Remembering The Real Rocky: Chuck (2017, directed by Philippe Falardeau)


In 1975, an unheralded boxer named Chuck Wepner shocked the world when he managed to go nearly 15 rounds with Muhammad Ali.  (He only fell short by 19 seconds.)  The fight not only made Wepner a temporary celebrity but it also inspired a down-on-his-luck actor to write a script about an aging boxer who just wants to show that he can go the distance.  The name of that script was Rocky and it made Sylvester Stallone a star.

As for Chuck Wepner, he initially enjoyed being known as “the Real Rocky,” but he soon learned that fame is often fleeting.  After Wepner retired from the ring (but not before one exhibition match against Andre the Giant), he attempted to reinvent himself as an actor but a combination of bad friends, bad decisions, and a bad cocaine habit conspired to derail his life and Wepner eventually ended up serving a 10-year prison sentence.  While he was incarcerated, Wepner did get to see a film being shot on location in the prison.  The name of the film was Lock-Up and the star was none other than Sylvester Stallone.

With Chuck, Chuck Wepner finally gets the movie that he deserves.  Wepner’s fight with Ali occurs early on in the film.  The rest of Chuck deals with Wepner’s attempts to deal the aftermath of the biggest night of his life.  Wepner may love his fame but secretly, he knows that it’s not going to last.  While Stallone makes millions playing the role of Rocky Balboa, Chuck struggles to make ends meet.  Even when given a chance to appear in Rocky II, Wepner falls victim to his insecurity and blows the audition.  Seeking escape though drugs, the real Rocky ends up in prison, watching the other Rocky shoot his latest movie.  Though the film suggests that Chuck finally found some peace with his third wife and a career as a liquor distributor, it’s still hard not to feel that Chuck Wepner deserved more.

Featuring a great lead performance from Liev Schreiber and outstanding supporting work from Naomi Watts, Jim Gaffigan, Michael Rapaport, Ron Perlman, and Morgan Spector (who plays Sylvester Stallone as being well-meaning but often insensitive), Chuck is a heartfelt, warts-and-all portrait of Chuck Wepner.  The film sets out to give Wepner the recognition that he deserves and it largely succeeds.  Watch it as a double feature with ESPN’s The Real Rocky.

When Machine Gun Met Al: Gangster Land (2017, directed by Timothy Woodward, Jr.)


Chicago in the 1920s.  Booze may be illegal but that’s not keeping people from drinking and gangsters from making a killing.  When an amateur boxer named Jack McGurn (Sean Faris) joins the mob, he befriend an up-and-coming criminal named Al Capone (Milo Gibson).  While Capone rises through the ranks, McGurn is always by his side, usually firing a tommy gun.  When Capone finally becomes the boss of Chicago, McGurn becomes his second-in-command and a leading strategist in the war against Capone’s rival, George “Bugs” Moran (Peter Facinelli).

If you’re looking for a historically accurate film about 1920s Chicago, look elsewhere.  Today, “Machine Gun” McGurn is best known for being the mastermind behind the St. Valentine’s Day Massacre (which, of course, is recreated in Gangster Land) but it’s doubtful that he was ever Capone’s second-in-command.  Famed Capone associates like Frank Nitti, Gus Alex, and Murray Humphreys are nowhere to be found in Gangster Land, nor is Eliot Ness.  Instead Jason Patric plays the righteous and fictional Detective Reed.

What the film lacks in historical accuracy, it makes up for in gangster action.  There’s enough tommy gun action, car chases, and showgirls to keep most gangster film aficionados happy.  All of the usual Capone stuff is recreated: Johnny Torrio is assassinated, Dion O’Bannon is killed in his flower shop, and the St. Valentine’s Day Massacre scandalizes the nation.  Though the film never displays anything more than a Wikipedia-level understanding of the prohibition era and there’s not a single gangster cliché that isn’t used, Gangster Land is briskly paced and makes good use of its low-budget.  Sean Faris is stiff as McGurn but Milo Gibson (son of Mel) is better than you might expect as Al Capone and the underrated Jason Patric makes the most of his limited screen time.  Fans of The Sopranos may want to watch for the chance to see Meadow herself, Jamie-Lynn Sigler, as McGurn’s showgirl wife.

Artist Profile: Ken Barr (1933 — 2016)


All of the covers below were done by Ken Barr, a Scottish artist who had a long and prolific career in the United States.  Along with painting several paperback covers, Barr also did work for Marvel and DC comics and was well-known for his Doc Savage magazine covers.  Born in 1933, Barr began his career in the 50s and worked until his retirement in 1987.  Highly regarded for the wide variety of the work that he produced, Barr’s covers are still highly sought by collectors.

Below is just a small sampling of his output:

Review: Predator (dir. John McTiernan)


Predator 1987

It would be accurate for one to say that Arnold Schwarzenegger was king of the 80’s action flicks. He first burst onto the scene in the titular role in Conan the Barbarian then it’s follow-up sequel. Yet, it would be his role in James Cameron’s The Terminator in 1985 that would make him a household name.

He began to crank out action films after action film every year to varying degrees of success and quality between 1984 and 1987. It would be in the summer of 1987 that he would add a third iconic action film role to stint as Conan the Barbarian and the relentless cybernetic killer, the Terminator.

Maj. Dutch Schaefer in John McTiernan’s action scifi Predator cemented Arnold Schwarzenegger as the most bankable movie star of the 1980’s. The film itself has become a go-to classic whenever film fans of all stripes discuss what were some of the best films of the era. Yes, I do categorize Predator as one of the best to come out of the 1980’s. It does more than hold it’s own when stacked up against Oscar winners, festival darlings and indie cult-favorites.

It’s a film that takes the premise that “man is the most dangerous game” to new levels by adding in a scifi element to the story. That scifi element being an extraterrestrial hunter who comes to Earth every so often to hunt. It’s chosen prey tends to be killers, fighters and soldiers at the top of their craft and usually during times of extreme conflict.

The film, as written by the two brothers John and Jim Thomas, actually works like a slasher horror film in the beginning as Dutch and his team of elite commandos trek through the Central American jungle on a rescue mission. A mission that lands the team in finding the grisly remains of another American special forces team. Questions come up as to whether their CIA liaison (played by Carl Weathers of Rocky and Rocky II fame) knows more about the true nature of their supposed rescue mission than he’s willing to let on.

It’s once the team, still being stalked through the jungle by an unseen predator, finally find the people they’re suppose to rescue that all hell breaks loose in more ways than one. The action is loud, messy and exquisitely choreographed and filmed. Unlike some of the action films of the last ten years, Predator succeeds with it’s action scenes for having a director who uses very long takes and little to no hand-held to keep the action geography easy to follow and the action choreography unencumbered by too many edits and cuts.

Even once the team realizes that they were now being hunted and that whoever, or whatever is hunting them, the film still continues to stay on a creative track. When I mentioned that the film plays out like slasher film, it does in way in that the titular character behaves and moves like slasher killers. It seems to be everywhere and nowhere. The very victims it’s hunting only see it when it’s too late and death’s upon them.

The film’s dialogue has been quoted by so many fans that memes have been created around them. Yet, this doesn’t mean that the film is hilarious. What it does have was that masculine, brother’s-in-arms banter and quips that’s become a sort of signature for screenwriter and director Shane Black who was hired to do some uncredited rewrites on the Thomas Brother’s original script. Black would also end up playing one of the commandos in the film.

Outside of Arnold himself, Predator would be best-known for the effects work by the late and great Stan Winston, who would come in to help redesign the title character (with some help from his buddy James Cameron) and the rest as they would say was film history. It would be difficult to go anywhere around the world, show the Predator to some random person and they not know what it is.

Predator was one of those films that people, at first, thought was just a mindless, popcorn flick. The type of cinema that was to be seen then forgotten for better fare. Yet, in the end, Predator ended up becoming not just a classic of its genre, but a perfect example of a film that transcends it’s genre roots to become just a great film, in general.

Happy Labor Day From The Shattered Lens


What is Labor Day and why do humans celebrate it?

Is it so unusual to work that human need a holiday to remind them to do it?  Cats don’t need a special day to remind them to do their duty.  A cat wakes up everyday knowing what needs to be doing and preparing to do it.  A cat knows that importance of exploring its territory.  A cat knows the importance of keeping a strict schedule.  Also a cat knows that it can get away with sleeping on the job.  In fact, sleep is a large part of the job!

The flame-haired one thinks that Labor Day is a “left-wing, communist plot” but I don’t understand what any of those words mean so I just let her ramble on until it’s time to be fed.

Today is Labor Day so sit back, do no work, and make it a great one!  If you need something to do on this Labor Day, there are over 11,000 posts on this site, the earliest of which was published all the way back to 2009!  Feel free to explore and let us know what you think.

Fear not, the cat will keep an eye on things until you get back…

Music Video of the Day: Money for Nothing by Dire Straits (1985, directed by Steve Barron)


In a 1984 interview, Dire Straits guitarist Mark Knopfler had this to say about the song that would not only become the band’s biggest hit but also one of the best known videos from the early years of MTV:

The lead character in “Money for Nothing” is a guy who works in the hardware department in a television/​custom kitchen/​refrigerator/​microwave appliance store. He’s singing the song. I wrote the song when I was actually in the store. I borrowed a bit of paper and started to write the song down in the store. I wanted to use a lot of the language that the real guy actually used when I heard him, because it was more real….

According to Knopfler, he was in a New York appliance store when he heard a man who worked there complaining about all of the TVs in the shop being tuned to MTV.  (Urban legend has it that the man was watching a Motley Crue video.)  Knopfler wrote down the man’s exact words, which included the famous line about “money for nothing and chicks for free,” and later set them to music.  (Knopfler also included the man’s controversial description of a rock star as being “that little faggot with the earring and the makeup.”  In 2011, 26 years after the song’s initial release, that line would lead to the  Canadian Broadcast Standards Council banning the song from being played on Canadian radio stations.)  After hearing the band’s initial recording of the song, Sting suggested the “I want my MTV” line and was rewarded with a co-writer credit.

The ground-breaking music video was one of the first to feature computer animation.  Under the direction of Steve Barron, Ian Pearson and Gavin Blair (who later founded Rainmaker Studios) created the animation using a Bosch FGS-4000 CGI system and a Quantel Paintbox system.

Money for Nothing spent 3 weeks as the number one single in the United States and the video was named Video of the Year at the 3rd Annual MTV Music Awards.

Lisa’s Week In Review: 8/27/18 — 9/2/18


Inferno (1980, dir by Dario Argento)

Movies I Watched

  1. Deadly Shores (2018)
  2. Her Worst Nightmare (2018)
  3. Inferno (1980)
  4. The Last Movie Star (2018)
  5. Lethal Soccer Mom (2018)
  6. Pacific Rim: Uprising (2018)
  7. Rear Window (1954)
  8. The Strange Case of Dr. Rx (1942)
  9. Trog (1970)
  10. You Were Never Really Here (2018)

Television Shows I Watched

  1. The Avengers
  2. Bachelor in Paradise
  3. Bar Rescue
  4. Big Brother 20
  5. Big Brother After Dark
  6. City Confidential
  7. Crime Stories
  8. Crime Watch Daily With Chris Henson
  9. Doctor Phil
  10. Dominick Dunne’s Power, Privilege, and Justice
  11. FBI: Criminal Pursuit
  12. House of Cards (BBC)
  13. It’s Always Sunny in Philadelphia
  14. King of the Hill
  15. Kitchen Nightmares
  16. Masterchef
  17. The Office
  18. Orange in the New Black
  19. Shipping Wars
  20. So You Think You Can Dance
  21. Southern Fried Homicide
  22. To Play the King
  23. Young Sheldon

Books I Read

  1. Rapture (1987) by Thomas Tessier

Music To Which I Listened

  1. Benny Banassi
  2. Big Data
  3. David Guetta
  4. DJ Snake
  5. Elle King
  6. Emma Bunton
  7. Gloria Trevi
  8. Hardwell
  9. Interpol
  10. Lindsey Stirling
  11. Muse
  12. Neon Indian

Links From Last Week

  1. My beloved Vanessa Marquez
  2. From Heath Battles to ‘Blacklisted’ Claims: A Look Back at ER Actress Vanessa Marquez’s Life
  3. Wil Wheaton has a listening problem
  4. Twitter Rival Mastodon isn’t safe from online mobs either.
  5. NBC threatened Ronan Farrow If He Kept Reporting on Harvey Weinstein 
  6. The Other Side of the Wind premiere coverage and first reviews
  7. Kickin’ The Willy Bobo With … Raymond Embrack
  8. From my Dream Journal: Last Night’s Cleaning Dream
  9. From my sister’s photography site: Church Behind The Trees, Highland Park Church, Church in The Rain, Be Prepared To Stop, Road to Fall, Clouds, and The Door is Locked.
  10. On my music site, I shared songs from Hardwell, Benny Banassi, Lindsey Stirling, Emma Bunton, Elle King, DJ Snake, and Fiona Apple.

Links From The Site

  1. Erin profiled Art Sussman and shared work from Harry Schaare, Mitchell Hooks, Robert McGinnis, Norman Saunders, an unknown artist, and Ray QuigleyShe also shared a beautiful picture of her own!
  2. Gary reviewed Genius at Work, A Funny Thing Happened On The Way To The Forum, The Odd Couple, and Sabata!
  3. Jeff reviewed The Quest, shared his weekly trailer round-up, and also gifted us with music videos from Toy-Box, Love and Rockets, and John Mellencamp!
  4. I reviewed Her Worst Nightmare!  I shared music videos from David Guetta, Interpol, Big Data, and Big Data again!  I shared the trailers for The Other Side of the Wind and the Front Runner I shared a scene that I lovedI offered up a preview of October!  I reviewed both Lethal Soccer Mom and Deadly Shores!
  5. Patrick reviewed Ghoul!
  6. Ryan reviewed Tintering, Lawns, The House on Mansfield Street, and Generous Bosom and also shared his weekly reading round-up!
  7. Arleigh reviewed The Hunt For Red October, selected an AMV of the Day, and offered up sneak peeks of both Suspiria and The Predator!

(Want to see what I did last week?  Click here!)

Rest in peace, Vanessa Marquez.

Weekly Trailer Round-Up: Bad Times At The El Royale, First Man, Air Strike, E-Demon


This week, Lisa and Arleigh already shared the latest trailers for:

The Predator

The Other Side of the Wind

The Front Runner

Here’s the best of the rest.

Six years after making his directorial debut with The Cabin In The Wood, Drew Goddard returns to the director’s chair with Bad Times at the El Royale.  Featuring Jeff Bridges, Jon Hamm, Dakota Johnson, and Chris Hemsworth, Bad Times at the El Royale will be released on October 12th.

From Universal Pictures, here is the second trailer to First Man.  Damien Chazelle’s upcoming film stars Ryan Gosling as the first man on the Moon, Neil Armstrong, and Claire Foy as his first wife.  First Man will be released on October 12th, putting it in head-to-head competition with Bad Times At the El Royale.

If you have ever wondered what you would get if you combined Bruce Willis, Adrien Brody, and unconvincing CGI, Air Strike is here to answer your question.  Air Strike will be released on October 26th.  Mel Gibson (yes, that Mel Gibson) was the production designer.

Finally, if you missed the first two Unfriended movies, E-Demon is here to shock you.  E-Demon will be released on September 14th.