Song of the Day: The Rains of Castamere (by Sigur Rós)


maxresdefault

In season 3 of HBO’s Game of Thrones we saw a wedding come to a bloody conclusion as one of the five kings who were warring for the Iron Throne in the Seven Kingdoms of Westeros was finally brought low through betrayal and the machinations of the Lannister patriarch. It was an event that will forever be known to fans of both books and the show as “The Red Wedding”.

Tonight, we find ourselves in just the second episode of Season 4 of the show. With his power over the Seven Kingdoms pretty much solidified it was high time for King Joffrey to have his wedding to Margaery Tyrell to help cement the alliance which brought the powerful House Tyrell to the Lannister side of the war.

The wedding has been dubbed “The Purple Wedding” by fans of the books due to the color symbolizing the color of royalty and this wedding one of royal means. So, while season 3 had the shocking “Red Wedding” it looks like the fourth season will have the eventful and memorable “Purple Wedding” to get post-episode tongues wagging.

It is with this wedding event we have our latest “Song of the Day” and it’s another appearance by a very popular song from the show (outside of it’s opening theme song). “The Rains of Castamere” has already made an appearance before when it was sung by the group The National. Tonight’s version was sung by the Icelandic post-rock group Sigur Rós.

The Rains of Castamere

And who are you, the proud lord said,
that I must bow so low?
Only a cat of a different coat,
that’s all the truth I know.
In a coat of gold or a coat of red,
a lion still has claws,
And mine are long and sharp, my lord,
as long and sharp as yours.

And so he spoke, and so he spoke,
that lord of Castamere,
But now the rains weep o’er his hall,
with no one there to hear.
Yes now the rains weep o’er his hall,
and not a soul to hear.

Trash Film Guru Vs. The Summer (?) Blockbusters : “Captain America : The Winter Soldier”


Capt2-Payoff-1-Sht-v8-Lg-c563d

I’m firmly of the belief that nobody my age has any business whatsoever using the phrase “WTF,” but nevertheless — WTF? Captain America : The Winter Soldier has been playing for two weeks now, there are, what, either or ten people who write regularly (or semi-regularly) for this website, pretty much all of ’em are bigger fans of Marvel’s cinematic product than I am — and I’m the first person to review this flick here, even though more or less  the entire country saw the thing before I did yesterday? Well, okay, but somebody had better get busy on writing a rebuttal to this, because what I’ve got to say is going to piss a lot of people off.

It’s not that DisMar’s latest blockbuster is “bad,” per se — it’s just that it’s exactly what you expect it to be, that’s all these things ever are, and sorry, but it’s not “the greatest super-hero flick ever made.” And that statement, in and of itself, is going to be enough to upset the die-hards out there because, to them, every Marvel movie is “the greatest super-hero flick ever made” — until the next one. Which is probably just as well because these things are entirely disposable and don’t hold up particularly well to multiple viewings. Be honest — once the initial “high” wore off, was The Avengers really all that great? Or Iron Man 3? Or Thor : The Dark World?

Of course they weren’t. Which doesn’t mean they weren’t fun, or that they didn’t hit all the right bullet points on whatever unofficial geek check-list you keep. It’s just that they do their job, get it over with, and move on — as you do, dear reader. Think about it : after watching your average Marvel movie (and if there’s one thing all of these films are, it’s aggressively average), you’re not necessarily pumped to see it again so much as you are pumped for the next one. And that’s kinda the point, isn’t it? The Marvel cinematic “universe” is a self-perpetuating organism at this point, whose primary function is to whet your appetite for the supposed “greatness” to come rather than give you time to reflect on the mediocrity of what’s already been/is going on. The hype surrounding the product is woven into the fabric of the product itself — in fact, it’s the largest part of it.

_1395260042

Don’t get me wrong — I had a reasonably fun time kicking back and watching Captain America : The Winter Soldier. Chris Evans does a reasonably good job portraying Cap/Steve Rogers as a guy who’s fundamentally decent, but not so holier than thou that you want to knock his teeth in. Robert Redford’s choice to play the treacherous Alexander Pierce as a believably nonchalant master manipulator is solid, and everything about him oozes “old movie vet” professionalism. Sebastian Stan cuts a strikingly mysterious pose as the (sub-) titular Winter Soldier. Anthony Mackie is likable in the extreme as sidekick Sam Wilson/The Falcon. And it’s cool to see Toby Jones “back” — after a fashion, at any rate — as Arnim Zola, this time in an iteration somewhat closer to how Jack Kirby originally envisioned him. The main thrust of the story is pretty engaging, too, revolving as it does around a massive web of Hydra “fifth columnists” within S.H.I.E.L.D. itself. It’s reasonably — though far from overwhelmingly — interesting, and keeps you guessing just enough.

But there are some pretty glaring flaws here, as well. Samuel L. Jackson seems tired and played-out as Nick Fury, and while it doesn’t help that his entire “character arc” in this film is lifted note-for-note from that of Jim Gordon in The Dark Knight, the fact of the matter is that Sam doesn’t seem to be putting any more effort into this gig than he does in his credit card commercials. Scarlett Johansson remains horribly miscast as Natasha Romanov/The Black Widow, and while that’s not such a huge problem in movies where she’s peripheral (at best) to the action, it stands out like a sore thumb here, where she’s called upon to be much more central to the proceedings. And for a supposed future love interest, Emily VanCamp is entirely forgettable in her brief time on screen.

Still, those are minor quibbles compared to the main problem here, which is how hopelessly generic, and indeed formulaic, this whole thing feels from start to finish. Joe Johnston’s Captain America : The First Avenger remains my personal favorite Marvel Studios film, but as with Kenneth Branagh and the Thor franchise, DisMar has opted here to show a veteran director with his own ideas and authorial stamp the door when it came time for a sequel and bring in “talent” from the world of television (in this case brothers Joe and Anthony Russo) to hammer things into the dry, predictable “house style” best exemplified by Joss Whedon’s Avengers and Jon Favreau’s first two Iron Man flicks. The end result is a multi-million-dollar, CGI-heavy, clinically-paced, personality-free zone.

captain-america-winter-soldier-retro-poster-400x600

About a half hour into things here, you start to get the distinct feeling that you’ve seen all this before, and there’s good reason for that — you have. The action sequences are progressively bigger, louder, and more destructive, but not much else. They don’t become progressively more thrilling or suspenseful, and while the stakes are nominally raised every time, their execution remains largely the same. You could probably run ’em all in reverse order with no real difference to the story.  And while there does, in fact, seem to be a kind of major shake-up Marvel’s “universe” at the end of this film, the fact that the Agents Of S.H.I.E.L.D. TV series remains a going concern week in and week out is all you need to know to figure out that any “ramifications” from this story are apparently very short-lived indeed. In other words, Marvel’s doing on celluloid what they’ve always done in print — providing, in the words of Stan Lee (who it pains me to even quote, but in this case I must) “the illusion of change” — but no actual change at all.

blurppy-poster-posse-captain-america-3

In the end, in the eyes of this armchair critic at any rate, that’s what Marvel’s movies are all about at this point  : the status quo. If you’re happy with that, then you’ll enjoy the heck out of Captain America : The Winter Soldier. But if you’d like to actually see something that takes a few risks, dares to break the mold a bit, and maybe even matters — well, you’ll have to look elsewhere. That’s not the point here. The point here is to get you all hot and bothered for Captain America 3, or The Avengers 2 — or whatever the hell else is in the pipeline — before this one’s even over. Viewed from that angle — the one that shows the goal of every Marvel movie is nothing more than ensuring that there will be a next Marvel movie — then yeah, this one’s gotta be viewed as an unqualified success. So what?

What Lisa Watched Last Night #103: Death Clique (dir by Doug Campbell)


Bermuda Tentacles and Robot Vs. Aztec Mummy were not the only movies I watched on Saturday night.  I also DVRed Death Clique, a Lifetime original film.

Why Was I Watching It?

How can you not watch a film called Death Clique, especially when it’s on Lifetime?

What Was It About?

Teenagers Sara (Lexi Ainsworth) and Jade (Brittany Underwood) have been friends forever.  However, when new transfer student Ashley (Tina Ivlev) decides that she wants to be Jade’s new BFF, it leads to murder.  According to the opening credits, this is based on “true events.”  (There’s been a lot of speculation on the imdb message boards that Death Clique was based on the horrific murder of Skylar Neese but, while there are similarities, I don’t know that for sure.)

What Worked?

I’m not totally sure how closely Death Clique stuck to the true story that inspired it.  I’m going to guess that some parts of the film were heavily fictionalized, just by the fact that no “real” names were used.  But, even with all that in mind, Death Clique was a disturbing and effective movie about friendship, obsession, and murder.  When you watch as many Lifetime films as I do, you end up seeing a lot of melodrama in a lot of high schools.  Death Clique may not be the first Lifetime film to deal with this topic but it is unique in that it not only got the melodrama right but it got the little details right as well.

A lot of the credit for the film’s success has to go to the actresses who played the three friends — Lexi Ainsworth, Brittany Underwood, and Tina Ivlev were totally believable in their roles.

What Did Not Work?

It all worked.  This was an effective and well-made Lifetime film.

“Oh my God!  Just like me!” Moments

There were more than I would like to admit.  When I think back to high school and even to college, I can see that there were times when I was just like Jade and when I was just like Sara.  I’ve been the girl with the new and possessive BFF and I’ve also been the girl who suddenly discovers that she’s become the third wheel.  While I don’t think I’ve ever truly been an Ashley, I know what its like to be possessive of a new friend.  Up until the murder, every scene in this film had me saying, “Oh my God!  Just like me!”

There’s one scene, in particular, that struck uncomfortably close to home for me.  That was when Jade and Ashley slashed the tires of a car belonging to their hated Spanish teacher.  In my case, the car belonged to an algebra teacher and, without going into too many details, I was totally justified.

Lessons Learned

Choose your friends carefully.

An Extremely Short Review of The Robot Vs. The Aztec Mummy


The other night, the Late Night Movie crew and I watched The Robot Vs. The Aztec Mummy, a Mexican film from 1958 that featured an Aztec mummy guarding a treasure in a tomb and the robot that a mad scientist creates to defeat it.  I’ve rewatched the film twice and I still have absolutely no idea what the Hell’s going on.  However, the robot is kind of cute and the mad scientist looks like he might be distantly related to Orson Welles.

If you want to watch this short film and then maybe leave a comment explaining it to me, please feel free.

 

What Lisa and the Snarkalecs Watched Last Night #102: Bermuda Tentacles (dir by Nick Lyon)


Last night, the Snarkalecs and I turned over to SyFy so we could watch and live tweet the latest offering from the Asylum, Bermuda Tentacles!

Why Were We Watching It?

Because it was the first SyFy original film of 2014, that’s why!  Seriously, yesterday should have been a freaking national holiday.  (Sad to say but rumor has it that the SyFy network may be looking to phase out original films — like Bermuda Tentacles — in order to devote more time to episodic television.  I sincerely hope that the network will reconsider that plan.)

What Was It About?

The President (John Savage) has gone missing in the Bermuda Triangle.  It’s up to rebellious Chief Petty Officer Trip Oliver (Trevor Donavon) to save him!  But while Trip and his crew float around under the sea in a submarine, gigantic CGI tentacles attack Admiral Linda Hamilton and the entire U.S. Navy.  Could the two events be related?

What Worked?

What do I always say about Asylum films?  It all worked.  Asylum films are the epitome of low-budget fun and that was certainly the case here.  To be honest, those who criticize a film like Bermuda Tentacles are missing the point.

Asylum films are designed to be watched by large groups of snarky individuals.  That’s why I always look forward to watching them with the Snarkalecs.  And I have to say that we, as a group, were on fire last night!  We were all in full snark mood and it was a wonderful thing to behold.  Unfortunately, we weren’t able to get #BermudaTentacles trending, largely because there were thousands of tweens tweeting about fucking Ashton Irwin at the same time we were tweeting about the movie.   But still, it was a good effort and everyone should be proud.

One thing that the Snarkalecs seemed to especially appreciate about Bermuda Tentacles was just how long, by Oval Office standards, the President’s hair was.

https://twitter.com/trinityskywlker/status/455164564212944896

Thank you, John Savage, for not getting a haircut!

What Did Not Work?

I have to admit that, unlike TSL editor-in-chief Arleigh Sandoc, I’m hardly an expert as far as military history or ranks are concerned.  However, it was obvious, even to me, that the Navy in Bermuda Tentacles didn’t appear to follow any sort of real-world protocol.  Quite a few people on twitter doubted that an admiral would be on a destroyer and some had issues with a scene where the President referred to Oliver as being a “soldier” as opposed to being a “sailor.”  This really wasn’t a big deal to me because, quite frankly, I hardly expect Asylum films to be documentaries.  However, judging from some of the comments on twitter, it was a big deal to quite a few people who had actually served in the Navy.

“Oh my God!  Just like me!” Moments

I had a harder time than usual relating to the characters in Bermuda Tentacles, largely because they were all career military whereas I majored in art history.  I was happy to see that the Admiral was a woman and that none of the men in her command had any problems with taking orders from her.  I would hope that, if I was an admiral, I would be just as effective.

Lessons Learned

There’s nothing quite as uniquely fun as watching a SyFy film with the Snarkalecs.  I’m already excited for the SyFy premiere of Big Ass Spider next Saturday.