Four Color Apocalypse 2021 Year In Review : Top Ten Original Graphic Novels


At last we reach the finish line with the sixth and final of our “Best of 2021” lists. This time up the category is TOP TEN ORIGINAL GRAPHIC NOVELS, which I hope is fairly self-explanatory : new and original works in the so-called “graphic novel” format that have not been previously serialized, at least in anything like their entirety, either physically or digitally. There were many excellent books to choose from this year, and narrowing it down to my ten favorites was a pretty tough task. Here’s what I came up with :

10. Penny By Karl Stevens (Chronicle Books) – While not a “graphic memoirist” per se, Stevens always finds inspiration for his lavishly illustrated stories pretty close to home : this time out it’s his cat’s turn to have adventures ranging from the cosmic to the banal and everything in between. Seriously, if this book doesn’t move you, then check your pulse — you may not have one.

9. Generous Bosom Part 4 By Conor Stechschulte (Breakdown Press) – The twists and turns finally all converge in this final installment of Stechschulte’s opus of mindfuckery. A perfect ending it’s not, but that doesn’t preclude it from being an eminently satisfying one. Oh, and hey — soon to be a major motion picture! But that’s another story for another time, and one that’s already more convoluted than the books it’s (partially, at any rate) based on.

8. Mycelium Wassonii By Brian Blomerth (Anthology Editions) – Comics’ modern master of psychedelia follows up his book on the early days of acid research with a book on — the early day’s of ‘shroom research? Hey, give Blomerth credit : he knows both what he likes and what he does really well. An educational, informative, and gorgeously-drawn “trip” well worth taking.

7. Lure By Lane Milburn (Fantagraphics) – An ambitious science fiction epic that never loses sight of its humanity, Milburn’s exploration of life on Earth and its fictitious “twin” planet may be set in the future but is still as timely as they come, offering as it does cogent commentary on such things as the so-called “gig economy,” the exploitation of the natural world, Amazonian hyper-capitalism, colonialism, and the billionaire space race. One of those rare comics that not only lives up to, but exceeds, all the “buzz” surrounding it.

6. Super! Magic Forest By Ansis Purins (Revival House) – A “kids’ comic” for the kid in all of us, Purins’ vividly imaginative world leaps off the page and into your heart with the kind of unforced charm that simply can’t be faked. All that wonder and mystery and significance you left behind when you grew up? It’s all right here, waiting to welcome you back.

5. Death Plays A Mean Harmonica By Steve Lafler (Cat Head Comics) – American ex-pats decamp to Oaxaca to live the good life, only to find themselves surrounded by vampires, intelligent fungi, and yes, even Death him/itself — but hey, maybe it’s still the good life after all! Blending the personal with the outrageous with the outrageously funny as only he can, Lafler has created one of the finest works of his storied career.

4. Nod Away Vol. 2 By Joshua W. Cotter (Fantagraphics) – The second “chapter” in Cotter’s science fiction masterpiece-in-progress abruptly shifts focus yet still manages to build on all that’s come before. Written and drawn with more passionate intensity per page than perhaps anything else out there, this is the embodiment of a true magnum opus — and while I can’t claim to have the first guess as to where it’s all headed, I do know that I wouldn’t miss it for the world. Neither should you.

3. Chartwell Manor By Glenn Head (Fantagraphics) – Powerful, poignant, and painful, Head’s memoir of abuse at the hands of a schoolmaster is just as much about the parental denial that allowed it to continue and the lasting psychological scars that never really heal as it is about the perpetrator, and as a result this stands as one of the most thorough-going examinations of survival in the history of the medium. When they talk about “comics that will be discussed and debated for years to come,” this is what they mean.

2. From Granada To Cordoba By Pier Dola (Fantagraphics Underground) – The full-length debut of a masterful new voice, Dola’s existential downward spiral balances humanism with nihilism (don’t even ask me how that works), visual literacy with the aesthetics and approach of a true “outsider.” In a sane and just world, this would be the year’s most influential comic. Here’s to hoping — just don’t expect to find much hope in the pages of the book itself, okay?

1. The Domesticated Afterlife By Scott Finch (Antenna) – A decade in the making, Finch’s breathtakingly unique book is a seamless marriage of the literary and the visual in service of telling a multi-faceted but absolutely singular story with an equally singular worldview. Not exactly an anarchist anti-domestication text per se, although such sentiments surely inform it, I would argue that it’s more an emotive exploration of what is lost when the conscious and unconscious are bifurcated and dreaming itself is colonized by pedestrian rationality. Featuring a complex and enthralling set of contrasting symbols and mythologies, this is no mere exercise in “world-building,” but rather an act of reality creation that stands as a testament to the transformational power of imagination.

And that, my friends, is a wrap — not only on these lists, but on Four Color Apocalypse for the year 2021. I’ll be back in early January (that’s next week, so it’s not like I’m taking some long “break” or anything) with the first reviews of the new year, but until then, if you want more, there’s always my Patreon, which I update three times per week and can be found by going over to https://www.patreon.com/fourcolorapocalypse

TV Review: Dexter: New Blood 1.8 “Unfair Game” (dir by Sanford Bookstaver)


So, Dexter is going to teach Harrison “the code.”

Wow, who could have predicted that!?

Okay, okay …. I know it’s not good to gloat but let me have my moment.  From the minute that Harrison showed up at Dexter’s cabin, I’ve been waiting for him to take up the family business and it would appear that’s what is about to happen.  My prediction was correct and it’s actually kind of rare that happens so I’m definitely going to take a little bit of pride in this moment.

Kurt definitely had his chance to bring Harrison over to his side but he ruined it by snapping and trying to kill Harrison.  Big mistake there, Kurt.  Harrison is now back with Dexter and, judging from that big hug he gave him, it appears that there’s no longer any doubt in Harrison’s mind as to which father figure he should follow.

It was an exciting episode.  Along with Kurt’s attempts to bond with Harrison, we also got a lot of scenes of Dexter and the truck driver chasing each other through that abandoned summer camp.  (“Perfect place for a serial killer,” as Dexter put it.)  Why didn’t Kurt take out Dexter personally?  That was my only real question.  I get that Kurt wanted to bond with Harrison but he could have easily killed Dexter and the bonded with Harrison later.  It’s not like Harrison has anywhere to go.  Instead, Kurt made the mistake of outsourcing the murder of his biggest enemy.  Entrusting a job that important to a random truck driver doesn’t really make that much sense.  Kurt screwed that one up because, despite being shot in the leg, Dexter managed to kill that truck driver and save Harrison.  In the past, Dexter has spent so much time in its lead character’s mind that it was interesting to see that Dexter can take care of himself physically as well.

Dexter and Harrison appear to be ready to go to war with Kurt but it also appears that Angela has figured out that Dexter murdered that drug dealer a few episodes back.  Will Angela arrest Dexter?  Will Dexter have to fake his death yet again?  Let’s hope not.  There’s only so many times that one character can successfully fake his death before it starts to challenge the viewer’s suspension of disbelief.

That said, I don’t see Dexter sticking around town, regardless of how everything turns out.  I’ve seen some speculation that Dexter will sacrifice his life to save Harrison and then Harrison will be the “new” Dexter.  I don’t think that’s going to happen just because I don’t think Showtime is going to want to abandon the character of Dexter after this miniseries ends two weeks from now.  If nothing else, Dexter: New Blood has proven that there is still a sizable audience that’s interested in Dexter’s adventures.  Ask me to look into the future and I see Dexter and Harrison going on the road together and hunting killers.  It’s the family business.

Am I right?  We’ll find out in another two weeks!

Four Color Apocalypse 2021 Year In Review : Top Ten Contemporary Collections


We’re getting near the finish line here, I promise. Two lists to go, including this one, TOP TEN CONTEMPORARY COLLECTIONS. This is another fairly broad category, with ALL comics published from the year 2000 to the present day eligible, as long as they are not original, stand-alone graphic novels. So basically we’re talking about any trade paperbacks that are a collection of single issues; any translated works such as Eurocomics, manga, etc.; any anthologies; any print collections of webcomics; or any collections of strips or assorted odds and ends, etc., as long as fit my admittedly absurd 21-year definition of “contemporary.” And with that out of the way, we’ll jump right in :

10. Go Fck Myself : The Fckpendium By Mike Freiheit (Kilgore Books) – Sprawling, ambitious, heartbreaking, and hilarious, Freiheit’s cartoon “thesis statement” on human history — and humanity’s future — is as personal as it is universal. The kind of book that makes you feel glad to be alive — except when it doesn’t — and a legit tour-de-force work.

9. My Begging Chart By Keiler Roberts (Drawn+Quarterly) – A year just doesn’t feel complete without a glimpse into the lives of Roberts and her family, and this is one of her very best books to date. One day we’re going to look back at these and recognize them as perhaps the pre-eminent example of long-form memoir in the medium’s history.

8. Tono Monogatari By Shigeru Mizuki, Translated By Zack Davisson (Drawn+Quarterly) – A poignant and lavishly illustrated adaptation of Japan’s most timeless collection of “fairly tales,” done by a master working at the height of his powers. Many of the pages in this will quite literally take your breath away, as will the scope and grandeur of the project itself.

7. Fungirl By Elizabeth Pich (Silver Sprocket) – The funniest “hot mess” in comics finally gets her due in a comprehensive collection of hijinks and mayhem sure to make you laugh hard and then feel appropriately guilty for having done so. Pich has her finger on the pulse of something truly unique here that straddles a fine line between blissful ignorance and willful amorality. Consequences — unintended or otherwise — have never been this much fun.

6.Post York By James Romberger (Dark Horse/Berger Books) – A refreshingly human-scale take on post-apocalyptic survival stories, Romberger’s work is greatly fleshed out and expanded upon in this new definitive edition that finally gives the material the presentation it’s always deserved. A strong contender for the best-drawn comic you’ll lay eyes on all year, this is a truly timeless tale that both honors and transcends its genre-specific origins.

5.Night Bus By Zuo Ma, Translated By Orion Martin (Drawn+Quarterly) – A wide-screen, epic modern-day fable by one of the brightest lights of the Chinese cartooning underground, don’t let the vaguely “YA” trappings of this one fool you for an instant : this is visionary, hallucinatory, reality-bending stuff. As immersive as visual storytelling gets, yet somehow speaking in a language all its own, this is a book that demands you meet it on its own terms and rewards you for doing so with a journey unlike anything you’ve ever seen or read.

4. Are Comic Books Real? By Alex Nall (Kilgore Books) – Nobody in comics better understands — or more respects — children than arts educator Nall, who communicates both the simple truth and impenetrable mystery of their worldview with grace, humor, and heart. This collection marks the end of the road for his Teaching Comics strips, and trust me when I say you’ll miss them well before you’ve even finished reading them.

3. Aerosol Plus By C.F. (Mania) – This slim collection of comics by the former Fort Thunder mainstay showcases the work of an artist who is forever pushing the boundaries of his own creativity forward and refusing to let what comics have been determine what they will be. Visually, conceptually, tonally, and formally transformational work by someone for whom the term auteur is almost too confining and restrictive.

2. Heart Shaped Tears By Abby Jame (Silver Sprocket) – With this collection, Jame makes a strong case for being the cartooning voice of her generation, communicating as she does the inner lives of fundamentally-unimpressed young women and teens with all the nonchalance and cynicism of a true “insider.” Today’s youth have been there and done that before they’ve even been anywhere or done anything, it seems — but could it be that they come off as smarter than us old-timers because they actually are? Forget crap like Euphoria — this is the real deal. And besides, TV is such old news.

1. Dog Biscuits By Alex Graham (Self-Published Via Lulu) – The quintessential webcomic of 2020 is the quintessential print comic of 2021, as Graham’s “pandemic epic” actually reads even stronger in collected form than it did in daily single-page doses. The lockdown may be over — for now, at any rate — but this story nevertheless captures both where and who we are better than any other work in any medium. Probably a shoe-in to be on just about every critic’s “best comics of the decade” list come 2030 — assuming our species makes it that long.

We’ll wrap things up tomorrow with the TOP TEN ORIGINAL GRAPHIC NOVELS list, but until then I’m non-contractually obligated to remind you that all of these columns/round-ups are “brought to you” by my Patreon site, where I serve up exclusive thrice-weekly rants and ramblings on the worlds of comics, films, television, literature, and politics for as little as a dollar a month. Subscribing is the best way to support my continuing work, so I’d be very appreciative if you’d take a moment to give it a look by directing your kind attention to https://www.patreon.com/fourcolorapocalypse

Lisa Marie’s Week In Review: 12/20/21 — 12/26/21


I hope everyone had a good holiday!

Just one more week and this year is over!  We’ve got a lot of good things in store for this site in 2022.  I can’t wait for our readers to see them and tell us what they think!

Here’s what I did this week.

Films I Watched:

  1. Big Sur (2013)
  2. A Christmas Story (1983)
  3. Die Hard (1988)
  4. Die Hard 2 (1990)
  5. Don’t Look Up (2021)
  6. Elf (2003)
  7. Goodfellas (1990)
  8. Holiday Affair (1949)
  9. It’s A Wonderful Life (1947)
  10. Lethal Weapon (1987)
  11. Nebraska (2013)
  12. Paradise Cove (2021)
  13. Saturday Night Fever (1977)
  14. The Shop Around The Corner (1940)
  15. Staying Alive (1983)

Television Shows I Watched:

  1. A Very Boy Band Holiday
  2. The Brady Bunch
  3. Dexter: New Blood
  4. Football
  5. Kelly Clarkson Presents: When Christmas Comes Around
  6. The Love Boat
  7. The Office
  8. Santa Claus is Coming To Town
  9. Saved By The Bell

Books I Read:

  1. Night of Camp David (1965) by Fletcher Knebel

Music To Which I Listened:

  1. Bee Gees
  2. Bob Dylan
  3. Broken Peach
  4. Britney Spears
  5. Camila Cabello
  6. Darlene Love
  7. Jake Bugg
  8. Idina Menzel
  9. Katy Perry
  10. Lindsey Stirling
  11. Norah Jones
  12. Norman Greenbaum
  13. Saint Motel
  14. Taylor Swift
  15. Yvonne Elliman

Awards Season:

  1. St. Louis Film Critics Association Winners
  2. Indiana Film Journalists Association Winners
  3. DFW Film Critics Winners
  4. Online Association of Female Film Critics Winners
  5. Nevada Film Critics Society Winners
  6. Florida Film Critics Circle Winners
  7. Black Film Critics Circle Winners
  8. North Texas Film Critics Winners
  9. Greater Western New York Film Critics Association Nominations

Trailers:

  1. The Northman

Best of 2021:

  1. Top Ten Single Issue Comics (Ryan C)
  2. Top Ten Comics Series (Ryan C)
  3. Top Ten Special Mentions (Ryan C)
  4. Top Ten Vintage Collections (Ryan C)

News From Last Week:

  1. Jean-Marc Vallée Has Died; Director Of ‘Dallas Buyers Club,’ ‘Big Little Lies’ & ‘Sharp Objects’ Was 58
  2. Joan Didion dies at 87
  3. Hamptons cops pull over Alec Baldwin, Hilaria after warrant issued for his phone
  4. Emmy Rule Changes: Dramas and Comedies Will No Longer Be Determined By Hour or Half-Hour Length
  5. Britney Spears’ Father, Who Was Suspended From Conservatorship, Requests Daughter Pay Legal Fees
  6. Jagged Little Pill’ Will Not Reopen on Broadway Due to Omicron Surge
  7. Chris Noth Dropped From CBS’ ‘The Equalizer’ After Sexual Assault Allegations
  8. Palm Springs Film Awards Ceremony Canceled Due to COVID Concern

Links From Last Week:

  1. My Traumatizing Years With Bryan Singer
  2. What really happened to Ronald Hunkeler, who inspired ‘The Exorcist’
  3. Tater’s December 2021 in Books
  4. The World’s Common Tater’s Week in Books, Movies, and TV 12/17/21
  5. Santa Smokes! Hilarious Cigarette Ads! Celebrities Hawking Holiday Products!

Links From The Site:

  1. Erin shared Universe Science Fiction, The Sensualists, Amazing Stories, Fantastic Adventures, Welcome, Star, and the Day After!  She also shared a scene from A Charlie Brown Christmas!
  2. Leonard reviewed Licorice Pizza!
  3. Jeff wished everyone a happy Festivus!
  4. Doc wished everyone a Merry Christmas!
  5. I shared music videos from Saint Motel, Norman Greenbaum, Frank Sinatra, Norah Jones, Camila Cabello, Idina Menzel, and Darlene LoveI shared my week in television!  I reviewed Wild Indian and Fear and Loathing in Aspen.  I shared scenes from Goodfellas, Miracle on 34th Street, It’s A Wonderful Life, and Less than Zero!  I shared Treevenge!

More From Us:

  1. Ryan has a patreon!  Subscribe!
  2. At her photography site, Erin shared Purple, Yellow, Cowboy, Inside the Dollhouse, Merry Christmas Eve, Merry Christmas, and Squirrel!
  3. At Days Without Incident, Leonard shared The Family Madrigal!
  4. At my music site, I shared songs from Norman Greenbaum, Taylor Swift, Britney Spears, Bob Dylan, Katy Perry, Lindsey Stirling, and Broken Peach!

Want to see what I did last week? Click here!

Catching-Up With The Films of 2021: Fear and Loathing in Aspen (dir by Bobby Kennedy IIII)


The year is 1970 and big business has all the power in Aspen, Colorado.  The landscape is being bulldozed to make room for time-shares.  The once pristine ground is being covered in asphalt.  The rich are using Aspen as their own personal playground while the hippies, drawn to the town by the beautiful landscape, are regularly used as scapegoats for every problem that the town encounters.

A struggling journalist named Hunter S. Thompson (Jay Bulger) wants to change that.  When Thompson first declares that he will be running a third party, “freak power” campaign for Sheriff of Pitkin County, his main concern is getting paid to write about it and perhaps becoming a regular contributor to Rolling Stone Magazine.  But, as the campaign starts to grow and Thompson finds success in motivating the hippies to actually register to vote, he starts to realize that he could actually win this thing.  Despite the efforts of Aspen’s mayor (Cheryl Hines, the stepmother of the film’s director), “freak power” is on the verge of turning the establishment upside down.

Fear and Loathing in Aspen is based on the true story of Thompson’s campaign.  Thompson did not win but he did go on to write Fear and Loathing in Las Vegas and to cover the 1972 presidential election for Rolling Stone.  Thompson was an iconoclast, a writer who as open about his love for drugs as he was for his love of guns.  He committed suicide in 2005.  If he were still with us, one imagines that he would probably love Bernie while hating Trump, Biden, and Twitter.  There have been a few, generally uneven attempts to bring Thompson and his writing to cinematic life, the most famous probably being Terry Gilliam’s adaptation of Fear and Loathing in Las Vegas, starring Johnny Depp as Thompson.

Fear and Loathing Aspen stars Jay Bulger as Thompson and it should be said that Bulger does a good job in the role.  While he doesn’t quite have the movie star charisma of Johnny Depp, he is believable as a sincere prankster, as someone who is genuinely torn between whether or not to burn it all down or to try to make people’s lives better by participating in the system.  Unfortunately, the rest of the film doesn’t really rise up to the level of Bulger’s performance.  Cheryl Hines, Laird Macinstosh, and Paul Morgan all give such cartoonishly evil performances as Thompson’s political opponents that it makes Steve Carell’s performance as Donald Rumsfeld in Vice look nuanced and intelligent by comparison.  The film’s director tends to rely a bit too much on obvious tricks, like split screens and shaky hand-held footage.  It gets distracting.

The director, by the way, is Bobby Kennedy III, the son of Robert F. Kennedy, Jr.  There’s some irony to be found in a film about outsiders being directed by a member of the Kennedy family, particularly the son of someone who would probably just be another Facebook conspiracy troll if not for the circumstances of his birth.  Fear and Loathing in Aspen may tell the story of an outsiders revolt but it doesn’t feel authentic.  With the exception of a few scenes, it feels like counterculture cosplay.

Four Color Apocalypse Year In Review : Top Ten Vintage Collections


Moving right along with our 2021 round-up, we arrive at the TOP TEN VINTAGE COLLECTIONS list. The rules for this category are as simple as they are arbitrary on my part : basically, any book which collects and/or presents comics material originally published prior to the year 2000 fits my definition of “vintage.” One of these years I should probably bump that up by a decade or so, but this is not that year. This category also includes translated works such as manga, Eurocomics, and the like, provided they’re chronologically appropriate. And with that out of the way, here’s what we’ve got :

10. Scoop Scuttle And His Pals : The Crackpot Comics Of Basil Wolverton, Edited By Greg Sadowski (Fantagraphics) – A legitimately uproarious collection or little-seen early Wolverton humor strips meticulously restored and overseen by the comics historian who knows his work best, these are admittedly not as outrageously OTT as what would come later, but stand well enough on their own to mark this book as more than simply a compendium of early-days curiosities. If there’s not enough fun stuff in your current reading pile, picking this up will surely rectify that situation immediately.

9. Alberto Breccia’s Dracula, Translated By Jamie Richards (Fantagraphics) – Lavish wordless strips from the Argentinian master that place history’s most infamous vampire in conflict with the dual soul-crushing forces of military dictatorship and US commercial imperialism, this was both gutsy stuff for its time and, as it turns out, a prescient warning about the future. Even Breccia’s funniest work packs a conceptual wallop.

8. Red Flowers By Yoshiharu Tsuge, Translated By Ryan Holmberg (Drawn+Quarterly) – After dabbling in genre for his earliest stores, Tsuge left its safe confines to create these emotionally immersive tales informed by his own travels, and the results are still several levels above the merely “impressive” to this day. I’d say something about witnessing the flowering of an artist’s talents, but surely that would be too painfully obvious for its own good, wouldn’t it? Except I sort of just did. Whoops.

7. My Life & Times : Spain Vol. 3 By Spain Rodriguez, Edited By Patrick Rosenkranz (Fantagraphics)  The most recent volume of Rosenkranz’ exhaustive Spain retrospective is also the best, focusing as it does primarily on the underground master’s autobiographical comics. Gorgeously restored and thoughtfully presented, this is the “deluxe treatment” this work has long been deserving of.

6. The Biologic Show By Al Columbia (Hollow Press) – Apparently the cartoonist himself is none too pleased with this collection for reasons I’m not privy to, but damn if I wasn’t impressed. One of the most disquieting series ever produced as well as one of the finest auteur works of the 1990s, having this material back in print is something for which all of us not named Al Columbia should be incredibly thankful.

5. BugHouse Book One By Steve Lafler (Cat Head Comics) – Bridging the 1990s/early 2000s divide but with very much a 1950s Beatnik “vibe” to it, Lafler’s under-appreciated gem of a series is richly deserving of finding a broader audience. Jazz, drugs, femmes fatales — there’s no telling which is more dangerous in this unassumingly, and unquestionably, visionary comic.

4. It’s Life As I See It : Black Cartoonists In Chicago 1940-1980, Edited By Dan Nadel (New York Review Comics) – Released in conjunction with a retrospective exhibition of the same name, Nadel’s superb collection features everything from political cartooning to newspaper strips to undergrounds to downright mainstream-leaning fare and presents a comprehensive and engrossing view of the rich cartooning history that’s been an integral part of the Black experience in Chicago. There are names both familiar and less so on offer in these pages, as well as plenty of work that’s seldom been made available outside the city itself, making this the definition of an “essential” read.

3. Jimbo : Adventures In Paradise By Gary Panter (New York Review Comics) – Unquestionably the most influential book on this list, there’s no underestimating the impact of Panter’s masterwork on generations of cartoonists who followed in its (and his) wake. Some unfortunate production errors on the part of the publisher (including cropped-off artwork) prevent this from being ranked higher than it deserves to be, but its nevertheless a fairly decent presentation of one of the best comics every made by anyone.

2. Enigma : The Definitive Edition By Peter Milligan And Duncan Fegredo (Dark Horse/Berger Books) – The finest mainstream comic of the 1990s finally gets its due with an impressive presentation that may leave a bit to be desired in terms of color reproduction and page size, but still represents a more comprehensive package than fans of this cult classic (myself included) probably had any right to hope for. More than the “British Invasion” mind-fuck to end all “British Invasion” mind-fucks (although it sure is that), Milligan and Fegredo’s magnum opus is a labyrinthine, clever, and hilarious meditation on identity, reality creation, and the nature of meaning itself in a postmodern world.
1. Trots And Bonnie By Shary Flenniken, Edited By Norman Hathaway (New York Review Comics) – If “long overdue” is a running theme here, no collection fits that description better than this deluxe oversized presentation of Flenniken’s groundbreaking National Lampoon classic. “Irreverent” is the most polite way to put it when it comes to these strips — “beyond good and evil” might be more like it. Obliterating all boundaries of taste (good and otherwise), Flenniken created a comic whose power to shock and disturb is only exceeded by its ability to make you laugh your ass off and empathize with its characters. Like nothing else, before or since.

We’ve got two lists left to go, for TOP TEN CONTEMPORAY COLLECTIONS and TOP TEN ORIGINAL GRAPHIC NOVELS, and my plan is to get them both done in the next day or two. Until then, it’s my duty to remind you that ALL of these are “brought to you” by my Patreon site, where I serve up exclusive thrice-weekly rants and ramblings on the worlds of comics, films, television, literature, and politics for as little as a dollar a month. Subscribing is the best way to support my continuing work, so I’d be very appreciative if you’d take a moment to give it a look by directing your kind attention to https://www.patreon.com/fourcolorapocalypseAdvertisement