Once upon a time — when comics copied movies rather than vice-versa — there was a little bit of a “Vietnam boom” in the funnybook pages. Hot on the heels of the success of flicks like Platoon and Full Metal Jacket at the box office, Marvel and DC looked to America’s (then, at any rate) most divisive military entanglement as the source of inspiration for a handful of well-regarded late ’80s series, and while it’s certainly been a healthy spell since I dug out my old back issues of The ‘Nam or Cinder And Ashe, I remember being as thoroughly impressed with them as anyone and everyone else was back when they were a going concern.
Then, of course, the ’90s hit, and when the Image books of that woe-begotten decade’s early years ushered in the era of the genuinely brain-dead superhero story packaged inside a foil-wrapped holographic cover…
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