The Art Directors Guild, yesterday, announced their nominations for the best of 2021! The winners will be announced on March 5th!
PERIOD FEATURE FILM “The French Dispatch” Production Designer: Adam Stockhausen “Licorice Pizza” Production Designer: Florencia Martin “Nightmare Alley” Production Designer: Tamara Deverell “The Tragedy of Macbeth” Production Designer: Stefan Dechant “West Side Story” Production Designer: Adam Stockhausen
FANTASY FEATURE FILM “Cruella” Production Designer: Fiona Crombie “Dune” Production Designer: Patrice Vermette “Ghostbusters: Afterlife” Production Designer: François Audouy “The Green Knight” Production Designer: Jade Healy “Shang-Chi and the Legend of the Ten Rings” Production Designer: Sue Chan
CONTEMPORARY FEATURE FILM “Candyman” Production Designer: Cara Brower “Don’t Look Up” Production Designer: Clayton Hartley “In the Heights” Production Designer: Nelson Coates “The Lost Daughter” Production Designer: Inbal Weinberg “No Time to Die” Production Designer: Mark Tildesley ANIMATED FEATURE FILM “Encanto” Production Designers: Ian Gooding, Lorelay Bové “Luca” Production Designer: Daniela Strijleva “The Mitchells vs. the Machines” Production Designer: Lindsey Olivares “Raya and the Last Dragon” Production Designers: Paul Felix, Mingjue Helen Chen, Cory Loftis “Sing 2” Art Director: Olivier Adam
Stop worrying so much. Stop making yourself sick with all of you anxiety. Stop searching online for new things to panic about. Stop and have a good time. This video has a good message and it’s one that I happen to agree with. There’s a difference between staying informed and purposefully driving yourself mad. Sometimes, you just have to be willing to enjoy yourself. I fear that there’s a lot of people out there who have forgotten that or who feel guilty if they’re not constantly depressed all the time.
Enjoy yourself. Dance in the street. Swim in a stranger’s pool. Star in a music video. Hang out in the back seat of someone’s car. Sing a song about the joys of getting laid. Whatever it is that you have to do, do it.
As I said, it’s a good message. Everyone needs to listen to Upsahl. Or, at the very least, they need to listen to my interpretation of Upsahl. They need to listen to this song and they also need to listen to Drugs, a song that perfectly captures this current cultural moment. A good song always captures the period in which it was written. Of course, a good song also always has a good beat to which you can dance. Sorry, folk music lovers.
Anyway, enjoy!
I’m up all night online I’m looking up my symptoms Tell myself I’m fine But my system just ain’t listenin Like oooh This aint normal how Im feelin, no ooh Running higher than a fever
When palms start to sweat I feel it in my stomach This is how I get Every time I know you’re comin’ over
Whooo Sometimes I think that I might die with you Whooo It’s like I’m almost too alive with you
My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stopOh it feels like… My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stop Hit my chest like Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Kiss my neck Whisper in my ear ‘You aint seen nothing yet’ Cool me down and catch my breath like Whoo This is aint normal how I’m feeling, no ooh Say whatever, I’ll believe it cause Ahhh ahhh ahhh ahh ahh ahh
My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stopOh it feels like… My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stop Hit my chest like Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stop
Bill Mason (Bill Cody) is a member of the Canadian Mounted Police who is sent over the border to track down a murderous horse thief. Going undercover, Mason discovers that a nearby frontier town is being terrorized by rustlers. The townspeople have named Calhoun (LeRoy Mason) as the head of the local posse but Mason soon discovers that Calhoun is actually the horse thief!
Mason of the Mounted is only 57 minutes long but it’s a very slow-moving 57 minutes. It’s also a pre-Code film but, other than a grisly shot of a dead body at the start of the film, there’s nothing about Mason of the Mounted that you wouldn’t expect to find in a western made under the production code. Much of the film centers around Mason befriending an American teenager named Andy Talbot (played by Andy Shuford). This was actually one of 8 films that Bill Cody and Andy Shuford made together. Cody was a genuine cowboy who performed in wild west shows before and after his film career. Shuford was a child actor whose career was primarily in Westerns. During World War II, he enlisted in the U.S. Army Air Corps, flew many missions out of England, and eventually reached the rank of colonel. He never returned to making films.
As for Mason of the Mounted, Bill Cody has some authentic cowboy grit and is credible when he’s on a horse or shooting a gun but the plot moves too slowly and most of the cast is stiff and awkward. I did like the idea of the main rustler disguising himself as the only person capable of stopping the rustlers. That was an interesting idea and I wish the movie had done more with it. This is a film that’s mostly for fans of the genre and even the most undemanding western fan will probably have a hard time making their way through the whole thing.
This made-for-television film from 1976 tells the story of Tod Lubitch (played by a pre-Saturday Night Fever John Travolta). Tod was born without an immune system and, as a result, he’s had to spend his entire life in a germ-free, plastic bubble. When Tod was a child, it wasn’t such a big deal not being able to leave his house without getting in a plastic ark beforehand. But now, he’s in his teens and he wants to do teenager stuff. His parents (Robert Reed and Diana Hyland) are overprotective. His doctor (Ralph Bellamy) says that there’s little chance that Tod’s condition will ever improve. But the girl next door, Gina (Glynnis O’Connor), finds herself falling in love with Tod and she wants to help him live a normal life. Gina loves to ride horses and Tod wants to ride one with her. As we all know, horses are totally germ-free.
The Boy In The Plastic Bubble is one of those movies that has a reputation. It’s usually cited as being the epitome of 70s schmaltz and, indeed, it is very 70s and it is very schmaltzy. It’s one of those films where the big dramatic moments are so overdone that they instead often become kind of comedic. When Tod finally convinces his parents to allow him to attend school, he does so while wearing a special protective outfit that makes him look like a cross between an old school astronaut and a demented teddy bear. When it looks like his suit might be malfunctioning, he runs into the plastic cell that’s been set up in the back of the classroom and strips it off while all of his classmates watch. Everyone’s truly impressed by both Tod’s positivity and the sight of a 22 year-old John Travolta rolling around in gym shorts.
Indeed, while watching the film, it’s impossible not to ask certain questions. In what world, for instance, could Robert Reed, best known for playing the patriarch on The Brady Bunch, be John Travolta’s father? Why is there such a weird tension between Tod and his mother? (It may have had something to do with the fact that Travolta was dating Diana Hyland at the time.) How does Tod keep his hair so perfect while living in a plastic bubble? Did anyone think that the scene where Tod is carried onto the beach inside a plastic box would be so odd to watch? Reportedly, The Boy In The Plastic Bubble was based on the lives of two young men who has the same condition as Tod. According to Wikipedia, one of them was very amused by the idea the Todd’s protective outfit would keep him safe at school. And, then of course, there’s the film’s ending, which tries to offer a ray of hope but instead leaves you convinced that Tod is going to die at any minute.
And yet, for all the obvious flaws, The Boy In The Plastic Bubble is slightly redeemed by the sincerity that Travolta and O’Connor bring to their roles. In particular, Travolta brings a smoldering anger to his role, which may not have been present in the script but which feels appropriate for the character. As played by Travolta, Tod may understand why he’s in the bubble but he’s still pissed off about it. O’Connor has an even more difficult role to play because Gina’s actions often don’t make a lot of sense. But O’Connor makes you believe that she’s sincere in her desire to give the Bubble Boy the high school experience that he deserves. It’s a schmaltzy film but Travolta and O’Connor bring a few moments of emotional honesty to it.
Director Randal Kleiser later worked with John Travolta on Grease. I don’t think Danny Zuko would have been a good influence on the Boy in the Plastic Bubble.
No more kissing in the rain? But what else is the rain for?
If you’ve been following and reading this site long enough, you know how obsessed I am with the rain. As far as I’m concerned, rain is perfect for any occasion. Any movie is improved by at least one storm. Any book is improved by at least one chapter that begins with a description of cloudy skies. And any kiss is improved by the rain. I’m a big fan of the rain.
I’m also a fan of moody, atmospheric music videos like this one.
Enjoy!
My dear, I am running out of time Out of sync and closing down And the light begins to fade
I close my eyes in the dark One look reveals that it’s time to leave
Is this the end of everything? I think It’s time to tear it all apart
Some days can feel like razorblades Cutting through the naked skin Ready for the next attack?
I catch your eyes in the dark One look can tell that it is time to go
Is this the end of everything? Maybe it’s time to tear it all apart
No more kissing in the rain
I think we need this last goodbye You know I know we’re growing colder
This week, I got caught up on a lot of movies. I have a lot more that I still need to see because, at the end of the upcoming week, I plan on posting my picks for the best and the worst of 2021!
39 years ago today, television viewers who were watching NBC primetime met a group of four former members of the Special Forces who, during the Vietnam War, were framed for a crime they didn’t commit.
The pilot for the A-Team first aired on January 23rd, 1983. No one had much hope for the pilot, with the exception of star George Peppard who predicted the show would be a hit as soon as he read the script. Producer Stephen J. Cannell hadn’t had a hit in a while. When Cannell was hired by NBC, network president Brandon Tartikoff asked for one thing: “Mr. T driving a car.”
Despite what the critics thought and despite the skepticism of the network brass, The A-Team was an immediate success. Audiences loved the four misfits who somehow always managed to win the day despite Face’s womanizing, Murdock’s insanity, and B.A.’s fear of flying. A week after the pilot aired, the show’s first regular episode was broadcast directly after the Super Bowl. The rest is history.
If you have a problem, the A-Team can help. You just have to find them.