Stepping Through Simon Hanselmann’s “Bad Gateway”

Ryan C.'s Four Color Apocalypse

Over the course of the past few years, I’ve been of a mind that Simon Hanselmann should dump Megg, Mogg, Owl, and the rest of the gang and do something different. Move forward. Push himself to expand his horizons by letting go of the familiar.

On a purely technical level, he’s definitely been honing his craft — his cartooning has become more precise and refined, while his painting has graduated from the “impressive” to the “magnificently rich and detailed” — but in a larger sense, I felt that he’d been every bit as stuck as his ensemble cast, all this aesthetically-proficient work wasted on dead-end narratives about characters who, by design, were never going to amount to shit. Sure, Megahex was masochistic fun, but Megg And Mogg In Amsterdam was largely more of the same, only in Amsterdam, while One More Year was, well, one more year. I get that…

View original post 889 more words

One response to “Stepping Through Simon Hanselmann’s “Bad Gateway”

  1. Pingback: Lisa’s Week In Review: 10/21/19 — 10/27/19 | Through the Shattered Lens

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.