Film Review: Big George Foreman (dir by George Tillman, Jr.)


Big George Foreman is a biopic about …. well, it’s right there in the title, isn’t it?

The film follows George Foreman (Khris Davis), from his poverty-stricken childhood in Houston’s infamous Fifth Ward to his current life as a beloved member of the American pop cultural pantheon.  The film portrays Foreman as someone who learned how to fight early, punching out the children at his school who taunted him by calling him “George Poorman.”  As a teenager, he drops out of high school and attempts to make a living as a mugger.  Spending the night in a sewer and hiding from the police inspires George to try to change his life by joining the Job Corps.  It’s while in Job Corps that he meets Doc Broadus (Forest Whitaker), a former professional boxer who takes George under his wing and teaches him how to work out his anger in the ring.  Foreman marries, gets rich, cheats on his first wife, becomes the world champion, and is then humiliated when he loses his title to Muhammad Ali (played, in a not particularly convincing performance, by Sullivan Jones).  Mired in depression and self-loathing, Foreman has a combination of a heart attack and a religious experience.  He leaves behind boxing to become a preacher but, years later, an alcoholic accountant loses all of Foreman’s money and Big George is tempted to return to the ring at an age when most boxers have long since retired.

Some people know him as a fearsome boxer while others know him as the friendly face who sells grills but, regardless of what he may represent to the viewer, George Foreman’s real-life story is a compelling one and it’s pretty much impossible not to like him, even when he’s being played by an actor who is clearly not George Forman.  (Personally, I’ll always remember George Foreman for his cameo on King of the Hill.  “Novelty grill!?  The fight’s on!”)  Foreman is credited as being an executive producer on Big George Foreman and the film is evenly divided between the life of the young, decadent George who threw money around and cheated on his wife and the older, religious George who is committed to his family, his church, and his community center.

From a cinematic point of view, Younger, self-centered George is more fun to watch than Older, likable George.  That’s because Younger George throws big parties, lives in a big mansion, and owns a fleet of luxury cars.  Everyone around Younger George wears the height of 70s fashion and the soundtrack is full of 70s music.  Younger George does stuff like put an exhibition match where he tries to knock out five fighters in one night night.  Older George may be the better person and it’s good to see that he got his life together but it’s hard not to miss the decadence of the film’s first half once it skips forward in time and focuses on George Foreman as a surprisingly conventional suburban Dad.

Again, Foreman’s real-life story is a compelling one and George Foreman is an inspiring human being but the film itself is a rather conventional biopic, one that hits all of the expected moments without digging too much underneath the surface.  Watching the film, one can respect the biopic’s obvious love for its subject and appreciate Khris Davis’s lead performance while also feeling that an interview with the real George Foreman would have been more compelling.

Celebrate Labor Day With The Pulps!


by William George Fix

Happy Labor Day!

Let’s celebrate being employed in America with the pulps with these work-filled covers!

by Fred Charles Rodewald

by Harry Schaare

by Joe DeVito

by Ken Barr

by Manuel Rey Isip

by Paul Stahr

by Robert Bonfils

by Robert Stanley

by Stanley Borack

by Eric Stanton

A Blast From The Past: Hired!


Since today is Labor Day, I figured this would be a good time to share a short film about management….

Wait, that doesn’t sound right.

Well, no matter.  The boss in Hired! may not be eligible to join a union but, as we can see in this 1941 film, he’s still willing to work hard.  Or, at least, he’s willing to work hard after his father drunkenly calls him out for not being a very good boss.  On the surface, this short film might look like it’s about Jimmy and his struggle to convince people to buy a new car.  But, actually, it’s about a boss who needed to be reminded of the importance of working with his employees and helping them out.  Of course, it could also be possible that Jimmy is struggling because he’s incredibly awkward for a salesman.  And the boss could be struggling because he’s a middle-aged man who apparently still lives at home with his parents and takes orders from his cantankerous father.  One gets the feeling that there’s enough underlying resentment in this film to fuel a season’s worth of Arthur Miller plays.

Hired! was made for Chevrolet and it was meant to teach managers how to inspire their salesmen.  Of course, given that the film was made in 1941, it’s probable the Jimmy enlisted in the armed services after Pearl Harbor and eventually came back home as such a big war hero that he really didn’t need a job selling cars anymore.  Instead, Jimmy ran for Congress and eventually chaired the House Oversight Committee.  That’s what I hope happened.

Enjoy Hired!

Monday Live Tweet Alert: Join Us For Double Nickels and At Close Range!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1977’s Double Nickels, a film featuring many cars and many crashes!

Then, on twitter, #MondayMuggers will be showing 1986’s At Close Range, starring  Sean Penn and Christopher Walken!  The film is on Prime and it starts at 10 pm et!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Double Nickels on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then switch over to twitter, pull At Close Range up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!

Scene That I Love: Greenwald Confronts Keefer in The Caine Mutiny


Today’s scene that I love comes from 1954’s The Caine Mutiny.

In this scene, directed by Edward Dmytryk, the Caine mutineers celebrate their acquittal when they’re confronted by their own defense attorney.  Having previously exposed Captain Queeg’s paranoia on the stand, Barney Greenwald (Jose Ferrer) has dealt with his guilty conscience by having a bit too much to drink.  He interrupts the celebration and calls out the man who he claims is the real “author of the Caine Mutiny,” the arrogant Keefer (Fred MacMurray).

This scene features Ferrer at his most vitriolic and MacMurray at his sleaziest.  Fred MacMurray was typically cast as a nice, All-American guy so it’s always interesting to see him cast as a bad guy in films like this one, The Apartment, and Double Indemnity.  MacMurray always tended to underplay his villains, playing them as self-centered cads who hid their true motives behind a façade of bland affability.  The Caine Mutiny features one of MacMurray’s best performances.

From The Caine Mutiny:

4 Shots From 4 Films: Special Edward Dmytryk Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

115 years ago, on this date in Columbia, Canada, director Edward Dmytryk was born.  Today, we honor this underrated filmmaker with….

4 Shots From 4 Edward Dmytryk Films

Murder, My Sweet (1944, dir by Edward Dmytryk, DP: Harry J. Wild)

Crossfire (1947, dir by Edward Dmytryk, DP: J. Roy Hunt)

The Caine Mutiny (1954, dir by Edward Dmytryk, DP: Franz Planer)

The Carpetbaggers (1964, dir by Edward Dmytryk, DP: Joseph MacDonald)

6 Trailers For Labor Day


Today, in honor of Labor Day, I am very proud to present a very special edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!  I have selected six trailers for six films about six very specific jobs.  Your next career might be found below!

  1. The Principal (1987)

Do you want to make a difference in the lives of your students?  Why not follow the path of Rick Lattimore and become …. The Principal!?

2. The Gardener (1972)

Do you like working with plants?  Do you have a green thumb?  A career in gardening might be for you!

3. The Soldier (1982)

Do you love your country?  Do you want to protect your nation from enemies, both domestic and international?  The Soldier knows how you feel!

4. The Exterminator (1980)

Do you want to protect your community and help clean up the neighborhood?  Consider pursuing a career as an urban vigilante, just like The Exterminator!

5. Moonrunners (1975)

Are you a good driver?  Do you feel that the government needs to stay out of people’s personal decisions?  Moonshine runner might be a career for you!

6. American Ninja (1985)

Do you have a truly unique set of skills?  Were you born in the United States?  Consider a career as an American Ninja!

Happy Labor Day!

Concert Film Review: The Chemical Brothers At Glastonbury 2007


We all need our writing music.

By that, I mean the music that puts us immediately in the mood to create.  It’s the music that helps us to clear our mind and to focus on figuring out how best to say what’s on our mind.  I think, like most writers, I have a lot of different writing music.  The music that I listen to depends on what I’m trying to write.  If I’m writing about my boyfriend, I’ll listen to EDM.  If I’m writing about my health, I’ll go with the Run Lola Run soundtrack.  If I’m writing my childhood, I often tend to use Britney Spears and Coldplay as my background music.  If I’m writing about current events, I’ll use Muse.  If I’m writing about something fun, I’ll go with Saint Motel.  Both Moby and Bob Dylan work for when I’m writing about history.  I’ll listen to Adi Ulmansky if I’m writing about my best friend.  When writing about Texas, I’ll listen to someone local, preferably from Denton.  When it comes time to write about Canada (and by Canada, I mean Degrassi), I go with Jakalope.  For any movie about New York, it’s Blondie.  If I’m trying to impress everyone with my maturity, I’ll listen to something classical.

And if I need to listen to something that I know will make me feel happy and that I know will leave me feeling as if there’s nothing that I can’t accomplish, I’ll listen to The Chemical Brothers.  And 9 times out of 10, I’ll probably listen to their 2007 performance at Glastonbury.

Originally airing on BBC Three, The Chemical Brothers At Glastonbury 2007 captures Tom Rowlands and Ed Simons at their best, energetically performing in front of a enthusiastic audience that refuses to allow a little torrential rain to keep them from experiencing The Chemical Brothers live.  Towering over the stage is an astounding graphics display and, as the duo moves from song to song, the images on the display tell a hypnotic story of their own.  Colorful shadows of men with guns and overcoats appear to stalk each other before dancing.  3-D shapes spin with the music.  Strobe lights briefly illuminate the night sky.  At one point, a clown appears and repeatedly orders the audience to “Get Yourself High,” and occasionally it seems like a suggestion and other times it seems like an order.  Sometimes, the clown appears to be friendly and other times, he appears to be almost threatening.  The clown is my favorite part of the show, though I’ve had others tell me that they find the image of it to be creepy and disturbing.  My friend Jason shouts, “GODDAMMIT!” whenever I present him with the Get Yourself High Clown and, as you can probably guess, I usually find just about any excuse I can to trot the Clown out.

But the graphics wouldn’t mean anything if not for the music and, as always, Tom and Ed put on an amazing show.  The frequent cuts to the overjoyed (and soaked) audience only adds to the communal feel of it all.  The transition for Get Yourself High to Hey Boy Hey Girl to Song of the Siren to All Rights Reserved represents everything that makes The Chemical Brothers great.

As I write this, there are apparently a lot of people trapped by the weather at Burning Man.  I hope the best for all of them but, for me personally, I think the only festival I need is Glastonbury, especially if The Chemical Brothers are on the bill.

Cleaning Out The DVR: Abducted By My Teacher: The Elizabeth Thomas Story (dir by Shawn Linden)


Based on a true story, Lifetime’s Abducted By My Teacher opens with a situation that I related to all too well.

15 year-old Elizabeth Thomas (Summer H. Howell) is the newest student at the local high school.  She’s starting school in the middle of the year and she doesn’t know anyone at the school.  Everyone is wondering why she’s enrolling so late in the semester.  No one wants to run the risk of being the new girl’s friend.  Elizabeth can’t even find a table where she can eat her lunch.  Now, when I was growing up, my family moved frequently.  I started and left a lot of different schools and that meant that I got used to being the new girl.  I got used to people asking me questions about my past.  I got used to having to fit into a social system that had been established long before I arrived.  I learned how to make friends without becoming so close to them that it would hurt when I inevitably had to leave and go to a new school.  It never became easily but I do think I managed to handle it about as well as anyone could.  (Fortunately, I also had three older sisters to help me out.)

Elizabeth, however, has a problem that I never had to deal with.  She’s not only the new girl but the high school is also the first one that she’s ever attended.  Previously, Elizabeth was home-schooled by her unstable mother.  Now, her father has custody of her and Elizabeth is experiencing public school for the first time.  All of the teachers and her classmates know about Elizabeth’s past, leaving Elizabeth feeling like a freak.

However, things start to look up when one of her teachers, Tad Cummins (Michael Fishman), invites her to join the group of students who eat lunch in his classroom.  Tad is one of those self-consciously cool teachers who insists that his students refer to him by his first name.  He takes an immediate interest in Elizabeth and he even invites her to attend church with him and his wife.  At first, Elizabeth isn’t sure how to react to Tad but, eventually, she comes to trust him.  After all, he’s the only person at school who seems to care about her and he even helps her to get a job at a restaurant.  (Elizabeth’s boss so respects Tad that she’s willing to hire Elizabeth on his recommendation alone.)  Eventually, Elizabeth’s father (Gino Anania) grows suspicious of Tad’s interest in his daughter but, by that point, Tad has Elizabeth so in his thrall that he’s able to convince her to run off with him.

It’s a disturbingly familiar tale of grooming and abduction, one that features a sympathetic lead performance from Summer Howell and a memorably creepy one from Michael Fishman.  From the minute that we first see Tad, we went to tell Elizabeth to stay away from him but, as this film show, things often look different when they’re actually happening to you than they do when you’re on the outside looking in.  Tad is eventually reveled to be a messianic lunatic but, at the beginning, he’s simply the only person willing to give encouragement to someone who desperately needs it.  Having no experience with public education and the outside world at all, Elizabeth is easily manipulated but eventually, she reveals an inner strength that even she didn’t know she had.  Summer Howell does a wonderful job portraying Elizabeth’s transformation from being meek and easily manipulated to being strong and confident enough to face down her abductor in court.

This film was executive produced by Elizabeth Smart and Smart introduces the film.  Elizabeth Smart is someone who has survived a trauma that most of us couldn’t even imagine but she’s since spent her life helping others who have been in similar situations.  She deserves all the credit in the world.