4 Shots From 4 Films: Special Dario Argento Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

As you might have just guessed, today’s director is Dario Argento.  And these are 4 shots from 4 films!

4 Shots From 4 Films

Deep Red (1975, dir by Dario Argento)

Suspiria (1977, dir by Dario Argento)

Inferno (1980, dir by Dario Argento)

Dracula 3D (2012, directed by Dario Argento)

 

Horror on the Lens: Baffled! (dir by Philip Leacock)


Hi there and welcome to the October Horrorthon!

This is our favorite time of the year here at the Shattered Lens because October is horror month.  For the past five years, we have celebrated every October by reviewing and sharing some of our favorite horror movies, shows, books, and music!

A part of the tradition of Horrorthon is that we begin every day in October by sharing a free movie.  Now, I should warn you that most of these movies will come from YouTube and you know how YouTube is about yanking down videos.  So, if you’re reading this in 2024 and wondering where the promised movie disappeared to … well, you should have watched it in 2017!

Let’s start this October off with Baffled!, an entertaining little made-for-TV movie from 1973.  Leonard Nimoy plays a race car driver who suddenly starts to have psychic visions of a woman who lives in what appears to be a gothic manor.  The woman is in some sort of danger.  Nimoy, of course, would rather just race cars but a parapsychologist (Susan Hampshire) convinces him that he has to figure out what his visions mean.

Now, to be honest, Baffled! is not a particularly scary movie.  Some of Nimoy’s visions are spooky but there’s nothing in this movie that’s going to give you nightmares.  Though it may not be horrifying, Baffled! is a lot of fun.  Apparently, it was meant to be a pilot for a TV series.  If it had been picked up, I guess Nimoy and Hampshire would have been helping out a new guest star every week.  Nimoy seems to be having a lot of fun playing a psychic race car driver and he and Susan Hampshire have a really sweet and enjoyable chemistry.

I watched Baffled! with the TSL’s own Patrick Smith and the other members of the Late Night Movie Gang.  We all really enjoyed it and I hope you will too:

http://www.youtube.com/watch?v=09JTgUcvyGE

 

Welcome to October!


Photograph by Erin Nicole

Welcome to October!

Here’s hoping this month finds you with joy, family, friends, fiends, ghouls, and ghosts!

Today is also the start of the Shattered Les’s annual horrorthon!  Sit back, enjoy the reviews, the art, and the music videos, and have a great month of ghoulish fun!

Photograph by Erin Nicole

Have a safe and wonderful Halloween month!

Cleaning Out The DVR: Nanny Nightmare (directed by Brian Herzlinger)


(Along with everything else that she’s trying to get done this month, Lisa is also trying to make some progress in getting her DVR cleaned out!  She has currently got over 170 things recorded and they’re all going to be erased on January 1st, regardless of whether she’s watched all of them or not.  That’s just the way things work in the Bowman household.  Will she manage to watch everything before the year ends?  Keep checking here to find out!  Anyway, she recorded 2017’s Nightmare Nanny off of the Lifetime Movie Network on June 16th.)

If there’s anything that I’ve learned from watching Lifetime movies, it’s that anyone who actually wants to spend time with children (especially babies) is a fucking psycho.

Seriously, I’ve lost track of the number of Lifetime films that have dealt with a crazy babysitter, nanny, teacher, step-parent, foster child, or an obsessed neighbor.  They all tend to start out the same way, with a large and tastefully decorated house.  Inside the house, a woman thinks that she can have it all: a career, a family, and an outspoken, take-no-bullshit best friend who likes to drink wine.  Sometimes, the woman is a single mother.  If she’s divorced or separated, her husband is still not quite out of the picture.  If she’s widowed, then she still has to deal with a pushy in-law who doesn’t think that she’s spending enough time at home.  If she’s still married, her husband is a jerk who spends all of his time at the office with his attractive administrative assistant.

Married, divorced, or widowed, she has at least two children to take care of.  It’s not easy trying to balance it all.  But then suddenly, someone shows up.  Sometimes, it’s a neighbor who is just a little too friendly.  Sometimes, it’s a nanny who has been hired because of “impeccable” (and forged) credentials.  Whoever it is, they always say that they love children.  They imagine it probably has something to do with their own dysfunctional childhood.  They just want to find a place to belong.  And so, this stranger is hired and entrusted with the safety of the household.

It’s always a mistake.  No one is every truly helpful in a Lifetime movie and the more perfect someone seems to be, the more likely that person is going to turn out to be a raving psycho.  Unfortunately, the characters in Lifetime movies appear to have never watched television.  If they had, they would know better than to trust anyone who claims to love children.

Seriously, children are the worst.

Take Nanny Nightmare, for instance.  Nanny Nightmare follows the formula without deviation and it’s hard not to feel that, if only Lauren (Erin Cahill) had watched a Lifetime movie or two, she could have avoided a lot of drama.  She would have known that her husband (Brady Smith) was being framed when she found pictures of his half-naked assistant on his phone.  She also would have known better than to trust her neighbor, Owen (Jake Manley), when he said that he loved children.

But she did trust him and, before you know it, Owen is installing spy cameras all over the house and trying to trick Lauren into falling in love with him.  Owen has finally found a family and he’s determined to never let them go!  (Hell. he’s even get a candle-lit altar that’s decorated with pictures of Lauren.  That’s determination.)

As I said, it’s pretty much a standard Lifetime movie but I did like Jake Manley’s performance as Owen.  I liked the fact that Owen was obviously psychotic and yet, no one seemed to notice.  Even when he attacks the neighbor’s lawn mower with a baseball bat, no one seems to be particularly perturbed.  Then again, isn’t that the way things usually work in real life?  If you have to choose between asking someone if they’re crazy or just trying to ignore the weirdness all around you, most people will go for the latter option.

That’s one reason to keep an eye out for evidence of a psychotic disposition before you invite someone to come live in your house.  Seriously, if anyone says that they enjoy being around children, get out of there.

Thank you, Lifetime, for reminding us to stay vigilant.

Music Video of the Day: Hammer Horror by Kate Bush (1979, dir. Keith MacMillan)


Welcome to October on Through the Shattered Lens. I’ll try to do my best to find 31 October-related music videos.

It is about an actor and his friend. His friend is playing the lead in a production of The Hunchback of Notre Dame, a part he’s been reading all his lfe, waiting for the chance to play it. He’s finally got the big break he’s always wanted, and he is the star. After many rehearsals he dies accidentally, and the friend is asked to take the role over, which, because his own career is at stake, he does. The dead man comes back to haunt him because he doesn’t want him to have the part, believing he’s taken away the only chance he ever wanted in life. And the actor is saying, “Leave me alone, because it wasn’t my fault – I have to take this part, but I’m wondering if it’s the right thing to do because the ghost is not going to leave me alone and is really freaking me out. Every time I look round a corner he’s there, he never disappears.”

The song was inspired by seeing James Cagney playing the part of Lon Chaney playing the hunchback – he was an actor in an actor in an actor, rather like Chinese boxes, and that’s what I was trying to create.

At least that’s what you’ll get when you go to a page that includes an article which appears to have been sitting out there since 1990. It is from “Kate’s KBC article Issue 3 (November 1979)”. Back in the day, there was a fan magazine called The Kate Bush Club. The page linked to above contains that excerpt from it where Kate talks about the song and video.

Surprisingly, despite the title, that same article begins with Kate saying the following:

The song is not about, as many think, Hammer Horror films.

She goes on to describe the making of the video:

Making the video of Hammer Horror was the first time I had worked with a dancer. I wanted to do something different with it, using a dancer, and I was sitting in a hotel room in Australia when it suddenly came to me–the whole routine happened before my eyes–and the next morning at 9 a.m. the dancer turned up to start work. We’d never met before, and in ten minutes we were having to throw each other around. He was so inspiring that we did the video that same afternoon.

She continues for a bit after that:

I did it again in New Zealand, when we arrived late, so I went straight into the routine with a dancer I’d never met before who had learnt it from the video. It was the strangest experience–I got to the chorus and suddenly this total stranger appeared behind me doing the routine perfectly. I just couldn’t stop laughing, and we had to do about three takes.

In the show I wanted to use the same routine, but I couldn’t possibly sing it and dance at the same time, and I thought it was important not to mime it, as I wanted it to be a dance number, totally dedicated to dance, so I could let rip more. It was important that everyone should know that it wasn’t a cheat, so I decided to dance to a backing track, and it was the only number in the show that wasn’t live.

I’ve already done two videos that director Keith MacMillan worked on, but I haven’t talked too much about him.

Keith MacMillan appears to be his real name. When he directed music videos he used the name Keef. It encompassed himself as the director and John Weaver as a producer. However, he was a photographer and designed album covers as well. There, he used the pseudonym of Marcus Keef. One particularly noteworthy cover is the one he did for Black Sabbath’s debut album:

He did the cover of Paranoid as well. He worked with numerous artists, such as David Bowie and Rod Stewart. There’s a short article that features some of his work here.

This song was on Kate Bush’s second album called Lionheart.

I’m not sure if he did the cover art, but it wouldn’t surprise me based on looking at his other album covers. In addition, according to mvdbase, he directed all of her early music videos as part of Keef.

Enjoy!