Quickie Review: Punisher: War Zone (dir. by Lexi Alexander)


If there was ever a Marvel Comics character who was perfectly suited to star in a grindhouse film it would be Frank Castle aka The Punisher. He’s a character who takes the term anti-hero past its limits and who makes other film vigilantes seem like sissy, choir boys. In December 2008 Lionsgate released a sort of reboot of The Punisher by Jonathan Hensleigh and starring Thomas Jane in the titular role. This time around the role of Frank Castle goes to Ray Stevenson (The Other Guys, Thor, Kill the Irishman) with German-filmmaker Lexi Alexander taking on the director’s reins.

Punisher: War Zone takes much of the characters in the film from story-arcs found in the Marvel Knight’s Punisher MAX series which took the character and his stories into a darker realm of violence. This latest film definitely owes much of it’s darker and more violent tone from that comic book line while at the same time creating a look which brings to mind the garish and over-the-top grindhouse action films of the early 80’s. The film quickly establishes who the Punisher is and what motivates him to take on and kill (heavy emphasis on kill) the criminal underworld of the city. In an opening sequence that probably out-violences every other film released in 2008, the Punisher wipes out a gathering of mobsters in every bloody way as possible. Blood and gore flows and splatters a-plenty in the first 10-15 minutes of this film.

There’s a semblance of a story which involves Castle mistakenly killing an undercover FBI agent which causes him a momentary crisis of conscience, but it really doesn’t last too long as there are more criminals to kill, main and blow up. If there’s one thing the Punisher knows how to do best it’s those three things. Ray Stevenson in the title role doesn’t get to emote much, but does a great job in showing the characters ice-cold ruthlessness paired with a sort of dead-man walking persona which rings true to how the Punisher has been written up of late. His Frank Castle is dead inside and only when he’s the Punisher does he even show any sort of life (even if it’s the barest hint). His foil this time around brings one of the Punisher’s earliest arch-enemies in the disfigured mobster (caused by the Punisher) Jigsaw (played with over-the-top campy relish by Dominic West). Where Castle is deadly serious to the point of morbidity his opposite was all garish with a liberal dose of crazy.

Punisher: War Zone really dispenses with any complexities to it’s plot and just finds reasons and excuses for the Punisher to go on another killing spree against criminals that for some it might not be enough. As a lover of grindhouse and exploitation films what this film offers was enough and really goes a long way in entertaining in such an 80’s fashion. It’s a film that revels in its violent absurdities and campy storytelling. Even the acting by all in the film passes the line of campy and into a sort of Looney Tunes level which makes the extreme violence and gore of the killings more cartoonish than realistic. This was a film that celebrated it’s grindhouse roots from the actors, the filmmakers all the way down to it’s cinematographer and art directors. It’s disposable entertainment and it knows it so doesn’t bother to try and hide that fact and just tries to entertain in every manner possible and then some.

The Dark Knight Rises Teaser Poster is Out!


The Dark Knight Rises Teaser Poster (via TheDarkKnightRises.com)

The Official Teaser Poster for The Dark Knight Rises (Copyright 2011 - DC/Warner Bros.)

Just in time for Harry Potter and the Deathly Hallows, Part 2, Warner Bros. has just released the teaser poster for The Dark Knight Rises. It’s a little hard not to get excited about this (I have a Batman Begins poster in my room, so personally, I was waiting for it), but there are a few things I notice:

1.) This poster has a mixture of the original Batman Begins Poster with the decay of Limbo in Inception.

2.) It’s thrifty. Maybe they had some old unused Inception concepts out there, and someone said, “Uhh…throw a Bat on it, and we’ll go with that.”

3.) The Dark Knight poster’s elements of fire hinted to the anarchy that the Joker tried to bring in that film. What could this be hinting at? Part of me is hoping for an earthquake, but I’m thinking it may have more to do with Bane’s destructive qualities.

Either way, we’ll all find out some Summer of 2012. Rumor has it that the teaser trailer is due to be tied to the Harry Potter film. If so, that should be interesting.

Note that the poster is from the Dark Knight Rises Official Site.

Spike Lee To Direct Oldboy Remake


If Spike Lee wasn’t controversial enough on his own, he’s now going to be directing a remake of one of the more rabidly beloved films to come out of South Korea in the 21st Century, Park Chan-wook’s Oldboy.

I have to admit that this is the type of news that always inspires, within this movie lover, mixed feelings.  On the one hand, Spike Lee is a far better director that a lot of people want to admit and he has shown the ability to make films within several different genres.  On the other hand, you have to wonder why Oldboy needs to be remade in the first place.  One need only read Arleigh’s review of the original to see just how highly most viewers thought of the original.

For me, the real question is this — will Spike Lee be truly reimagining the material or will he just be making the same film again, just this time without subtitles?

(I can see the tag line now: “Just as good as the original, now requiring less reading!”)

Will Spike Lee’s remake be a Departed-style remake or a Girl With The Dragon Tattoo-style remake?

Hopefully, if nothing else, this news will at least encourage people (like me) to seek out and watch the original and make up their mind for themselves.

Let’s Second Guess The Academy: 1998 Best Picture Nominees


Hi and welcome to this week’s edition of Let’s Second Guess The Academy.  Previously, we reconsidered the best picture nominees for both 1990 and 1994.  This week, we jump forward 4 more years to consider the race for best picture of 1998.

1998 saw one of the greatest upsets in Academy history when Shakespeare in Love was named best picture over Steven Spielberg’s Saving Private Ryan.  Even after more than a decade, this decision remains a controversial one.  Some people — including this site’s founder — will tell you that Saving Private Ryan was robbed.  Others, like my sister Megan, loved Shakespeare in Love so much that they still have the sepia-toned movie poster hanging in their house.  And then there are people like me who will tell you that Shakespeare was better than Ryan but Thin Red Line was better than Shakespeare and that, finally, Elizabeth is the best of them all.

So, looking back with the benefit of hindsight (I love that word!), which of 1998’s best picture nominees would you have voted for?

And here’s the part of Let’s Second Guess The Academy that I really love — if none of the five actual nominees had been released in 1998, which other films would you have nominated in their place?  You can vote for up to 5 films.

(If the 2nd poll isn’t showing up on your browser, please click here and you will be redirected to it.)