“Prince could actually act.”

That was my main reaction to watching the 1984 film, Purple Rain, a few nights ago.  Over the years, there have been a lot of music stars who have attempted to make the transition to acting.  Some have been more successful than others.  While some have stuck to playing versions of themselves, others have attempted to become actual character actors and the end results have often been mixed.  Being a strong stage performer does not neccesarily mean that person is automatically going to be a convincing film actor and the history of the movies is full of famous singers whose personality seemed to evaporate as soon as they had to act for the cameras and try to sound convincing while reciting dialogue.  Taylor Swift has built up a strong and incredibly loyal fanbase but you wouldn’t necessarily believe that she was one of the world’s biggest stars if you only knew her from her wan and bland performances in Cats and Amsterdam.  Indeed, while watching her in Amsterdam, it’s kind of hard not to be thankful when that car drives up and brings her performance to an end.

Prince, on the other hand, could truly act.

In Purple Rain, he plays The Kid.  The Kid is an enigmatic musician living in Minneapolis, Minnesota.  He’s the front man of a band called The Revolution and he sings songs that are, at times, almost disturbingly personal.  The Kid rides a purple motorcycle and he’s one of those musicians who is driven to record almost every sound that he hears.  (At one point, The Kid listens to a recording of an unidentified woman sobbing.  Who exactly the woman was or why she was crying are questions that are never answered, though I think it’s possible it was supposed to be the Kid’s mother.)  He performs to escape from the scars of his upbringing.  His father (Clarence Williams III), a failed musician, regularly beats his mother (Olga Karlatos, who memorably lost an eye in Lucio Fulci’s Zombi 2).  No one can deny The Kid’s talent but he’s also known for being a bit of a control freak and the other members of the Revolution sometimes feel that he’s not willing to give them the credit and opportunities that they deserve and….

Okay, obviously there are some similarities between The Kid and the man playing him.  Purple Rain was Prince’s first film and his first acting role and it makes sense that he would want to play a character in a situation that he was familiar with.  But that still doesn’t change the fact that Prince gives an excellent and charismatic performance in the lead role.  Unlike so many other singers-turned-actors, he doesn’t lose his spark when he has to remember his lines.  His presence doesn’t evaporate when the camera is turned on him.  Instead, if anything, Price feels even more natural off-stage than on.  Whether the Kid is being playful or serious, driven or defeated, Prince is never less than convincing.  Yes, the audience never forgets that they’re watching Prince.  But, at the same time, the Kid comes to life as an individual character with his own life and problems and personality separate of the actor who is playing him.

As for the film’s plot, it’s a fairly simple one.  The Revolution is one of three bands that hold down the house band slot at the First Avenue nightclub.  The Kid’s rival, Morris Day (played by Morris Day), plots to replace the Revolution by putting together an all-girl group called Apollonia Six.  Apollonia Six is led by Apollonia (Apollonia Kotero), who is the Kid’s girlfriend.  As Morris explains it, the Kid is too wrapped up in himself to help out Apollonia or the Revolution’s Wendy and Lisa.

And Morris Day has a point.  As soon as Apollonia tells the Kid that she’s going to be working with Morris, the Kid responds by striking her.  It’s a shocking scene but, as the film shows, it’s all the Kid learned at the hands of his father.  It’s only after a personal tragedy that the Kid starts to realize that he does not have to be just like his father.  That said, let us hope that the Kid invested in some therapy and some anger management courses after the end credits rolled.

As a character, the Kid would be unbearable if not for the strength and charm of Prince’s performance.  Prince is amazing when he performs on stage and the film’s soundtrack still holds up but what makes the film work are the moments when Prince shows us the Kid’s vulnerable side.  Self-loathing is not an easy feeling to play and it’s an even more difficult feeling to make sympathetic but Prince does both.  The Kid knows that he’s self-destructive and immature but he’s also sincere in his desire to be better than his past. The film leaves you to wonder if he’ll succeed.

Personally, I really hope he did.