by Britney Spears (2002, dir by Dave Meyers)


Today’s music video of the day is here to help you to get in the mood to party on New Year’s Eve.  If you don’t have plans to visit a castle and dance with Austin Powers and Taye Diggs, why don’t you?

Enjoy and here’s hoping for happiness (for Britney and all of us) in 2024!

Late Night Retro Television Reviews: Highway to Heaven 1.14 “Plane Death”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark enlist in the War on Drugs.

Episode 1.14 “Plane Death”

(Dir by Victor French, originally aired on January 9th, 1985)

In a small town in California, a man named Charlie Down (Robert Ford) drives his big family car down an isolated car.  One thing that that is immediately noticeable is that Charlie has a gigantic pair of fuzzy dice hanging from his rearview mirror.  That’s rarely a good sign.  The other thing that is immediately noticeable is that a remote control airplane is flying over the landscape.  As the audience will soon learn, the people in this town are obsessed with remote control airplanes.  That’s because drug dealer Jack Harm (Michael Bowen), the son of the local sheriff, is using the airplanes to smuggle cocaine.  When one of the planes crashes, Charlie rushes out to it and grabs the cocaine for himself.  He is pursued by Jack and his gang.  Charlie runs away from them.  An off-screen gunshot is heard.

What Jack doesn’t know is that the man that he murdered is an old friend of Mark Gordon’s (Victor French).  For the past few months, Mark has been on the road with angel Jonathan Smith (Michael Landon).  They’ve been taking care of people all over America.  But right now, they are between assignments.  They show up in town so that Mark can see his friend but, shortly after arriving, Mark is informed that Charlie has gone missing.  It doesn’t take Mark long to figure out what happened.  He announces that he’s going to get revenge, “just like in the Bible, eye for an eye.”

Fortunately, Jonathan is there to keep Mark from doing something that he might regret.  Before Mark can drive down to the local bar, Jonathan arranges for the police and the FBI to show up and take Jack and his gang into custody.  Jack’s father can only watch in disappointment as his son is taken off to prison.  When Mark thanks Jonathan for keeping him from making a mistake, Jonathan replies that he’s sure Mark would have stopped himself from killing anyone.  Mark says that he wouldn’t have been able to stop himself and Victor French’s delivery of the line is so somber and serious that there’s little doubt he was prepared to kill everyone in town.

At Charlie’s funeral, his young son (played by David Faustino) announces that he’s going to become a cop so that no other kids have to feel as bad as he feel right now.  Jonathan says that Charlie would be proud to hear that.  Mark asks Jonathan if the country is ever going to be able to win the war on drugs.

“If they don’t,” Jonathan replies, “they’re may not be a country to worry about.”

Yikes!  Setting aside the ultimate futility of the War on Drugs (which far too often became a war on addicts as opposed to war on the people making money off of them), this episode was actually pretty well-done.  Mark’s intense anger was perfectly portrayed, making him a bit frightening even if you understood his desire for revenge.  Michael Bowen’s superficially friendly psychopath was easy to dislike.  This was one of those episodes where the viewer appreciates the sincerity of the show’s emotions even if the legacy of the War on Drugs has ultimately been one of failure.

Retro Television Reviews: Jennifer Slept Here 1.13 “Take Jennifer, Please”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Jennifer Slept Here, which aired on NBC in 1983 and 1984.  The entire show is currently streaming on YouTube!

Today, we finish up Jennifer Slept Here!

Episode 1.13 “Take Jennifer, Please”

(Dir by Charles S. Dubin, originally aired on May 12th, 1984)

The final episode of Jennifer Slept Here opens with Joey in a panic.  His family is confused as to why Joey constantly appears to be talking to himself.  Both his bratty sister and his best friend have developed a habit of breaking into his room so that they can read his diary, which is full of his thoughts concerning Jennifer.  His father is concerned that Joey is having a breakdown.  His mother continues to insist that it’s just a phase.

And Joey thinks that they might be right.  He’s suddenly no longer 100% sure that Jennifer is real.  Maybe he is just seeing things.  Maybe he is losing his mind.  Maybe….

Maybe this doesn’t make any sense from a continuity point of view because it goes against everything that we’ve see over the past 12 episodes. Joey and Jennifer have been hanging out together for a very long time.  Jennifer has repeatedly helped Joey out.  On one occasion, Jennifer’s help even involved making herself visible to the other members of the householdJoey has watched Jennifer possess people in the houseJoey has experienced a fake exorcist putting Jennifer in a jar Joey has met other ghosts!  Just last week, his tutor turned out to be a ghost who had been sent to take Jennifer’s place.  Judging from the previous episodes, it would seem that Joey got over his doubts a long time ago and, for that matter, his family now seems to be used to him talking to himself.

I have a theory.  I have no proof for this theory.  This is based on my own gut feeling as someone who has watched and read about the production of a lot of old TV shows.  You’ll notice that this episode was not directed by the show’s usual director, John Bowab.  Instead, it was directed by Charles S. Dubin, who also directed the pilot.  Here’s my guess.  This episode was probably meant to air much earlier in the season.  It wouldn’t surprise me if maybe it was meant to be the second episode or if maybe the pilot was even originally meant to be an hour-long special, with this episode serving as the second half.  (I mean, the neurotic Joey in this episode has a lot more in common with the Joey of the pilot than the Joey of the rest of the series.)  For whatever reason, though, this episode did not air when it was originally meant to.  I’m going to guess this episode sat in limbo for a while and then the network decided to use it to close out the season, despite the fact that the previous episode felt more like a season finale than this one does.  That’s my theory, take it or leave it.

(Also, as support of this theory, I would point out that this episode features Jennifer telling Joey the story of how she died, which seems like something she would have mentioned when they were still getting to know each other.  Joey’s little sister appears to be significantly younger than she did in the previous few episodes.  And, finally, George is just as negative in his comments about Jennifer’s love life as he was in the pilot.  This was initially one of George’s least appealing traits and it was one that was largely abandoned about the first two episodes.)

As for the episode itself, Joey is desperate for Jennifer to prove to him that she’s real and not a figment of his imagination.  So, Jennifer tells Joey that, before she died, she sent a note to Joey’s father explaining that she hadn’t written a will.  That note is sitting in a vault in George’s office and no one has ever seen it.  Jennifer and Joey break into the vault and retrieve the letter.  Not only does this prove to Joey that Jennifer exists but it also gives Joey a chance to help out his father, who has been having to deal with all sorts of people coming out of the woodwork and claiming to be the beneficiary of Jennifer’s estate.  It also provides an excuse for the invisible Jennifer to humiliate a nosy security guard by dousing him in liquor and causing his pants to fall off.

If you can look past the continuity issues, this is actually a funny episode.  This show was always at its best when Jennifer was allowed to be mischievous force of chaos and that’s certainly the case here.  I will admit that I laughed when Joey ordered Jennifer to prove her existence by shaking the breakfast table, just for Jennifer to discover that shaking a table is not as easy as it looks.  Jennifer cracking the safe at the office was also amusing, mostly because Jennifer was obviously having a lot of fun committing a felony.  Of course, when the security guard does show up, Joey’s the one at risk for being arrested for a felony.

Overall, Jennifer Slept Here was not a bad show.  Having now watched all 13 episodes, I can say that this show may have been uneven but it had more hits than misses.  Though the supporting characters never really had much personality and the writers never seemed to set any definite rules as to what Jennifer could and couldn’t do as a ghost, the chemistry between Ann Jillian and John P. Navin, Jr. kept things lively and Jillian had a talent for delivering sardonic one-liners.  This show was cancelled after 13 episodes and that may be for the best because there’s only so many “safe-for-network-TV” storylines that a show about a ghost and a teenager can really explore.  Still, Jennifer Slept Here definitely had a lot of charm to it.

Next week …. I’ll be reviewing something else!  What will it be?  I have no idea but it will be something.  Check here next Thursday to find out what I found!

4 Shots From 4 Films: Special F.W. Murnau Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today was celebrate the visionary director, F.W. Murnau!  Murnau was born 135 years ago today, in Germany.  He went on to become a leading expressionist and one of the most influential filmmakers of all time.  Needless to say, it’s time for….

4 Shots From 4 F.W. Murnau Films

The Hunchback and the Dancer (1920, dir by F.W. Murnau)

Nosferatu (1922, dir by F.W. Murnau)

Faust (1926, dir by F.W. Murnau)

Sunrise: The Story of Two Humans (1927, dir by F.W. Murnau)