We Left Avant-Garde In The Dust A Long Time Ago : Diana Chu’s “Rodin Du Jour”


Ryan C.'s Four Color Apocalypse

Does great art need to have point? Or, more precisely, does it need to have a point beyond an artist exploring an idea by visual means — for its own sake, theirs, or both?

Diana Chu’s 2017 short (as in eight pages) self-published mini, Rodin Du Jour, certainly has me asking those questions — and it’s had me asking them for some time, truth be told, hence this review coming along so “late in the game,” as the expression goes. I offer no excuse beyond “it took me some time to figure out how to approach this work,” but hey — does it even qualify as an “excuse” when you’re telling the truth?

Saying Chu’s ‘zine has a “premise” might be putting things in overly-concrete terms, but as a visual experiment it definitely has a specific set of self-imposed rules in place : she uses each two-page spread to…

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One response to “We Left Avant-Garde In The Dust A Long Time Ago : Diana Chu’s “Rodin Du Jour”

  1. Pingback: Lisa’s Week In Review: 1/6/20 — 1/12/20 | Through the Shattered Lens

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