“The House Atreides Accepts!” Here’s the trailer for Dune!


Having now watched the trailer for Dune, I have to say that “The House Atreides accepts!” might replace “I declare him to be an outlawwwwwwwww!” as my favorite over the top Oscar Isaac line reading. Seriously, Isaac is just one of those actors who can take a slightly silly line and deliver it with just enough gusto to make it memorable.

As for the trailer itself, it appears to have a little bit for everyone. There’s humor. There’s explosions. There’s sand. There’s Zendaya. There’s Timothee Chalamet. There’s Duncan Idaho! I know that a lot of folks here at the Shattered Lens will be excited about that.

Warner Bros. is pouring a lot of their hopes into this film, which will be available both on HBOMax and, hopefully, in theaters. The trailer attempts to keep both Dune readers and Timothee cultists happy and I imagine that it probably succeeded.

We’ll find out in October!

Music Video of the Day: Only Love Can Save Me Now by The Pretty Reckless (2021, dir by Jon J and Taylor Momsen)


I absolutely love this video and that’s really about all I have to say about it. There are some videos that you just love because they exist and, for me, this is one of those videos. I love the atmosphere, I love the lightning, I love the lyrics, and I even love all the water, even though I’m still morbidly afraid of drowning.

Enjoy!

Here’s The Trailer for Demonic!


Neill Blomkamp, the director behind District 9 and a few films that were not District 9 and have since been kind of forgotten, has a new movie coming out! It’s called Demonic and it’s about a mother and a daughter and demonic forces and the Vatican apparently funding a black ops team. That sounds like a lot! Actually, it sounds likes it could almost be too much. I guess we’ll find out soon enough.

Here’s the trailer:

This film is set to be released on August 20th.

Film Review: Stallone, Frank That Is (dir by Derek Wayne Johnson)


Frank Stallone is a great musician and a talented guy and you should really spend some money to see him perform.

That would seem to be the main message of the new documentary, Stallone: Frank That Is. This documentary, which profiles the brother of Sylvester Stallone, was produced by Frank himself so we perhaps shouldn’t be surprised that it’s full of people attesting to what a great entertainer Frank is. Billy Zane, Billy Dee Williams, Christopher McDonald, Joe Mantegna, Duff McKagen, Richie Sambora, and Frankie Avalon all pop up and assure the viewers that Frank is a talented musician. Arnold Schwarzenegger tells us that Frank deserves to be known as more than just Sylvester Stallone’s younger brother. Sylvester Stallone himself shows up, to tell stories about how he and Frank once lived in a condemned apartment building and how they smashed a hole in the wall so that their two apartments could become one big loft.

What’s interesting is that, despite the fact that the film often seems like it was largely made to provide Frank Stallone with some encouragement and an ego boost, it also convinces us that Frank does deserve to be known for being something more than Sylvester Stallone’s brother. There’s enough performance footage to show that Frank Stallone actually is a pretty decent singer. Though the film is honest about the quality of most of Frank’s filmwork, there’s still enough footage from the 1987 film Barfly to convince us that, when cast in the right role, Frank Stallone is capable of giving a memorable performance. When he’s interviewed on camera, Frank Stallone comes across as being likeable and a good raconteur. He’s someone who you might want to have dinner with, just so you can listen to his stories about being a struggling musician in New Jersey in the late 60s. (Be sure to ask him about the time that he and his band opened for Bruce Springsteen.) Frank is also honest about how much of his career his owes to his brother, even if he never comes across as if he’s really made peace with that fact.

In fact, Frank Stallone is actually pretty forthright when it comes to admitting that being permanently overshadowed by his older brother totally sucks. After spending several years struggling to make it as a musician, Frank wrote a song for Rocky. Sylvester admits that the main reason Frank was asked was because the budget was too tight to hire anyone who wasn’t a relative. Frank and his band appeared in Rocky, as well as the film’s sequels. He went on to record songs for several of Sylvester’s films, most famously for Staying Alive. And while working on Sylvester’s films made Frank known and even helped him achieve a brief stardom when one of his Saying Alive songs reached the top of the charts, Frank also knew that everyone assumed that he only got hired because he was Sylvester’s brother. When Frank would perform at clubs, he would be credited as being “Rocky’s brother, Frank Stallone.” Understandably, Frank was not happy about that. (Sylvester at one point says that Frank was bitter and that “Frank’s still bitter and that’s one reason why I love him, he’s consistent.”) The only people less happy about the situation than Frank were Frank’s bandmates who found themselves overshadowed by the guy who was best known for being overshadowed by his brother. Frank admits that he often struggled to deal with his odd claim to fame and, as a result, his alienated a lot of people around him.

For all of the celebrity testimonials and funny stories, there’s also wistful sadness that runs through this documentary. As positive and upbeat as Frank Stallone tries to present himself, there’s always a feeling that there’s a lot of regret right underneath the surface. Being Sylvester Stallone’s brother comes across as being both a blessing and a curse. On the one hand, it opened doors for Frank that probably would never have been opened, On the other hand, it also ensured that Frank is always going to struggle to get people to take him seriously as anything other than a famous sibling. (Even in this documentary, some of the most memorable moments come from Frank imitating Sylvester’s trademark deep voice.) Stallone: Frank, That Is does a good job of suggesting that Frank deserves to be known for more than just his family while also admitting that it probably won’t ever happen.

“The Future Is An Open Mouth” — Or Should That Be An Open Question?


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

The best thing about this gig is that I get exposed to a lot of really personal, unusual, idiosyncratic work — comics and ‘zines that play by no rules other than those laid down by their creators, and even those can be arbitrarily broken if said creators feel like it. I’m talking about stuff that eschews codification, classification, sometimes even rationalization. But absolutely nothing I’ve encountered before could have prepared me for what was waiting in an oversized envelope that arrived in the mail from Denver-based cartoonist Dustin Holland the other day.

To call his self-published, magazine format comic The Future Is An Open Mouth “one of a kind” is to sell it short, because in truth it’s several things at once, none of them exactly new, but all of them coalescing into a singular visual and literary experience that propels the reader into frames of mind previously unknown and…

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Finally! We have a trailer for Ridley Scott’s The Last Duel!


We’ve been waiting for a while.

Ridley Scott’s The Last Duel has been a project that has had several projected release dates. It was originally expected to be a 2020 Oscar contender but, like many highly anticipated films, it kept getting moved back due to the Coronavirus pandemic. That was unfortunately, though I am ultimately glad that the film waited for the theaters as opposed to going the streaming route. One thing that all Ridley Scott films, good or bad, have in common is that they’re best viewed on a big screen.

This October, we should finally get to see The Last Duel. The film tells a a true story and features such Oscar-friendly actors as Matt Damon, Ben Affleck, and Adam Driver. Though Gladiator may have won best picture, Ridley Scott is still in the hunt for his first directing win. This year, he not only has The Last Duel in the hunt but he’s also going to have House of Gucci, featuring Lady Gaga, Al Pacino, Jeremy Irons, and, once again, Adam Driver.

The trailer for The Last Duel was released today. From what I saw on social media, the reaction was a bit mixed, with many pointing out that the visuals had a bit of a washed-out look to them. Indeed, watching the trailer, one wonders if it ever stopped snowing in 14th century France. Personally, though, I’m a little bit more concerned with Ben Affleck’s hair. Adam Driver and Matt Damon are usually well-cast in period films but, in the past, Ben Affleck has always come across like he can’t wait to catch the next train back to Boston. That said, there was a lot about the trailer that I did like. The sets look impressive and it really does seem like the type of story that usually brings out the best in Ridley Scott as a director.

Plus, I have to say that I really like the film’s poster, which has something of a Ken Russell feel to it. If anything, the poster actually has me more excited about seeing the film than the trailer does.

With all of that said and in mind, here’s the trailer for Ridley Scott’s The Last Duel!