Late Night Retro Television Reviews: Monsters 1.13 “Glim-Glim”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

This week, humanity screws everything up.

Episode 1.13 “Glim-Glim”

(Dir by Peter Stein, originally aired on February 4th, 1989)

This is Glim-Glim.

Glim-Glim was flying his spaceship over Earth when he lost control and crash-landed in a small town in the Midwest.  Within a week of Glim-Glim’s arrival, almost everyone in the town was dead as the result of a terrible virus, a disease to which Glim-Glim had immunity but most humans did not.  Glim-Glim set up a force field around the town in order to keep the virus from escaping and killing any more humans.  Unfortunately, the force field can only stay powered for so long.  Setting himself up in the local library, Glim-Glim is doing research and looking for a cure.

The cure might be found in the blood of the only three townspeople who haven’t died, Carl (Brian Fitzpatrick), Carl’s unnamed friend (Mark Hofmaier), and the friend’s daughter, Amy (Jenna Van Oy).  The survivors have also set themselves up in the library.  Unfortunately, only Amy understands that Glim-Glim has come in peace and wants to save humanity.  Her father and Carl, on the other hand, are determined to track down Glim-Glim and destroy him.

Oh, humanity!  We really are our own worst enemy, aren’t we?  At least, that’s the theme of this week’s episode of Monsters, in which Carl and his friend are so determined to kill the invader that they don’t realize that they are risking the future of the entire human race.  While the rest of the world celebrates Christmas and has no idea that extinction is looming, Carl and Amy’s Dad stalk the one creature who can save the world.  Glim-Glim sadly writes in his journal that he won’t be able to live with himself if he’s responsible for wiping out the world’s population.  Only Amy understands that Glim-Glim is good but no one will listen to her because she’s young.

This episode had a definite Twilight Zone feel, with its message that the greatest threat to humanity comes not from outer space but instead from humanity itself.  That said, I can kind of understand why Carl and his friend are so quick to assume the worst about Glim-Glim.  They’ve just watched everyone they know die a horrible death and all they know is that it happened as the result of an alien visitor.  Because there’s a language barrier, there’s no way for Glim-Glim to explain himself and Carl assumes the worst because he’s just been through an extremely traumatic experience.  The episode ends on a dark note, one that practically begs for Rod Serling to pop up and remind us that a lesson learned too late is not much help.

Despite the fact that Glim-Glim looked kind of silly, this was an effective and atmospheric episode.  It was a bit heavy-handed but, with barely 22 minutes available to tell a story about an alien invasion and the possible destruction of the human race, that’s to be expected.  All extraterrestrials should be as kind-hearted as Glim-Glim.

Retro Television Reviews: The Love Boat 3.23 “Another Time, Another Place/Doctor Who/Gopher’s Engagement”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Maureen McCormick returns to The Love Boat!

Episode 3.23 “Another Time, Another Place/Doctor Who/Gopher’s Engagement”

(Dir by Allen Baron, originally aired on March 1st, 1980)

Mrs. Elliott (Audrey Meadows) boards this week’s cruise with a very specific mission in mind.  She wants to find a husband for her daughter, Celia (Maureen McCormick).  Mrs. Elliott, whose husband owns a good deal of stock in the cruise line, at first eyes Doctor Bricker as a possible suitor for her daughter, despite the fact that the doctor is considerably older than Celia and has been divorced multiple times.  However, Celia is far more charmed by Gopher, who asks Celia to dance when Julie points out how miserable Celia looks at the ship’s Charleston night.

Celia is charmed by Gopher and, when he accidentally gives her a ring that he’s been carrying around in his pocket, she assumes that he’s asking her to marry him.  (The ring was actually lost by another passenger and Gopher was just carrying it around until he could put it in the lost-and-found.)  Celia says yes and suddenly, Gopher is engaged!  Mrs. Elliott is not happy about this, as Gopher is only an assistant purser.  As for Gopher, he tries to get out of the engagement by having Isaac tell Celia that Gopher’s a drunk.  This only makes Celia even more determined to marry Gopher (so she can “save” him) and this also gets Gopher in trouble with the Captain who, as the show sometimes remembers, is a recovering alcoholic.

Fortunately, Isaac eventually tells Celia the truth about what’s going on.  Celia is surprisingly forgiving, returning the ring and announcing that she and Gopher will always be good friends.  Celia also finds the strength to tell her mother to let her live her own life.  Mrs. Elliott is okay with this, because she has another daughter who needs a husband and Doc is still single.

This was a storyline that depended too much on everyone involved acting like an idiot.  Those are my least favorite stories.  But, just as with last week, Fred Grandy got to show off his tragic clown qualities and Maureen McCormick was so convincing in her role that it was hard not to suspect that perhaps she related to a character who was tired to everyone assuming that they knew what was best for her and her life.

Speaking of storylines that required everyone to act like an idiot, this episode also featured Bert Parks as Dr. Michael Mervey, a noted sex therapist.  Dr. Mervey boards the ship under an assumed named and tells the Captain that he just wants to relax and not have anyone asking him for any help with their problems or asking him to autograph his book.  However, Evelyn Miller (Phyllis Davis) has heard a rumor that Dr. Mervey is on the boat so she boards with the intention of tracking him down and seducing him.

The only problem is that Evelyn doesn’t know what Dr. Mervey looks like.  (I find that hard to believe, considering how famous Dr. Mervey is supposed to be.)  When she hears Isaac refer to another passenger (Arte Johnson) as being a “doctor,” Evelyn assumes the passenger must be Dr. Mervey.  But instead, he’s just Wilfred Johnson (Arte Johnson), a nerdy nuclear physicist.  At first, Dr. Johnson pretends to be Dr. Mervey but when the real Dr. Mervey inevitably spots Evelyn and starts to hit on her, the truth comes out.  Evelyn dumps Wilfred.  Feeling guilty, Dr. Mervey tries to give them a therapy session.  Neither wants to listen to Dr. Mervey but they do still realize that they actually love each other.  Wilfred and Evelyn leave the cruise arm-in-arm and Mervey pats himself on the back for a job well-done.

Again, this plot was way too dependent on everyone acting like an idiot.  That said, Bert Parks made me laugh as the self-important Dr. Mervey.

Finally, Jane Wyman stars as Sister Patricia, a nun who is heading to Acapulco to be a teacher.  When she discovers that her ex-boyfriend, Steve Brian (Dennis Morgan), is on the cruise, she is forced to reconsider her decision.  In the end, she decides to follow her calling but she tells Steve that they’ll be reunited in another time and another place.  When Stubing comforts Steve, Steve replies that, “if” there’s a Heaven, they’ll be reunited.

Uhmm…. Steve, if there is a Heaven, it’s probably not full of agnostics.  Just saying.

Anyway, this was a simple story and I could tell where it was going to go from the first minute the Steve greeted Patricia on the boat but it worked because of the old school charm of Dennis Morgan and Jane Wyman.  These two Hollywood veterans knew just how to best embrace the melodrama.

Thanks to Wyman and Morgan, this was a pleasant cruise.  Hopefully, next week will be just as pleasant.

Music Video of the Day: All Dressed Up by Hazel English, featuring Day Wave (2022, dir by Hazel English and Jackson Phillips)


Today’s music video has a dream-like and somewhat ominous atmosphere to it.  Watching this video, you get the feeling that you’re watching a world that’s on the verge of ending.

Enjoy!