T.V. Review: Marvel’s Agents of S.H.I.E.L.D. – Season 1, Episode 4 (“Eye-Spy”)


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I’ve been a fan of Joss Whedon shows since he first burst onto the scene with Buffy, The Vampire Slayer over on what used to be the WB Network. I’ve followed his work from one show to the next and if there’s one thing all his shows seems to have in common it’s that they take time to find their stride. In the past, shows were given time to get their bearings. See what  works and what doesn’t in a narrative sense. These first few episodes also give the writers a chance to flesh out characters for the long run. Yet, in this day and age of instant gratification Whedon and company may not have the luxury to take their time to get their footing, so to speak.

Marvel’s Agents of S.H.I.E.L.D. has been good to so-so the first three episodes. While all the episodes have been fun there’s also a feeling that ABC and Disney were really going on the cheap side of production with these episodes. It’s almost as if the powers-that-be producing the show were hedging their bets as to whether the show will be a sure-fire hit or a dud soon to be cancelled. This is Whedon we’re talking about whose last two series haven’t really panned out despite a rabid fanbase.

I think with tonight’s episode, “Eye-Spy”, the series may finally be finding its rhythm. It’s still not a perfect show. The fun factor is still present as is the witty banter that comes with a Whedon show, but where the first three episode looked somewhat cheap this fourth entry had a much more polished look to it. Maybe Disney and ABC finally loosened the purse strings. Even the look of the episode had a subtle change to it. Gone was the overlit scenes that added to the cheapness of the production. We actually were given scenes with shadows and darkness. There wasn’t an overlit sequence to be seen.

Let’s return to the episode at hand.

Tonight’s episode sees Agent Coulson taking the team to Stockholm, Sweden to investigate an apparent diamond heist. The heist itself was a nice cold opening. With over a dozen men dressed in matching black suits and all wearing those creepy red “Stranger” masks. First reaction to this was that they must be part of some sort of secret organization that was probably actively going against S.H.I.E.L.D. Yet, the writers do a 180 and we find out they’re just an elaborate, albeit unsuccessful, attempt to keep a briefcase carrying 30million dollars in diamonds from being stolen. We’re soon introduced to the target of Coulson and his team. One Akela Amador, a rogue S.H.I.E.L.D. agent and one-time Coulson protege, who may appear to be more than meets the eye.

This whole episode has been about getting a bit more character development for Agent Coulson and his latest protege, Rising Tide hacktivist Skye. The chemistry between the Coulson and Skye looks to be more well-developed than the love interest angle the writers have been trying to create between Skye and field agent Ward. While the latter looks like it’s still a hit-or-miss proposition the former looks to be developing quite nicely. If there’s one thing Whedon and his writers have been very adept at creating in their past shows it’s setting up the mentor/protege relationship. The best example would be Buffy and her Giles who also didn’t start off on the right footing in the early episodes of Buffy’s first season, but as time passed that relationship grew and there’s signs of something similar happening between Coulson and Skye.

The writing for tonight’s episode was crisper than the previous episode. We got less forced humorous moments. The dialogue actually flowed much more smoothly and allowed for the funny bits to come across naturally. Once again it’s Clark Gregg as Agent Coulson that provides the rock upon which the rest of the cast steady themselves. There’s an almost old-fashion earnestness to Gregg’s portrayal of Coulson which have endeared the character to legions of fans.

So, it’s only natural that the episode provide some more hints and bits of dialogue that Coulson may not be who he appears to be as well. Theories continue to abound that Coulson may be a Life-Model Decoy or being set-up to be future Avenger recruit Vision. There’s also some talk that he was revived by sorcery which means it’s a step to introducing magic and Dr. Strange to the MCU (Marvel Cinematic Universe). In the end, the mystery of how Coulson survived the mortal wound he received from Loki might just be the main mystery of the show’s first season.

“Eye-Spy” was was written by Whedon-veteran Jeffrey Bell and directed by Star Trek alumni Roxann Dawson (better known as B’Elanna Torres from Star Trek: Voyager). The two worked well together and I’ll be interested to seeing the two become more involved in moving the show through it’s first season. So far, they seem to have found the necessary balance of spy intrigue, superhero action and witty byplay that the first three seemed to lack.

time will tell if the show will be a huge success or just good enough to survive it’s first season. But seeing how much Marvel and Disney have invested in adding this show as an integral cog in their Marvel Cinematic Universe I see Whedon and his writers getting a bit more leeway than they’ve had in the past (looking at you Fox Network executives).

Horror Film Review: The Presence (dir by Tom Provost)


The Presence opens with nearly 20 minutes of near-silence.  We watch as an unnamed and emotionally unstable woman (Mira Sorvino, who is literally listed in the credits as having played The Woman) arrives at an isolated cabin.  As she settles in for what is obviously a very needed vacation, she goes about her business without saying a word.  This is because she believes herself to be alone.  However, those of us watching know that this isn’t true.  She is sharing her cabin with a silent and initially passive ghost (Shane West) and, though she can’t see him, those of us in the audience can.

Eventually, the silence is broken as other visitors come to the cabin.  There’s the boatman, Mr. Browman (Muse Watson).  There’s the woman’s boyfriend (Justin Kirk)  who unexpectedly shows up to ask the woman to marry him, a proposal which visibly upsets the ghost. Finally, there’s the Man In Black (played by Tony Curran).   Though the woman cannot see the Man In The Black, she can hear him when he whispers dark thoughts into her ear.

The ghost, however, can see the Man in Black.  The Man In Black offers the ghost a proposition.  If the ghost kills the woman’s boyfriend, the Man In Black will allow the ghost to leave the cabin.

First released back in 2010, The Presence is a film that got (and gets) next to no love from the critics and from the type of people who specialize in leaving snarky comments over at the imdb.  However, I rather like it.  Director Tom Provost makes the risky choice to emphasize atmosphere over easy scares.  The end result is a film that is full of striking images but which requires a bit more patience than most audiences are probably willing to give.  When I think about The Presence, I think about the sight of Shane West passively watching Mira Sorvino, obviously wishing he could reach out but knowing that he cannot.  It’s a haunting image, one that perfectly captures both the fear and the pathos of a good ghost story.

And that, ultimately, is what The Presence is.  It’s a good ghost story and what better time for a good ghost story but Halloween?

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Horror On TV: Twilight Zone 1.6 “Judgment Night”


In 1942, a German man named Carl Lanser (Nehmiah Persoff) finds himself on board the S.S. Glasgow, a British ocean liner that is heading for New York.  Carl has no memory of how he got on the Glasgow but he knows that he’s been here before and he’s met all of the passengers in the past.  Even worse, he knows that something terrible is going to happen and that he’s powerless to stop it….

The “Judgment Night” episode of The Twilight Zone was written by Rod Serling and directed by John Brahm.  It was originally broadcast on December 4th, 1959 and it serves to remind us that, regardless of what some would claim, there’s nothing more horrific than the senseless destruction of war.

The doll always breaks my heart.

Guilty Pleasure No. 14: Fear (dir by James Foley)


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After I wrote my review of Horror of Dracula, I started thinking about all of the cinematic bad boys that I have known and loved.  There’s just something undeniably exciting about having a good-looking psycho obsessing over you!

That leads us to today’s guilty pleasure.  First released in 1996 and a mainstay on cable, Fear is one of the ultimate bad boy psycho films.

Fear tells the story of what happens when 16 year-old Nicole (played by Reese Witherspoon) meets and falls for David (Mark Wahlberg), a polite young man who happens to be crazy.

The first half of the film actually makes a pretty good case for hooking up with a bad boy.  David treats Nicole like a princess, encourages her to break curfew, fingerfucks her on a roller coaster in a scene that makes fingerfucking seem as romantic as anything you’ll find in a Nicholas Sparks novel, and finally sneaks into her house so he can take her virginity.

These scenes capture the appeal of a bad boy — the feeling of danger, the thrill of rebellion, and, most poignantly, that feeling that only you can truly understand what a prince you have discovered.  Witherspoon and Wahlberg are especially good in these scenes, with Witherspoon perfectly capturing the wide-eyed thrill of being in love while Wahlberg is the epitome of every guy in high school that I should not have dated but did.

There’s one small moment that hints at what is going to come.  While talking to Nicole’s dad, Steven (played, with characteristic intensity, by William Petersen), David orders Nicole to get him a drink, causing the overprotective Stephen to glance up with a look of sudden suspicion.  It’s a well-acted and subtle scene, one that will feel painfully real to anyone who has ever been in a similar situation.

It’s shortly after that scene that the entire film basically goes crazy.

fear-mark-wahlbergAfter David catches Nicole’s best friend giving her an innocent hug, David responds by going crazy and beating him up.  Nicole dumps David but then, largely as a response to her father being overprotective, she decides to give him a second chance.

Steven confronts David and orders him to stay away from his daughter.  In an oddly hilarious scene, David responded by robotically beating his chest until he’s apparently covered with bruises.  It’s a totally over-the-top scene that pretty much lets us know that Fear is no longer interested in being a realistic portrait of a naive girl dating an abusive guy.

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Suddenly, we discover that David isn’t just a jerk with anger issues.  Instead, he’s some sort of teenage crime lord, who lives in a dilapidated mansion with his equally low-life friends.  While Nicole is busy writing Nicole Luvs David on her notebook, David is selling crack and having sex with her best friend Margo (played by, believe it or not, Alyssa Milano).

But that’s not all!  When Nicole dumps David for a second time, David responds by tattooing her name on his chest and then gathering together his minions so that they can lay siege to Steven’s mountainside home.

“Don’t worry,” Steven tells his wife (Amy Brenneman), “I’m not going to let anyone get in here.”

And so, in that moment, Fear goes from being every girl’s fantasy of finding her misunderstood prince to being every parent’s fantasy — not only is Steven proven right about his daughter’s boyfriend but he also gets to kick his ass.

Watching Fear is an odd experience.  The film starts out being romantic, well-acted, and, at times, even achingly poignant until, suddenly, it turns into one of the most over-the-top home invasion films ever made.  It makes for an oddly schizophrenic viewing experience and it also makes this film into a true guilty pleasure.

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Horror On The Lens: Dogs (dir by Burt Brinckerhoff)


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Today’s horror film comes to use from 1976.  In Dogs, man’s best friend decides to terrorize an isolated college campus and the fate of the student body is in the hands of two professors (bearded David McCallum and non-bearded George Wyner).

In many ways, Dogs is a pretty basic revenge-of-nature film but it still made me nervous when I watched it on YouTube.  As our regular readers may know, I used to be terrified of dogs.  In just the past few years, I’ve managed to overcome a lot of my phobia but, on the whole, dogs still make me nervous.  And this movie definitely played on those nerves!

Interesting note: according to the trivia section over at the imdb, Dogs was originally going to be followed up by a sequel called Cats.  However, Dogs failed at the box office and, as a results, Cats was cancelled.